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Photographer Captures Former Inmates' Dreams, Fundraises For Group That Rehabilitated Them

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It’s not every day that Chicago photographer Sandro Miller — whose John Malkovich photo series received widespread media acclaim — receives a handwritten letter in the mail.

But one day in early 2014, Miller opened his mailbox and found a message from advertising copywriter Brandon Crockett, who proposed an idea for a project that was close to his heart.

The contents of that letter set into motion “Finding Freedom,” a captivating art book that's currently in the works. It features Miller's photographs alongside poetry written by residents at St. Leonard's Ministries, a halfway house on Chicago’s near west side where Crockett began teaching a monthly poetry class seven years ago.

(Story continues below.)
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Miguel, one of the residents in Crockett's poetry class, is pictured (right), next to his poetry (left) in this mockup of how the book.


In 2008, then a recent college graduate who had just moved to Chicago, Crockett discovered St. Leonard’s through a volunteer organization called Chicago Cares. He began attending a monthly discussion at the halfway house, and through that event, he developed an interest in its residents. Having taken up writing poetry on the side, he spoke to the halfway house’s volunteer coordinator and asked whether he could teach the residents how to write poetry. She said yes.

“Luckily she didn't ask for any qualifications because I have absolutely none,” Crockett told HuffPost via email.

The classes follow a simple structure that hasn’t changed much since Crockett started volunteering. He begins each one-hour class with an icebreaker to help get residents to loosen up, followed by a discussion on a poem or two concerning a certain topic, such as friendship or dreams. After that, he encourages the residents to write their own poems, which are finally shared out loud.

It wasn’t long after the classes got underway that Crockett felt he had something truly special on his hands.

He began to visualize putting it all together in a book, with each poem placed directly next to its author’s photograph, but he ran into roadblocks in his early attempts to get the project off the ground. After he discovered Miller's photo book spotlighting actors at Chicago's Steppenwolf Theater, however, something clicked.

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Another of Crockett's students.


Miller responded to Crockett immediately after reading his letter, and the two met shortly thereafter to discuss the project. Soon, they began to photograph the residents taking part in Crockett’s poetry classes.

Crockett said it was a marvel to watch Miller photograph the residents.

“He would compliment the men telling them how powerful, courageous and inspiring they looked,” Crockett told HuffPost. “And when they walked away from their photo session, they were walking in the clouds. I didn't ask any of them, but there was a feeling in the room that he was treating them better than they possibly have ever been treated before.”

The process clearly touched Miller, as well.

“Several times I was moved to tears as in front of my camera sat a person, with heart, feelings and an undeniable need for understanding,” Sandro wrote in a statement. “I wanted to save them, hold them and listen to them. Instead they saved me with their words of life, broken dreams, new dreams, uplifting dreams and dreams of a new beginning.”

That new beginning now is “Finding Freedom,” which Crockett is attempting to finance via a Kickstarter fundraising campaign launched Thursday. Any donations beyond the book’s production costs will be donated to benefit St. Leonard’s, which provides housing and a range of programs — including education, employment training, exercise, addiction recovery and life skills — to help low-level offenders transition from prison to newly independent living.

In addition to raising awareness of the important work done at St. Leonard’s, Crockett said he hopes the book will help everyday people understand that the core hopes, dreams, fears and desires of the formerly incarcerated aren’t all that different from anyone else’s -- that they, too, are deserving of compassion and understanding. While Crockett says there are no plans, currently, to make the book available for sale beyond the copies distributed as Kickstarter rewards, any extra copies printed will be given to St. Leonard's to distribute as they see fit.

“The people at St. Leonard's are people. And that's about it,” Crockett said. “I came in there thinking the guys would be hard or put on fronts, or whatever it may be and I'd be one who could break through. And it wasn't about that. The guys were just like anyone else you'd meet on the street.”

Take a look at more of Miller's photographs accompanying Crockett's students' writing below:

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16 Charts That Perfectly Encapsulate The Oscars

Absurdly Early And Unnecessary Oscar Predictions For 2016

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The Oscars are over, which can only mean one thing: It's time to place your bets for 2016's awards. It's actually not that time at all, but we'd like to see how our incredibly premature predictions fare this time next year. Before we get bogged down by the inevitable glad-handing and mudslinging, we can pretend the Academy Awards are about honoring cinema's finest. Moreover, you can just slot these titles on your back burner for what sounds like a solid slate of movies. Consider it service journalism! In keeping, here are 100-percent blind predictions for the films and performances we'll be arguing about in approximately 365 days. (Contenders subject to change based on release-date fluctuations that may occur throughout the year.)

Best Picture (Plot descriptions via IMDB.)
"Carol"
Set in 1950s New York, a department-store clerk who dreams of a better life falls for an older, married woman.

"The Hateful Eight"
In post-Civil War Wyoming, bounty hunters try to find shelter during a blizzard but get involved in a plot of betrayal and deception.

"Joy"
The life of a struggling Long Island single mom who became one of the country's most successful entrepreneurs.

"The Revenant"
The frontiersman, Hugh Glass, who in the 1820s set out on a path of vengeance against those who left him for dead after a bear mauling.

"The Sea of Trees"
A suicidal American befriends a Japanese man lost in a forest near Mt. Fuji and the two search for a way out.

"Snowden"
CIA employee Edward Snowden leaks thousands of classified documents to the press.

"St. James Place"
An American lawyer is recruited by the CIA during the Cold War to help rescue a pilot detained in the Soviet Union.

"Steve Jobs"
His passion and ingenuity have been the driving force behind the digital age. However his drive to revolutionize technology was sacrificial. Ultimately it affected his family life and possibly his health. In this revealing film we explore the trials and triumphs of a modern day genius, Steven Paul Jobs.

"Suffragette"
The foot soldiers of the early feminist movement, women who were forced underground to pursue a dangerous game of cat and mouse with an increasingly brutal State.

steven spielberg oscars

Best Director
Sarah Gavron, "Suffragette"
Todd Haynes, "Carol"
Alejandro González Iñárritu, "The Revenant"
David O. Russell, "Joy"
Steven Spielberg, "St. James Place"

Alternate: Quentin Tarantino, "The Hateful Eight"

leonardo dicaprio oscars

Best Actor
Don Cheadle, “Miles Ahead”
Leonardo DiCaprio, "The Revenant"
Michael Fassbender, "Steve Jobs"
Jake Gyllenhaal, "Southpaw"
Jason Segel, "The End of the Tour"

Alternate: Bryan Cranston, "Trumbo"

jennifer lawrence oscars

Best Actress
Cate Blanchett, "Carol"
Viola Davis, "Lila & Eve"
Jennifer Lawrence, "Joy"
Carey Mulligan, "Suffragette"
Saoirse Ronan, "Brooklyn"

Alternate: Zoe Saldana, "Nina"

bradley cooper oscars

Best Supporting Actor
Bradley Cooper, "Joy"
Samuel L. Jackson, "The Hateful Eight"
Seth Rogen, "Steve Jobs"
Ken Watanabe, "The Sea of Trees"
Forest Whitaker, “Southpaw”

Alternate: Mark Rylance, "St. James Place"

ellen page oscars

Best Supporting Actress
Helena Bonham Carter, "Suffragette"
Melissa Leo, "Snowden"
Rooney Mara, "Carol"
Ellen Page, "Freeheld"
Naomi Watts, "The Sea of Trees"

Alternate: Helen Mirren, "Trumbo"

This New 'Mad Men' Trailer Was Better Than The Oscars

Artist Transforms Photos Of Kids Into Whimsical Illustrations

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Costa Rican artist MJ Da Luz calls her latest project "all full of magic and innocence," which are the same words she uses to describe children.

The artist recently stumbled upon Reddit Gets Drawn, a subreddit where people post photos for artists to paint, sketch, or otherwise illustrate. Inspired by the many photos parents had posted of their children, she decided to reimagine them with Adobe Illustrator.

Giving the photos a "playful" and "colorful" touch, the artist said she hopes that people who see her illustrations will see "the pure energy, magic, innocence and life kids have." Da Luz added that children "can light our day with just a smile in a photo or drawing."

Scroll down for a look at some of MJ Da Luz's whimsical illustrations.

































H/T BoredPanda



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New Sherlock Holmes Story Might Not Have Been Written By Sir Arthur Conan Doyle

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A long-lost Sherlock Holmes story, reportedly penned by Sir Arthur Conan Doyle for a benefit bazaar to raise money for a bridge in Selkirk, Scotland, has been discovered in an attic where it had been forgotten for decades. Conan Doyle himself was a guest of honor at the bazaar to rebuild Selkirk’s bridge in 1904. The newly unearthed story, entitled "Sherlock Holmes: Discovering the Border Burghs and, by deduction, the Brig Bazaar," appeared in a small collection, “The Book o’ the Brig,” sold at the bazaar to support the cause. Walter Elliot, a historian, had owned the book for so many years he told The Telegraph he'd forgotten how he’d acquired it, but he only recently thought to excavate and display the century-old pamphlet.

Scarcely had the new story come to light, however, before strident doubts about the authorship were expressed. Swedish writer and Holmes expert Mattias Boström noted that there’s no mention in advertisements and bazaar records of Conan Doyle contributing an original piece, and other fans have argued that the flowery, ornate style of the prose does not resemble Conan Doyle’s action-oriented, concise style. (The story’s reference to Holmes living on Sloan Street, not the famous Baker Street, also seems to be an error the original author wouldn’t make.) The story itself is unsigned, deepening the mystery.

Elliot, however, has expressed his firm belief that Conan Doyle himself composed the story, telling The Guardian, “I’m not a specialist, but the vocabulary seems pretty close to the way Conan Doyle wrote. I’m fairly sure it was written by him.”

"Discovering the Border Burghs" doesn't feature the detached, cold Holmes or sharp, precise deduction of the detective's more famous tales. The story is layered in conceits, presented as the imagined encounter of a journalist with Holmes and Watson after his editor insists he write a piece on Holmes without traveling to London. The narrator imagines himself in the company of Holmes, who is ruminating on the cause of Watson’s distracted behavior and his new habit of whistling Scottish ditties. The brief mystery revolves around an appropriate theme: Holmes deducing that Watson is visiting Scotland “in aide of a bridge.”

The whole piece is more of a spoof than a serious addition to the canon, regardless of the true author, full of funny moments that parody Conan Doyle's template. "Why," Holmes complains at one point, "when I was retailing to you the steps that led up to the arrest of the Norwood builder by the impression of his thumb, I found a very great surprise that you were not listening at all to my reasoning, but were lilting a very sweet -- a very sweet tune, Watson."

Between Benedict Cumberbatch’s "Sherlock" and Robert Downey, Jr.'s "Sherlock Holmes" franchise, public enthusiasm for Sir Arthur Conan Doyle’s iconic gumshoe has achieved a new peak in recent years. The success of these spin-offs, as well as the CBS show "Elementary" and a rash of Holmes-inspired novels and collections, suggests that the detective's fans are happy to consume non-Conan Doyle material to get their Holmes fix. Even if this newly resurrected tale is more fanfiction than canon, it's of interest as a quirky addition to the universe.

As for who actually wrote "Discovering the Border Burghs," that may be a mystery only Sherlock Holmes could unravel. But if you want to take a crack at it, you can read the full text at The Telegraph.

These Word Puzzles Make The Titles Of Oscar Nominated Movies Look Like Their Plots

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What's in a name? According to artist, Facebook communication designer and former Google Creative Lab master Ji Lee, almost everything you need to know. For years Lee has been captivating the Internet with his "Word As Image" series, in which the relationship between a word's image and it's meaning is as slippery as ever.

In honor of last night's Oscars, Lee gave all of last night's "Best Picture" nominees the "Word as Image Treatment." Each visual pun warps and winks with playful dexterity, capturing the thrust of the entire film in a few short words. "I’m a big movie fan, so after watching last night’s Oscars, I decided to take up on the challenge to make all 8 nominees for the Best Picture," Lee wrote to The Huffington Post. "I was able to make most of them, but I got stuck with 'Selma' and 'Whiplash.' I posted them on Facebook and my friend offered great suggestions for the remaining two. Now it’s complete."



'That's Not Us,' Queer Film, Explores Long-Term Relationships, Both Gay And Straight

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In an age where immediate satisfaction and self gratification seem to permeate our culture, what does the long-term relationship look like in 2015?

"That's Not Us" is a compelling new film executive produced by and starring Mark Berger, who has previously worked as associate producer for the 2014 Broadway production of "Hedwig and the Angry Inch." The film follows three couples -- one straight, one gay and one lesbian -- as they travel to Fire Island for a vacation during the last days of summer. What is intended to be a relaxing vacation swiftly turns into an examination of the nature of love and what it takes to make love sustainable in the modern age.

"That's Not Us" is currently engaged in a Seed & Spark campaign in order to fund post-production. The Huffington Post chatted with Berger this week about this new film and his vision for the project.

thats not us

The Huffington Post: What is the concept for this film?
Mark Berger: "That's Not Us" is an improvised romantic comedy that follows three couples -- one gay, one lesbian, one straight -- as they travel to Fire Island to enjoy the last days of summer. But what should be a fun beach weekend actually shines a hard light on what it takes to make love last.

This is a film that portrays the different dilemmas that many relationships face. But rather than presenting the solutions to them, it explores the experiences -- the funny, the painful, the embarrassing, the sexy -- of working through them. Each character in this story has an experience of feeling separated, either physically or emotionally, from their partner. The process of rediscovering themselves and their partner is the essence of what the film captures. '

A cast and crew of 13 people went to Fire Island with a 20-page story. What happened on screen between the characters was completely improvised. Each moment on-screen has the possibility of leading to a different outcome; each step taken might lead down a different path. That immediacy and spontaneity led to greater intimacy and the truth of each of these relationships.

What are you trying to communicate about love among different kinds of relationships in this film?
The filmmaking couple behind the story, William Sullivan (director) and Derek Dodge (DP), wanted to reflect their own experiences of being in a committed relationship. While we all have different experiences with love, they felt like they weren't seeing a lot of gay couples in film and TV that they could necessarily identify with. Making love last in today’s world isn’t easy. All relationships have challenging moments when you have to choose between staying put and walking away. Those are the moments where we show our vulnerabilities, and where these characters truly reveal themselves.

What do you hope viewers take away from this film?
Everywhere you look there are stories about breaks-ups, affairs and one-night stands. The examination of the long-term relationship is something personal to us and important to share. We hope that all audiences will watch this movie and find something relatable in the characters and their experiences. We hope that the intimacy and truth displayed by the characters is both refreshing and familiar to the viewers.

What do you have on the horizon?
We are coming to the final days of our crowd-funding campaign on Seed & Spark, and the finishing touches of sound and music are being added to the film. We are thrilled that Xander Singh, formerly of Passion Pit, is writing an original score, as well as additional music by PigPen Theatre Co. We are also in the beginning stages of the festival circuit, focusing our attention on the amazing LGBT film festivals around the country and in Canada. These festivals have built incredible communities of filmmakers and loyal movie-goers, and we hope to share "That's Not Us" with them.

Head here to visit the "That's Not Us" Seed & Spark campaign.

College Tuition Almost Forced This Teen To Drop Out -- Then He Got Creative

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Temple University art student Noah Hamilton started college thinking his tuition was covered with a scholarship. When he discovered he owed $7,000, he had to get creative.

According to PennLive.com, the school allowed Noah to stay for his first semester, but explained that he could return only if he could pay his remaining tuition balance.

The 18-year-old didn't reveal his financial situation to his mother, Jane, who had been hospitalized on multiple occasions with medical problems that caused her to lose her job. Not wanting her to worry, Noah planned on returning to his grocery store job to raise the money.

When she discovered her son’s plans, Jane created an Indiegogo fundraising page called “Will Paint for Tuition." Though the campaign was her idea, Noah decided to offer pieces of his work to supporters.

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The perks ranged from marker caricatures for $25 to original commissioned work for $1,000. The fundraiser, which lasted approximately two weeks, raised $8,110 surpassing the $7,000 goal. Noah never expected the campaign to take off like it did.

"When I first started the fundraiser, it was just a last attempt because I had nothing to lose," he said in an email to The Huffington Post. "I never expected to make my goal in time let alone surpass it before the fundraiser was finished."

Since Noah returned to school, he has completed three projects that will go to supporters of his campaign. He hopes to finish the rest of them over breaks and during the summer.

noah hamilton

Check out more of Noah's work below.

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H/T MTV

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Powerful Comic Reflects On The Pain, Grief And Silence Surrounding Miscarriage

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Artist Ryan Alexander-Tanner hopes his new comic will help women wade through the physical and emotional pain of miscarriage.

Alexander-Tanner was inspired to illustrate this subject after his friend Wendy wrote about her miscarriage in a Facebook post. ''She felt like she wasn’t supposed to talk about it and how isolating that was and, really, just how pissed off she felt because of that," he told The Huffington Post.

As more of the artist's friends married and started trying to have children, he became more aware of the hardships surrounding miscarriages. "[My friends] all said the same thing afterwards -- that they had no idea how common it was until it happened to them and that they didn’t really feel like there was a clear way to process the grief."

In an effort to help break the silence surrounding miscarriage, Alexander-Tanner interviewed four women who have been through it and illustrated their discussions in a comic. Titled "A Lost Possibility: Women on Miscarriage," the comic artist shares the women's powerful words of pain, grief and hope as they recall their experiences with pregnancy loss.

miscarriage

Interviewing the four women -- who included Wendy, two other friends, and the mother of friend -- broadened Alexander-Tanner's understanding of the aftermath of miscarriage, particularly the emotional trauma of trying to cope in a culture where pregnancy loss is so rarely discussed. "I learned that many women who miscarry actually want to talk about it and that it’s important to create a space where they’re invited to do so," he said.

Although the artist understands that as a man, he will never physically experience miscarriage, he feels that it's problematic to write miscarriage off as a "women's issue" or "something that men can just ignore or don't have to deal with."

Giving a voice to women like Maggie, Theresa, Toni, and Wendy, Alexander-Tanner hopes his comic can serve as a resource for people coping with miscarriage. "I also hope that it opens some people's eyes about how common miscarriage is and how they should treat people who are coping with it."

You can read the "A Lost Possibility: Women on Miscarriage" in its entirety on The Nib.

H/T Medium



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'Guardians' Director James Gunn Defends Superhero Movies After Oscars Diss

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"Guardians of the Galaxy," last year's highest-grossing comic book movie, was nominated for two Oscars during Sunday's ceremony. But despite the inclusion, "Guardians" and its brethren were on the receiving end of a diss from Jack Black during the Oscars' opening musical number.

"Opening with lots of zeroes, all we get are superheroes: Superman, Spider-man, Batman, Jediman, Sequelman, Prequelman -- formulaic scripts!" Black sang in "Moving Pictures," a tribute to the power of movies performed by Neil Patrick Harris.

The shot came one day after "Nightcrawler" writer-director Dan Gilroy praised independent film for surviving against an onslaught of superhero movies.

"Independent film, the foundation and everybody here today, I think, are holdouts against a tsunami of superhero movies that have swept over this industry," Gilroy said after winning Best First Feature at Saturday's Independent Spirit Awards. "We have survived, and thrived, and I think that's true spirit."

Not to director James Gunn. On Monday, the "Guardians of the Galaxy" director wrote a response to Gilroy and Black on Facebook:

Whatever the case, the truth is, popular fare in any medium has always been snubbed by the self-appointed elite. I've already won more awards than I ever expected for Guardians. What bothers me slightly is that many people assume because you make big films that you put less love, care, and thought into them then people do who make independent films or who make what are considered more serious Hollywood films.

[...]

If you think people who make superhero movies are dumb, come out and say we're dumb. But if you, as an independent filmmaker or a "serious" filmmaker, think you put more love into your characters than [when] the Russo Brothers do Captain America, or Joss Whedon does the Hulk, or I do a talking raccoon, you are simply mistaken.


Read Gunn's full response over at Facebook.

Lil' Led Zeppelin Xylophonists Get A Rockin' Thumbs-Up From Jimmy Page

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The student musicians of Louisville Leopard Percussionists already wowed YouTube with their xylophone-driven Led Zeppelin performance.

Now they have a rock god to count among their fans.

Led Zeppelin guitarist Jimmy Page posted the ensemble's video to his Facebook account on Friday, writing, "Too good not to share. Have a rocking weekend!"





Ranging in age from 7 to 12 years old, group members are a bit younger than the generations that first idolized Led Zeppelin. But there's still plenty of excitement over Page's endorsement.

"We're just a little shocked and thrilled," Leopard business manager Caroline Taylor told The Huffington Post.

Diane Downs, the group's founder and artistic director, told HuffPost that the band plans to make a thank-you video for Page at rehearsal on Tuesday. "This is fun," she said.

The kids' performance, posted in November, hooked listeners from the first few notes of "Kashmir," which is followed by "The Ocean" and "Immigrant Song." Their video's been viewed nearly a million times.

Rock on!

H/T Uproxx

Japanese Photographers React To The Tragic Aftermath Of Japan's 'Triple Disaster'

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On March 11, 2011, at 2:46 p.m., two tectonic plates at the bottom of the Japanese Trench slipped. The bump was like nothing the area had felt before. The Tohoku earthquake, measuring in at a magnitude of 9.0, lasted a full six minutes, moving parts of the region up to 26 feet in the process. It was the fourth largest earthquake on record (since 1900), and the largest in Japanese history.

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2011:04:02, Minamisanriku, Motoyoshi, Miyagi Prefecture from North East Earthquake Disaster Tsunami 2011 Portfolio, 2011, Miyoshi Kōzō


This was the first of three events that would later be known as Japan's "Triple Disaster." Within an hour, the Tohoku earthquake propelled a series of massive tsunami waves which took down entire villages with their devastation. Monstrous 30-foot waves flooded the Fukushima Daiichi nuclear power plant north of Tokyo, swiftly cutting off its power. Half of the plant's reactors overheated, and nuclear fuel erupted into explosions with frightening potential for radioactive fallout. Tens of thousands evacuated their homes. Thousands of tons of water were used to combat the explosions. In December of 2011, the Tokyo Electric Power Company revealed that at least 45 metric tons of radioactive water had leaked from the nuclear facility, and may have reached the Pacific Ocean.

The tripartite nightmare, also known as 3/11, was nothing short of devastating. As of February 2015, the confirmed death toll is 15,890. Economic losses have been estimated between $250 billion and $500 billion. Yet the total effects of such a horrific disaster can hardly be quantified. A photography exhibition entitled "In the Wake: Japanese Photographers Respond to 3/11" explores this chasm in our understanding.

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Rasen kaigan (Spiral Shore) 45 from the seris Rasen kaigan (Spiral Shore), 2012,
Shiga Lieko


The group exhibition features approximately 100 works from 17 photographers, ranging from Japan's iconic names to their promising newcomers, from 28 to 82 years old. Although there's little that can be done to understand why such devastating events took place, the artists on view attempt to archive and contemplate what happened on March 11, 2011, and what was never the same again.

"The response of Japanese photographers to the events of 3/11 was immediate. From the beginning, they created remarkably strong bodies of work. Our exhibition will present the variety of their perspectives" said Anne E. Havinga, who co-curated the exhibition. "One of the most fascinating aspects of this exhibition is the conversations between works that the installation inspires."

Taking place at the Museum of Fine Arts, Boston, the show is divided into two sections -- one for the earthquake and tsunami, the other for the Fukushima disaster. Stretching the limits of the photographic medium, the artists yield images full of anguish, pain, desolation and, occasionally, beauty.

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’11 6 2, 2011, Nobuyoshi Araki


Nobuyoshi Araki, one of Japan's most notorious artists, is one of the photographers on view. To make visible his agonized feelings, Araki scratched into 238 photographic negatives using scissors. The resulting black-and-white photographs are marked with deep cuts, reminiscent of gaping wounds or nails clawing for help. Shimpei Takeda makes use of the unusual photographic technique known as "autoradiography" to expose spaces affected by radiation. Takeda collected irradiated soil samples from sites close to the Fukushima Prefecture. His resulting images, visually abstract while communicating truly frightening facts, reveal the contamination of the soil in all its strangely hypnotic beauty, almost resembling the stars in the sky.

Along with the artworks on view, the show also features alternate modes of photography in a time of disaster. News footage from the time of the events will be exhibited alongside a lost-and-found photo installation with found personal snapshots washed up in the rubble.

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Trace #16, Lake Hayama (Mano Dam) from the series Trace, 2012, Shimpei Takeda


The artists of "In the Wake" demonstrate the power of art in the most catastrophic of times. They pause, they remember, they question, they wonder, they exalt, each in his or her own way. "Rather than chronicling the onslaught of the waves, the artists in the exhibition examine the impact of the tsunami through the physical or spiritual traces of the communities that have been destroyed," a statement from the MFA Boston explains. "Instead of documenting the explosions of the reactors at Fukushima, they seek metaphors for the invisible nuclear particles that contaminate the surrounding countryside and for the anxiety that continues to reverberate throughout Japanese society. It is certain that these artists will continue to return to the subject whether explicitly or implicitly, and that other generations of artists will follow."

"In the Wake: Japanese Photographers Respond to 3/11" runs from April 5 until July 12, 2015 at the Museum of Fine Arts, Boston. In the meantime, check out a preview of the exhibition below.

Manhattan's 'Dry Line' Will Look Something Like This...

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This article originally appeared on ArchDaily
by Karissa Rosenfield

The Dryline - BIG Teams Vision for Rebuild by Design from BIG on Vimeo.



A vision to protect post-Sandy Manhattan against future superstorms, Bjarke Ingels Group’s (BIG) “Dry Line” seeks to form a continuous storm barrier around lower Manhattan by transforming underutilized waterfront spaces into a “protective ribbon” of public parks and amenities. Though ambitious, the project is not impossible; it was one of six winners in the US’ Rebuild by Design competition that is envisioning ways New York can protect its edge.

Watch the film above, by Squint/Opera, to see what Manhattan could potentially look like in the future, and read more about the project here. The Dry Line is also on view at the National Building Museum in Washington D.C as part of BIG’s exhibition HOT TO COLD: an odyssey of architectural adaptation.



Cite: Rosenfield, Karissa. "Animated Film Envisions BIG’s Manhattan “Dry Line”" 17 Feb 2015. ArchDaily. Accessed 23 Feb 2015.



Strange And Surreal Photographs Chronicle The Happy Magic Of Germany's Spa Towns

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Throughout Germany, there are approximately 300 spa towns, each combining specialized rehabilitation clinics and wellness programs to yield a futuristic microcosm, a utopian hideaway for patients (and, in some cases, their pets) to enjoy. Photographer Alexander Krack became fascinated with these uncanny destinations, located somewhere between a hospital stay and a fever dream.

Krack visited 40 distinct spa towns, chronicling his findings in an intriguing photography series entitled "The Treatment." The photographs represent Krack's quest for a unifying aesthetic somehow consolidating each peculiar locale, something that tied together a rehab center for animals with a treatment facility for a chronic disease such as rheumatism.

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Although most patrons residing in these spa towns are past retirement age, Krack found his time spent there conjured strange and beautiful memories of his youth. "The more I delved into this world, memories from my childhood emerged when a chronic bronchitis made me spent several summers in a spa town in the mountains," he explained in a statement. "They are memories of beautiful nature, strange medical machines and elder people in white coats. To me there was always an ambivalence in those memories, aesthetically and emotionally. Almost as in a dream where one can never be sure if things are really the way they seem and where a tree can suddenly turn into a giant."

Many of the available treatments offered at such establishments veer awfully close to the surreal. For example, those using cold chambers, meant to alleviate the pains of chronic arthritis, sit for three minutes in temperatures reaching minus 110 degrees Celsius. And then there's the adit, a mud-covered cave that's meant to cleanse your lungs. "Within the adit is a micro climate that keeps a constant temperature of 8 degrees Celsius throughout the whole year," Krack explained to Vice. "Humidity is at nearly 100 percent and the air is almost completely free of dust particles, germs and allergenic pollen. Therefore the air is supposedly really good for your lungs. Also theres is a spring inside the adit that releases so called reduced water which is supposed to work as a catcher of free radicals."

The images, ranging from sweet to scientific to very strange, depict a place seemingly rooted in both the future and the past. If Willy Wonka opened a medical facility or David Lynch started a day spa, we suspect they'd look something like this. To see more images and the limited edition book, check out his website.


Mao Yan: A Portraitist For The Selfie Age

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Traditional Chinese portraiture is all about soul. To be more precise, it's about chi-yun-sheng-tung, translation: "breath-resonance-life-motion." Also known as "spirit resonance," the painting principle is the most provocative of six legendary rules enshrined by a 6th century critic, Hsieh Ho (the others are more concrete, describing how to arrange images, and hold brushes). By Ho's reckoning, portraitists had an almost divine calling: to see the life force vibrating inside their subject, and make us see it too.

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Xiao Dai, 2013-2014. Mao Yan.


This begs the question: does the Chinese portraitist Mao Yan break rules, or follow them? Take the Yan portrait above. The subject, a flesh-and-blood man named Xiao Dai, looks more mythical than real. He is almost a comic book character, campily posed in a way that arguably undermines the painting's chi-yun-sheng-tung. But then there are his eyes, meeting the viewer's with remarkable clarity, as if to say, "Here I am."

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Plump Lady, 2013. Mao Yan.


This is the seeming conflict at the heart of all Yan's work. A teacher at the Nanjing University of the Arts, in Nanjing, China, the 47-year-old is a portraitist for the selfie age, a painter of others who still manages to self-reflect. He paints exclusively in grey tones, often observing his subjects over long stretches of time. Classically trained at the Central Academy of Fine Arts in Beijing, his paintings use the old tropes -- the seated nude and oval frames -- to downgrade rather than prioritize his subject's identities. He deletes context, often rendering background without any defining characteristics. The idea is to explore painting itself, its mood-making powers, its transformative effects. The defining element in this paradigm is the artist's soul, not the subject's. That chi-yun-sheng-tung vibrating through the canvas? Its source is the one person not pictured: Yan himself.

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Faerie on the Chair, 2013. Mao Yan.


This spring, Yan opens an exhibit of all new work at Pace Gallery in New York, a corpus the gallery has aptly called simultaneously "blurred and penetrating." Some of the nudes loom over visitors, at more than ten feet tall. Others are less intimidating, framed tightly around the subject's bust. Six are portraits of the same man, a Belgian émigré to China, Thomas Rohdewald, whom Yan has focused on for more than a decade.

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Andy, 2013. Mao Yan.


Rohdewald's repeated presence speaks to Yan's priorities. He was picked not for the soulful curve of his nostrils, or compelling back story, according to the Pace website, but to widen Yan's representation outside of immediate family and friends. The clinical nature of that choice might seem harsh, as if Yan is designing a college brochure and including a requisite number of "diverse" students. But then his subjects are his material. In this portraiture, the portraitist's the thing.


What's Expiring On Netflix In March 2015?

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Nothing lasts forever, which means some of your favorite Netflix titles are leaving the site come March. Take this chance to watch the flicks waiting in your queue one last time before they go out of rotation. (If you still haven't seen "The Graduate," even though you really keep meaning to, act now.)

This list is tentative and subject to change. HuffPost Entertainment will attempt to keep the list as current as possible.

Movies and Specials
"3 Ninjas: Kick Back"
"Air Bud"
"Anaconda"
"Arachnophobia"
"Brokedown Palace"
"Cheech & Chong's Nice Dreams"
"Cool Runnings"
"Desperado"
"Dumb and Dumber"
"Emma"
"Evita"
"Fireproof"
"Freaky Friday"
"Fright Night"
"Girlfight"
"Honey, I Shrunk the Kids"
"Jackass: Number Two"
"Lords of Dogtown"
"Old Yeller"
"Ordinary People"
"Out of Time"
"Pretty in Pink"
"Rachel Getting Married"
"Riding in Cars with Boys"
"Robin Hood: Men in Tights"
"RoboCop 2"
"RoboCop 3"
"Saving Silverman"
"Seven"
"Swiss Family Robinson"
"The Baby Sitters Club"
"The Blair Witch Project"
"The Graduate"
"The Possession"
"The Sweetest Thing"
"Troop Beverly Hills"
"Uptown Girls" (March 2)
"The Preacher's Wife" (March 3)
"The Muppet Movie" (March 5)
"Flubber" (March 11)
"The Grey" (March 12)
"House on Haunted Hill" (March 15)
"Muppet Treasure Island" (March 15)
"The Tale of Despereaux" (March 16)
"Romy and Michele's High School Reunion" (March 22)
"Legends of the Fall" (March 31)

TV Shows
"Adventure Time," Seasons 1-4 (March 30)
"Ben 10," Seasons 1-3 (March 30)
"Children's Hospital," Seasons 1-2 (March 30)
"Codename: Kids Next Door," Seasons 4-6 (March 30)
"Cow and Chicken," Season 2 (March 30)
"Dexter's Laboratory," Seasons 3-4 (March 30)
"Dude, What Would Happen?", Season 2 (March 30)
"Ed, Edd 'n; Eddy," Seasons 3-4 (March 30)
"Foster's Home for Imaginary Friends, Season 2 (March 30)
"Johnny Bravo," Season 2 (March 30)
"Regular Show," Seasons 1-4 (March 30)
"Robot Chicken," Seasons 1-2 (March 30)
"Samurai Jack," Season 2 (March 30)
"The Grim Adventures of Bill & Mandy," Seasons 3-4 (March 30)

The Power Rangers Just Got A Lot Darker, And A Lot More Awesome (NSFW VIDEO)

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It's Morphin Time.

In a 14 minute film directed by Joseph Khan, the Power Rangers -- now adults --have become shells of the teenage, monster-fighting optimists they once were. In fact, they're uh, all in a pretty dark place.

Set in a city with plenty of flying cars, and an unfortunate lack of giant monsters terrorizing the city, the original Mighty Morphin Power Rangers (the only ones you should ever care about) battle the evils of James Van Der Beek. It's like all our 90s dreams are coming true.

Adi Shankar, who produced the short film and also worked on Dredd, explained his reasoning for creating the graphic parody:

When I was a child I had two favorite TV shows the X-Men animated series and Power Rangers. I eventually came to the realization that high school kids weaponized to fight an intergalactic threat would turn those kids into some seriously disturbed adults.


And in case you need some background to set up the scene, watch the video below. It's gonna tell you pretty much all you need to know.



h/t Kotaku



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Malnourished Families Wait To Eat So Everyone Is Fed, Teach Us A Lesson In Compassion

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Making sacrifices is an unavoidable part of daily life for impoverished people, but many families will do whatever it takes to not give up a beloved tradition.

Across the globe, 805 million people struggle with hunger, but when poor families manage to scrape some food together, many make a point of sharing it only when all members of the clan can gather around the table.

To demonstrate how committed underserved families are to this ritual –- and that hunger can be eliminated in “our lifetime” -- the World Food Program (WFP) asked people across the globe to share images that capture loved ones breaking bread together. The aid organization, which has partnered with the EU to help feed people in need, received photos from 32 countries, and tasked celebrity chef Jamie Oliver, photographer Chris Terry and the general public with selecting their favorites.

For their winning selection, Oliver and Terry chose a photo taken by Ari Vitikainen of a Rshi family in Laos preparing a traditional meal, called Khauchi Papa, to celebrate the new year.

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The winning photo, as decided by the public, was an image of a group of street children in Burundi crowded around a plate of food.

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In the impoverished Southeast African country that’s been ravaged by civil war, as many as 58 percent of the population is chronically malnourished, according to WFP.

Since many of the underserved kids there have lost family members to conflict, they rely on their peers for support and aid organizations for nourishment.

Darine Ndihokubwayo, who works with Food for the Hungry, a nonprofit that helps struggling communities, shot the photo and told WFP that the colorful scene reflects a nascent tradition in Burundi.

Every Sunday, her nonprofit gathers street children together to share a meal.

“Feeling accepted and cared for gives them an opportunity to have a better social life and integrate in school,” she said in a statement.

Some of the most powerful images demonstrate how families make do even while under constant distress.






Learn more about the World Food Program's "Family Meal" photo series and how you can get involved with helping hungry families here.

To take action on pressing food aid issues, check out the Global Citizen's widget below.






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This Record Label Is Completely Dedicated To Fighting Hunger, Homelessness, More

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jonathan chenWhen Texas native Johnathan Chen moved to New York City to attend college, he was struck by how many homeless people filled the streets and subways -- and even more so by the significant number of people who tuned into their headphones on their commutes instead of paying attention to these people in need. He wondered if there was a way for people to stop using music as a barrier and start using it as a way to help those asking for assistance right next to them. Then, he decided to create one.

As a freshman at New York University, Chen founded One Reason Recordings in 2012. The national 501(c)3 organization makes albums out of songs donated by independent music artists, then sells them to raise money to address social justice issues.

Each year, ORR focuses on a different issue. So far, the team has addressed water scarcity, homelessness and medical miracles. ORR announced this month that it will address food insecurity in its 2015 campaign.

Chen, now 21, comes from a family dedicated to charity work, and began volunteering alongside his mother when he was 4 years old.

"It was always about giving back, no matter how much we personally had," Chen told The Huffington Post. "We did charity work almost every weekend as I grew up, and it just became something I loved to do."

When he arrived in Manhattan, Chen not only felt a desire to find a way to give back in his new community, but also to address the poverty and homelessness -- and subsequent desensitization to it -- he saw every day on his way to class.

"You see tons of people who are homeless on the streets of New York, and for me, that was really shocking and surprising," Chen said. "Being from Texas, that's not something I normally see. So that initial culture shock really got me thinking that for people in New York, this is something that is so common -- people just pass by as if it was normal -- and I was wondering if I could change that."

Noticing that the majority of commuters were listening to music on their smartphones, Chen made it his mission to turn that distraction into a source of social impact. He began collaborating with independent artists looking to build an audience as well as make a positive impact on the world.

At the beginning of each year, Chen and the ORR team begin fielding individual song submissions from artists who feel strongly about the year's campaign topic and are willing to donate their music. After making their selections and mixing and producing the CD, ORR spends the rest of the year selling the collaborative album digitally and on the NYU campus.

"I love what music can do," Chen said. "I think it transcends boundaries and really breaks down barriers for people from any ethnicity or religion or race. Anyone can really love and understand music without having to understand what the lyrics mean. They can understand the concept behind it. It's very universal."

water
Cover of 2013 album, Collecting Droplets


ORR selected water scarcity as its first social justice issue to address, and partnered with charity: water for the duration of 2012. Their campaign led to the debut of their first EP, Collecting Droplets, with a variety of artists sharing music that spoke to the impact of clean water around the world. Through CD sales, ORR raised $5,000 for charity: water, which went toward the installation of a new water well in Ethiopia.

homes
Cover of 2013 album, Foundations


The organization tackled homelessness in 2013, creating the Foundations album and leading a clothing drive. By the end of the year, ORR, in coordination with Food for the Poor, was able to fund the construction of a home for a struggling family in Haiti as well as donate $12,000 worth of clothes -- more than 4,000 articles of clothing were donated from people in 12 different countries.

miracles
Cover of 2014 album, A Child, A Bear, & A Red Balloon


ORR's 2014 campaign was about miracles -- specifically, about the modern-day perception of miracles being connected to the medical field. After selling that year's album, A Child, A Bear, & A Red Balloon, ORR donated $6,000 to Children's Medical Center in Dallas to fund dental implant surgeries for children born with cleft lip syndrome.

So far, upwards of 80 percent of the donations from ORR have stemmed from music sales alone, turning a digital craft into a real, physical impact. Running the organization costs about $1,800 each year, according to Chen, and every other penny raised goes to the cause of the year.

This year, Chen is focusing ORR's social impact efforts on hunger. Chen is a food studies major who also consults in the food and restaurant industry, so he said he is particularly excited to address the issue of food insecurity. ORR has partnered with Stop Hunger Now for the campaign.

As the organization grows -- it is now run by 30 students and professionals on a volunteer basis -- it is expanding its product offering in hopes of reaching an even bigger audience. ORR has already begun selling T-shirts designed by a collection of independent artists and has partnered with Epic, a watch company that donates water filters to Haiti after every sale.

To listen to One Reason Recording's albums online for free -- or donate to charity by downloading them -- click here.

To take action on pressing poverty issues, check out the Global Citizen's widget below.

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