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10 Easy Art Therapy Techniques To Help You De-Stress

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Art therapy is a form of therapy that encourages creativity and self-expression as vehicles to reduce stress, improve self-esteem, increase awareness and help remedy trauma. While many other forms of therapy depend on verbal language to express feelings and overcome personal obstacles, art therapy allows for other, more abstract forms of communication. This tactic makes room for elements of the subconscious that perhaps are not yet ready or able to be verbalized come to the surface.

You do not have to be an artist to enjoy the benefits of art therapy. In fact, most of the exercises rely not on the final product you create but on the therapeutic, meditative ritual of the creative process. If you're intrigued by the process of relaxation through artistic imagination, we've compiled a starter kit to get you on your way.

The following 10 suggestions are simple ways to explore your inner creative voice while turning off the negative influences that so often get in the way. They may not all work for you, but hopefully one or more of the following techniques will serve as the artistic equivalent of a long, hot bath.

1. Design a postcard you don't intend to send

handmade postcard

Whether it's a love note to someone you're not ready to confess your feelings to, or an angry rant you know is better left unsaid, sometimes enumerating all the details helps deflate the issue at hand. While writing the text can be therapeutic in its own right, designing the postcard gives even more value to the object. It also allows you to activate different portions of your brain while relaxing in a manner similar to coloring in a coloring book. Once you toss that signed and sealed letter in the trash (or tuck it away in a drawer), you'll find its message has lost some of its power.

2. Cut and paste a painting to create a collage

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Create a painting on a material like paper or cardboard. When you're finished, cut or tear it up. Then use the pieces as building blocks for a new artwork -- a collage. See how your original artwork transforms into something new and exciting, something unpredictable. This exercise illuminates the close proximity between creation and destruction, encouraging us to take risks to push ourselves creatively and in other aspects of life.

3. Build an altar to a loved one

folk art altar

Take inspiration from folk art and create an altar honoring a unique relationship between you and another person, living or not. Decorate the shrine with photographs, letters and relics of memorable times spent together, as well as new art objects you've created in their honor. Anything can become artistic material, from gifts you've exchanged to a candy wrapper you know your subject would love. Building a totem to another person awakens memories and creates a physical manifestation of a relationship that can provide comfort in tough times.

4. Draw in total darkness

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So much of the stress we experience when making art comes from the judgments and criticism that seem unavoidable every step of the way. Try creating artwork in total darkness to make art free from that inner art critic inside your head. (Think of it as a form of blind contour drawing.) You're suddenly freed up to create lines, shapes and patterns simply because you feel like you should. When you turn back on the lights, we suspect you'll be surprised by what you find.

5. Watercolor your bodily state

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Lie down and close your eyes. Visualize your body as you breathe in and out. Try to imagine your breath as a particular color as it enters your body, another color as it exits. What do you see? Draw an outline of a body on a large sheet of paper, and inside, create a watercolor based on your bodily state. Think about what these colors mean to you, where they are densest, where they are most opaque. Think of this as the most relaxing self-portrait you'll ever create.

6. Create a Zentangle-inspired creation

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Zentangle is a drawing method invented by Rick Roberts and Maria Thomas, designed to make drawing meditative and accessible to all. To learn the official method you must be taught by a Zentangle Teacher, but you can recreate the basic idea on your own. Use a piece of paper, cut into a 3.5" square piece, and draw a freehand border around the edge in light pencil. Then use your pencil to draw a curved line or squiggle within the border, called a "string."

Now switch to a pen and begin drawing a "tangle," a series of patterns and shapes around your "string" and voila! You got yourself a Zentangle. The process is designed to encourage deliberate, ritual creation and allow room for human error -- no erasing, that's against the rules. Traditional Zentangles are always black and white but we fully support experimenting with color. The entire process shouldn't take more than 15 minutes, and can be repeated whenever you feel the urge. Keep some 3.5" squares handy so you can always create when inspiration strikes.

7. Produce a permission slip

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Think of the societal and self-imposed pressures you feel on a day-to-day basis, the personal traits you see as faults, the natural slips you see as errors. Choose one of these things and give yourself, in ornamental detail, permission to do just that. Turning one simple defeat into an accomplishment can minimize feelings of self-hatred, allowing you to achieve more of your important goals. Remember, it's an art project, so make it pretty.

8. 'Write' a found poem

refrigerator magnet poem

Don't consider yourself a poet? Let someone else do the hard part of coming up with the words by grabbing your material from old books, magazines, newspapers or even letters. Cut out words that jump out at or inspire you. Collage your found materials just as you would a visual collage. You can have a topic or story in mind at the beginning, or just get started and see where your word collaging takes you.

9. Craft a mark-making tool unique to you

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Instead of spending the majority of your time on an actual painting, why not focus a little of that attention on crafting an alternative paintbrush all your own? You can make a mark-making tool out of nearly anything, whether it's a row of toothpicks (glued to a cardboard base) and dipped in paint, or a DIY paintbrush made from pom-poms and yarn. When you finally get around to actually making a piece with your new tool, you will have relinquished some of your artistic control to your distinct artistic medium, which, of course, is a work of art in itself.

10. Make a forgiveness box

handmade box

If there is a certain person -- including yourself -- you don't want to harbor negative emotions toward any longer, try making him or her a forgiveness box. Decorate a small box with soothing images and words that can be either specific to an individual or catered to your desired inner state. You can write the person's name on a slip of paper and include it in the box if preferred, and the name can be removed and exchanged if needed. The act of making the box will bring up happy memories of whomever the box is for, as well as help you physically work toward a place of forgiveness.

For more enjoyable art techniques for non-artists, check out our childhood art techniques that adults should definitely revisit.

5 Pointz Landlord Says He Won't Back Down On Using The Graffiti Mecca's Name

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The unlikely New York City landmark known as 5Pointz has been at the center of controversy ever since landlord Jerry Wolkoff whitewashed the complex’s walls last fall, destroying layers of graffiti art painted there with his permission. Now Wolkoff tells HuffPost he plans to use the name “5Pointz” for the two new condos going up in place of the former graffiti “temple.”

“I’m trying to get the name registered,” Wolkoff told HuffPost in a phone interview Friday. Earlier this week, a report surfaced of a bid Wolkoff submitted in March to the U.S. Patent and Trademark Office, which was denied due to a preexisting real estate development in California with a similar name. In the call to HuffPost, Wolkoff clarified that he plans to challenge the denial.

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5 Pointz, before and after Wolkoff's whitewashing.



The move makes one more bullet point in a list of grievances for the key artists and activists associated with 5Pointz, for whom Wolkoff became an enemy after his dramatic overnight whitewashing. One, Marie Cecile Flageul, acted as the group’s press liaison when plans were underway to sway the city to preserve the graffiti-smothered building. Speaking to a reporter this week, Flageul accused Wolkoff of trying to “bank off our name.” She called the name-grab “ironic,” asserting that “the same corporation which single-handedly destroyed all the artwork known as 5Pointz” is “trying to capitalize” on its cache.

Speaking to HuffPost, Wolkoff insisted that the name is his to use. He contested an earlier New York Times report that seems to attribute the moniker “5Pointz” to Jason “Meres One” Cohen, a street artist who acted as the lead “curator” for the site in its heyday.

Wolkoff says he collaborated with Cohen on the name, which is meant to signify a meeting point of the city’s five boroughs. “We were talking, and we decided to use this thing of 5Pointz,” Wolkoff said.

He is also adamant that the name should be his to reuse in the context of the two condo buildings set to rise. Bringing up New York's Museum of Natural History, he hypothesized that “if they took that down and put up another building with more or less the same stuff inside, you’d still call it the Museum of Natural History.”

The new condos will by no means duplicate the function of 5Pointz, a decrepit building that for much of its later life did not meet city codes. For years, the building was legendary for its studios -- cheaper than any for miles. When a staircase collapsed in 2009, the primary allure of the complex was its external facade, which artists of all ages tagged with spray paint.

Wolkoff says the upcoming $400 million luxury development will channel the ethos of the old 5Pointz, calling the property's second incarnation "the same" as its first. He plans to designate a tagging wall and studios inside the building, both features of which have been preemptively derided by artists as pale echoes of their soulful originals. Critics "don't believe that I’m going to bring them back,” Wolkoff said, referencing the artists who once flocked to his property. “But they will be back.”

7 Things You Didn't Know About 'Fast & Furious'

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The Facts and the Curious.

"The Fast and the Furious" came out all the way back in the summer of 2001. Since then, the "Fast & Furious" franchise has transitioned from being purely about street racing to grand heists that involve The Rock. "Furious 7," the possible final ride in the series, is due out next April. Its trailer promises mayhem of the highest order.

But it's difficult to know how to juggle celebration of the film's opening while mourning the death of series star Paul Walker, who makes his final appearance in "Furious 7." "We grew up in the business together, and we became famous together, and we represented the biggest franchise together," Vin Diesel, who plays Dominic Toretto, said earlier this year on "Live With Kelly and Michael." "[Paul's death is] one of the darker moments in this, in my journey." He then addressed the audience: "Yeah. Yeah guys, you know it's a rough one. You all had people you love that passed away."

But instead of focusing on the bad, let's heed the words of Toretto. "I live my life a quarter mile at a time," he says in the first film. "Nothing else matters ... For those 10 seconds or less, I'm free." With the promotional cycle starting up for the latest installment, "Furious 7," it seemed like the right time to take a look back and share some little known trivia from the series.



1. That runway from "Fast & Furious 6" was extremely long.

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Most runways are just over a mile, but the one in the film was abnormally long.

The climactic scene of "Fast & Furious 6" involves the crew chasing after an airplane trying to take off. The scene lasts over 13 minutes. The plane is always going at least 115 mph, given what The Rock said during an interview while promoting the movie.

Vulture talked to Captain Robert Travis, President of the Independent Pilots Association and did some independent math, while breaking down the scene in parts to conclude that the runway was 28.829 miles. For a different conclusion, the BBC talked to pilot Ian Hollingworth and using his speed estimate concluded that the runway was 18.37 miles long.



2. Both Michelle Rodriguez and Jordana Brewster were cast despite not having driver's licenses.

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Jordana Brewster said she had to learn to drive in New York City, where she was living at the time -- a challenging place to start. She actually had to pass her driver's license test in one take or she would have been dropped from the movie due to insurance requirements.

Michelle Rodriguez told Entertainment Tonight that learning how to drive for the series led to quite a few speeding problems:

I got such a bad record with speeding 'cause I got my license for "Fast and Furious." After 11 points on your license, you're like, "Yo, where's that Prius at? I'm dropping this M3 somewhere.




3. "Fast & Furious" and "Herbie: Fully Loaded" take place in the same universe.

herbie

Referring to the picture above of a 1970 Dodge Charger driven by Dominic Toretto in the first movie, an advertisement for "Fast & Furious 6" asked the question, "'Fast & Furious' and 'Herbie: Fully Loaded' confirmed to take place in the same universe?" and answered, "We’re gonna say yes."

Herbie is an anthropomorphic Volkswagen Beetle that has a mind of its own and is extremely fast. Certainly the ramifications of this sentient car being in the "Fast & Furious" universe are huge. In "Herbie: Fully Loaded," there is even a street racer scene in which Herbie has LED blue lights and a lowered suspension. For supposedly being some of the best street racers in the world, it's pretty suspicious the "Fast & Furious" crew have somehow never talked about the the "Love Bug." Maybe they all got beat by Herbie once and are too embarrassed to bring that up.

Image: "Herbie: Fully Loaded"



4. Michelle Rodriguez really didn't like the cast at first and thought Paul Walker was a "Ken Barbie doll."

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In the aforementioned MTV News interview, Michelle Rodriguez revealed that she was far from a fan of her co-stars when she first met them. As she explained, "I was like, 'Who’s the Kenny Barbie doll,' when I looked at Paul ... I thought Jordana was prissy ninny. I thought Vin was a dick ... And I was wrong about each and every one of them." The interview notes that they truly seemed like a sort of family. It's a sentiment that Rodriguez reiterated after Walker's death.

More recently, when asked by Empire about her co-star The Rock, she seemed to be more fond of his right from the start:

He's such a cool cat. I'm always staring at him like he's not real. I look at him, I see an eyebrow raised, him in his underpants! Those muscles, they feel like rocks for real. I'm in awe of that guy. I can't even approach him like a real person. He's an entity. Most of my scenes are not with him, unfortunately.




5. Vin Diesel gave the Red Chevelle he drives in the movies to his infant daughter.

the fast and the furious

Vin Diesel's character, Dominic Toretto, drives off in a red 1970 Chevy Chevelle SS454 coupe at the end of "The Fast and the Furious." When the character returns in the 2009 movie, "Fast & Furious," the car is seen again.

Although multiple versions of the car exist, Diesel told MTV News that he gave at least one of the Red Chevelles to his infant daughter because she was born while filming "Fast & Furious."

Diesel was apparently hesitant in going to the hospital and cutting the umbilical cord, but Paul Walker convinced him that he had to do it.

Image: "The Fast and the Furious"



6. There's a movie from 1954 called "The Fast and the Furious" that involves fast cars and racing.

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This is a movie that involves hotrods and car racing. Jaguar had product placement in the movie. That said, despite the similarity of a focus on cars, the 1954 version is very different and focuses on the actor and director John Ireland's character trying to escape to Mexico after breaking out of jail.

For the 2001 version, Universal acquired the title rights to "The Fast and the Furious," but not the story rights. The new movie was actually inspired by a 1998 article about New York City street racing in Vibe. According to the The New Yorker, the original producer, Roger Corman, his title to be used as a trade for ancient Roman studio footage from "Spartacus."

Images: "The Fast And The Furious."



7. A woman sued when she thought "Drive" wasn't as good as the "Fast & Furious" series.

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Sarah Deming filed a lawsuit against FilmDistrict, when their movie, "Drive," wasn't "similar to The Fast and [the] Furious." She claimed that "Drive" had been marketed to be like "Fast & Furious" and that "Drive" was such a disappointment compared to "Fast & Furious" that it deserved to be sued. Apparently Ryan Gosling is just no Vin Diesel. In the lawsuit she only sought ticket reimbursement, which the movie theater had already given her.

Although her case may not have been as solid as The Rock, her point that movies should be more like "Fast & Furious" is respectable.


BONUS: Will there be more movies?



Regarding another installment to the franchise, in one of his final interviews, Paul Walker said: "There's going to be an eight. It's like who's going to be in the "eight" I think is the question." The answer is now tragic in light of his death just days later on Nov. 30, 2013. Earlier in that year, Vin Diesel had said, "I think the debate is whether it's seven, eight, nine or seven, eight, nine, 10. I know, it doesn't even make sense."

More recently, there has been rumors that Cody Walker -- Paul Walker's younger brother -- will be joining the cast for future installments. Kurt Russell, who stars in "Furious 7," has also been talked about as being a part of an eighth installment.

What The Cast Of 'Big Hero 6' Looks Like In Real Life

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Disney's "Big Hero 6" is the studio's latest blockbuster, a family friendly franchise starter about brotherhood, friendship, superheroes and a giant inflatable robot named Baymax. (Say hello to next year's big Halloween costume.) Based on the Marvel comic book of the same name and set in the fictional city of San Fransokyo, "Big Hero 6" has been called one of Disney's most diverse animated features yet, a fact reflected by the film's voice cast. Below, a look at the core performers in "Big Hero 6" and how they match-up with their onscreen counterparts.

Jared Leto May Play The Joker In 'Suicide Squad'

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Why so serious, Jared Leto?

According to The Wrap, Warner Bros. wants the Oscar-winning actor to play The Joker in "Suicide Squad." The film, from "Fury" writer-director David Ayer, is based on the DC Comic of the same name. It follows convicted supervillains who undertake black-ops missions for the U.S. government.

Per TheWrap, Ryan Gosling was initially rumored for the role of The Joker, but a deal was never made due to Gosling's unwillingness to sign a lengthy, multiple-movie contract. Tom Hardy, Will Smith and Margot Robbie are also in talks for roles in "Suicide Squad," with Jessie Eisenberg expected to reprise his "Batman V Superman: Dawn of Justice" role as Lex Luthor. Cara Delevingne is also reportedly circling the role of Harley Quinn, the girlfriend and accomplice of The Joker.

HuffPost Entertainment contacted Leto's reps for comment on the rumor. This post will be updated if and when one is received.

For more, head to The Wrap.

Artist Illustrates Movie Title Typos, Unintentionally Blows Up The Internet

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He did it for his friends, and then something trends, unexpectedly.

Artist Austin Light wasn't trying to blow up the Internet. Things just happened that way.

As Light explains on his website, he originally just wanted to do a project for INKtober, an initiative where artists create a new piece each day for the entire month. He chose movie title typos from a Reddit thread as his topic. Then, at the end of the month, he posted all his work on Reddit, and the rest is another entry in the ongoing story of instant Internet sensations.

Light's art, which has more than one million views on Imgur to date, has received so much love that now he is even turning them into prints and shirts. Check out the illustrations below:



See more of Light's work here.

Matt Damon Confirms 'Bourne' Return For 2016

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Back in September, Deadline.com reported that Matt Damon and Paul Greengrass would return to the Jason Bourne franchise for a new film, the duo's third Bourne film together and Damon's fourth as the character overall. On Friday, Damon confirmed the news to E! Online.

"Yes, next year," Damon told E! about when the new Bourne film will begin production. "It'll be in 2016 when the movie will actually come out. Paul Greengrass is going to do another one and that's all I ever said. I just needed him to say yes."

That's true. Damon had long said he would only reprise his role in the franchise if Greengrass returned as well.

"I've always been open to it if Paul Greengrass is the director," Damon said to CNBC in May of this year. "We've just never been able to come up with a story."

Damon's last Bourne film, "The Bourne Ultimatum," was released in 2007 and grossed more than $442 million around the globe. That feature ended with Bourne walking away from the espionage game.

"If you really look at the mythology of the character, we would have to figure out some reason to get him going again," Damon said to HuffPost Entertainment in July of 2012. "Paul and I haven't been able to do it. And we really wanted to make another one; we almost were making one a couple of years ago -- and then we just couldn't crack it."

In the interim, the franchise took a detour: 2012's "The Bourne Legacy," which starred Jeremy Renner as an agent named Aaron Cross.

"I love the idea of Greengrass and Damon," Renner told HuffPost Entertainment about Damon's potential return earlier this year. He was excited about the possibilities: "Let [our characters] be adversaries, let them become buddies, whatever the heck it might be -- them coming together would be a pretty tremendous thing."

According to the original Deadline.com report, Renner's Cross likely won't be involved in the Damon film, but a sequel to "The Bourne Legacy" with Justin Lin set as director is still in development. Damon's movie, meanwhile, is set for a July 16, 2016 bow.

For more, head to E! Online.

Here's What North America Would Look Like On Other Planets

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You may think you have a good sense of exactly how big Earth is compared to the other planets in our solar system. But clever new illustrations by John Brady, founder of the website Astronomy Central, put the size of our planet in perspective in the starkest way possible.

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North America is dwarfed by the immensity of Jupiter.

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North America superimposed on Mars.

"I got the 'North America on Jupiter' image to scale by looking at size comparisons on NASA images of Earth compared to Jupiter's Great Red Spot," Brady told The Huffington Post in an email. "From that I could work out the size of only the USA and Canada, and place it onto Jupiter to scale. The Mars image with North America placed over it was done by knowing the diameter of the red planet, then finding the distance between two U.S. cities. I used New York and San Francisco."

How big is Earth exactly? Our planet's diameter at the equator is about 7,926 miles. Mars' diameter is half as big, and Jupiter, the largest planet in our solar system, is about 89,000 miles wide at its equator.

As Brady said in the email, "Sometimes it takes images like these to be reminded of the fact of just how small we really are, or sometimes not, as Mars is actually not that big as shown with North America."

After Dark: Meet The Culture Whore, Art Collective And Party Curators

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This is the twenty-sixth installment in HuffPost Gay Voices Associate Editor James Nichols' ongoing series "After Dark: NYC Nightlife Today And Days Past" that examines the state of New York nightlife in the modern day, as well as the development and production of nightlife over the past several decades. Each featured individual in this series currently serves as a prominent person in the New York nightlife community or has made important contributions in the past that have sustained long-lasting impacts.

HuffPost Gay Voices believes that it is important and valuable to elevate the work, both today and in the past, of those engaged in the New York nightlife community, especially in an age where queer history seems to be increasingly forgotten. Nightlife not only creates spaces for queers and other marginalized groups to be artistically and authentically celebrated, but the work of those involved in nightlife creates and shapes the future of our culture as a whole. Visit Gay Voices regularly to learn not only about individuals currently making an impact in nightlife, but those whose legacy has previously contributed to the ways we understand queerness, art, identity and human experience today.


The Culture Whore is the brainchild of NEXT Magazine Nightlife Editor Mark Dommu and performer Paul Leopold AKA Boywolf.

The Huffington Post: What did your journey to becoming prominent party curators entail? What is The Culture Whore?
Paul Leopold: Mark and I met in 6th grade at Middle School for the Arts in West Palm Beach, Florida. We quickly became close friends and bonded over being different. Throughout our teenage years we were in shows together, went to parties, saw concerts, hung out in empty playgrounds and chilled on the beach. We parted ways for college -- Mark headed to NYC to study at Marymount Manhattan and I went up to Boston University. Both of our college experiences were wonderful and fun and maturing, but both of us found a tight group of straight friends in which we were the "token gay."

By the time I moved to New York in 2010, Mark and I reconnected over being each other’s only close gay friend and our common desire to be part of a gay community. I was lost trying to find my place in the stale straight world of "experimental theatre" and Mark was working at a café and making a video project in his spare time. One spring night after an awful tech rehearsal for a show I hated with an oppressive director, my neighbor told me I should go to this party that every gay person she knew was going to. That party was SPANK and I was captivated. The doors had opened into a vibrant world of underground gay culture -- New York the way I had always imagined it. At first Mark was critical of my newfound love of gay nightlife. After living in the city for several years he had grown cynical about mainstream gay culture that tends to be defined by muscle men, pop remixes and fishy drag queens. But once I started to pull him into these parties our eyes began to open together. We met and fell in love with Chris Tyler, who quickly schooled us in queer theory and his newfound love of the downtown queer performance scene. Queer DIY performance and community space The Spectrum opened and we started rehearsing there and going to their parties and hanging out with gage of the boone, B.J. Dini and all the amazing people that contribute to that space. We also met our friend David Sokolowski at a SSION concert and he started introducing us to the incredible community surrounding the MIX Queer Experimental Film Festival.

In the summer of 2012 I produced and directed GRAVITY, a superhero party show that was both a full-length experimental musical and a DJ dance party at the old House of Yes in Bushwick. In many ways GRAVITY was a prototype for the parties we started throwing later that year. We realized that we could bring together a community of artists by creating spaces for them to showcase their work on an ongoing basis and provide a breeding ground for collaboration by bringing these colorful people together for a shared experience. We needed an incubator, we wanted to bring people together and thus The Culture Whore manifested.

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What was your initial vision for The Culture Whore? How has it changed and developed since it's inception?
Mark Dommu: Initially, The Culture Whore was really centered on web content: editorial articles about art and culture, occasionally listing parties on our website or Facebook. Then, as Paul and I started to explore queerness and nightlife more, the focus shifted.

We always knew we wanted to throw parties and the first one happened on my roof in Bushwick. A friend of mine did a performance piece where he got into a giant bowl filled with milk and we all ate cereal out of it. Paul did his first performance of Boywolf, his performer alter ego, at that party. Two of the people who work with us at every party we do, Chris Tyler and JX Cannon, performed. I think the music was just my iPod on shuffle, so that’s obviously gotten better.

A few months later we threw our first “official” Culture Whore party, Dick the Balls, which has become our annual holiday party. It was absolute insanity. The crowd was so mixed in terms of gender, race and sexuality. It was a living embodiment of everything we were envisioning The Culture Whore would be. I think that was when we realized our focus needed to be bringing people together in real life, with the Internet being an access point for that rather than the entirety of it.

We tried several times to put something out every week that could highlight everything that was happening in the city -- the things that maybe we knew about that other people might not. It was finally at the beginning of this year when we found a model that worked with THE WEEK. It started out just as, basically, a shareable version of our social calendars. Now it’s grown to really encompass everything happening in New York’s queer underground. The Culture Whore has always been about showing people the ways to find the beauty that exists in New York City, and we continue to get better at doing that.

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The Culture Whore tends to have a focus on the less mainstream culture of NYC nightlife, especially events happening in Brooklyn. What does The Culture Whore consider important to elevate and why?
Dommu: Brooklyn is our focus because it’s where we live and where we see the most exciting art and nightlife happening right now. It feels like everyone has caught on about Brooklyn, especially recently. But our attention isn’t limited to Brooklyn. Anyone who is making something interesting, something beautiful, something radical or transcendent or weird -- we’re into it. We are also very interested in underground/DIY culture art/nightlife, because the people who make it really care about it. It’s too much work to do if you don’t really love it.

NYC queer nightlife is currently undergoing a resurgence. Where do you see The Culture Whore in the context of this narrative?
Leopold: We were inspired by the wave of nightlife culture we started riding a few years ago. I don’t think the NYC underground was ever dead, but it has certainly flourished in the past several years. There's a global resurgence of dance music and party culture. New York continues to be on the cutting edge of world culture and you can see that in its nightlife. I was shocked when I traveled to Berlin a few months ago and all of these Europeans and Americans alike were talking shit on New York and how Berlin nightlife is so much more dynamic. They haven’t caught onto the news, I guess. Berlin is hardcore and incredible, don’t get me wrong, but as far as I’m aware there is no other place on earth where there are simultaneously endless queer performances, parties and events every single day of the week besides New York City. It's real -- you can open up our weekly newsletter THE WEEK and see that just in our niche Brooklyn scene alone, one can’t even keep up with everything that's going on. Not to mention all the hetros and homos that fill countless techno/house/club/hiphop parties across Brooklyn on a nightly basis.

New York is pulsating and its heart is in Brooklyn. The Culture Whore exists to help keep that heartbeat alive. We want everybody who is interested to have access to information about what’s going on. We want to keep the spirit of nightlife moving into the 21st century.



What concepts factor into establishing the framework for the themes of your parties?
Dommu & Leopold: The idea is always to create a fantasy. We want to immerse people in an intentional dream, a liminal space where one can choose to transcend their daily deluge and become a manifestation of the wildest corners of their imagination. So we choose themes that play on cultural tropes and hopefully lead our guests towards a particular dialogue around what it means to be queer in our time.

For example, we chose "Rocky Horror" for the theme of our recent Halloween rage because we wanted our community to explore identity and ownership and we felt that using a piece that was so relevant to many of our coming-of-age journeys and so overt in its campiness was the perfect container. In 2013, we wanted to explore animalism and the artistic manifestation of primal urges, so we threw an insane party called AN1MORPHS recalling the beloved childhood book. We also did SATANIC SMOKEOUT because we wanted to explore the relationship of the occult and queer culture. We conjured such sinful energy at that party that the BBQ caught on fire and people started having sex on the dance floor.

The Culture Whore is largely focused on community elevation and collaboration. Why is this important and how does it manifest in your work?
Dommu: The Culture Whore wouldn’t exist without the community that has embraced and supported us. At every party I’m amazed by how many people come out to explore with us. Every time I go out I meet someone new, but someone who is connected to me through this incredible spiderweb.

We’re so lucky, because how many other communities have this huge network of people who fundamentally believe the world should be the same place in the way queer people do? All of my straight friends, even the artists or musicians, have very small networks, ones where the same heteronormative systems of behavior are upheld without question. We have this diverse sea of people who will understand us implicitly and engage with what we’re making in the way it’s intended to be experienced.

culture

The Internet and technology have re-shaped promotion. How does this reality intersect with the work done by The Culture Whore? How do you think the Internet and technology have reshaped nightlife as a whole?
Dommu: As queer partiers, we have a lot of conversations with people who have been partying for years, and they talk a lot about how nightlife used to be so club-centric. You went to the same club every night of the week. Maybe someone handed you a flyer on the street for a party that sounded really cool and you went to that.
Now, you log onto Facebook and on any given night there are five, ten, twenty parties you could go to. THIS IS NOT A BAD THING. THIS IS WONDERFUL. Too many promoters get caught up in competition. The Internet is a wonderful tool for nightlife, because it lets you find that magical party that you know you can’t miss. Or it lets you know that this night is going to be the best night and you’re going to go to all of these parties and have the most fun you’ve ever had at all of them.

We really believe that MORE IS MORE, and the Internet makes that possible.

What are you current parties, gigs and upcoming events?
Dommu: Our big fantasy rages are seasonal, and the next one is our annual holiday party, Dick the Balls, in mid-December. We also have a bimonthly performance showcase called Sideshow -- the next one is Thursday, Nov. 13 at Don Pedro in Williamsburg.

We regularly host Ladyfag and Seva Granik’s Holy Mountain and SHADE parties, which are really fun and incredibly inspiring.

I also host a weekly screening of "American Horror Story" at Gym Bar with Will Sheridan, and co-host a monthly party with Chris Tyler at Tandem in Bushwick called Mall Goth where we play teenage girls working at -- and getting fired from -- different stores at the mall. The next edition takes place at Yankee Candle Company. You can see me hosting at a few other parties on the regular: WestGay, Kunst and others. You can see me performing at Sideshow and regularly around Brooklyn.

Leopold: I'm super excited for Psychic Fall, my collaboration with David Sokolowski and MIX NYC. We’re also hosting Spank’s 7 Year Anniversary on Nov. 22 and that's sure to be a fun party with amazing music.

You can catch me perform as Boywolf at Sideshow on Nov. 13 and Rify Royalty’s Straight Acting party at TNT on Nov 20.

Friday, Dec. 5, look out for a new techno party I’m starting with a bunch of incredible DJ friends in the basement of Cameo. Its called JACK and it's going to be all about the music and deep vibes.

What do you see as the future of nightlife in NYC?
Leopold: In the future I’d like to see NYC become more hospitable to artists and independent DIY spaces. If New York is to remain a cultural flagship of the world, it must sustain a vibrant world at night, a place for creative people to play in the dark and a home for free thinkers.

Dommu: I would hope that the future of nightlife in New York is based around experiences -- not bottle service, not bottom lines. The people that I see going out now aren’t going for one promoter, one club or one performer. They’re going somewhere where they know that someone has painstakingly created a full fantasy for them to escape into for one night. Isn’t that the point of nightlife, to live a dream, even if only for a few hours?

For more from The Culture Whore head here to check out the collective's website. Missed the previous installments in this series? Check out the slideshow below.

This Week In Pictures: Faith In Practice Around The World, November 2 - 8

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Humans express their faith in a multitude of ways -- all of which are both beautiful and infinitely meaningful. These photos capture the incredible diversity within faith practices that happen in our world in the span of just one week.

Mexico, November 2
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A girl in costume in Real del Monte on the "Day of the Dead," or Dia de los Muertes, on November 2, 2014 in Hidalgo, Mexico. The holiday honors and celebrates the lives of loved ones who have passed away.

Burma, November 3
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Shi'ite Muslim girls pray in Yangon, Burma during the second night of Ashura, a commemoration involving running over fiery coals to mourn the martyrdom of Husayn ibn Ali, the grandson of Muhammad. Ashura is on the tenth day of Muharram in the Islamic calendar and marks the climax of the Remembrance of Muharram.

India, November 6
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Sikh devotees cleanse themselves at the pool inside the Bangla Sahib Gurudwara, a Sikh worship center in New Delhi, India. The worshippers are marking the birth anniversary of Guru Nanak Dev Ji, the founder of Sikhism and the first of the Sikh Gurus.

Germany, November 6
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Girls wearing the traditional costumes of the region sit in a horse-drawn carriage during the traditional Leonhardi pilgrimage in Bad Toelz, southern Germany. The annual pilgrimage honors St. Leonhard, patron saint of the highland farmers for horses and livestock. Several people were injured during this year's pilgrimage after their carriage horses bolted and toppled their wagon over.

The Philippines, November 7
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A boy walks past thousands of crosses erected at the mass grave for victims of Super Typhoon Haiyan at Vasper village in Tacloban City, in central Philippines on November 7, 2014, a day before the first year anniversary of the devastating typhoon. Haiyan, the strongest storm ever to make landfall, killed or left missing more than 7,350 people as it flattened mostly poor areas in large swathes of the central Philippines.

Sacred Catholic Art Exhibit Puts A Contemporary Spin On Ancient Beliefs

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LATROBE, Pa. (RNS) The late Benedictine Brother Nathan Cochran may have lived as a monk. But he was no recluse.

As curator of a Catholic art exhibit, he wanted to showcase examples of religious art as interpreted by contemporary believers.

His fifth nationwide Juried Catholic Arts Exhibition, which hangs through Dec. 7 at a St. Vincent College gallery, does just that.

There are icons, paintings and sculptures in the Old World style, digitally enhanced photographs and contemporary art, including a cubism acrylic painting.

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Oil painting, “Pieta,” by Eileen Cunis of Campton, N.H. Photo by Richard Dedo

Cochran founded the exhibit in 2001 to lift up contemporary talent and give parishes near the liberal arts college, 35 miles southeast of Pittsburgh, alternatives to “cookie cutter art” from a catalog. He died unexpectedly in July while plans were underway for the show. He was 57.

The exhibit includes original pieces. Most are traditional, as is the first place winner, Neilson Carlin’s classic “Temptation in the Wilderness,” a portrait of an exhausted Christ.

Yet familiar scenes emerge with contemporary spin. In Eve Palguta’s “The Seventh Sorrow,” Mary lies crumpled on the ground, one bloody hand clutching at her heart and the other resting near the discarded crown of thorns.

The nailed hand of Jesus nearly touches the hand of the “good thief” in Russell O’Reilly’s “Today You Will Be With Me In Paradise.” In Jordan Hainsley’s digital photo, St. Juan Diego stands against a faint map of Mexico.

Digital photographer Christopher Ruane used 100 images in “Rebuild My Church” (Honorable Mention), a scene of Pope Francis accepting Christ’s call to rebuild the church, meant to evoke St. Francis who accepted the call to rebuild the crumbling church of his time. His “The Nativity” takes place on an urban street with a seedy “No Vacancy” hotel in the background.

The college and St. Vincent Archabbey house an impressive 4,000-piece permanent collection begun with pieces from King Ludwig I of Bavaria (1786-1868).

Art historian and BBC personality Sister Wendy Beckett, a juror in a previous exhibit, praised Cochran for encouraging today’s artists to “share with us their understanding of what it means to be a Christian” and for carrying forward the vision of sacred stories told through the hands of contemporary artists.

Watch Harry Belafonte's Powerful Speech On Race & Social Injustice

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Harry Belafonte was this year's recipient of the Jean Hersholt Humanitarian Award during the sixth annual Governors Awards on Saturday night. The honorary Oscar is Belafonte's first, and the 87-year-old singer, actor and social activist used the award as an opportunity to discuss Hollywood's complicated history with racial injustice:

In 1935, at the age of 8, sitting in a Harlem theater, I watched with awe and wonder incredible feats of the white superhero, Tarzan of the Apes. Tarzan was a sight to see. This porcelain Adonis, this white liberator, who could speak no language, swinging from tree to tree, saving Africa from the tragedy of destruction by a black indigenous population of inept, ignorant, void-of-any-skills [people], governed by ancient superstitions with no heart for Christian charity. Through this film the virus of racial inferiority -- of never wanting to be identified with anything African -- swept into the psyche of its youthful observers. And for the years that followed, Hollywood brought abundant opportunity for black children in their Harlem theaters to cheer Tarzan and boo Africans. [...] But these encounters set other things in motion. It was an early stimulus to the beginning of my rebellion. Rebellion against injustice and human distortion and hate. How fortunate for me that the performing arts became the catalyst that fueled my desire for social change.


Belafonte went on to cite "The Defiant Ones," "Schindler's List," "Brokeback Mountain," "12 Years A Slave" and Sidney Poitier as moving the discussion forward in a positive way throughout the last 60 years. But he closed his speech with a call to arms for all of Hollywood, now and in the future:

I really wish I could be around for the rest of this century, to see what Hollywood does with the rest of the century. Maybe, just maybe, it could be civilization's game changer. After all, as Paul Robeson said, artists are the radical voice of civilization. Each and every one of you in this room, with your gift and power and skills, could perhaps change the way in which our global humanity mistrusts itself. Perhaps we as artists and visionaries for what's better in the human heart and the human soul could influence citizens everywhere in the world to see the better side of who and what we are as a species.


Watch the full video of Belafonte's acceptance speech above.

Adele's Manager Says Music Streaming Services Are 'The Future'

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Following Taylor Swift's removal of her music from Spotify, and her subsequent explanation of why she did so, Adele's manager, Jonathan Dickins, has spoken out in favor of streaming services on Thursday at the Web Summit tech conference in Dublin, saying, “Streaming is the future, whether people like it or not."

"Within five years it will be ubiquitous,” Dickins continued. “I don’t believe one size necessarily fits all with streaming."

He acknowledged that the current distribution and payout models needs to be reexamined for services like Spotify, offering up suggestions like making it possible for albums to be available for paid, premium accounts before free accounts. Dickins then dug into the imbalanced perceptions that labels and artists have of YouTube and services like Spotify.

“What’s interesting is that people take things down off Spotify, yet if I search now for Taylor Swift on YouTube, within the space of 30 seconds I can have the whole Taylor Swift [album] streamed," Dickins said. "Some of it is ad-supported, so there is revenue, and some of it’s not."

Dickins continued: “On the one hand, the labels are trumping YouTube as a marketing tool and 10 million views is [hailed] as a marketing stroke of genius. On the other hand, they’re looking at 10 million streams on Spotify and going: ‘That’s X amount of lost sales.’ So I think there is a lopsided effect. For an artist that needs discovering, anyone who has got a real good album, but is very niche, I think streaming is great for them. Taylor Swift probably looks at it and thinks, ‘There is an element of cannibalisation. I am a brand. People know who I am and I want to protect the record sales.’ And that’s fair enough.”

Funnily enough, Adele's album "21" was kept off of Spotify for almost a year and a half after its release at the beginning of 2011. Adele, like Swift, originally asked Spotify to make her album available for those subscribed to the service.

You can read more of Dickins discussion from the conference over at Billboard.

Katniss Meets Cressida And Her Crew In New 'Hunger Games: Mockingjay' Clip

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We've long been waiting for a glimpse at "Game Of Thrones" actress Natalie Dormer's portrayal of Cressida in "The Hunger Games: Mockingjay - Part 1," and the latest clip release finally gives us 40 seconds with the rebel.

In the clip, we are introduced to Cressida, as well as her crew, which includes her assistant Messalla and her camera duo, Castor and Pollux. It is the duty of these four to stick with Katniss and document her every move, so that the video can be shared with the rest of the rebellion.

When Katniss asks if they all had been rescued from the capitol, Cressida responds: "We all fled on our own. For this. For you."

This clip follows up from Wednesday's, in which Katniss sees Peeta again for the first time.

Let's Revisit Charli XCX's Perfect MTV EMAs Performance

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Charli XCX performed "Boom Clap" and "Break the Rules" at Sunday's MTV European Music Awards in Glasgow, Scotland, and it was during the latter song that her dancers set off a bunch of flares on stage. It looked dangerous!

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If only we had some way to tell what Charli XCX thinks about following the rules.



Oh, right. Watch Charli XCX perform here.

All The Major Stuff Nicki Minaj Did During The MTV EMAs

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Her first appearance was totally normal.



Then she stood in front of a hypnosis wheel.



And met a dinosaur.



(No biggie.)



Later, she performed a medley of songs, including new track "Bed of Lies."



It was money.



Then she ... um, played golf?



The campaign to get Nicki Minaj to host "Saturday Night Live" starts here.

Nicki Minaj Debuts 'Bed Of Lies' At MTV EMAs

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Nicki Minaj performed a new song called "Bed of Lies" during the 2014 MTV European Music Awards. The track, featuring Skylar Grey, will appear on Minaj's new album, "The Pinkprint," out on Dec. 15. "Bed of Lies" was the second song in a three-song medley that also included "Super Bass" and "Anaconda." Watch below.


Mom Puts Herself Back Into Family Pictures In Bold, Daring 'Domestic Bliss' Photo Series

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After working as a dancer and actress for most of her life, mom Susan Copich experienced a flood of discouraging emotions when her agent stopped calling four years ago. As she writes on her website, "I felt middle aged and irrelevant." Copich felt invisible, both in her professional life and in her personal life.

Since she was constantly acting as the photographer, taking pictures of her husband and now 12 and 8-year-old daughters, Copich realized she was never actually in the photos, she told The Huffington Post in an email. And thus, the transitional period in her life prompted Copich to embark on a new photography project -- a series entitled "Domestic Bliss," that would change that dynamic. "I turned the camera onto myself and began to explore all the different sides of myself," she said.

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Copich's revelation is one that moms far and wide can relate to. In 2012, blogger Allison Tate wrote about how she was absent from all of her family photos and made a declaration to Stay In The Picture. Her words went viral, inspiring thousands of moms to submit their photos. Tate explained why it's so important for her kids to see photos of her. "I want them to see the way I looked at them, see how much I loved them. I am not perfect to look at and I am not perfect to love, but I am perfectly their mother."

Copich's photos aren't candid snapshots of her everyday life as a wife and mom. Instead, they're staged to bring to life her various thoughts about motherhood, in an artistic way, from the beautiful to the funny to the dark and twisted. "I wanted to explore all those passing negative thoughts that sometimes can hang around longer than you like and put them in light and technicolor," she told The Huffington Post.

Copich say her daughters "have a back-pocket full of pride" when they see the completed images.

Below is only a sample of Susan Copich's full "Domestic Bliss" series, currently on display at Umbrella Arts gallery in New York City.



H/T Slate

Read more on HuffPost Parents:
If We Let Pictures Do All The Talking
6 Toddler Behaviors I'd Like to Try for a Day
To The Furious Mom In The Target Parking Lot



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Man Involved In Theft Of 300-Year-Old Violin Gets 7 Years

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MILWAUKEE (AP) -- The man accused of masterminding the theft of a 300-year-old, $5 million Stradivarius violin that was snatched from a musician in Milwaukee was sentenced Monday to seven years in prison.

Salah Salahadyn, 42, once told an acquaintance that such a theft was his dream crime because of the instrument's value and the ease of grabbing it from a musician walking down the street.

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The centuries-old instrument was stolen in January from Frank Almond, a concertmaster at the Milwaukee Symphony Orchestra, as he walked to his vehicle following a performance. Almond was attacked with a stun gun during the theft.

The instrument was missing for nine days before police found it, in good condition, in a suitcase at the Milwaukee home of Salahadyn's acquaintances. Police said the homeowner didn't know what was in the luggage stored in his attic.

Salahadyn faced up to a decade in prison plus five years of extended supervision after he pleaded guilty in October to being party to felony robbery. Along with the prison term, Judge Dennis Moroney ordered Salahadyn to serve five years of extended supervision.

The violin theft wasn't Salahadyn's first art crime. He pleaded guilty in 2000 to trying to resell a $25,000 statue to the art gallery owner from whom it had been stolen in 1995. His ex-girlfriend told investigators that while he hadn't stolen the statue, he plotted the theft.

Another man charged in the violin theft, Universal K. Allah, was sentenced to 3 1/2 years in prison after pleading guilty in May to the same charge as Salahadyn. Prosecutors said Allah provided the stun gun used to attack Almond.

The musician has said he was lucky he didn't suffer a career-ending arm or wrist injury when he crumpled to the icy pavement that night.

Stradivarius violins were crafted by renowned Italian luthier Antonio Stradivari. Many are owned by private collectors who lend them to top violinists to be played in symphonies. Experts say a Stradivarius violin deteriorates if it's not used but remains in good condition when played regularly. The owner of the stolen violin has remained anonymous.

Experts estimate that 600 to 650 Stradivarius instruments remain, or about half of what the master produced. Although they can be worth millions of dollars, they are rarely stolen because they're catalogued so well that a thief would have a hard time selling one.

New 'Broad City' Trailer Makes This The Best Day Of Our Lives

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It's been far too long since the first season of "Broad City" ended (we know, it's been tough), but Ilana and Abbi are back with lots of panache.

The first full trailer for Season 2 of the Comedy Central series is loaded with twerking, "white power suits" and "titty chips." What else can we expect from our favorite female comedy duo? Besides the usual wake and bake, Abbi will get to teach a fitness class, Ilana will do some dressing room grooming, and together they'll attempt to sell (what appears to be) art on the streets of New York City. Oh, and Seth Rogen and Kimiko Glenn, from "Orange Is the New Black," will appear for cameos.

Watch the trailer, which will make you feel like Ilana at her grandmother's shiva, and rejoice at the impending return of Ilana and Abbi!

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Image via Comedy Central/Tumblr

Season 2 of "Broad City" premieres Jan. 14, 2015.
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