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Big Freedia Gets Personal In New Episode Of 'Big Freedia: Queen of Bounce'

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Big Freedia is giving fans an inside look at her quest to bring her New Orleans sound to the world with her Fuse series -- and we've got a sneak peek!

According to press materials, the March 4 episode of "Big Freedia: Queen of Bounce" sees Big Freedia performing in Atlanta as part of her biggest-ever tour. Meanwhile, backup dancer Flash looks forward to a "life-changing" reunion with his birth mother.

The remainder of the season will see Freedia aiming for the top while her personal life heads "towards uncharted territory."

Saying that the Bounce music scene "definitely connects all different walks of life" much like rap or hip-hop, Freedia told HuffPost Live last year, "I don't want to be in a category. I just want to be me. I'm an artist, I'm human...respect me for who I am, no matter what my sexual preference may be."

Take a look at a clip from the forthcoming episode at top, and read more about "Big Freedia: Queen of Bounce" here.

'Just Eat' Documentary Will Explore Why Eating Disorders Are So Misunderstood

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Anorexia has the highest death rate of any other mental illness. So why is it still so misunderstood?

That's what filmmaker Laura Dyan Kezman will explore in her forthcoming documentary, "Just Eat." The film will follow two eating disorder sufferers, one man and one woman, as they navigate their illnesses and common roadblocks to recovery.

Kezman, who was diagnosed with anorexia in 2006, chose to make the film after realizing that her own struggle to access adequate treatment was far from unusual.

"I realized this wasn't just a thing that happened to me, it was an epidemic that is affecting millions of people," Kezman told The Huffington Post. "Insurance denials and uneducated medical professionals are getting in the way of recovery, every day."

The film will deconstruct common eating disorder myths and explore why eating disorder treatment is so poorly funded. In 2014, the National Institute of Health allocated eight times as much research funding to schizophrenia as it did to all eating disorders combined -- even though anorexia is twice as deadly as schizophrenia.

Kezman says that her goal is to educate people about the reality of having an eating disorder, and raise awareness about the obstacles sufferers face.

"We can stop talking about eating disorders in this conceptual way, and instead talk about what they really are," she told HuffPost. "Scientifically, what are the things we know? At the federal level, where is the money going? Are we granting people access to treatment? If not, what can be done to change it?"

Learn more about the documentary here.

Kim Gordon On Divorce, Art And Life After Sonic Youth

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The following article is provided by Rolling Stone.

By JONAH WEINER

Kim Gordon wants to get a burger at the Apple Pan, a tiny burger joint on Los Angeles' West Side that opened in 1947 and which she began frequenting as a kid. She leans forward on her stool to catch the counterman's eye: "I'll have a hickory burger, no cheese – and could I get a slice of raw onion on that?" Gordon, who played bass and shared vocals in the heroically inventive noise band Sonic Youth, is awesomely overdressed for the place: black top with a dramatic horizontal slit exposing her lower back; matching black miniskirt; black heels. "My family used to live in a house on the other side of Pico, then we moved to another house close by, and we always came here," Gordon says. "There was this guy, Gordon, who worked here for years. I remember him as this tall guy who just progressively got fatter as time went on." She smiles at this memory, then gestures across the street, where an enormous mall looms. "You can see how this place is just dwarfed by new developments now." Not that change is necessarily bad. She just noticed a Guitar Center next door: "I'm actually looking for a tremolo pedal. . ."

Q&A: Kim Gordon on Her New Band Body/Head and Missing Sonic Youth

Gordon, 61, has a particular preoccupation with history these days because she's about to release her memoir, Girl in a Band. The catalysts for her writing the book were two life-upending events. In October 2011, Gordon and her husband of many decades, Thurston Moore – who co-founded and co-fronted Sonic Youth with her and the guitarist Lee Ranaldo – announced their divorce. A month later, Ranaldo heralded the dissolution of Sonic Youth itself, intoning that "every band runs its course." For the group's cult of admirers – a category that over the years has included Kurt Cobain, Michael Stipe, Kathleen Hanna and Carrie Brownstein – both pieces of news were fairly earthshaking. In 1989, MTV had declared Sonic Youth the "standard-bearers for alternative rock," and it was taken for granted by the 2000s that the band, and the romantic partnership at its core, must surely be immortal. Gordon, for her part, had established herself as an unlikely fashion icon, resilient tastemaker and all-around feminist badass. But the band had grown fatigued, and Moore had cheated.

Newly single and with her main creative outlet gone, Gordon says, "there was a kind of, 'How did I get here?'" So last February she escaped Northampton, Massachusetts, where she and Moore had set up house, and she rented a $159-a-night Echo Park bungalow on Airbnb. She put herself on a rough schedule of writing for a few hours every morning, sorting through her life for meaning, insights and order. "It makes you look back and dig in," she says.

Kim Gordon Details New Memoir, ‘Girl in a Band’

Gordon's hickory burger arrives in greasy paper. "Can I get some ketchup?" she asks. She says that, at first, she envisioned the duties of a memoirist prankishly. "I was like, I want to write a book like Bob Dylan's Chronicles and just make stuff up," she says. That didn't happen, but she retained a looseness as she went, obeying impulses and avoiding any topic she deemed boring. "I decided not to try and research and include everything." She laughs. "I didn't wanna overthink what I was gonna do. I know someone will one day write a good Sonic Youth book, but at the outset I said, 'This is not that.'"

She focused, instead, on distinct memories, like growing up in awe of her older brother, who began showing signs of schizophrenia in his youth and now lives under supervised care in the Valley; moving to New York City in 1980 as an aspiring conceptual artist and crashing briefly at Cindy Sherman's apartment; playing Sonic Youth's final show, in Brazil, by which point she and Moore had ceased speaking to one another. She also tried to tease out broader themes "that I thought maybe women could relate to," like for instance, female body image, which Gordon discusses while recalling the Sonic Youth song "Tunic," which she wrote about Karen Carpenter.

Sonic Youth’s 30 Essential Songs Over 3 Decades

She had at least one extremely critical reader in mind as she wrote: "I tried to make it as accurate as I could, so that the book couldn't be dismissed by people who wanted to dismiss it," she tells me, chomping into her burger. Who would want to dismiss it? I ask. Moore? She smirks at me as if to say: Come on, son. "That one voice was in my head as I wrote," she replies, nodding. Even now she's careful what to say about Moore on the record: "I don't want to get weird e-mails about it."

Though Gordon discusses the
 demise of her marriage in Girl
 in a Band – reserving especially harsh words for Moore's new 
partner – her ex-husband appears as an oddly ghostlike figure in the book. Gordon writes glancingly little about why they first fell in love, why they decided to start a band, and how their relationship developed and frayed. In part, she says, these omissions are a function of an impulse toward privacy, but they're also because, on a fundamental level, Moore had become un- recognizable. "He was a stranger, in a way," she says. "Obviously, there's a lot I didn't know about him. Like, 'Who are you? Who is this person?'" In the book, she wonders aloud, while recounting their early courtship, "whether you can truly love, or be loved back, by someone who hides who they are." (There are also swipes at Billy Corgan, Courtney Love and Lana Del Rey, whose fatalist aesthetic Gordon finds so distasteful that she wrote, witheringly, "Why doesn't she just off herself?" Gordon included these asides, she says, at her editor's insistence, although the Del Rey line only appeared in pre-release galleys and not the published version of the book.)

Kim Gordon: The Godmother of Grunge on Feminism in Rock

Gordon jabs her thumbnail between her teeth, casually trying to dislodge a piece of lettuce. We get in her rental car and drive to a golf course where her mom "used to sneak onto the back nine early in the morning and play." As we stroll the grounds, Gordon says that, even if it weren't for her split from Moore, "the clock was ticking" for Sonic Youth: "You do something for 30 years . . ." she says, shrugging. "I think we were all kind of feeling" – she frowns like she's tasted something rotten – "but we never got to cash in. We still had to tour." Lately, she's busy with her new act, an improvisatory guitar duo called Body/Head, but Gordon says she long considered herself a visual artist who happened to be in a band and, in a sense, she's come full-circle after a 30-year detour: She's single, in L.A., trying to mount shows of her conceptualist-influenced artwork. (Her daughter with Moore, Coco, is now a painter, as it happens, enrolled in art school in Chicago.)

Things on this front have been good: Last year, her friend Larry Gagosian helped stage a show of hers. Meanwhile, she started to date again. And so "Girl in a Band" carries an overarching, albeit tentative, theme of renewal. In Sonic Youth, Gordon says, it felt like, "my life's going by and I haven't done all these things I've put off doing."

Rolling Stone’s List of the 40 Most Groundbreaking Albums of All Time

The afternoon sun warms the golf course's freshly cut grass. "James Ellroy used to be a caddy here," Gordon notes. She slides on a pair of black sunglasses with mirrored X's over each lens. She isn't sure where she's going to wind up. Moore's living in London; Coco wants to retain an East Coast foothold. "I'd like to do a kind of bicoastal thing, if I can afford it," Gordon says, then gets into her Corolla to fight the traffic across town to Echo Park: For now, Airbnb will have to suffice.

New York City Plans to Study the Diversity of Its Cultural Groups

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In a major study to be undertaken this summer, the de Blasio administration will review the diversity of the boards, staffs and audiences of New York City cultural organizations, such as museums, orchestras and dance troupes.
“If you’re living in a city like we are in New York — with 65 percent people of color right now — maybe we’re missing out on some of the talent if we don’t have diverse audiences, staffs and boards,” said Tom Finkelpearl, the city’s commissioner of cultural affairs, whose department will commission the study.

Everyone Is Saying That Will Smith Is Over

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"Focus" only made $19 million its opening weekend and Will Smith is over. Or, at least, that's what everyone on the Internet thinks. In an array of very similarly themed pieces, The Daily Beast, BuzzFeed, Vulture and The Washington Post have all questioned his future.

To be clear, "Focus" came in at No. 1 and performed well at the box office considering it's an R-rated film released in February. But $19 million dollars is not good relative to the gold standard of Literally Any Movie Starring Will Smith. Thus, the death rattle of his career has echoed through the blogs.

3515will

Let's put things in perspective: "Focus" is Smith's 15th best opening ever, behind even "After Earth" -- the scientology epic cited as his biggest career failure -- which had a debut of $27 million off a $130 million budget. (The budget for "Focus" was significantly smaller.)

"To everyone’s horror, Smith fell like Icarus while trying to make son Jaden into his own movie star in ['After Earth']," Jen Yamoto wrote for The Daily Beast. "Last month, Smith finally admitted that 'After Earth’s' massive failure 'broke' him free from the need to be the box office Ali. Conveniently, that also meant he already didn’t care if 'Focus' biffed it at the box office."

“It is a huge relief for me to not care whether or not Focus is No. 1 or No. 10 at the box office,” he said (via The Daily Beast). But what if it's No. 1 and only rakes in half his usual numbers?

3515will2

Now, "Focus" is aimed at the non-lucrative audience of "mostly adults" (88 percent of audiences who saw the film opening weekend were older than 25, according to AP) and only saw modest reviews. It also can't be ignored as a shaky attempt at rebranding in the wake of "After Earth."

This was an important film for Smith. A sort of stepping stone back into the career he once had. As Betsey Sharkey of the Los Angeles Times wrote of "Focus:" "The Hollywood stakes for Smith are as high as they are for the con man he plays." Yet, there's more contributing to this supposed "failure" than his waning cool in the eyes of those under 25 critical consensus of "meh" in response to "Focus."

At Vulture, Kyle Buchanan attributed the decline to diminished returns for movie stars in general. He asserts that franchises are what matter most in the current market. "More than ever before, the source material is the star attraction," he wrote. "Actors have become truly secondary to the power of a strong franchise."

Emily Yahr, writing for The Washington Post, argued that the "the criteria for making the A-list in 2015 -- or staying on it -- has changed." She outlines different sorts of A-listers, noting the power of the franchise, but also tying in the likes of prestige, gravitas and marketability.

The shelf-lives of A-listers are just much shorter,” Jeffrey Ulmer (the author credited with coining the letter-based ranking) told the paper. “Basically, you find a lot more actors having that spark of an A-list spark. The ability to structure a career almost as completely and militantly as someone like Tom Cruise” -- who conquered Hollywood hit by hit -- “is very tough.”

3515will4

Still, Smith has a certain star pull that brought "Focus" numbers it would likely not have earned otherwise. "'Focus' is the kind of movie that needs a star of Smith’s stature to work," wrote BuzzFeed's Adam B. Vary. "At the box office, at least, Smith’s star power seems to have paid off."

This general idea is that he still has this "star power," though not as much as he once did, because, well, he's over and all movie stars and just good movies in general are over, and we are ruled by the franchise. Long live "Fifty Shades," "Twilight," etc.! And R.I.P., Will Smith's career. This is the state of the industry now.

Okay, maybe not. But in parting, we can only hope our beloved Fresh Prince's estimated $240 million net worth will ease him into this early retirement. In the words of young Jaden: "Just stare in the mirror and cry, and you'll be good."

Giant X-Ray Screen Erases Gender, Age, Race To Prove 'We Are All Human'

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There are few images more evocative of the human body than a skeleton. But it’s easy to disassociate this image with actual people.

In the “Love Has No Labels” PSA featured in the video above, the skeleton is used as a symbolic reminder that -- simply put -- we’re all human, despite our varying identities. The yearlong initiative aims to call out some of our latent biases and prejudices.

As “Love Has No Labels” says in its mission: “Before anything else, we are all human. It’s time to embrace diversity. Let’s put aside labels in the name of love.”

To help underscore their point, the Ad Council and R/GA, a New York-based ad agency, set up a large X-ray screen outside in Santa Monica, California, this past Valentine’s Day. The display shows skeletons kissing, dancing, holding hands and hugging behind the screen. These images were initially more puzzling than moving to viewers. But as diverse pairings of people step out from behind the screen, the display takes on a larger meaning.

Two kissing skeletons in the first image, reveal themselves to be two women. They step out to wave at the surprised, but receptive, audience, and kiss again. Next, a dancing skeleton duo that turns out to be an interracial couple takes the stage. In the end, people from a wide-range of identities, genders, ages, abilities and religions comes out from behind the screen. The audience celebrates each person with applause, smiles and tears.

"We decided to take this on because we felt it was very important to encourage people, all Americans, to examine their unconscious biases," Lisa Sherman, Ad Council president and CEO, told Adweek. "As much progress as we've made as a country, we absolutely still have more work to do."

The campaign is in partnership with eight nonprofits that celebrate diversity. The Southern Poverty Law Center, for example, specializes in civil rights litigation for a range of marginalized groups. Other partners include The Anti-Defamation League, which combats hate crimes and anti-Semitism, and The Human Rights Campaign, the country’s largest LGBT civil rights advocacy group.

Learn more about the campaign and its nonprofit partners here.

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Foo Fighters Frontman Dave Grohl Stops Show To Fulfill Blind Fan's Request

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Foo Fighters frontman Dave Grohl made someone very happy at the band's show in Sydney last week, temporarily pausing the performance to fork over a drumstick to a blind fan in the front row.

"There's a guy in the front row," Grohl said, explaining his action to the crowd of more than 50,000 people. "He's got a sign that says, 'Drumstick for a blind guy please?'"

The band was happy to oblige, grabbing a stick from drummer Taylor Hawkins and passing it on as fans cheered the kind gesture.

Grohl has long had a reputation as an all-around good guy, once even reaching into a turbulent crowd to top off a fan's beer:



Nice work, Dave.
dave grohl

Etti-Cat, The O.G. Of Cat Memes, Is Here To Teach You Some Manners

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Grumpy Cat’s not going to be happy about this.

Gothamist published a series of photos Tuesday featuring an adorable feline who starred in New York City subway etiquette posters in the 1960s.

Etti-Cat (get it!?!?!) had a much better grasp of the English language than the LOLcats of today.

THEN:

etticat

NOW:

iizburrito

Plus, Etti-Cat wasn’t perfect — even the spokeskitty for good behavior made mistakes sometimes:

etticat 1

TL;DR: Don't vandalize things.

Etti-Cat also appeared in a 1965 book called “The Courtesy Cat” that touched on general manners. Blogger Mew Mew Munchy Toe (we’re guessing that’s a pseudonym) got her paws on a copy of The Courtesy Cat and found all sorts of other useful tips. “Be easy to get along with,” Etti-Cat advises. “I get along with Ginger, the dog, even though I am a cat.”

While we, perhaps incorrectly, assumed the cat superstars of today would feel threatened by Etti-Cat’s charm, eloquence, and cool demeanor, at least one famous feline appears to be a fan. In 2011, Morris the Cat posed a trivia question about Etti-Cat to his fans, noting “I am always one for manners.”

The original Etti-Cat posters can be seen at the New York City Transit Museum, where a presentation on the history of subway etiquette will be held on March 10.

etticat3



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You Don't Need To Be A Magical Leprechaun To Do These Easy St. Patty's Day Crafts

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St. Patrick's Day is a veritable font of crafting opportunities, with its colorful rainbows, shamrocks and pots o' gold. For parents who feel like a fish out of water in the DIY-sphere, fear not! We combed through Pinterest to bring you some simple, straightforward St. Patty's Day crafts that you and your kids can pull off easily.





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FABRICATIONS: Meet Queer Fashion Designer And Artist Geoffrey Mac

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This is the ninth installment in a miniseries titled "FABRICATIONS" that elevates the work of up-and-coming queer individuals working in the fashion world. Check back at HuffPost Gay Voices regularly to learn more about some of the designers of tomorrow and the way their work in fashion intersects with their queer identity.

Geoffrey Mac is a queer fashion designer and artist living in and operating out of New York City. A mash-up of futurism and vintage eras, his designs span a wide spectrum of styles and have been worn by Lil Kim, Jake Shears, Debbie Harry, Icona Pop, Sharon Needles and Carmen Carrera, among others. With a focus on sculptural pattern making, intricate construction and the use of unusual materials, Mac has recently expanded his brand to include both streetwear and jewelry. Read the interview below to learn more.

geoffrey

The Huffington Post: What has your journey as a queer artist and fashion designer entailed?
Geoffrey Mac: I have been an artist for as long as I can remember and always obsessed with aesthetics. After graduating from the School of the Art Institute of Chicago, I launched Geoffrey Mac, an all-latex clothing line that focused on club wear. I never considered it a fetish line, but our clients became primarily fetish boutiques. It was difficult to be taken seriously as a designer when all the garments were latex. Knowing how to design custom, precise, difficult, perfect fitting garments made transitioning to a fabric line easy. The response was very well received. At the time, I was also a part-time instructor at the S.A.I.C. and the Illinois Institute of Art. On weekends I hosted parties in gay clubs creating unique and outrageous “looks” and eating/breathing fire. It was there that I felt most creative.

After ten years in Chicago I had a surfing accident in Costa Rica that inspired me to rethink my life. So, I resigned from my teaching positions and moved to New York City for the opportunity to pursue the only career I have a true passion for. For a year I was the production director for Cynthia Rowley, but missed the creative work of my own design. It wasn’t long before I found one of my first great muses, when I started doing custom work for Lady Kier, formerly of Deee-Lite. Additionally, long before "RuPaul's Drag Race" became a phenomenon, I found inspiration designing for a long list of top drag performers. Drag artists are great as clients because they constantly need to churn out tons of looks, they always need to up the ante and it’s fun bringing to life their outrageous fantasies. More recently, for the past several years, I’ve done a lot of consulting, pattern-making, construction and production work for well-known designers Zaldy and Desi Santiago. This has included work for high-profile clients like Britney Spears, Lady Gaga, Ke$ha, Madonna, and "Hedwig" on Broadway.

mac1

When I launched a ready-to wear-line with my NYFW debut in 2012 we gained some momentum and delved back into production. However, I was also reminded of all the politics that go along with that. Our mission to be “Made in NY” is an expensive venture that pushes our pricing outside many of our ideal shops. That being said, we began to rethink our approach and focused instead on online sales. We presented “GMAC by Geoffrey Mac,” our premier street wear line in 2014 with a focus on streamlined designs. We found ways to drive down production costs and offer a more affordable price point, while maintaining NY and domestic-based production.

Where have your designs appeared?
One of my first collections was featured in a memorable runway challenge on "America’s Next Top Model," where the models were literally set on fire (no garments were harmed!). I’ve done runway shows and presentations in New York, Los Angeles, Chicago and Denver. My latex creations have been worn in music videos by the likes of Lil Kim and Jake Shears. I’ve produced many complicated, unusual garments for some of the top touring artists. I’ve created custom designs for countless performers, ranging from emerging acts to notable artists like Debbie Harry, Icona Pop, Neon Hitch, Adore Delano and Sharon Needles.

adore delano

You describe your designs as a mash-up of futurism and vintage eras. Can you elaborate on this?
I have always been obsessed with pushing design forward. I like a nod to the past, whether it’s in the silhouette or detailing, but I also like to keep the design unusual, sleek and suited for the future. Ultimately, my goal is to create pieces that are timeless. I don’t follow trends very closely but rather try to follow my passion and thought process so that all of my designs are heartfelt and not influenced by the latest “trends.” I am obsessed with processes and materials. We launched a jewelry line that was all hand-poured silicone and resin -- it was exciting and refreshing to be sculpting again and lit my fire for more knowledge about materials. Following the jewelry line, we have utilized the same resin casting techniques -- which we perfected to produce a series of masks working with designer Desi Santiago -- to be featured in the epic Alexander McQueen “Savage Beauty” retrospective opening in London at the Victoria & Albert Museum in March.

What does it mean to you to be a queer designer? How does your queer identity intersect with your work?
Being a queer designer has allowed me to express myself to the fullest and most bad ass extent of my fantasies. Being queer has encouraged me to be fearless -- it’s given me a sense of invincibility and the creative freedom to transform the ordinary into extraordinary. It’s given me an experimental spirit: to use make-up, wigs, unconventional materials to transform and create without having to justify my methods or materials. I am gay, it’s what I do! It’s also defined a sense of community and brought about collaborations with a lot of amazing artists.



Who is the target audience for Geoffrey Mac designs?
Everyone! I have a broad range of clients. My NYFW debut collection was targeted toward sophisticated career women. For that show we used beautiful wools, leather embellishments and silk to create sophisticated classic designs. More recently we did a punk and Pop Art inspired collaboration with Sharon Needles X GMAC called “NEEDLES,” which has done well and sold at the Patricia Field’s boutique. For this line we were targeting a younger demographic. We currently also have a popular new men’s underwear line collaboration with rapper Cazwell called “Ice Cream Truck.” It’s proven to be a big hit with gay men, with the underwear selling out after only two weeks! We are currently developing new styles and waiting for new stock to arrive. Lines like these have been fun to do and successful, but I always get the most fulfillment from custom projects. My passion is creating something challenging. I have a loyal following of drag queen stars -- some have been winners or finalists on "Drag Race." I have also had the honor of designing for some of my favorite iconic performers like Deborah Harry. I even recently designed costumes for kittens as a part of Pepsi’s “Kitty Purry” Cat Halftime show. I love a challenge and my audience is really diverse.



At HuffPost we've seen an emergence of clothing lines that cater to queer and trans bodies whose needs aren't met by traditional designers. Do you think we'll see more of this in the future? What does this say about the future of fashion?
While I have never created a specific line for the trans community, fashion is for everybody. I had the honor of having the amazing beauty Carmen Carrera walk in my "NEEDLES" runway show. I have created custom garments for drag queens, trans, straight, gay, young, old, skinny, curvy, old and young -- we all want to improve our look. Custom design provides answers for all body types. Custom design is transformative. Each piece can be tailored to change and enhance the “look” that the client wants. I also love to develop unisex styles in my collections -- this was a big focus of our GMAC street wear line. The trans community is a massive market and not be underestimated. If people pay for a new or improved body, you can assume they will demand garments that are perfectly suited to the work they had done.

sharon needles

What does the future hold for Geoffrey Mac?
The future is looking amazing here in Brooklyn! Currently we are designing several dresses for Bjork’s tour. She has contributed so much to the art world through fashion, music, videos and film. It has been, hands down, the biggest honor of my life working closely with her to design these special garments.

I love designing unconventional creations. When I challenge myself and stretch even my own boundaries of style, I am the most creative. I want to convey my design aesthetic in all that I do and always be sure that I enjoy the process. When I do that both my clients and I are happy. This is why we are always exploring new ventures, materials and techniques here at Geoffrey Mac. We’ve been having more demand for styling and wardrobe projects, which we enjoy as well.

Moving forward, we will continue to have a big focus on custom design work that matches the need and desires of my clients.

Want to see more from Geoffrey Mac? Head here to check out the designer's website. Missed the previous installments in this miniseries? Check out the slideshow below.

This Is Where America Gets Almost All Its Winter Lettuce

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Unless you're a homesteader, a Sunbelt resident who eats only food from your local farmers market, or an extremely devout carnivore, you've almost certainly eaten lettuce from Yuma, Arizona, a city of 93,000 at the nexus of Arizona, California and Mexico. The Yuma area, including the Imperial Valley across the California border, produces about 90 percent of all the leafy vegetables grown in the United States from November to March, when it's too cold to grow produce in most of the rest of the country.

If you're familiar with the geography of the American Southwest, you're probably scratching your head right now. Because Yuma is in the middle of the desert. It's probably most famous today as the sandy setting of the 2007 Western "3:10 To Yuma." So you may think Yuma looks something like this:

proving grounds

Or this:

yuma mesa

And you'd be partially right. Both of those photos were taken on the outskirts of Yuma -- the first in the middle of Yuma Proving Grounds, a military testing site, and the second on the eastern edge of the Yuma Mesa. However, Yuma also is on the eastern bank of the Colorado River -- a rich source of water and fertile soil for thousands of years. Over the past couple of years, the city has established a vast park along the riverfront, illustrating its heritage as a kind of oasis in the desert. Here's a view of the park from near the center of Yuma:

colorado river park

The river -- along with almost constant sunshine, warm weather and ready access to a deep pool of skilled farm workers from across the border in Mexico -- has allowed Yuma to become one of the most productive agricultural regions in the country. Yuma farmers grow a host of crops: wheat, oranges, lemons, dates, alfalfa. But the crown jewel is lettuce.

lettuce field closeup

Driving through the city in the winter, you pass countless fields of emerald green heads of lettuce.

lettuce field

You even see the occasional field of red or white lettuce, destined, possibly, for a bag of spring mix.

multicolor lettuce fields

If you've ever visited a lettuce farm in, say, the Hudson Valley of New York, it can be a little unsettling to see a huge field of lettuce in Yuma with palm trees and mountains in the background.

palm trees lettuce

These fields stretch for miles to the east of Yuma, up the often-dry Gila River.

scarecrow

Of course, it takes more than scarecrows to tend to this bountiful crop. Six days a week, about 45,000 farm laborers -- many of them legal guest workers who commute across the border into Yuma every day -- harvest, trim and pack lettuce in crews ranging from two to 30 people.

harvesting

Here, a crew picks heads of iceberg lettuce on a field contracted to Dole, one of the biggest lettuce shippers in the region.

lettuce harvesting

(This might be a good time to note that, although Yuma holds the Guinness World Record for the sunniest place on earth, with sunshine an average of 91 percent of the time it could possibly shine, it happened to be cloudy on two of the three days when I visited.)

The laborers work through the fields, accompanied by workstations attached to trailers. Sometimes, as in the following picture, they'll work in teams of two, with one person (usually male) picking the heads of lettuce and then passing them to another person (often female), who trims them.

romaine harvest

Here, four women cut heads of romaine down to usable size, wash them in chlorinated water and put them on a conveyor belt that loads them onto a truck.

trimming romaine

Huge trucks stand at the ready to take lettuce away. At the height of the vegetable season, one grower told me, 1,000 trucks, each carrying about 1,000 boxes of produce destined for grocery stores and restaurants from Seattle to Miami, leave Yuma every night.

dole truck

Yuma only gets an average of three inches of rain a year -- and lettuce requires a lot more water than that to grow. So Yuma's farmers get almost all their water from the Colorado River, seen here 10 miles north of Yuma, with the picturesque Castle Dome in the distance.

colorado river

In the lower left corner of this photo, a few metal bars mark the beginning of the Imperial Dam, the last of the great dams on the river, which was completed in 1938. At this point, water from the Colorado is sent in three directions. Some goes east to the Gila Valley, and some continues in the Colorado River down to Mexico. But the bulk is diverted into the All-American Canal, which supplies water to Yuma and the Imperial Valley. The bars in the picture are part of a structure that filters logs, trash and other large refuse out of water destined for the All-American Canal.

trash screen

The water then passes through the main portion of the dam into a basin that removes silt, and then onward to the canal.

imperial dam

In this photo, you can see the portion of the water, at left, that goes to Mexico, and the part, at right, that goes to the All-American Canal.

diversion

Water from the All-American Canal is distributed to individual farms in Yuma through a vascular system of ever-smaller irrigation canals, which cut through the entire Yuma region.

irrigation canal

Farmers submit orders for water to their local irrigation district. When it arrives, about three days later, they open gates of the small canals adjacent to their fields and allow water to run through the furrows between rows of lettuce, saturating the soil in the beds.

diagonal

The farmers also sometimes hook pipes and electric pumps to the outlet of the canals to propel water into the air through sprinklers. Sprinklers are used to irrigate fields of seeds that are just starting to germinate, as well as those with beds too wide for furrow irrigation.

sprinkler canal

A few miles west of Yuma, as the All-American Canal heads toward the Imperial Valley, it passes through the stunningly beautiful Algodones Dunes -- which stood in for the desert planet of Tatooine in "Return of the Jedi."

all american canal dunes

Make no mistake: Were it not for irrigation canals like these, Yuma's farms wouldn't be nearly as productive as they are. This photo, taken in Dome Valley, east of downtown Yuma, shows the contrast between the high desert around Yuma and the fertile farms within it.

long distance lettuce fields

Last weekend, the city of Yuma commemorated the crown jewel of its agricultural ecosystem with its 16th annual vegetable-themed festival, Lettuce Days.

lettuce days sign

Thousands of people came to the University of Arizona's Yuma Agricultural Center, this year's venue, to attend panels on lettuce, taste delicious salads, listen to music and peruse souvenir stands.

lettuce ave

The biggest booth was run by Dole, but a few smaller farmers also were selling their wares.

farmers market

The next Lettuce Days isn't for a year. But there are still a few weeks left in Yuma's lettuce season, before the bulk of the production shifts to the cooler Salinas Valley in central California. So if you'd like to taste Yuma's bounty, all you have to do is visit your local grocery store and buy some lettuce.

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'Clueless' Star Jeremy Sisto Was 'Heartbroken' To Lose 'Titanic' Role To Leonardo DiCaprio

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Leonardo DiCaprio and Kate Winslet became global sensations after starring in James Cameron's "Titanic," but it almost didn't happen that way.

Jeremy Sisto, who you may remember as Elton from "Clueless" and Det. Lupo from "Law & Order," stopped by HuffPost Live on Wednesday to discuss his role in A&E's "The Returned" and lamented losing out on the "Titanic" role.

"That was one of the many, many jobs I didn't get," he laughed.

In Kate Winslet's screen test for the part of Rose, it was Sisto rather than DiCaprio who played her love interest.

"It's always fun to see a movie that you know really well and love with this alternate universe person in there," Sisto said. "So while I was a little embarrassed to reveal one of my many failures in life, at the same time I couldn't deprive 'Titanic' lovers of seeing that alternate universe."

Sisto read with three additional actresses who were vying for the role of Rose. And while he looked back on the experience fondly, the actor admitted he was sad to miss out on the chance to play Jack on the big screen.

"It was a pretty great experience. To be involved in something that had that kind of scope -- anything James Cameron does has this huge scope to it. He's trying to push the limits on things," he said. "So I was just insanely inspired by it and a little heartbroken when the role didn't come my way."

Watch the full HuffPost Live conversation with "The Returned" actor Jeremy Sisto.

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'Men And Coffee' Is The Instagram Account Of Our Dreams

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If you love a steaming cup of coffee and an attractive man, this is the Instagram account for you.

"Men and Coffee" was launched in November by Alex Tooby, a social media strategist in Vancouver. It features men drinking, preparing, or just hanging out with coffee.

This guy AND flowers?? #menandcoffee

A photo posted by M E N & C O F F E E (@menandcoffee) on





"The idea came up randomly with a friend one night. We were just discussing the sex appeal of men drinking coffee. After that I went home, checked social media and saw no one was showcasing these two things together, so I decided to jump on it," Tooby told The Huffington Post. "The first few pictures I posted were images I found online via Pinterest, Tumblr, etc. Shortly after that the #menandcoffee hashtag started taking off and now I just use images I find there."

"Men and Coffee" now has 22,000 Instagram followers, and Tooby launched a website where fans can get even more "eye candy."

If you're wondering why "Women and Coffee" isn't a thing, well, it is. Tooby registered the accounts at the same time, but she didn't start posting on "Women and Coffee" until early February.

"I registered the two accounts at the same time with the idea that if 'Men and Coffee' took off, that I would run them simultaneously," she explained. "That's exactly what happened. ... It's hard to say if it will reach the success that 'Men And Coffee' has at this point, but I'm hopeful."

Check out the men and coffee of "Men and Coffee" below:

The boys at @six_impossiblethings are at it again! #menandcoffee

A photo posted by M E N & C O F F E E (@menandcoffee) on





Mesmerizing pic by @_brandonwells @mitchichal #menandcoffee

A photo posted by M E N & C O F F E E (@menandcoffee) on





Do we really have to get up? Photo by @andrewnordin #menandcoffee

A photo posted by M E N & C O F F E E (@menandcoffee) on





Mr. Charming.. #menandcoffee

A photo posted by M E N & C O F F E E (@menandcoffee) on





Great capture by @viranlly! #menandcoffee

A photo posted by M E N & C O F F E E (@menandcoffee) on






I think he's waiting for you.. #menandcoffee ▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃ www.menandcoffee.com

A photo posted by M E N & C O F F E E (@menandcoffee) on





Goodnight everyone! #menandcoffee

A photo posted by M E N & C O F F E E (@menandcoffee) on






H/T The Daily Dot

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The 10 Best Contemporary Artworks At The 2015 Armory Show

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This article originally appeared on artnet News.
By Brian Boucher

nat
El Anatsui at Jack Shainman.


The VIPs were out in force at the preview of the Armory Show on the Hudson Piers on Wednesday. We spotted Neil Patrick Harris, fresh off his Oscars hosting performance, chatting with none other than George Lucas in the aisles. REM's Michael Stipe was seen picking up lunch with Bill Arning, director at the Contemporary Arts Museum Houston, and some other friends. Museum directors like Glenn Lowry were on the prowl.

Nearly 200 galleries from around the globe are offering their wares. We took a quick run through Pier 94, where the contemporary galleries are, and found 10 works we especially liked. (Ben Davis has this to say about the show: Less Neon, More Dead Animals at the Sprawling, Exciting Armory Show 2015.)

Aiko Hachisuka's large sculpture Couch caught our eye at Eleven Rivington (New York). It's a large, comfy-looking couch covered with stuffed clothes, all bought at a yard sale from a single family. It brings to mind Mike Kelley's work with stuffed toys, as well as Yayoi Kusama's furniture sculptures covered with soft phallus shapes. The gallery's Augusto Arbizo (see 14 Young New York Art Dealers To Watch) points out that it's actually more closely inspired by early works by John Chamberlain. By the time we got back to the office, it had sold to someone for $20,000. Only that person will get to sit on it, so don't try to sit down.

An array of ceramic sculptures by William J. O'Brien, each on a custom-designed stand, makes for a dramatic presentation at Marianne Boesky's booth. The Ohio-born artist lives in Chicago and he's 37. These zany sculptures in all sorts of colors dominate the booth to great effect, each standing a couple of feet high. Some depict partial figures, some are angular and abstracts, some show crazy heads. In one, showing a figure from thighs to elbows, the hands sport fingernail polish.

I don't know the work of German artist Michael Müller yet, but you can't help but be drawn into the stand of Aanant & Zoo/Thomas Schulte, in town from Berlin. The artist has lined the floor with pink carpet and the pink wall with text of his own writing. There are sculptures throughout the booth, including a creepy one showing a man sitting in a shower stall, with nothing where his genitals should be. Another, Relaunch at the Museum Shop, has an aluminum cut-out of German artist Albrecht Dürer atop a plinth, with a Louis Vuitton–style handbag emblazoned with the artist's own logo of a D nestled within an A.

I can't get enough of Martin Wong. His painting Iglesia Pentecostal, 1986, shows the whitewashed façade of a church on Avenue B on New York's Lower East Side, with the metal security gates closed. Wong, a Chinese-American artist who died from AIDS, has been deservedly in the spotlight in recent years, with the Museum of the City of New York mounting a show of his street art collection and Danh Vō devoting his Hugo Boss Prize show at the Guggenheim to a display of other items Wong collected. This painting, to me, delightfully plays with the notion of a flat picture plane and of shutting the viewer out, while depicting a bombed-out Lower East Side that's unimaginable today. It's showing at P.P.O.W Gallery, New York.

Edge of Arabia Projects (EOA), London, hosts an endearing project by artist Darvish Fakhr, who is dressed in a flowing garment and a fez, like a whirling dervish (yes, his name has the same root), and is riding a magic carpet around the fair. It sits atop a motorized device and, echoing the motor's sound, is called Whirring Dervish. He won't be hard to find. Just watch for everyone smiling and directing their iPhones his way as he cruises by. On a break at EOA's booth in the Focus section, devoted to galleries from the Middle East, North Africa and the Mediterranean, he told me he hopes to lighten things up and deal with a troubled part of the world with some humor. When I asked if I could try it out, he said, “I don't know, can you ride longboard?"

London's Moving Museum, one of the nonprofits accorded a tiny booth, introduced me to a fine project by Soheila Sokhanvari, an Iranian artist who somehow managed to smuggle some crude oil out of Iran. She used the substance to create monochromatic drawings based on photographs from pre-revolutionary Iran. The works couldn't be more timely, with Iran's nuclear capabilities on the front page as Israel's Benjamin Netanyahu was invited by Congressional Republicans to give a campaign speech in Congress this week, slamming Obama's still-in-negotiations arms deal.

Ryan Gander has a fine sculpture at Berlin's Johnen Galerie that gooses Donald Judd, which can only be a good thing. He's arranged a series of IKEA shelves in a column, just like Judd's iconic “stack" sculptures. Atop them rests a potted plant, as if to turn some of the most beloved exemplars of minimalism into nothing more than interior decor. (It reminded me of a fine piece by David Scanavino at Marlborough recently that similarly tweaked the famously prickly artist by treating his chairs in ways that probably wouldn't have pleased him.)

Wael Shawky's drawings at Lisson Gallery (London, Milan, and soon New York) are a delight. He's shot a series of videos that use marionettes to tell the tale of the Crusades, as he puts it, from the Arabs' perspective; they're now on view at MoMA PS1 (see Puppet Jihad at MoMA PS1 Puts Burlesque Into Extremism), along with the marionettes. The drawings are subtler, but the fancy that infuses the puppets and the videos is also on display here.

Nara Roesler, with galleries in São Paulo and Rio de Janeiro, has a great sculpture by Julio Le Parc, with hundreds of little yellow panes of plastic hanging in a giant globe from the ceiling, making a mesmerizing avant-garde sun in the fluorescent-lit gilded trenches of the piers. The artist, born in 1928, has been showing at biennials since Venice in 1966 and São Paulo the following year, and has stood up to repressive military regimes in Brazil and participated in collective artistic acts of protest against fascist movements in Chile, El Salvador, and Nicaragua.

El Anatsui has received plaudits for institutional solo shows like the recent one at the Brooklyn Museum, which opens soon at the Museum of Contemporary Art San Diego. A giant wall hanging at Jack Shainman's booth is tagged at $1.5 million and incorporates hundreds of aluminum remnants from liquor bottles to create a great, swirling black curtain. (See El Anatsui's Exciting New Work Is Even More Majestic Than Ever.) Roberta Smith, in the New York Times, once wrote of his sculptures, “Their drapes and folds have a voluptuous sculptural presence, but also an undeniably glamorous bravado." That bravado is on plentiful display here.





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50 More Movies Added To The Tribeca Film Festival Lineup

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Following Tuesday's reveal of this year's competition slate at the Tribeca Film Festival, organizers released the second half of the 2015 slate. Sundance faves, world premieres and some pretty cool events (Mary J. Blige concert!) highlight the lineup, which includes new features from big names like Kristen Stewart, Jason Sudeikis, Zooey Deschanel, Russell Brand, Adam Driver, Ethan Hawke, Patricia Arquette, Aubrey Plaza, Lily Tomlin and more.

Check out the list of films below. This year's Tribeca Film Festival runs from April 15 through April 26.

SPOTLIGHT (Co-Sponsored by Brookfield Place and The Lincoln Motor Company)

Aferim!, directed and written by Radu Jude, co-written by Florin Lazarescu . (Romania, Bulgaria, Czech Republic) – North American Premiere, Narrative. A police officer and his son travel across Wallachia in 1835, hunting down a runaway gypsy slave. In their journey across the countryside they encounter people of different religions and nationalities, each with their own prejudices and opinions on the state of the country. Shot in black-and-white, Radu Jude's Aferim! is a gripping look into the political and religious landscape of 19th century Romania. In Romanian with subtitles.

Aloft, directed and written by Claudia Llosa. (Canada, France, Spain) – New York Premiere, Narrative. In parallel narratives, single-mother Nana (Jennifer Connelly) has a mysterious experience at the hands of a traveling healer, years later her troubled son Ivan (Cillian Murphy) sets out in search of his now absent mother. Academy Award®–nominee Claudia Llosa’s (The Milk of Sorrow) decade-spanning family drama is a dreamlike rumination on faith, forgiveness, and family, set against an otherworldly frozen landscape. A Sony Pictures Classics Release.

Among the Believers, co-directed by Hemal Trivedi and Mohammed Ali Naqvi, written by Jonathan Goodman Levitt. (Pakistan) – World Premiere. An unsettling and eye opening exploration into the spread of the radical Islamic school Red Mosque, which trains legions of children to devote their lives to jihad, or holy war, from a very young age. With incredible access and chilling footage, Among the Believers is a timely and relevant look into the causes that have led to the growth of radical Islam in Pakistan and around the world. In Urdu with subtitles.

Anesthesia, directed and written by Tim Blake Nelson. (USA) – World Premiere, Narrative. On a snowy night in New York City, a Columbia professor is brutally mugged on the doorsteps of an apartment building. Director Tim Blake Nelson’s haunting meditation of city life traces the chain of events that precipitate the attack, examining the inextricable and unforeseen forces that bring a group of disparate individuals together. Featuring a star-studded ensemble including Sam Waterston, Kristen Stewart, Glenn Close, and Cory Stoll.

Angry Sky, directed by Jeff Tremaine. (USA) – World Premiere, Documentary. In the 1960s, truck-driver Nick Piantanida discovered skydiving, and set out to break the world record for highest parachute jump by taking a helium balloon to the edge of space. Over the course of a year, his dream to launch the first civilian space program drove him to obsession. An ESPN Films release.

The Armor of Light, directed by Abigail Disney. (USA) – World Premiere, Documentary. This inspiring documentary digs into the deep affinity between the evangelical Christian movement and our country's gun culture — and how one top minister and anti-abortion activist undergoes a change of consciousness to challenge prevailing attitudes toward firearms among his fellow Christians.

As I AM: the Life and Times of DJ AM, directed and written by Kevin Kerslake. (USA) – World Premiere, Documentary. Adam Goldstein, better known as DJ AM, was a man with deep passions and aggressive demons. As I AM is an insider’s look into the life of the late, famed mash-up pioneer: his professional successes that made him the first million-dollar deejay in the United States and his incredibly complex personal life that was lived under the specter of drug addiction.

Ashby, directed and written by Tony McNamara. (USA) – World Premiere, Narrative. Awkward Ed Wallis (Nat Wolff) needs help fitting in and turns to his neighbor Ashby Holt (Mickey Rourke) for help. Ashby’s unforgiving brand of tough love soon tests their friendship, and it hardly helps when Ed learns that Ashby is a former CIA assassin. Peppered with upbeat music and standout performances, Ashby is a spirited, self-referential update on Harold and Maude for a John Wick generation. With Emma Roberts and Sarah Silverman.

Backtrack, directed and written by Michael Petroni. (USA) – World Premiere, Narrative. In this spine-tingling supernatural thriller, troubled psychotherapist Peter Bowers (Adrien Brody) is suffering from nightmares and eerie visions. When he uncovers a horrifying secret that all of his patients share, he is put on a course that takes him back to the small hometown he fled years ago. There he confronts his demons and unravels a mystery 20 years in the making.

Bleeding Heart, directed and written by Diane Bell. (USA) – World Premiere, Narrative. Reserved yoga instructor May's (Jessica Biel) peaceful, clean-living life is thrown out of balance by the arrival of her long-lost sister Shiva (Zosia Mamet), a street-smart yet naive young woman trapped in an abusive relationship. May feels compelled to rescue the hapless Shiva, but she finds herself increasingly drawn out of her sedate world and deeper into Shiva's chaotic one. With Edi Gathegi, Joe Anderson, Kate Burton, and Harry Hamlin.

Cartel Land, directed by Matthew Heineman. (USA, Mexico) – New York Premiere, Documentary. A portrait of two men, both leaders of small paramilitary groups that police different sides of the Mexican drug war. With unprecedented access, this film brings forward deep questions about the breakdown of order and entanglement of modern-day vigilante movements at a time when the government cannot provide basic security for its people. In Spanish and English with subtitles. A release by The Orchard.

The Cut, directed and written by Fatih Akin, co-written by Mardik Martin. (Germany) – North American Premiere, Narrative. Fatih Akin’s historic epic follows one man’s journey through the Ottoman Empire after surviving the 1915 Armenian genocide. Deported from his home in Mardin, Nazareth (Tahar Rahim) moves onwards as a forced laborer. When he learns that his daughters may still be alive, his hope is revived and he travels to America to find them. In Arabic, Armenian, and Spanish with subtitles.

Dirty Weekend, directed and written by Neil LaBute. (USA) – World Premiere, Narrative. Neil LaBute returns to Tribeca with this sharp-edged comedy treat about the ripple effects of desire, whether it’s followed or left unredeemed. Matthew Broderick and Alice Eve are wonderful together as colleagues with secrets who come to depend on each other for understanding as they go to find a spark of excitement in Albuquerque, after dark.

Down in the Valley, directed by Jason Hehir. (USA) – World Premiere, Documentary. How far would you go to save your hometown team? For many Sacramento residents, faced with the nearly certain relocation of their beloved Kings, no boardroom was too distant. One native son proved it. Follow former NBA superstar turned Sacramento mayor Kevin Johnson as he battles owners and executives to keep the Kings at home, in this a roaring testament to the passion and power of the small-market fan. An ESPN Films release.

The Driftless Area, directed and written by Zachary Sluser, co-written by Tom Drury (Canada, USA) – World Premiere, Narrative. Pierre Hunter (Anton Yelchin), a bartender with unyielding optimism, returns to his tiny hometown after his parents’ death. When he falls for the enigmatic Stella (Zooey Deschanel), Pierre is unknowingly pulled into a cat-and-mouse game that involves a duffel bag full of cash, a haphazard yet determined criminal (John Hawkes), and a mystery that will determine all of their fates. With Alia Shawkat, Frank Langella, Aubrey Plaza, and Ciarán Hinds.

DRUNK STONED BRILLIANT DEAD: The Story of the National Lampoon, directed and written by Douglas Tirola, co-written by Mark Monroe. (USA) – New York Premiere, Documentary. Using rare, never-before-seen archival footage and in-depth interviews with fans and founders, Douglas Tirola traces National Lampoon’s evolution from underground countercultural movement to mainstream household brand. Drunk Stoned Brilliant Dead is a riotous and revealing chronicle of a trailblazing comedic institution and a celebration of creative expression at its radical, envelope-pushing finest.

The Emperor’s New Clothes, made by Michael Winterbottom & Russell Brand (UK) - International Premiere, Documentary. Cinema's prolific writer/director Michael Winterbottom and comedian/provocateur Russell Brand join forces in this polemical expose about inequality and the financial crisis. From London to New York the film combines documentary style, archive footage and comedy to explore how the crisis has gravely affected the 99% and only benefited the 1%.

Far From Men (Loin des Hommes), directed and written by David Oelhoffen. (France) – U.S. Premiere, Narrative. During the height of the Algerian War, an unlikely bond forms between a reserved French teacher (Viggo Mortensen) and the elusive dissident (Reda Kateb) he must turn over to the authorities. Based on a short story by Albert Camus, David Oelhoffen’s classically conceived period Western is a tense and timely study of war’s political and personal sacrifices. In French with subtitles. A Tribeca Film release.

Fastball, directed and written by Jonathan Hock. (USA) – World Premiere, Documentary. Since 1912, baseball has been a game obsessed with statistics and speed. Thrown at upwards of 100 miles per hour, a fastball moves too quickly for human cognition and accelerates into the realm of intuition. Fastball is a look at how the game at its highest levels of achievement transcends logic and even skill, becoming the primal struggle for man to control the uncontrollable.

A Faster Horse, directed by David Gelb, and written by Mark Monroe. (USA) – World Premiere, Documentary. As the fiftieth anniversary of the Mustang approaches, Ford is launching a redesign, placing the jobs and expectations of thousands squarely on the shoulders of Chief Program Engineer Dave Pericak. Masterfully crafted by TFF alumnus David Gelb (Jiro Dreams of Sushi), A Faster Horse moves beyond a car lover’s documentary to a resonant examination of American ingenuity, workmanship, and resilience.

Good Kill, directed and written by Andrew Niccol. (USA) – U.S. Premiere, Narrative. Major Tommy Egan (Ethan Hawke) is fighting a war from the safety of a Nevada trailer, but commitment to the mission comes at a price. Gattaca director Andrew Niccol reunites with Ethan Hawke for this timely drama about the human costs of advanced war technology. Co-starring January Jones and Zoe Kravitz. An IFC Films Release.

Grandma, directed and written by Paul Weitz. (USA) – New York Premiere, Narrative. Reeling from a recent breakup and still mourning the loss of her longtime partner, once-famous poet Elle Reid (Lily Tomlin) is surprised to find her teenage granddaughter on her doorstep in need of $600 and a ride. The two embark on an all-day road trip that ends up rattling skeletons and digging up secrets all over town. Co-starring Julia Garner, Marcia Gay Harden, Judy Greer, Laverne Cox, and Sam Elliott. A Sony Pictures Classics release.

Hungry Hearts, directed by Saverio Costanzo. (Italy) – U.S. Premiere, Narrative. After a chance meeting and a whirlwind romance in New York City, Jude (Adam Driver) and Mina (Alba Rohrwacher) become pregnant. Convinced their child will be harmed by the pollutions in the outside world, Mina becomes consumed by protecting her baby, forcing Jude to recognize a terrible truth about why his son’s life could be in danger. A Sundance Selects Release.

Jimmy’s Hall, directed by Ken Loach, written by Paul Laverty. (UK, Ireland, France) – North American Premiere, Narrative. James Gralton returns from exile and reopens a public dancehall, bravely pushing back against the sharply drawn religious and political margins of his time. Ken Loach (Winner, Palme-d'or 2006, The Wind that Shakes the Barley) paints a romantic drama about a leftist leader, and a 1930s Ireland that celebrates free speech and thought in the face of oppressive dogma. A Sony Pictures Classics Release.

Maggie, directed by Henry Hobson, written by John Scott 3. (USA) – World Premiere, Narrative. There's a deadly zombie epidemic threatening humanity, but Wade (Arnold Schwarzenegger), a small-town farmer and family man, refuses to accept defeat even when his daughter Maggie (Abigail Breslin) becomes infected. As Maggie's condition worsens and the authorities seek to eradicate those with the virus, Wade is pushed to the limits in an effort to protect her. Joely Richardson co-stars in this post-apocalyptic thriller. Lionsgate/Roadside Attractions release.

Mojave, directed by and written by William Monahan. (USA) – World Premiere, Narrative. William Monahan’s second feature, starring Oscar Isaac and Garrett Hedlund, is a delirious trip from the fringes of the desert to the center of the film industry. Armed with little more than a knife and two handles of vodka, an on-edge Hollywood director sets out to the Mojave Desert, where he finds a drifter brandishing a rifle and claiming to be the Devil.

A Nazi Legacy: What Our Fathers Did, directed by David Evans, written by Philippe Sands (UK) – World Premiere, Documentary. Can you imagine what it means to grow up as the child of a mass murderer? While studying the Nuremberg trials, a lawyer becomes fascinated with two men: both sons of famous Nazi Generals, and both with polar opposite views of their fathers’ hand in the war. A forthright dive into individual perception, A Nazi Legacy: What Our Fathers Did adds new meaning to the ties that bind us.

The Overnight, directed and written by Patrick Brice. (USA) – New York Premiere, Narrative. Alex and Emily have just moved to LA with their young son. Eager to make new friends, they accept an invitation to a party from the father of their son’s playground mate. After the kids fall asleep, the “playdate” takes a bizarre turn in this racy and hilarious romp. Featuring Judith Godrèche, Taylor Schilling, Jason Schwartzman, and Adam Scott. A release by The Orchard.

Peggy Guggenheim - Art Addict, directed by Lisa Immordino Vreeland, written by Bernadine Colish, Lisa Immordino Vreeland, and John Northrup. (USA) – World Premiere, Documentary. Bouncing between Europe and the US as often as she would between lovers, Peggy Guggenheim’s life story was as swirling as the design of her uncle’s museum, and reads more like fiction than any reality imaginable. Art Addict is a picture into Guggenheim’s world: abstract, colorful, and as salacious as the artwork she revered.

Prescription Thugs, directed by Christopher Bell, written by Josh Alexander. (USA) – World Premiere, Documentary. Americans consume 75% of the world’s prescription drugs. After losing his own brother to the growing epidemic of prescription drug abuse, documentarian Chris Bell (Bigger, Stronger, Faster) sets out to demystify this insidious addiction. While the war has raged against illegal drugs, Bell attempts to break the hardened correlation that legal means safe.

Requiem for the American Dream, directed and written by Peter Hutchison, Kelly Nyks and Jared P. Scott. (USA) – World Premiere, Documentary. Anchored by a series of interviews with Noam Chomsky, this definitive documentary of the “Two Americas” is an unvarnished account of how policies have helped concentrate wealth in the hands of a few at expense of everyone else. This is an eye-opening, revised vision of the American Dream, in the wake of a dying middle class.

Roseanne for President!, directed by Eric Weinrib. (USA) – World Premiere, Documentary. Comedian Roseanne Barr always went against the odds, first as an assertive housewife struggling to pay the bills on her sitcom. Now she tests the limits of the two-party system, vying for candidacy on the 2012 ballot. Roseanne for President! follows her impassioned campaign journey.

Sleeping With Other People, directed and written by Leslye Headland. (USA) – New York Premiere, Narrative. Jason Sudeikis and Alison Brie star as two romantic failures whose years of serial infidelity and self-sabotage have led them to swear that their relationship will remain strictly platonic. But can love still bloom while you’re sleeping with other people? Writer/director Leslye Headland’s (Bachelorette) sexy romantic comedy co-stars Amanda Peet, Adam Scott, and Natasha Lyonne. An IFC Films Release.

Slow West, directed by John Maclean. (UK, New Zealand) – New York Premiere, Narrative. At the end of the nineteenth century, 16-year-old Jay Cavendish (Kodi Smit-McPhee) journeys across the American frontier in search of the woman he loves. He is joined by Silas (Michael Fassbender), a mysterious traveler, and hotly pursued by an outlaw (Ben Mendelsohn) along the way. Sundance 2015 World Cinema Grand Jury Prize: Dramatic. An A24/DIRECTV release.

Steak (R)evolution, directed and written by Franck Ribière, co-written by Vérane Frédiani (France) – International Premiere, Documentary. Grass fed, grain finished, intricately marbled, and dry aged — the concept of what makes the best steak varies greatly, and it continues to evolve as we move toward more sustainable farming practices. In this gourmet, across-the-world road trip, chefs, farmers, butchers, journalists and other experts weigh in on the various factors at play to help us understand the (r)evolution taking place right now and the challenges ahead. In English, French with subtitles. A Kino Lorber release.

Thought Crimes, directed by Erin Lee Carr. (USA) – World Premiere, Documentary. Convicted yet then acquitted of conspiring to kidnap, rape, kill, and eat several women, NYPD officer Gilberto Valle quickly rose to infamy as New York's own "Cannibal Cop". With exclusive access to Valle, Erin Lee Carr's unflinching documentary asks a fundamental question that challenges our beliefs about the criminal justice system, and even the very nature of right and wrong: can you be guilty of a crime you only thought about committing? An HBO Documentary Film.

Tumbledown, directed and written by Sean Mewshaw, co-written by Desi Van Til. (USA) – World Premiere, Narrative. Years after the accidental death of her folk-singer husband, Hannah (Rebecca Hall) has yet to fully accept her small-town life without him. Then she is approached by a charming New York writer (Jason Sudeikis) intent on penning a biography of her late husband’s life, and Hannah finds herself opening up again. Also featuring performances by Dianna Agron, Blythe Danner, Griffin Dunne, Joe Manganiello, and Richard Masur.

The Wannabe, directed and written by Nick Sandow. (USA) – World Premiere, Narrative. Gotti-obsessed and hopelessly in love, Thomas (Boardwalk Empire’s Vincent Piazza) and Rose (Academy Award®–winner Patricia Arquette) are looking to fit in to a neighborhood where mob-ties equal social currency. Amidst events surrounding the 1992 trial of John Gotti, Thomas and Rose attempt to make their mark. Executive produced by Martin Scorsese.

When I Live My Life Over Again, directed and written by Robert Edwards. (USA) – World Premiere, Narrative. Jude (Amber Heard) is a would-be singer-songwriter still struggling to make her mark. Cash-strapped and homeless, she begrudgingly returns to the Hamptons home of her father (Christopher Walken), an over-the-hill crooner desperately charting his musical comeback, in this spunky, soulful dramedy about the personal costs of artistic ambition and the bonds that carry us through.

Wondrous Boccaccio (Maraviglioso Boccaccio), directed and written by Paolo Taviani and Vittorio Taviani. (Italy) – International Premiere, Narrative. Set against the backdrop of a black plague-stricken Florence, ten young men and women escape to a country estate where they spend their days telling different stories of love, fate, and resurrection. From legendary Italian directors Paolo and Vittorio Taviani, Wondrous Boccaccio is a tribute to the stories that emerged from one of the darkest periods in Italian history, and the imaginations that quietly fueled them. In Italian with subtitles.

MIDNIGHT

Bodyslam: The Revenge of the Banana!, directed and written by Ryan Harvie and John Paul Horstmann. (USA) – World Premiere, Narrative. Ronald McFondle, Eddie Van Glam, and other social outcasts made up the Seattle Semi-Pro (SSP) Wrestlers, an off-kilter family of cabaret fighters that spoofed the pros. When a newcomer Paul, The Banana, fell on the wrong end of the joke, he ran to the government to disband the SSP. Bodyslam: The Revenge of the Banana! captures the wrestlers’ fight to keep the theatrics alive.

Emelie, directed by Michael Thelin, written by Richard Raymond Harry Herbeck. (USA) – World Premiere, Narrative. After their regular babysitter Maggie can’t make it, the Thompson family turns to her friend Anna to supervise their children while the parents go out to celebrate their anniversary. At first Anna seems like a dream come true to the kids, allowing them to eat extra cookies and play with things that are usually off-limits, but as her behavior becomes increasingly odd, the kids soon find out that her intentions are dark and twisted, and she is not who she seems to be.

Hyena, directed and written by Gerard Johnson. (UK) – U.S. Premiere, Narrative. Michael Logan (Peter Ferdinando) may be a corrupt, coke-addled cop, but he’s a bad lieutenant with a conscience. After years of dodging the same laws he was assigned to uphold, Michael suddenly finds himself trying to change while safeguarding a young Albanian woman from the sex trade. Equal parts grit and neon, Hyena blurs the line between cop and criminal and exposes the illicit underworld inhabited by London’s most ruthless policemen. A Tribeca Film release.

Scherzo Diabolico, directed and written by Adrián García Bogliano. (Mexico, USA) – World Premiere, Narrative.Armed with a fine-tuned chokehold and penchant for piano sonatas, a wearied accountant breaks his mild-mannered routine when he kidnaps a young woman. What starts as a carefully calculated plan soon crescendos into his worst nightmare. A delightfully twisted black comedy, Scherzo Diabolico is the latest opus from director Adrián García Bogliano. In Spanish with subtitles



Stung, directed by Benni Diez, written by Adam Aresty. (Germany, USA) – World Premiere, Narrative. For catering staffers Paul and Julia, Mrs. Perch’s fancy garden party at her remote country villa is nothing out of the ordinary. A mishap with toxic plant fertilizer leads to the most unwelcome of dinner guests: giant killer wasps. Director Benni Diez takes audiences on a thrilling, gory rollercoaster ride from campy to creepy, in this delightful and dreadful creature-feature.

SPECIAL SCREENINGS

A Ballerina's Tale, directed and written by Nelson George. (USA) – World Premiere, Documentary. Join us for a world premiere screening of Nelson George’s much-anticipated, behind-the-curtain documentary about the daily routine of Misty Copeland, the first African-American female soloist at New York’s American Ballet Theatre® in two decades.

Followed by a Q&A with Misty Copeland and a special ballet performance by her mentees Erica Lall (American Ballet Theatre's Studio Company) and Naazir Muhammad (ABT's JKO School) sponsored by Under Armour.

Mary J. Blige - The London Sessions, directed by Sam Wrench. (U.K., USA) – World Premiere, Documentary. Join Mary J. Blige in London, where over ten days she will record her 13th studio album. Featuring a behind-the-scenes look at her work sessions with some of Britain’s hottest recording artists, including Sam Smith, Disclosure, Emeli Sandé, Naughty Boy, and Sam Romans.

A performance from Mary J. Blige will follow the screening.

Rifftrax Live: The Room. (USA) – World Premiere. The brainchild of Mystery Science Theater 3000 alumnus Mike Nelson, Kevin Murphy (aka Tom Servo), and Bill Corbett (aka Crow T. Robot), Rifftrax skewers cult classic films with hilarious live commentary.

For their first-ever New York performance the Rifftrax gang will unleash their signature comedic chops on Tommy Wiseau's modern masterpiece, The Room, for a one-night-only live cinema event.

Speedy, directed by Ted Wilde. (USA) – Newly restored print from the Criterion Collection, Narrative.
Silent comedy legend Harold Lloyd stars as a die-hard Yankees fan who can't keep a job, but is determined to save the last horse-drawn trolley in New York. This lighthearted slapstick classic features visits to Coney Island and Yankee Stadium, an incredible cameo by Babe Ruth, and hair-raising cab rides through the city streets.

For one-night only, the legendary dj and producer DJ Z-Trip lends his amazing musical talent to create an all new soundtrack for this silent film classic, showcasing his eclectic style and considerable live turntable skills.

WORK IN PROGRESS

LoveTrue, directed by Alma Har'el, (USA) – Work in Progress, Documentary. Director Alma Har'el returns to TFF with a work-in-progress presentation. LoveTrue weaves three challenging relationships, while examining non-fiction performance as a documentation of truth and a purveyor of memory.

Join Har'el and Executive Producer Shia LaBeouf for an exclusive preview of scenes from the film and an intimate conversation about True Love.

All Work All Play, Directed by Patrick Creadon. (USA) – Work in Progress, Documentary. There’s something happening in the world of video games. Thousands are flocking to arenas to watch tournaments unfold. Tens of millions are watching online. One percent of the world population is playing the most popular competitive game. In All Work All Play, go behind the scenes and follow the ascent of eSports, and watch as the best pro gamers in the world fight for the Intel Extreme Masters championship.

Harper Lee To Journalist: 'Go Away!'

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Harper Lee, the media-averse author of To Kill A Mockingbird, has been in the spotlight more than she'd like recently. Last month, her publisher announced that a prequel to her classic -- titled Go Set a Watchmen and narrated by an adult Scout -- is slated to publish later this year. The news came as a surprise to fans of the author, who has stated explicitly that she doesn't plan to release another novel.

The news has also spurred a resurgent interest in Lee, who seems to decline contact with journalists on principle. But that hasn't kept some from trying. While most attempts to reach out result in crickets, one Alabama reporter finally got a written response from Lee: his crumpled letters, with "Go away!" scrawled across them.

Connor Sheets, a reporter for Al.com, wrote about the correspondence for the site:

I hoped she would confirm that she is in fact lucid and fully in control of the destiny of Go Set a Watchman. ... I hoped she would help clear up all the questions the world has been waiting to have answered about the circumstances of the book's planned release. [...] It appears that Nelle, as her friends call her, is very much with it, that she is still lucid and that her acerbic, press-averse side is fully intact.


If Sheets's interpretation is to be believed, then perhaps Lee's publisher is correct that the author is "happy as hell" about her forthcoming novel.

This Video Proves Love Stories Are A Lot More Romantic When Old People Tell Them

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You know that guy who approached you while you were reading in the park and asked you out? It was totally creepy, right? Well, your grandma probably would have found it romantic.

College Humor put together a sketch called "The Same Love Story: Old People vs. Young People," and it's exactly what it sounds like. An older woman and a young woman tell the story of an extremely persistent suitor, but it takes a disturbing tone without the rosy glow of memory.

"I still think about him every day," the older woman says. The young woman, on the other hand, has something a little different to say: "f****ing psycho!"

H/T Tastefully Offensive

You Won't Believe These Images Aren't Photographs. And You Shouldn't, Because They Are Photographs

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When artists David O’Reilly and Kim Laughton published a series of incredibly vivid "computer-generated images" on their blog, Hyper Real CG, the stunningly realistic pictures were met with awe and disbelief.

Not quite enough disbelief, though, considered it was all a joke and the purportedly computer-generated images were actually regular photographs, Death and Taxes reported this week.




Multiple media outlets, including Gizmodo, Laughing Squid, The Daily Mirror, and HuffPost UK were fooled. “I can’t believe these hyper real pictures are completely CG and not real,” Casey Chan wrote on Gizmodo’s Splod. Casey Chan, your instincts were right. Gizmodo and HuffPost UK have corrected their stories, while the Mirror has removed their article altogether, and Laughing Squid's remains uncorrected.

"Real toilet with brown walls"
Artist: David OReilly
Software: Maya 2012 #hyperrealcg #toilet #brown #cg

A photo posted by HYPER REAL CG (@hyperrealcg) on




A simple reverse Google-image search would have easily showed that all the images on O’Reilly’s and Laughton’s #HyperRealCG tumblr are photographs readily found on the Internet. This image is in fact the fifth result that appears if someone searches Google Images for the world “dolphin.”




dolphin

O’Reilly tweeted on Monday that the blog was intended as a joke and he never expected anyone to take it seriously:




That’s not to say CG images can’t be incredibly realistic. Last year, Ikea revealed that up to 75 percent of the images found in their catalogs are actually computer generated.



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This Is What Humanity's Impact On The Planet Looks Like

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A new photo book from conservation experts aims to shine a light on humanity's impact on the planet and convince people to think about their contribution. Overdevelopment, Overpopulation, Overshoot includes photos and essays exploring man's complicated relationship with the planet.

The book “presents the stark reality of a world transformed by human action, action that threatens our future and the buzzing, blossoming diversity of life with which we share the planet,” an introduction reads.

The authors also take aim at current rates of population growth, which they argue are unsustainable and present "ecological and social tragedies." "We sought to present a range of images reflecting how the human demographic explosion -- 7.3 billion people and still growing by over 1.5 million every week -- has diminished Earth’s richness and beauty, and contributed to so much misery among people," they wrote in a press release.

The images below, from the chapter "Feeding Frenzy" chronicle the landscape alterations and industrial operations needed to feed billions of people and the animals they consume.

All images and text below are from Overdevelopment, Overpopulation, Overshoot.

ISIS Militants 'Bulldoze' Ancient Nimrud Archaeological Site Near Mosul: Iraq Ministry

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BAGHDAD (AP) — Iraq's Ministry of Tourism and Antiquities says Islamic State militants "bulldozed" the Nimrud archaeological site near the northern city of Mosul using heavy military vehicles.


The statement, posted on the ministry's Facebook page Thursday, does not elaborate on the extent of the damage, saying only that the group continues to "defy the will of the world and the feelings of humanity" with this latest act.


Nimrud is an ancient Assyrian archaeological site located just south of Iraq's second-largest city, Mosul, which has been under militant control since June. The Islamic State militants have attacked other archaeological and religious sites, claiming that they promote apostasy.

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