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Here Are Some Gross Things Trump Apparently Said While Making ‘The Apprentice'

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Former staffers from Donald Trump's "The Apprentice" spoke to Slate about their time working for the GOP presidential hopeful and revealed details that will make your skin crawl. 


Three former "Apprentice" crew members offered Slate some insight into Trump's behavior while working for the NBC series, which first aired in 2004.  


According to the show's former employees...


Trump described women by their breast size -- including women who worked behind-the-scenes on the show. 



He was always very open about describing women by their breast size. Any time I see people in the Trump organization say how nice he is, I want to throw up. He’s been a nasty person to women for a long time,” one crew member said. “My girlfriend at the time was a production assistant on the show and he made a comment about her, knowing that he was mic’d and that we’d all hear it. He said, ‘Who’s that hot little girl running around?’ For a second I was like, Cool, Donald Trump thinks my girlfriend is hot. But then I was like, Wait, an old man said something about my 28-year-old girlfriend. Take it easy, homeboy.



Also, he might be "obsessed with menstruation." 



“He would talk about the female contestants’ bodies a lot from the control room,” one midlevel producer recalled. “We shot in Trump Tower, the control room was on the seventh floor, and he walked in one day and was talking about a contestant, saying, ‘Her breasts were so much bigger at the casting. Maybe she had her period then.’ He knows he’s mic’d and that 30 people are hearing this, but he didn’t care. That’s kind of him. During the campaign, when he was talking about Megyn Kelly, I thought: He’s obsessed with menstruation.”



These anecdotes are consistent with other reports of Trump's behavior towards women, both within the context of "The Apprentice" and outside of it.


In 2004, he wrote that all of the women on "The Apprentice" flirted with him. And in 2013, he made an oral sex joke about a "Celebrity Apprentice" contestant. Former "Apprentice" cast members have also spoken out about Trump. Penn Jillette called him "a whack job" and Vivica A. Fox said the change she saw in him was "disturbing."


Various individuals involved in the Miss USA pageant made similar claims to the New York Times in a May editorial titled "Crossing the Line."


"He kissed me directly on the lips. I thought, 'Oh my God, gross,'" 1997 Miss Utah USA Temple Taggart told the Times. "He was married to Marla Maples at the time. I think there were a few other girls that he kissed on the mouth. I was like 'Wow, that’s inappropriate.'"


Trump disputed Taggart's remarks, though she said it happened multiple times. His camp was not immediately available to comment on Slate's story when contacted by The Huffington Post Thursday.  


The misogyny Trump apparently exhibited while making "The Apprentice" is not too dissimilar from the misogyny of his political campaign. Hmm... 


Editor’s note: Donald Trump regularly incites political violence and is a serial liarrampant xenophoberacistmisogynist and birther who has repeatedly pledged to ban all Muslims — 1.6 billion members of an entire religion — from entering the U.S.

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These Dogs Dressed As Dads Totally Brighten Our Day

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Brace yourself for some doggone adorable photos!


In honor of Father's Day, the pet-setting service DogVacay put together a photo series featuring dogs dressed up as different dad archetypes. Though they may be missing a few examples (where's BabyBjörn dad?), the pictures are pretty hilarious -- from vacation dad to hipster dad.


Marissa Fortson, the director of marketing at DogVacay told The Huffington Post, "We were inspired to do this series after thinking of all the smiles it could bring to people's faces. Father's Day is all about quality time with your family, and we wanted to contribute to that joy by sharing these adorable photos."


Keep scrolling for some awesome dogs that will brighten up your ruff days.


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There's Nothing Crappy About These Toilet Paper Wedding Dresses

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In the world of wedding dresses, there's couture, off-the-rack... and toilet paper?


Indeed, there is a toilet paper wedding dress contest sponsored by Cheap Chic Weddings and Charmin, and this year's winners, which were announced Thursday, look like something you could actually purchase in a store.



The winning gown, pictured above, was created by freelance designer Van Tran


The 1,500 contestants had eight weeks to make their dresses and were permitted to use only toilet paper, tape and/or glue. They were also allowed to sew, if they so pleased. 



Judges included event planner Mikie Russo, Charmin representative Vicky Schooler, Edward Meyer, the vice president of exhibits and archives at Ripley’s Believe It or Not! and Hank Freid, a representative for The Sanctuary Hotel in Manhattan where the event took place.


Check out more of the creative submissions below:





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For 30 Years, This Photographer Has Documented Disguises Around The World

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Wearing a mask doesn't just conceal the face of the wearers. It transforms their entire beings, ushers them into a liminal realm between the natural and spiritual worlds, where fixed identity is at the mercy of creativity and mythology.


Artists have long been transfixed by the divine powers of disguise, their ability to metamorphose a mood as well as a person, revealing how flimsy both have been all along. In the 1970s, photographer Ralph Eugene Meatyard placed grotesque masks on his children's faces, arranging them to pose for monstrous family portraits. In the late 1990s, Forcefield, a noise rock band and art collective, crafted head-to-toe knit ensembles that turned the musicians into human stuffed animals. 



Today, contemporary artist Nick Cave crafts elaborate sound sculptures that swallow human beings whole, turning them into wild, vibrant works of moving artwork. A recent exhibition, dubbed "Disguise," featured artists from the African diaspora, exploring the aesthetics and politics of masks as they relate to hybrid identities.


But of course, outside of the art world, cultures around the world have been transmuting their appearances and transcending themselves for far longer. In Nigeria, priests and priestesses use costumes to assume the posture of mythic characters. In Haiti, voodoo practitioners believe ritual ensembles possess the power to turn wearers into magical beings. In Brazil, the Caribbean, Benin, Ghana, Sierra Leone, and Burkina Faso, among others, masquerade is an integral aspect of spirituality, culture, and the mystical space where they intersect. 



Photographer Phyllis Galembo, working at the nexus of art and anthropology, has made documenting such rituals her life's work. Since visiting Nigeria in 1985, Galembo has travelled the globe with her camera in tow, documenting the many elaborate, otherworldly, extraordinary masks and costumes she encountered. "I always had an interest in costume and ritual," Galembo told The Huffington Post. "It was always something that appealed to me." 


"I think masquerade is pretty amazing," she continued. "It’s always full of surprises; there's always something new and different to find. Going to a place like Mexico, somewhere you think you know, and you discover something you never thought you would. I appreciate how people do things, how creative people are. I’m not talking about the costumes that come out of a box set here, but the things people make. It's wonderful to watch them put their personal touches on it." 



The masquerades Galembo documents each have their origin story. Ghana's tradition got its start when two Ghanaian men in the 1920s, frustrated after being excluded from the social gatherings of Europeans, decided to dance in masks at local bars. They soon turned the practice into a regular gathering of their own, their costumes serving as topsy-turvy simulacrums of religious and political figures. 


In Nigeria, the Okpella masquerade celebrates the harvest and funerals, while also paying homage to guardian spirits looking after the village. The festival is based on opposites, with the lead masquerade character playing the wise and beautiful Ancient Mother, contrasted with Idu, an ugly and cruel bush monster. 


During Ramadan in Burkina Faso, Muslims participate in the Dodo masquerade. On the night of the full moon, masqueraders sing and dance from house to house, performing in exchange for money, donning elaborate masks and costumes made from dried gourd and horns. The ritual tells the tale of a hunter who breaks a promise and is turned into a monster, banished into the forest as a result. 



Each masquerade tradition comes with different origins, guidelines and means of expression. Materials incorporated into the lavish costumes range from twigs to cardboard to leaves to body paint to feathers and so much more. The glue that binds them all, of course, is the creative spirit that inspires so many humans, regardless of time and place, to want to build, play and make themselves anew.


Galembo archives traditions whose details cannot be described, they must be seen. Encountering her work, one does not just witness the transformation and mysticism taking place. The viewer is folded into the magic of the mask as well. "My work is just an appreciation of other cultures and the creativity of people in general," Galembo said. "With so little they create so much. It’s always amazing. We need a little more of that."



Galembo's photographs have been compiled into a book titled Maske, available from D.A.P.


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Eternal Life Looks Awfully Droll In These Haunting Cryonics Photos

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In 2006, Murray Ballard was working on a project tied to the idea of preservation. The word usually refers to museums or libraries, places devoted to keeping works of art or literature in their original states for educational purposes. It’s a noble cause, but perhaps not the best fodder for visual storytelling. So, Ballard expanded his project to include more eccentric, or at least less pragmatic, preservation pursuits: attempts to retain the vitality of living things.


He took portraits of taxidermists and their work, and considered looking into mummies as subjects. At first, he didn’t consider cataloging efforts of cryonics, the pseudo-science of freezing human bodies in hopes of reawakening them once science has caught up. “I thought it only existed in the realms of science fiction,” he told HuffPost.


But when he stumbled upon an article in The Guardian about a cryonics experiment ending whimperingly in freezer failure, Ballard knew he wanted to learn more about the people who devoted time and resources to a shot at eternal life. 



The idea of cryonics has been a fixture in fantastical fiction for some time, making recent waves in Don DeLillo’s latest effort, Zero K, about a freezing facility funded by a billionaire, who puts so much faith in the project that he ends his life early in order to be frozen. So, if the thought of freezing your body so that your organs can be given a second -- possibly eternal -- life in the distant future seems absurdist, that’s because it is. Recently, though, efforts to fund and participate in such projects have become very real, due in part to rich tech company owners’ abundant resources, all funneled into the ultimate gamble.


Today, over 200 patients are stored in liquid nitrogen, and over 2,000 people have signed up to receive the same treatment once they die. Ballard visited a number of these sites, including high-tech labs in Arizona and a quaint retirement town in England. His photos center on the subjects doing the grunt work of storing bodies, and on the sterile environments where cryonics efforts take place.


The result is a series of stark white labs, massive aluminum boxes, and other storage vessels for life that seem devoid of life themselves. These images are juxtaposed by details of more quaint efforts -- jars labeled with handwritten names, a messy scrawl that reads, “DNA ARCHIVE CLONE AFTER DEATH.” Even if the experiment fails, there’s humanity on display within the project itself. 


“The places I’ve photographed are quite everyday, they don’t really look like something out of a science-fiction film, but they are being used to carry out an extraordinary experiment,” Ballard said. “I know it’s impossible to be entirely objective -- the act of taking a photograph is inherently subjective -- but I tried to approach it from that place. I think it’s more interesting. My aim was to make pictures that are open to interpretation. I want to leave space for the viewer to think and consider if cryonics is a legitimate scientific experiment or a fantasy.”


Murray Ballard's The Prospect of Immortality is available from GOST Books.


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Do You Spend Way Too Much Time On Your Phone? There's A 'Slumpie' For That

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We've all been there. Your phone buzzes, you checked out the issue, respond cleverly as usual, and then hover for a moment, contemplating your next move.


You have nothing else better to do, so you open up a new window -- Instagram, perhaps, or Twitter, or maybe you're just scrolling through old pictures, laughing sadly at the good times gone by. Next thing you know your hands are sore, your brain dizzy and disappointed, your posture bares a strong resemblance to an overacting third grader playing a beggar in "Oliver." You've been outsmarted by your very own phone. Again. 


South Florida-based artist Jillian Mayer has long explored the ways technology affects our lives and shapes our relationships. One of her previous web-based projects, The Sleep Site, encouraged participants to tweet their dreams, thus digitizing our nightly fantasies. Another website, Selfeed, collected all the Instagram uploads hashtagged #selfie and displayed them in real time, yielding a constantly morphing collage of strangers' self-portraits. 



Most recently, Mayer has been both discomfited and inspired by a contemporary compulsion with smart phones. More specifically, she's concerned with the fact that we're on them. All. The. Time. "When I was younger, we were warned about sitting too close to the television screen but now the screen is in our hands," Mayer explained to The Huffington Post. "What effects does that have on us -- our communicative behaviors, our social disposition in public, and our physical bodies?"


Mayer explained that futurist theorists like Ray Kurzweil talk of an impending technological singularity that will one day "elevate us from some of the plagues of the human body deteriorating or the brain losing its accumulated information." But until that day comes, and we're stuck plugging away on our screens for 4.7 hours a day, what are we to do with the foggy brains, achey hands, and Golem-esque postures the little devices hath wrought? 


The answer, friends, are Slumpies.





To help our bodies deal with the physical ramifications of constant phone diddling, Mayer has crafted a series of hulking, life-sized fiberglass sculptures meant to support the strange, contorted shapes your physical self takes when getting into the phone zone. The sparkly apparatuses invite you to flop your useless skeleton onto their svelte curves while immersing yourself in the digital realm.  


In Mayer's words: "Slumpies are a post-posture sculptural solution that leans towards an idea of function, relieving the human form of the duty of supporting it’s own neck while acknowledging our ever-increasing relationship with mankind's best invention."



Slumpies come in shapes reminiscent of chairs, day beds, perches and chaise longuesThe awkward, bulgy furnishings allude to the feverish pace of technology, and the bumbling effort we normals endure to keep up, only to be eternally one step behind. Slumpies land somewhere between the wonderfully unnecessary contraptions you'd find in a SkyMall magazine and the fantastical doodles you'd put in your "entrepreneur journal" after getting stoned. 


While Mayer's work relies on the notion that we are wildly affixed to our technological gadgets, the artist's tone is not critical or condescending. Rather, she elevates phones from their standard associations with squandered time and useless diversions -- instead comparing them to fine art. "When I look around, it seems that we enjoy being on our phones," she said. "They help us communicate. We also enjoy art because it is another level of communication -- it can tell stories, share ideas, and present abstracted ideas in a poetic way. It felt only right to combine the two."



Hence the Slumpies -- interactive sculptures viewers can not only admire but physically rest on and charge their phones in. Rather than pinning quality phone time against the art viewing experience, Mayer collapses the two into a truly contemporary conglomerate of storytelling, communication, creativity and pleasure -- without judgment. Oh, and in case you were wondering, the Slumpies do have WiFi. 


To craft her art objects, Mayer studied strangers, examining the various positions their bodies would resort to in peek phone mode. She used this intel to craft functional yet exaggerated design objects, able to suit your phone surfing desires while simultaneously highlighting the general lunacy of the entire scenario -- that we live in a world in which a Slumpie could ever exist.


In the same vein as artists like Ana Prvacki and The Institute for New Feeling, Mayer infuses our age's compulsive attitude towards innovation, consumption and convenience with a hint of the uncanny, producing products that are, despite their surreal first impressions, more useful than most of the stuff you'd find in a Brookstone. 





Mayer is a proud champion of "non-exclusive" art, work that doesn't condemn popular culture and mainstream taste, but thrives off it. Accordingly, her target audience for her Slumpie series is anyone who suffers from a slight phone addiction -- i.e., me, you, and everyone we know. "Anyone who reaches into their pocket to check their phone when a free moment exists is a perfect candidate to interact with a Slumpie sculpture. Are you reading this interview on your phone? Well then. You."


The Slumpies offer a bright and sparkly vision for a lazy yet stimulating future, where bodies as we know them are slowly growing obsolete. Until that glorious day comes when the singularity will rid us of these fragile sacks of flesh forevermore, may we slump them haphazardly over comfortable structures built to enable our swiping and typing desires. See Mayer's Slumpies in (passive) action to encounter the (mostly) logical next step to our inexorable technological addictions. And, if you aren't that into them, you can always just slouch over an empty one and surf Tinder. 


Mayer's Slumpies are featured in her exhibition "Showroom," on view until July 9, 2016 at LAXART in Los Angeles.


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Prince Charles Knights Kevin Spacey, Sparks Photoshop Battle

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A Hollywood star receives an honorary knighthood from British royalty, and how does the internet react?


With a classic Photoshop battle, of course.


Prince Charles bestowed the prestigious title on Kevin Spacey at Clarence House on Thursday.


The 56-year-old was made a Knight Commander of the Most Excellent Order of the British Empire for his services to theater, the arts and international culture.






"I may play a President on TV, but in real life I'm now a Sir," Spacey posted to Twitter. "Thanks HRH—what a prince of a guy!"


That may not be strictly true as Spacey won't be able to call himself Sir Kevin, according to Yahoo! Movies, because he is from outside the Commonwealth.


But that little fact didn't stop Redditors from responding with a series of hilariously manipulated images, such as this one depicting Spacey as a "Sir," dressed in the full regalia of a British knight.




Clearly, some think it’s all a big joke.




If Frank Underwood really was President...




A "Se7en" reunion.




Prince Charles doesn't look too happy about being with "The Hound" from “Game of Thrones.




Prince Philip, Prince Charles' father, makes a sly appearance in this shot:




A classic face swap.




They are "The Usual Suspects."




And again...




And a final one, inspired by Spacey's 1999 comedy-drama "American Beauty."




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'Hidden America' Is A Sweet Release For Every Bourdain Fan

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"Hidden America," Seeso's new travel-show parody, is a long-awaited gut-punch for every Bourdain addict.


In the show, host Jonah Ray tours real cities interviewing fake locals and unearthing satirical gems across our great nation. 


As a reformed "No Reservations" and "Parts Unknown" fan, I thirsted for somebody to skewer Bourdain's self-impressed dad bravado and seemingly endless web of close friends within the culinary community. The show was so ripe! And thankfully, Ray did not disappoint.


"Hidden America" brilliantly shines a light on cultural truths that other travel shows wont touch, like Atlanta's obsession with zombie preparation, Seattle's weather-induced depression, and Chicago's gun problem (which was quickly set aside to talk about hot dogs).


The Huffington Post got to talk with Ray about nailing the Bourdain cadence and his mixed feelings about Boston.


"Hidden America" is now available on Seeso.


First off, who did the music? The music is great.


Thanks! Most of the music we got from Sub Pop Records. The theme music was by The Ruby Suns. In the beginning, I thought about doing a parody of the Josh Harvey song that he did for "No Reservations." But I didn't want to be too note-for-note on the parody.


"Hidden America" is a sketch show based on another show, like "Reno 911" drew from "Cops." Those shows always stay within the world of the original show, but you went on fantastical journeys and broke the form. Did you see those other shows and just want to do something different?


It can get pretty redundant when you're parodying something as specific as a travel show. Also, it's not an ensemble cast. There's no recurring characters outside of me and Chaz Duffy. It was important to me to kind of not meet the expectation of where it was gonna go. And to do that, you had to break out of your standard travel show with doing stuff that's fantastical or sci-fi.


I really felt like you nailed the Bourdain cadence during the voiceover stuff.


Thank you! Bourdain has such a specific rhythm and I'm pretty sure he did that because he didn't want to have it sound like your normal news. I got Kitchen Confidential on audiobook, and between shows, I was listening to him so I could feel out his cadence. 



His cadence is news anchor plus Vice.


Yeah, definitely.


Besides the Bourdain cadence, what other Bourdain tropes were you most excited to have fun with?


I didn't want to be the guy that did the weird food competition thing. I like the idea of a somebody saying "This guy makes the most authentic gumbo!" And it's like, if you're really gonna find the guy that makes the most authentic gumbo, he might not be the most liberally minded guy. You're like, wow, there's something off about this guy and I have a feeling it's just because he's a horrible person. There was one that we didn't end up making but I had this idea where there was this new hot restaurant in the city and women love it. It's because the chef is this overly-sexed gorgeous model guy. But the whole idea is that we start describing the food he makes as if it's those interesting plates. First of all, the guy doesn't know how to cook at all, but everyone comes here because he's so sexy and he's like, "Yeah, one of my biggest dishes is mashed-up Oreos. Women love it when I put on chocolate gravy on steak."


The last time we spoke, you talked about the inherent narcissism Bourdain has to have to be like, "People want to watch me eat stuff!"


He's right to have that narcissism. I think a lot of it stems from the fact that he's a great writer. His books are great, his articles are great. He knows how to formulate everything to where it's really enjoyable to watch. But these other guys on these other travel shows, it's like, I don't care about seeing you shove a spicy shrimp in your maw.


I also remember you told me about how your "run-'n'-gun" style of shoot got you into trouble?


Yeah, we got kicked out of a graveyard in Chicago. 


In Boston, we were shooting in a comedy club that we were running long and the guys who were running it were starting to get very upset. Like, the guy threw down a glass and like, was trying to mess up takes to try and get us out of there. It was, uh, real aggressive people.


Do you like Boston? Seriously.


Hahaha! It's hard to drive around. The streets don't make sense. The people are really mean but, you know, it also has bad weather!


As a comedian, there's no real way of saying anything bad about it. I just like making fun of it because it's a very integral part of our culture and our history. My favorite part about Boston and Bostonians is that they know they're great, but they never feel like they're given enough credit for how great they are.


Does Bourdain know about the show?


I don't know. I don't think so. I'm really worried about it mainly because I really like Bourdain. I did an entire show because of how much I like Anthony Bourdain and I'm afraid he's gonna not like it and then make fun of me and then I'm going to have a hard time watching his show. The other day, he tweeted at my buddy, Rob Delaney, about how much he liked "Catastrophe," I was just like, oh god, it's so close. What if he tweets at me? "Hey, you suck." Aw, man. And he would be right, because he's Anthony Bourdain, and he's usually right. 

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A Year After The Charleston Massacre, The Only Thing Gone From South Carolina's Racism Is A Flag

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CHARLESTON, S.C. -- Friday marks one year since a gunman opened fire at Emanuel African Methodist Episcopal Church in Charleston, South Carolina, and killed nine black men and women who gathered that day for Bible study. 


Dylann Roof, a self-declared white supremacist, later confessed to the heinous crime he now stands accused of -- which prosecutors describe as a calculated act of racially motivated terrorism. One year later, churchgoers and community members in Charleston have healed in some ways, but others argue that much is the same in a state with a past, and present, riddled with racism.



Many mourners have traveled to the historical black church in the past year, commonly known as Mother Emanuel, to pray and pay tribute to those killed on that dreadful day. The victims were: Rev. Clementa Pinckney, Tywanza Sanders, Cynthia Hurd, Rev. Sharonda Coleman-Singleton, Myra Thompson, Ethel Lance, Rev. Daniel Simmons, Rev. DePayne Middleton-Doctor and Susie Jackson.


Rev. Dr. Betty Deas Clark, who knew Pinckney personally, took over the pulpit at Mother Emanuel in January. She says the experience so far has tested her resilience and strength, but both have helped her to overcome challenges as a leader in the church and community.  


“It’s been a whirlwind,” Clark said of her new role. “It’s been filled with moments of joy, moments of sadness. It’s stretched me as a leader. I guess I’m more compassionate now than I’ve ever been before.”


Clark has expressed forgiveness of the accused killer's horrific acts of racial violence, as have other family members of those who died. However, while some have found forgiveness to be a helpful measure in healing, others say moving forward will require much more than mercy.


Bree Newsome, the black activist who scaled the pole outside of the South Carolina statehouse and temporarily removed the Confederate flag weeks after the massacre, believes that true peace and healing will only occur after the state addresses and resolves its ongoing racial issues.



“We can’t talk about healing until we really talk about the underlying racial issues, issues of system racism, the racism that was endorsed by the state by the simple fact that the Confederate flag was raised,” Newsome told The Huffington Post. “Yes, we need to heal. Yes, peace itself is a cause worth advocating for, but there is no peace in the absence of justice.”


“There’s no real peace, there’s just order,” she added. “Peace is about justice.”


Charleston’s racial history runs deep. The “Holy City” was once home to one of the state’s primary slave ports, where beaten and bruised black bodies were auctioned off to white owners. Yet while the days of slavery are long gone, racism still persists throughout the town.


The consequences of slavery are exposed through the systemic ways that Charleston’s black population remains disadvantaged, as well as through tragedies like the massacre at Mother Emanuel because of racial hatred.


“It’s important that we make sure that what happened in Charleston is placed in it’s proper context,” Newsome said. “We’re talking about dynamics in 2016 that have its roots in chattel slavery. The whole economy in Charleston, the tourism, is built on the glamorization of this process. There’s a lot of deep racism and the same economic and racial issues exist today.”


Douglas Birdsall, a white Christian leader based in Boston, Massachusetts, understands this reality, too. As the founder of the Civiltas group, a coalition of church, school and media leaders, Birdsall is committed to help bring racial unity in churches and communities everywhere.  



“Honestly speaking, the church has too often ignored its own teaching and betrayed our faith,” he told HuffPost. “We have too often been silent, and in too many cases have been complicit, in the history of slavery and in the ongoing practices of discrimination and racism. This is a shameful reality.”


Birdsall and a team of other pastors launched a call to action in response to Charleston's mass shooting last year, asking Christian leaders to stand in solidarity with the city and work towards restoration. He flew to Charleston on Thursday to host a commemorative anniversary dinner and speak to the community about ways to achieve racial healing and reconciliation.


“If we are going to come to terms with this, we must be honest with our own history in this country,” Birdsall said. “My hope is that people will leave Charleston with a spirit of hopefulness. Hopelessness is the enemy of creativity, justice and constructive engagement.”


At the dinner that Civilitas hosted, church leaders from across the country expressed the need to bridge the gap between black and white communities.


“Civilitas gives you the opportunity to connect,” said Rev. Mark Whitlock, a black pastor from California. “It’s a way to share that [the black and white community] are both complicit, that we both have challenges on each side, but we need to come together. Maybe it begins with dinner, and then worship.”


Maybe if Roof had been educated on the challenges and celebrations of Mother Emanuel churchgoers, he would have had less hate in his heart, Whitlock said.



While there’s been a greater awareness that South Carolina, and the nation as a whole, is still “nowhere near post-racial,” there needs to be more tangible action, said Rev. Joe Darby, vice president of Charleston's NAACP chapter.


“These conversations are still kind of few and far between,” he said. When it comes to the impact on things like causing patterns, gentrification, public education, there's minimal change. There’s been no difference in public policy. The governor took down the flag but still won’t support meaningful gun control legislation.”


Gun control laws are again in the spotlight, after the massacre of 49 people in a gay nightclub in Orlando on Sunday. It remains to be seen what, if anything, politicians will do to stop the easy access to automatic assault weapons.


For Clark, it was important to offer her support to those the Florida tragedy affected. So the Mother Emanuel pastor declined an invitation to attend the United States of Women’s Summit that Michelle Obama hosted at the White House on Tuesday and traveled to Florida to comfort the victims of Orlando’s tragedy instead.


“Even though I would have been in the midst of some powerful women, there was a greater power that pulled me to go to Orlando,” Clark said at Thursday night’s dinner. She said she went to a counseling center, where victims still reeling from the violence sought comfort. She knew their pain all too well. She began to hug them.


“The hug for me was an exchange,” she said. “I felt their pain, and I believe they felt my love. So I believe it was medicinal. They just needed someone to validate their pain, to walk with them. I was privileged and proud to do so.”  



That anguish is a feeling too many Americans experience entirely too frequently in connection to mass shootings like those in Charleston and Orlando. These tragedies serve as a constant reminder that racial hatred, homophobia and other bigotry still haunt us -- and that only through standing in solidarity are we better able to achieve progress.


Clark took to the podium later that night in the ballroom of Belmond Charleston Place and conveyed this message, as she spoke about the power of faith to the sprinkled mass of black and white church leaders.


“This room is filled with love,” she said. “It’s filled with people who care about people. And that’s my heartbeat: I care about people. And so, as the pastor of Mother Emanuel, I want to say thank you for caring so much about us. To come to the proverbial table, figure out what’s wrong, and what we can do to make it right. Because the God I love and the God you love -- the God I serve and the God you serve -- he’s not black, he’s not white, he’s nothing in between. He’s everything.”

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What Everyday Fatherhood Really Looks Like, In Under 4 Minutes

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From messy meals to chaotic carpools to afternoons at the park, it's the everyday moments that really define parenting.


That's the message at the crux of a new short film from The Sound Media. Titled "Dads: A Journey Through Modern Day Fatherhood," the three-and-a-half-minute film shows snippets of parenthood from the perspective of seven fathers, who received cameras to document "the vast joys and occasional struggles of contemporary fatherhood."


So much emotion in such a short video!

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A Brazilian Artist's 'Self-Portraits' Explore The Beauty Of Interracial Identity

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In 1976, a Brazilian census asked citizens of the country -- for the very first time -- to describe and identify their own skin color.


This was a significant moment for the former European colony, now considered one of the most ethnically diverse nations in the world, that's historically struggled with discriminatory policies that disproportionately affect African descendants and interracial people. Though it may have been used for more nefarious purposes at the time, the census was a small step in affirming the many identities that exist in Brazil, wedged in the massive gap between black and white.



The survey produced over 130 different skin color descriptions, ranging from "Morena-roxa" (purplish-tan) to “Café-com-leite” (milky coffee) to “Queimada-de-sol” (sun-kissed). Fast forward a few decades, and Brazilian artist Adriana Varejão became transfixed with the multitude of colors expressed in the census, interested in the ways it illustrated -- in sensual detail -- the beauty of mestizaje, or the mixing of ancestries, in her home.


So in 2014, Varejão, who lives and works in Rio de Janeiro, created "Polvo," a series of self-portraits that explore the diversity of identity in Brazil using a paint palette inspired by the 1976 census. First, she mixed oil paints herself, reproducing colors like "Amarela-quemada" (burnt yellow or ochre) and "Paraíba" (like the color of marupa wood) as pigments. Then, she painted her own image, over and over, in a variety of browns, pinks, blacks and whites; a reflection of the many ways Brazilian self-definition takes form.



Varejão's career, before "Polvo" and after, has been dedicated to the concept of mestizaje, and how art can help "cannibalize" -- rather than outright reject -- the lingering cultural ideas that took hold during colonialism (not so subtly motivated by the writings of poet Oswald de Andrade). Varejão's latest series, "Kindred Spirits," is a similar effort, consisting of 29 portraits of the artist donning the markings and body ornamentation of Native American tribes.


Varejão based this work partially on the portraiture of older artists like George Catlin, Charles Bird King, Henry Inman and Edwards Curtis, who photographed, painted or copied portraits of Native American individuals. The work is also informed by more modern and contemporary artists like Sol LeWitt, Agnes Martin, Paul Thek and Llyn Foulkes, represented in the nods to minimalist habits that can be found in "Kindred Spirits."



The name of the series is taken from a 2012 book, also titled Kindred Spirits, which describes the connections between Native American visuals and the work of largely white artists, particularly, as Varejão's gallery Lehmann Maupin points out, how Native American approaches to line and color influenced 20th-century Western art.


The varied portraits highlight the ways in which the exchange of ideas -- in all directions -- has shaped the ways we process ourselves. In Varejão's paintings, the indigenous markings seem to hint at techniques of modern art, mimicking the ways indigenous and European culture push and pull each other in South America. But the series is also purposefully critical of the idea that Brazil is a peaceful melting pot of cultural ideas. "There is this propaganda that we are this racial democracy. And in fact I don't think we are," she told The Wall Street Journal in 2014.



Varejão, when asked how she views herself racially, explained to Hyperallergic that she is as Portuguese as she is Indian as she is black. "I believe in building a mestizo identity, which means to have everything together with balance," she added. "When people come to Brazil, they forget their ancestral identity." 


To complicate the mixing of artistic and cultural influences even more, the paintings in "Kindred Spirits" are not your typical self-portraits. They were originally made by Chinese fabricators, based on photographs of herself Varejão sent. The Chinese reproductions were then altered by Varejão, to include the piercings, face paint, headdresses and other adornments characteristic of indigenous tribes in the American Plains and Southwest. She also added the flourishes of LeWitt and Foulkes, apparent in the bits of rigid geometry and distilled color.



Like "Polvo," the portraits of "Kindred Spirits" are not meant to represent reality, but to underscore how convoluted our perception of identity can become. By diving deep into the issues related to miscegenation -- the mixing of different racial groups through marriage and parenthood -- in Brazil, she offers up a complex retelling of colonialism’s effect on personhood, the lasting effects of assimilation, and the darker spirit of coexistence.


As one of the most famous living artists in the country, who's shown her work at places like the Guggenheim Museum in New York, the Hara Museum of Contemporary Art in Tokyo and the Victoria Miro Gallery in London, Varejão isn't afraid to create provocative art that challenges what interracial identity means today.



Adriana Varejão's "Kindred Spirits" is on view until June 19, 2016, at Lehmann Maupin's location at 201 Chrystie Street in New York City. Also on view is Varejão's "Mimbres" series, a collection of crackled works inspired by 11th century Mimbres pottery from what is now the southwestern United States.


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A Holocaust Mansplainer Is No Match For Rachel Weisz In New 'Denial' Trailer

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In 1996, Holocaust denier David Irving sued historian Deborah Lipstadt, claiming she had libeled him in her book Denying the Holocaust: The Growing Assault on Truth and Memory. The case was tried in England, Irving's home country, and Lipstadt was forced to prove the Holocaust's validity in court. 


Irving and Lipstadt's conflicts are the subject of the new movie "Denial," in which Rachel Weisz plays Lipstadt and Timothy Spall plays Irving. Written by David Hare ("The Hours," "The Reader") and directed by Mick Jackson ("The Bodyguard," "Temple Grandin"), "Denial" showcases a battle of historical proportions. The movie opens Sept. 30. Watch the trailer below.




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How This Puerto Rican Gran'pa Became The Star Of A Hilarious HBO Series

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Mother knows best? Not on gran'pa Victor Muriel's watch. 


The charming Puerto Rican grandfather lends his voice to HBO Latino's web series "Gran'Pa Knows Best," which was inspired by the hilarious and long-winded voicemails Muriel would leave his grandson, William D. Caballero.


In the heartfelt comedy, Caballero fuses together real audio from his gran'pa's voicemails, giving advice on everything from junk food to rap, and brings them to life using a 4-inch 3D printed likeness of the soon to be 88-year-old Muriel. The series is interactive, with viewers sending in questions or topics for gran'pa to tackle. 


"Gran'pa Knows Best," which debuted in 2015, is releasing its second season on Friday via HBO Latino, HBO Go and HBO Now. In the 15 new episodes, the audience will get a better sense of who Muriel is through anecdotes like how gran'pa gets out of a traffic ticket and an explanation of how gran'pa went blind. 


Caballero, who thinks of himself as a "multimedia storyteller who tells big stories using small figures," explained how the web series comes together in a recent interview with The Huffington Post.


Read our interview with the creator of "Gran'pa Knows Best" below:




What was it about the voicemails your grandfather sent you that made you want to turn them into a web series? 


Since I moved back to New York City for college, my grandfather, who still lives in North Carolina, has left me a ton of hilarious voicemail messages. I knew for a long time that I wanted to do something creative with them, and the answer came to me in 2013, with the discovery of 3D modeling/printing. It provided the perfect aesthetic for Gran'pa's authentic audio.


Was your gran'pa, Victor, always on board with participating in the series? Do you think he understood the magnitude of HBO?  


My gran'pa has always been there to support me in my projects and creative endeavors. He used to drive me to the library when I was very young, and would wait in the car. He's very stoic and has always been a bit underwhelmed [by] things, even when hearing good news. When I told him about his show airing on HBO, his immediately reaction was, "Oh... that's nice... did you walk the dogs today?"


Gran'pa has a lot of great advice, but what's the most important thing he's taught you personally?


My gran'pa has always taught me to "never forget about the family." There's only one other college-educated person in my family, so when I visit home, I sometimes feel like an outsider that can't really relate to my cousins or aunts. I remember and cherish his advice, because it shows me that while we are different, we all share a unique bond with each other. 




What impact do you hope his advice has on your audience?


I hope Gran'pa makes everyone aware of their own special bonds with their grandparents. I love it when white, black, Asian, etc. viewers tell me, "Wow! Your grandfather reminds me of MY grandfather!" It's perhaps the best compliment I could possibly receive.


"Gran'pa Knows Best" is special not only because it features your grandpa but because of how you illustrate it with 3D printed miniatures of Gran'pa. Can you tell us a little bit how you produce the series?


Chang Kim, the 3D modeler, creates each Gran'pa pose in the computer. These are later 3D printed by Seth Burney, who also created the kitchen set. Then [Gran'pa is] hand painted by either myself, my wife Kate Keisel-Caballero or my friend Amy Yamashiro. Actually, EVERYONE seems to help in the painting of Gran'pa, including our producer Elaine Del Valle!




What is the 3-D printing process like? 


The figures are modeled on a computer, and then printed in polymer resin, which is a liquid that hardens. The poses each take about 5 hours to print. Then, each one is painted by hand using a variety of acrylic paints. All in all, each Gran'pa pose is the result of about 24 hours worth of manpower. 


Wow, how many poses do you have for Gran'pa?  


We have around 40 poses of Gran'pa in a variety of expressions. 


You once mentioned you'd be adding Gran'ma into the mix. Can we look forward to seeing her in 3-D figurine action soon? 


We're currently working on a short film for festivals that features poses of Gran'ma alongside Gran'pa! 


What are you most excited about for season 2 of "Gran'pa Knows Best"? I'm most excited about what the fans' reactions will be, as well as introducing the new fans to the project. I hope we get people to offer us more questions, because who knows, maybe there will be a Season 3? 


Watch an exclusive behind the scenes look at the making of "Gran'pa Knows Best" in the video above. 



Season 2 of "Gran'pa Knows Best" premieres on HBO Latino on Friday, June 17. 

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Dad's Enchanting Costumes Are A Disney Dream Come True

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A dream is a wish your heart makes, and by dream we mean this dad's magical Disney costumes. 


Nephi Garcia, a dad of three, specializes in enchanting costumes based on beloved Disney characters. The fashion designer used to work in high-end fashion, but now devotes his time to designing and selling costumes for his business, Designer Daddy Shop. The idea for the costume shop started when Garcia made his daughter a Fairy Godmother costume, which she wore to Disneyland. When the costume made its big debut, fellow Disney fans at the park couldn't get enough. 


"Everybody was complimenting her and everybody was asking, ‘Oh my god, does she have an Instagram account?'” Garcia told The Huffington Post.



That #magical #moment!!! #fairygodmother #Disneyland #disneyworld #designerdaddy #fairy #magic @thedisneycentral

A photo posted by Designer Daddy (@designerdaddy_) on




Garcia created an Instagram account under the name "Designer Daddy" to share photos of his costumes, and the next day he had 10 orders. Now, he's booked with orders for more than a year. According to the shop's site, made-to-order costumes for kids and adults can range from $500 to $1,800 for more elaborate designs. He told HuffPost he gets most of the material he uses for the costumes from Europe.


Disney lovers looking to order a costume can get inspiration from the ensembles Garcia makes for his kids, who have dressed up as princesses, villains and sidekicks. His 6-year-old daughter Lili especially loves the "transformation dresses" her dad makes, like the one that changes from Belle's classic "Beauty and the Beast" blue and white dress to her yellow ball gown. 


See the dress in action below. 




Garcia has apparently set the bar high for his daughter. 


"Now that I made her that Belle transformation dress, she’s challenged me to make different dresses," he said with a laugh.


Lili's ideas? A frog costume that transforms into Tiana's ball gown from "The Princess and the Frog" and a Nemo costume that turns into Dory from "Finding Nemo."


Before he gets to those, Garcia is working on two Lady Tremaine costumes based on the live-action movie "Cinderella" that came out in 2015. After a year and a half of making costumes for the Designer Daddy Shop, the father offered some advice to fellow designers in true Disney fashion.


"I just want to tell fellow cosplayers and costume designers, any dream that they have keep following it," he said. 


For more information on Garcia's costumes, head to the Designer Daddy Shop or Designer Daddy on Instagram. See more of his family dressed in his magical costumes below.





"This is the day where all your dreams come true!" #gaston #beautyandthebeast #designerdaddy

A photo posted by Designer Daddy (@designerdaddy_) on











Almost there!!!✨ ✨ #tiana #princessandthefrog #designerdaddy

A photo posted by Designer Daddy (@designerdaddy_) on







So this is love #Cinderella and Princecharming #designerdaddy

A photo posted by Designer Daddy (@designerdaddy_) on






H/T BuzzFeed

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21 Times That Celebrity Dads Shared The Messy Side Of Parenting

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When you're dealing with diaper blowouts, baby vomit and utter exhaustion, any reluctance to talk about the messy parts of parenting tends to fly out the window. 


Even famous parents know this to be true. In honor of Father's Day, here are 21 spot-on quotes from celebrity dads who are more than happy to discuss the down and dirty of fatherhood. 


1. On newborn bodily fluids:


"I've never had more poop on my person." -- Justin Timberlake



2. On kid germs:


"Kids are like buckets of disease. Last week I got a flu that I caught because my daughter coughed into my mouth." -- Louis C.K.



3. On dad style: 


"Every dad should own cargo pants because they have a lot of pockets. Pacifiers and bottles and diapers and wet wipes and crackers and little toy dinosaurs and candy for treats for any child that has behaved or when you’re trying to bribe them. Yeah, cargo pants." -- Taye Diggs



4. On frightening bodily fluids:


"They vomit a lot. For a second, I thought I needed to rename my first ‘Linda Blair’ and hire a priest." -- Jimmy Fallon



5. On being a first-time parent:


"I just wake up hoping that I don't screw up today." -- John Krasinski



6. On shamers:


"Funny there's no dad-shaming. When both of us go out to dinner, shame both of us so Chrissy doesn't have to take it all. We'll split it." -- John Legend



7. On getting down and dirty:


"Not knowing what the f**k I'm doing as a dad is huge. I don't know what I'm doing, and that's a very liberating thing. You just go, 'Oh look, there's sh*t on the floor.' There's actually sh*t on the floor -- I have a picture of it on my phone. So what do you do? You clean it up, put a diaper on his ass, and that's that." -- Colin Farrell



8. On baby mind-control:


"She has me so far wrapped around her finger, it's dumb. She says 'Dada' and I will walk through a cement wall to get to her. It's crazy." -- Ryan Reynolds



9. On déjà vu:


"Having children is like living in a frat house -- nobody sleeps, everything’s broken, and there’s a lot of throwing up." -- Ray Romano



10. On parenting PTSD:


"I haven't been great as far as being an assistant to my wife, in that the baby will wake up a couple times in the middle of the night and then I've been adding a third wake-up because I have night terrors about where the baby is. So I've been waking up, grabbing my wife's face, saying, 'I don't know where the baby is.' Then I just go back to sleep." -- Seth Meyers



11. On diaper-changing gymnastics:


"[O]ur daughter hates getting her diaper changed, so it's almost like a break-dancing battle to get it on her. As soon as you lay her down, she's bridging out of it and doing some jujitsu windmill. It's pretty intense." -- Channing Tatum



12. On different parenting approaches:


"There’s the ‘I’m gonna talk to you like father stuff. Like 'When I was a kid, I walked to school,' and 'What’s all this music that you’re listening to?' and 'You’re throwing your life away.'" -- Jamie Foxx



13. On embracing the mess:


"I love every minute of fatherhood, staying up all night, changing nappies, kids crying. I find it really funny and inspiring. It connects you to the world in a new way." -- Elton John



14. On the truth about children:


"[Kids] are just like annoying short people" -- Hank Azaria



15. On inconsistency: 


"You have to be adaptable because they constantly keep changing. They’ll do something that blows your mind and then they’ll spit all their food out on the carpet." -- Neil Patrick Harris



16. On "free time" for parents:


"There are no time-outs, really. Weekends, you think you can catch up on rest, and it's the opposite. It gets even busier. It's a different kind of busy." -- Mario Lopez



17. On paranoia:


"I want my son to wear a helmet 24 hours a day." -- Will Arnett



18. On being a chauffeur:


"I’ve become a taxi driver overnight with the kids. I’m literally an Uber driver now. I literally take them from 7 in the morning to the schools -- I have four drop-offs at four different schools -- so I get that done in an hour and 15 minutes. And then I pick my little girl up at 12, and then the boys at 4, and then the boys train in a soccer academy every single night of the week. So I’m busy every night until 9:30, and then I’m at home." -- David Beckham



19. On hopeless endeavors:


"Try getting Leni and Henry to brush their teeth. I have a better chance of becoming the next President of the United States than achieving that on a regular basis!" -- Seal



20. On making kids laugh:


"If I can walk around in my underwear and pull it up super high so it’s just gross looking and then try and be very serious with them. I like to do that ... pretend to be very mad and have my underwear hiked up ... really high." -- Paul Rudd



21. On the things you tolerate from your own kids:


"I probably worried more about changing diapers and bodily fluids and all that before I became a father. The reality is that once it’s your kid it’s not a big deal at all ... I probably wouldn’t want to change YOUR kid." -- Matt Damon


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Watch This Dad Break Down Why He Won't Call His Daughter A Princess

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Carlos Andrés Gómez's daughter is not a princess.


In his poem, "If A Princess Tries To Kidnap Your Daughter," the spoken word poet speaks out against gendered expectations his daughter will have to face as she grows up. 


Standing in front of Yasmin Hernandez's vibrant "Soldaderas" mural in New York City's Spanish Harlem ahead of Father's Day, Gómez explained why he won't let society project its problematic understanding of womanhood on her.


"Princess pretty. Princess precious. Princess mixed girl..." he recited. "The word is dangerous and ubiquitous as a shaking chamber baptized by gunpowder."


Midway through the piece, Gómez changes his tone, insisting he has bigger dreams for his daughter. 


"Our daughter will be a neuroscientist, a biochemist who discovers the cure to progeria or ebola," he said. "Our daughter will shoot 90 percent at the free throw line and adore Sophocles, Audre Lorde and Mahmoud Darwish." 


Gómez wraps the poem with a poignant message about his daughter.  


"She is many things. She is everything, but one thing she will never be is a princess," he said. 


Hear Gómez's moving words in the video above. 


This video was produced by Kat Santiago, edited by Terence Krey and shot by Dan Fox, Ian MacInnes, Mike Caravella and JR Cronheim. 

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12 Awesome Baby Names From New Celebrity Dads

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Each year Nameberry likes to give a Father’s Day salute to those proud celeb dads who’ve most recently welcomed babies -- and 2016 happened to see some exceptionally awesome names. Some of these dads are first timers, while others are continuing to grow their families. Here are our nominations for the 12 most outstanding baby names from celebrity dads who've welcomed new additions in 2016.


Ashe Olsen



"Late Night" host Seth Meyers honored two of the most important women in his life with his son’s name. Ashe -- right on trend with popular Asher and Ash -- is the maiden name of his wife Alexi; the middle name Olsen was the maiden name of Meyers’ maternal grandmother. They were able to keep in play two family names that might have been lost.


Boomer Robert


Olympic swimming champ Michael Phelps’ joy at the birth of his first son is obvious in the choice of the upbeat nickname name Boomer. Robert is a tribute to Phelps’ longtime coach, "Bob" Bowman, and also to his great-grandmother Roberta.


Cypress Night


One of the newest entrants into the tree branch of the botanical genre, Cypress was the interesting choice of "Boardwalk Empire" actor Jack Huston and Shannon Click. The addition of the word name Night gives it an intriguing, somewhat mysterious aura. Cypress Night works really well with sister name Sage Lavinia.


Elias



Canadian crooner Michael Bublé went classic biblical for the names of his two sons. First came Noah, followed in January by new baby Elias. Elias is a rising star, the Greek variation of Old Testament Elijah (number 11). The name hit a solid number 100 this year in the U.S. and is number five in Sweden and number nine in Germany.


Emilia


Emilia, the name chosen for their fourth child by James Van Der Beek, is shaping up to be the new Amelia -- a logical follow-up to Emily, Emma and Emerson. Currently at 145 in the U.S., it’s 56 in England and 43 on Nameberry. Their other kids are Olivia, Joshua and Annabel.


Izzy Oona


Eddie Murphy is an old hand at helping to pick baby names, as this latest is his ninth child, six of them daughters. Izzy is often heard as a nickname for Isabel, Isabella and Isadora, but rarely as a full first. Middle name Oona is one of our favorites, also spelled Oonagh and Una. It is currently seeing a comeback in Ireland and now getting some interest here, especially on Nameberry, where it’s 407.


Freddie Reign



One Direction’s Louis Tomlinson and partner Briana Jungwirth jumped on the British bandwagon when they chose the nickname name that’s the 20th most popular name in England. Not prevalent in the U.S. since the 1930s, we expect it to make a return here soon. Reign is rapidly becoming a royal middle (and sometimes first) name.


Nixie Barbara


We’re suddenly seeing a few Pixies pop up, and now here comes Nixie -- the German word for a water sprite -- chosen by "Pretty Little Liars" star Chad Lowe, who said it "seemed like a good fit because we’re both avid surfers -- and are involved in the Waterkeeper Alliance." Middle name Barbara honors Lowe’s late mother. Nixie’s sisters are Mabel Painter and Fiona Hepler.


Odin Reign


Backstreet Boy Nick Carter became a first-time father in April when he welcomed son Odin Reign. Odin is one of the latest mythological names to enter the celebrisphere. This time it’s Norse -- Odin was the supreme god of art, culture, wisdom and law, and the father of Thor. It has the potential to join the other currently rising 'O' names like Owen and and Otis. Reign is right on trend with other regal names; Kourtney Kardashian and Scott Disick used it as the first name of their son, and One Direction’s Louis Tomlinson picked it for a middle name.


Luna Simone



There was lots of love shown for this luminous, well-publicized choice by Chrissy Teigen and John Legend in April. (Could it be a subtle nod to jazz legend Nina Simone?) Moonstruck Luna is a bona fide hit, influenced by the Harry Potter character Luna Lovegood. This Roman moon goddess name currently ranks at number 110 and is in 19th place on Nameberry! Several other celebs have picked it, including Penelope Cruz and Javier Bardem. The middle name is the elegant, sophisticated French Simone.


Presley Bowie


"Twilight" actor Jackson Rathbone covered several bases when he named his baby girl Presley Bowie in May. He and his wife Sheila Hafsadi saluted two musical heroes. Big brother is named Monroe Jackson Rathbone VI, after his great-great grandfather, the chairman of Standard Oil of New Jersey. The actor was born Monroe Jackson Rathbone V.


Rocco Robin


Bobby Cannavale and Rose Byrne became the parents of Rocco Robin in February. The middle name Robin, showing signs of returning to the blue column, honors Byrne’s father. Rocco has become much more mainstream since it was chosen by Madonna and Guy Ritchie for their son in 2000, and was later used by Lita Ford, Donald Faison and Jillian Barberie.

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The Dudeoir Photo Shoot To End All Dudeoir Photo Shoots

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Last week, Joshua Varozza was just a humble bail bondsman in El Dorado County, California.


This week, he's a viral star, based on the reaction to a series of "dudeoir" photographs taken by his friend, Tami Bears.


Ordinarily, Bears specializes in wedding photos and boudoir photography for women.


On Monday, she decided to apply the techniques she uses when taking boudoir photos of women to photos of men, specifically 32-year-old Varozza.



"My whole newsfeed has been depressing the past week because of the Orlando shooting and people who hate Trump or hate Hillary," Bears told The Huffington Post. "I thought, 'Let's do a spoof of pin-ups.'"


It's an idea she's had for a while, but knew not just any guy would be right for the modeling job.



Bears was eventually inspired to pick Varozza, who has been a friend for a few years. 


"He's really funny and I knew he'd be the guy," she said. "And he was. There were times when I had to put down the camera because I was laughing so hard."


When Bears asked Varozza, he said yes immediately.


"I'd seen a few 'Dudeoir' photos and thought it would be a blast," he told HuffPost. "I told her I had a flag cape and she told me to just wear the overalls -- no shirt!"



The photo shoot was finished in just 90 minutes.


"We went out for a beer afterwards and I offered [Joshuaf] a chance to pick the ones that he liked," said Bears. "He said, 'I don't need to look -- I like them all!'"



The album that Bears posted on her Facebook page, "The God Bless America 'Dudeoir' Country Collection," is going viral on Facebook, and Varozza said he's getting a lot of positive attention from both men and women.


"I actually thought the only reaction I'd get was from my parents -- embarrassment," Varozza laughed. "But it's all been positive."


Except from maybe one person: Varozza's 13-year-old son, Tyler.


"He said, 'Dad, you're just a goofy old man,'" Varozza said.



Bears and Varozza are so gratified by the reaction, they are thinking of doing a calendar.


"Honestly, I don't know how we'd go about doing that, or if the people who say they'd buy it would actually do it," Varozza said.


However, Bears said she's learned a lesson from her work with Varozza that she hopes to impress on other boudoir models.


"He helped me realize that confidence comes from inside," she said.

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Inside The Dying Days Of Tibet’s Caterpillar Fungus ‘Gold Rush’

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Tibetan nomads who once eked out a living as farmers or yak-herders have found a lucrative new business in recent years -- caterpillar fungus.


Also known as cordyceps, the fungus grows on caterpillars, killing and mummifying them underground before growing a stalk that can be picked like a mushroom in spring. The fungus is relatively rare, but flourishes in the high altitudes and low temperatures of the Tibetan Plateau.


The fungus has been popular for centuries as a traditional cure for ailments ranging from asthma to impotence. But demand has skyrocketed as China’s middle class expands, says Getty photojournalist Kevin Frayer.


“The insatiable demand in the last decade for use in Chinese medicine has driven the prices to a point where good quality fungus can be worth more than their weight in gold,” Frayer told The WorldPost in an email.


Frayer, who is documenting the lives of nomadic Tibetan communities for an ongoing project, said everyone he met kept talking about the annual harvest, so he went along last month.


“The mountains of Tibet are vast and many of the places the cordyceps fungus are harvested from are quite remote ... so you need to trek in and climb to access the areas,” he said. “The landscape is incredible and exceptionally beautiful but the terrain is also hard and unforgiving.”


The harvest usually lasts one month in May and June, and has become a major part of the region’s economy.


Many Tibetan nomads have given up on traditional trades in favor of the annual caterpillar fungus “gold rush,” Frayer explained.


“For millennia they have been yak and livestock herders living off the land, but now more and more people are relying on the fungus to pay their bills,” he said. “The harvest gives these communities [a] chance to make in weeks what normally might take a year or more.”



The trouble is, it’s getting harder and harder to hunt down the caterpillar fungus, which can’t grow fast enough to keep up with Chinese appetites. Tibetan nomads told Frayer that the yield from this year’s harvest was the lowest they'd ever seen. Environmentalists have also warned about the long-term impact of the harvest on the sensitive environment of the Tibetan Plateau.


Meanwhile, prices for the fungus are falling, and harvesters fear China’s crackdown on corruption could hurt demand for the product as a high-value gift for officials. A recent health warning about arsenic levels in caterpillar fungus products is a further headache for cordyceps hunters.


“The locals know it’s a false economy, or at least temporary in many ways -- one Tibetan man referred to the fungus as “fool’s gold” and he worried that one day they will be worthless,” Frayer said.


One day when he was documenting the harvest, Frayer said, the altitude started to get to him and he laid down for a nap. “As I dozed off, I felt a nudge from a man picking cordyceps fungus nearby. He told me it is bad luck to fall asleep in the mountains,” he recalled. “‘It might anger the mountain gods,’ he told me, ‘and that would be bad for all of us.’”


See more of Kevin Frayer's photos from the cordyceps harvest below.


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J.K. Rowling Sends Flowers To Funeral Of Orlando Shooting Victim

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J.K. Rowling paid tribute to one of the Orlando shooting victims by sending flowers to his funeral.


The "Harry Potter" author sent a wreath of red roses and carnations to the memorial of Luis Vielma, which took place in Sanford, Florida, on Friday.


The 22-year-old was one of the 49 people killed at Pulse nightclub on June 12, and worked at the Wizarding World of Harry Potter at Universal Studios.





"To Luis, who died for love," Rowling said in a handwritten note, which was attached to the floral tribute. "You will never be forgotten."


Photographs showing the British writer's heartwarming gesture were posted online. A representative for Rowling confirmed she had sent the wreath.


It came just four days after she posted this emotional tweet about Vielma:






"It was a beautiful gesture to see J.K. tweet about him," Vielma's friend, Alma Almaraz Retana, told BuzzFeed. "And when I walked in to church and saw the beautiful flowers that she has sent I knew he was in heaven dancing of happiness."


Multiple tributes have been paid to Vielma, who operated the theme park’s The Forbidden Journey ride. Perhaps most touchingly, dozens of friends gathered outside the park's Hogwarts Castle on Monday to raise their wands in remembrance.




-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

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