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The 'Most Borderline Cheating Thing' Dax Shepard Ever Did To Kristen Bell Is Get A Spray Tan

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When Dax Shepard wears striped Dickies overalls and a cutoff "Wizard of Oz" T-shirt to lunch with you in a hip neighborhood of Los Angeles on a Monday afternoon, you know it's going to be a good day. Embarrassed that he wore those same overalls at the lunch spot just last week, Shepard says under his breath, “I think they’re onto me.”

But Shepard and his wife, Kristen Bell, aren't just meeting up to chow down. (For sartorial completists, the noticeably pregnant Bell has her hair pulled back in a classic ballet bun, wears neon Nike running shoes and not a drop of makeup for our date). The two are promoting a Samsung commercial that feels so authentic to what we imagine (slash hope) their daily lives are like (it comes as no surprise they came up with much of the concept together).

But before we even get to Samsung, and before the food has arrived, we are on the topic of spray tans and being naked in front of a complete stranger -- and this is Shepard unloading, to clarify -- not Bell.

He plays the ultimate jerk in this month’s “This Is Where I Leave You” and succeeds in making Jason Bateman’s life completely miserable. He does all this with such a severe tan that I have to ask him how many sprays he endured for the filming of the role.

this is where i leave you

“I only got one, but the one I got was atomic level,” Shepard admits with a huge grin. “It was the type where you go to a Beverly Hills salon and you’re stark naked in front of a young female. It was the most borderline cheating thing I’ve ever done.”

Bell turns to him. “He came home really guilty and I was like, ‘What did you do?’ And all he said was, ‘Spray tan.’”

Shepard, laughing as bowls of organic soup and salad arrive, clarifies: “The part where they’re blowing soft air around your testicles and penis is stimulating, but there was a very specific moment that felt borderline to me and that’s when she goes, ‘This looks great,’ and then we stand in front of a full length full mirror and I’m just standing naked next to a female and at that moment I thought -- ‘This is real grey.’”

Shepard never meant to be in the film, in fact. Already juggling the final season of “Parenthood” and filming “The Judge,” which stars Robert Downey Jr. and Robert Duvall, he went along to a table-read for “This Is Where I Leave You” as a quick favor to filmmaker Shawn Levy. Two days later, he got a call while on vacation with Bell and had been offered the role.

“Rave reviews. ‘Everyone wants you in the part,’ they said. Textbook Shepard,” Bell chimes in. She ordered the black bean soup, but when a cup of broccoli appears next to her kale chopped salad instead, she says, “I don’t mind. I’ll take the broccoli! Watch this. Took it!” and slides it closer to her plate.

dax shepard kristen bell

It would seem cliché to say that these two finish each other’s sentences, but they kind of do. At one point she rests her head on Shepard’s exposed shoulder (remember, he’s in overalls), her blue eyes shining brightly pressed next to the red of his cherry blossom tattoo.

His arm rests around her chair often and when we talk about the success of their No Kids Policy -- a movement they started earlier this year to shed light on the violent and troubling behavior of paparazzi around celebrity children -- they both grow passionate and choose their words with care.

“We feel strongly about the fact that we are allowed to share details about our experiences, but opening the kimono on her life is something we always want to make sure we are conscious of,” Bell says, referring to their 18-month-old daughter, Lincoln.

Shepard adds, “We don’t try to deny we are parents, but we don’t want to get into details about our daughter. With the full understanding that we are going to have to eat a ton of crow when she’s eight and decides to be a child actress. So you know," he says with a laugh. "But until she expresses that…”

The cause has garnered support from high-profile celebrities like Halle Berry, Adele, Jennifer Garner and Minnie Driver. People Magazine, Entertainment Weekly, The Huffington Post, BuzzFeed, "Entertainment Tonight," "The Insider" and others have all pledged their solidarity.

dax shepard kristen bell

Both Bell and Shepard use the word “shocking” to describe the kind of success they have seen so far. “We had very low expectations. When I say low, I mean we thought we could maybe get The Wall Street Journal,” Shepard admits.

“In truth, we were doing it for our own sanity and desire to sleep at night knowing we were trying for our daughter,” adds Bell.

“What we discovered is that there was a real lack of awareness about how those images of children were generated. I don’t think your average reader who loves kids had any idea that it entailed five guys following them into a playground and pushing and scaring kids,” Shepard says.

Once people started to digest that information, they started to share it. The movement has picked up a steady force of momentum, but part of that success, Shepard points out, is because of how hard Bell has fought. “It’s primarily because of Kristen’s willingness to go meet with all these publications and be her wonderful, beautiful self. She moved the needle.”

Bell did in fact call up news outlets to talk face-to-face with executives about why this issue is so important. “I wanted to make it a human issue. It’s not a celebrity issue; it’s a parenting issue,” she states.

“There are times to roll over and times where you cannot. You cannot justify me one time that it is acceptable to roll over for something on behalf of your child,” Bell says with resolution. “You fight for them, always -- for the healthiest, safest situation for them at all times, every minute you’re alive.”

Today, they already see a difference. Shepard says they don’t get hounded nearly as often as they used to and if they do, they know that they’re at least fighting to protect their child. It has become a national topic of conversation.

“We have no misconception that this is the biggest problem out there,” Bell points out. Shepard cuts in, “In the laundry list of plights in America, it’s near the bottom. But for us it’s near the top. This isn’t dueling with ISIS.”

Their general lightness and humor together come through not only over lunch, but really in everything that they do. After turning down many offers from brands who wanted to work with them as a couple, Samsung got their attention by letting them be their truest selves on camera.

dax shepard kristen bell

In the ad for the Samsung Galaxy Tablet, the two play around with their devices all day -- using video chat from different rooms in the house, playing games and even staying home from a black tie event to watch “The Princess Bride.”

“The thing that felt very organic is how regularly we choose to do pretty mundane, home-sy things over what are seemingly exciting, high-profile things,” Shepard explains.

“That’s very authentic. The desire to stay home from an event is very common for us,” Bell adds, laughing.

Shepard sips his drink. “I don’t know how we would have done a Taco Bell commercial and been true to who we are.”

dax shepard kristen bell

Shepard helped write much of the ad and even shot some of the footage on his own tablet, running around LA. “When Dax gets his hands on something, the impressive part from my perspective is how much he owns it and how well he interprets things,” Bell states.

“She has Stockholm syndrome, as you can see. I’ve convinced her I have above average intelligence,” Shepard jokes.

The part of the ad where he runs out to get a pregnant Bell food (perogies, kale salad, frozen yogurt) and shows her the dessert on his tablet is actually something they do, the couple admits. The honesty of the ad seems to be working for them -- as of Sept. 23, the video has over 10 million hits online.

“As egomaniacal as we are, we had no idea that people would watch it that much on YouTube,” Shepard concedes. “If every one of those views was someone who bought a $10 ticket to a movie, it would be a hundred million dollar movie in four days. Neither of us has ever been in a hundred million dollar movie -- well, other than ‘Frozen.’”

Bell glides in. “It’s the most successful thing we’ve ever been a part of.” They both laugh as Shepard corrects her. “No. Your sloth video is number one.”

10 International Street Photographers Who Change The Way We See The World

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Think of a city. Of its winding roads and bustling crowds and tall buildings and piling garbage and whatever else. Now look closer. Think of the strange colors that jam up against each other for a brief moment, or the constant and ever-changing potential for violence, or danger, or love. Think of the way a totally mundane occurrence, when captured from just the right angle, can look like a still plucked from a sci-fi film.

Architectural critic Jonathan Glancey defines cities as "zoolike, forestlike places planted with trees and alive with animals." And thanks to the medium of photography, the goings on of these dense zoos can be captured and made immortal for all the world to see. Whether behind the doors of a New Yorker's apartment or in the overcrowded streets of a Brazilian shanty town, these everyday happenings are art in motion.

Jackie Higgins' "The World Atlas of Street Photography," published by Yale University Press, features a compendium of artists and perspectives from around the world, each fearlessly hunting the urban jungle, camera in hand. Today we're admiring the work of 10 street photographers from the "World Atlas" collection, those interested in freezing city life at its most humorous, disturbing, profound or bizarre. Whether working in Johannesburg, South Africa or Mumbai, India, the following photographers document flickering instants from the theater of the streets, thus revealing how one, small moment can potentially speak to the entire world.

Behold, 10 dazzling international street photographers who allow us to see the world in ways we never thought possible.

1. Graeme Williams, Africa

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From ‘A City Refracted’, Johannesburg, South Africa, 2012–14


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From ‘A City Refracted’, Johannesburg, South Africa, 2012–14


For 20 years Williams has photographed his hometown of Johannesburg with images that capture the alienation, disorientation and violence of the fractured land. People often appear cropped or drenched in shadow while mirrors, fires and broken glass create a sense of surrealism that remains grounded in reality. "I began to realize that the content of my photographs appeared to be reflecting my state of mind at the time. I felt very removed from the day-to-day realities of the world. I think it was this isolation, and apartness, that drove this project and, for me, gave it a sense of cohesion, as well as meaning."

2. Julio Bittencourt, South America

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From ‘Ramos’, Rio de Janeiro, Brazil, 2009–12


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From ‘Ramos’, Rio de Janeiro, Brazil, 2009–12


Bittencourt's photos revolve around Piscinao de Ramos, a Rio de Janeiro beach created from scratch in 2000. Filled with eight million gallons of seawater, the artificial beach is known for its noise, pollution and proximity to favelas and gang violence. Bittencourt's images pop and glisten with slippery bodies, bright beach towels and dingy waters. "Since starting out as a photographer, I always wanted to do a project related to a beach in Brazil... What matters is not looking good for the camera, but rather feeling the sun on one's skin, getting drunk on cachaca (Brazilian rum) and splashing the time away."

3. Polly Braden, Europe

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Appold Street, 6 pm


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Fenchurch Street, 11 am


In her series "London's Square Mile," Braden captures the area containing the London Stock Exchange, Lloyd's of London and the Bank of England -- a space sometimes referred to as "the wealthiest square mile on earth." Braden photographs the massive and ultra-modern architecture of the region, silver and sleek. People occasionally enter the frame, as alienated beings swallowed whole by their surroundings. "To a newcomer the city looks impenetrable," curator David Campany wrote of the images, "like an oiled machine with a hidden logic. Look again and many of them seem out of their element as if caught between one air-conditioned sanctuary and the next."

4. Yasmine Chatila, North America

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The Wall Street Guy (Wall Street, Monday 9:34 pm), 
New York, USA, 2008


In her series "Stolen Moments," Cairo-born, New York-based artist Chatila captures the intimate, banal and yet often revealing lives of New Yorkers behind closed doors. To create the voyeuristic experience, Chatila adapted a telescope to a camera that was fixed on top of a tripod. She creates a strange portrait of a city that's at once unsettling and moving, a glimpse into the bizarre rituals we do when we think no one is watching (or hope someone is.) "Something so tender and raw comes out of people when their social masks are left at the door. It's as if they are naked unto themselves... Spending time with strangers has brought me closer to humanity. When I walk the street I no longer feel surrounded by anonymous drones. I see people with their insecurities and their vulnerabilities. It has inspired a feeling of being connected to others."

5. Maciej Dakowicz, Asia

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Mumbai, India, 2007–13


dak
Mumbai, India, 2007–13


Dakowicz photographs daily life in the city of Mumbai, wandering around the busy urban centers, waiting for something surprising, funny or absurd to occur. The images in his archives look as much like fantastical carnival footage as street photography, with bright colors, bizarre characters and real life optical illusions. "I love India for its vibrancy, there is so much life there, so many people, so much happening all the time. Photography is nothing... It's life that interests me."

6. Claudia Jaguaribe, South America

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From ‘Rio: Entre Morros’, Rio de Janeiro, Brazil, 2010


Jaguaribe captures the towering cityscapes of Rio de Janeiro in all its seductive detail. Yet her images constantly appear to be on the verge of toppling over, creating disjointed views of the city that don't appear quite right. The visual effect perhaps comments on the uncontrollable growth of the city's shanty towns, or maybe the ecological destruction that constantly looms. "My Rio -- a combination of real and created images -- seems to me more coherent with how we inhabit and understand the city."

7. Jesse Marlow, Australia

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Stop, From ‘Don’t Just Tell Them, Show Them’, 2004–13


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Head Over Heels, From ‘Don’t Just Tell Them, Show Them’, 2004–13


Marlow takes photos on the streets of his hometown, Melbourne, capturing chance encounters that, more often then not, aren't what they seem. Mixing strange occurrences with striking graphic imagery, Marlow creates spontaneous puzzles that are likely impossible to decipher. The arresting images show the surreal visions that pulse through everyday life. "I deliberately want to challenge the viewer to ask: 'Am I seeing things?' I want these photos to raise more questions than they answer."

8. Matt Stuart, Europe

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Moorgate Station, London, UK, 2005


Stuart is a London-based street photographer in the most classic sense. His photographs, always completely unstaged and unaltered, capture those dry, uncanny juxtapositions that bring the streets to life. In seemingly mundane scenarios, Stuart has a knack for finding that serendipitous joke the one moment it occurs. "I think we're living in a world where everything is Photoshopped or faked. Reality is very important to me [and] showing reality is far more interesting. The lovely thing about street photography is that with the best stuff, there is no way you can stage or even think it up."

9. Ying Tang, Asia

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Shanghai, China, October 2008


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Shanghai, China, March 2011


Tang photographs the city of Shanghai, the place she was born but hardly recognized when she returned in 2007. Seeing the city transform at such a frenzied pace, Ying set out to document the winding alleys and urban mazes in haunting chiaroscuro. Her images are non-objective records filled with life, feeling and chaos and drenched in shadow. "It's a personal journey out there on the street. I'm trying to catch a moment that means something to me."

10. Peter Funch North America

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Communicating Community, New York, USA, 2007


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Memory Lane, New York, USA, 20082 Memory Lane, New York, USA, 2008


Danish artist Funch looks for patterns amongst humans in urban settings, and photographs them. In one series he hunts for people holding manilla envelopes; in another he scours for pedestrians taking and posing for photos; in a third series he keeps an eye out for "pairs of various types" -- be they pregnant women, twins, or a person out with his or her dog. For each series, Funch returns to a particular location at a particular time each day until he finds what he's been looking for, normally after a period of 10 to 15 days. He then sifts through his photographs and isolates the images that converge to his desired pattern, stitching them into a digital composite of hundreds of different isolated moments collapsed into one perfect image. The unusual studies of human behavior hover somewhere between reality and fiction, creating impossible moments of human interconnectedness. "I don't see 'Babel Tales' as necessarily 'true or untrue.' I find this binary way of thinking quite boring. We need other ways of conceptualizing truth."

Strook's Striking Street Art Captures The Geometric Romance Between Wood And Paint

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We weren't exactly looking for a reminder that any space can be transformed into a spontaneous canvas with a little artistic loving, but then again, we're not complaining.

Today's work of street art inspiration comes courtesy of Belgium-based artist Stefaan De Croock, also known as Strook. His piece, titled "Wood & Paint" is a geometric ode to recycled wood and spray paint, rendered as an unusual type of love story.

Wood & Paint from Stefaan De Croock on Vimeo.



Strook renders two human faces gazing into each other's eyes. On the first face, the wood is the shining material, with paint occasionally covering the surface while still revealing the complexity of the texture beneath. On the other face, however, paint is the prized material. All wooden surfaces are covered in piercing pigment, allowing the colors to really pop.

The love story between wood and paint is one all street art lovers can get behind. Let's call it a romcom for the world of street art; and it's all recyclable. Check out the making of the piece above.

h/t DesignTaxi

Inside The Beautifully Banal Daily Lives Of Thailand's Transgender Women (NSFW)

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Thanks to the semi-magical invention known as the camera, viewers glued to their computer screens can gain intimate access into spaces, times, and lives they otherwise could never have seen. Sometimes these images are memorable for the striking differences they reveal in comparison to our daily lives. However, oftentimes the images uncover the opposite, that the strangers who seem to dwell in a completely different world than the one we inhabit spend their days in a manner more familiar than we imagined.

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In his striking series "Mistress," Thailand-based photographer Soopakorn Srisakul photographs his girlfriend, a transgender woman, going about her daily life. The images chronicle Srisakul's girlfriend and four of her friends, also transgender, all of whom work in the red-light Nana district in Bangkok.

While these women's stories and lives are riddled with complexity and charged with daily occurrences of prejudice and judgment, Srisakul offers a beautifully mundane portrait of their lives. "Because I'm a part of them, I want to show neutral perspective regarding their life," the artist wrote in an email to The Huffington Post. Smoking a cigarette, eating an ice cream cone, lying in bed -- most of Srisakul's images tell stories that feel vividly familiar.

Srisakul expressed his artistic aims in a statement accompanying the photos. "If I have to tell their story it is this; they go out working, come back to their room, go relaxing outside, occasionally go back to visit family in the countryside, and then go to work. They, like anyone else, just try to get by. They laugh for joy, cry for sorrow, they work to earn a living, and they have an argument with their boyfriend, just like anyone else."

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On Behance, Srisakul describes his series as a "photo story about daily life of my girlfriend and friends." And that's exactly what you get. The images refuse to indulge a viewer looking for salacious details or some sort of fascinating secret life. And when Srisakul does capture a more seemingly transgressive shot -- one of his subjects without clothing, for example -- it's imbued with the same comfortable intimacy as all of his images. Any expectation of shock or difference is far overshadowed by a familiarity, one that makes Srisakul ask: "What makes them so different from us as to warrant a harsh treatment from the moral society, and do they deserve it at all?"

See the striking images below and let us know your thoughts in the comments.

AC/DC Announce 'Rock Or Bust,' First Album Without Malcolm Young

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AC/DC confirmed that a new album, "Rock Or Bust," will be out Dec. 2. As the band's first album in six years, it will also be the first record without founding rhythm guitarist Malcolm Young.

Earlier this year, Young said he would take a break from the band due to an illness, but the remaining members said they would continue on without him. "Malcolm would like to thank the group's diehard legions of fans worldwide for their never-ending love and support," the band wrote on its Facebook page.

Now, AC/DC's label released a statement, per NME, "Unfortunately, due to the nature of Malcolm’s condition, he will not be returning to the band."







"Rock Or Bust," out on Columbia Records, will feature 11 songs and was recorded earlier this year in Vancouver's Warehouse Studio with producer Brendan O'Brien and mixer Mike Fraser, who both worked on AC/DC's 2008 album, "Black Ice." One of the tracks, "Play Ball," will preview on Turner Sports as part of the network's MLB postseason campaign on Sept. 27. Angus and Malcolm Young's nephew Stevie Young was tapped to play rhythm guitar on the album and will tour with AC/DC next year.

These Embroideries Of Boobs, Butts, Nipple Hairs And Stretch Marks Are Just Perfect (NSFW)

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Warning: This post contains images of (embroidered) boobs and buts, and thus may not be suitable for work.


Say farewell to all your preconceived notions about the beloved craft technique that is embroidery. The medium formerly associated with your lovely grandmother and sweet old neighbor has undergone a renaissance of sorts as young feminist artists conjure new ways to subvert the medium's history of domesticity to tackle today's most pertinent debates. Nowadays, there's no subject matter too provocative to squeeze inside a wooden hoop.

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Penelope - velvet, embroidery silk, human hair - h 15 cm x w 15cm


Case in point: Sally Hewett, a stitcher and embroiderer who is interested in the social and political histories of the media, as well as their integration into the craft domain. She's also interested in bodies. Real bodies. Real bodies with hairs, stretch marks, cellulite, wrinkles and whatever else is all too often airbrushed away in mainstream pop culture. Hewett combines these varied interests into a series of body-centric embroideries depicting boobs and butts as they actually appear on human beings.

Basically, Hewett proves that toying with bodily imperfections can yield art that's pretty close to perfect.

"At a time during my art education, when I was particularly lost and wondering what on Earth I thought I was doing, I dug out some embroidery hoops which had belonged to my Grandmother and started embroidering -- mainly as a way to just stop thinking about ‘ART,'" Hewett explained to The Huffington Post. "I think it started with the center of a flower –- a small clump of French knots -– which suddenly became a nipple in front of my eyes. The hoop circling the nipple suggested a breast. That was the moment: the traditional craft of embroidery and stitch with all it’s connotations, combined with body imagery -- that delicious discord. And my life-long interest in bodies –- real bodies with all their particularities and peculiarities -- meant that I had lots of material to call upon, from hairy nipples to stretch marks to cellulite."

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Sisters under the skin, 1 Camberwell Beauty - Lycra, embroidery silk, padding, quilting hoop - h 48cm x w 48cm x d 20cm


Hewett's body positive stitchings playfully depict feminine parts that, despite being stitched, are more realistic than most of the portrayals of feminine bodies we encounter in day to day life. One embroidery of a zoomed-in nipple features a light helping of areola fur while another, "Sisters under the skin," renders a woman's booty complete with the little red butt bumps most ladies know all too well. From back dimples to cellulite, the images playfully capture the particularities that, for some reason or other, have been deemed undesirable by mainstream thought. Through carefully stitching the natural elements in all their unacknowledged beauty, Hewett reveals the humble glory of these bodily realities.

"The combination of embroidery and body imagery was one which seemed rich with possibility but it took me some time to really see what I was doing by putting them together," Hewett continued. "In an age seemingly obsessed with bodily perfection and at a time when it’s possible through plastic surgery, fillers, Botox and other alarming procedures, to radically alter and standardize the appearance of one’s body, what interests me is why some bodily characteristics are seen as ugly and others beautiful or desirable. I’m sure some breast implants are more attractive than others, but those I have seen seem to be both recognizable as being implants and to have a particular shape which no real breast ever has. It seems a very strange idea that a breast which is like no breast that has ever grown on woman is considered beautiful and desirable.

"I’m not trying to put forward an anti-body-enhancement message but I’d like my work to question what makes us see some bodies and some bodily characteristics as beautiful and some as ugly or even disgusting. One of the responses to my work which delights me most is when people find it both thought provoking and funny. Lots of people (mainly women) who come to my exhibitions laugh out loud. I love that."

See Hewett's deliciously realistic body stitchings below and let us know your thoughts in the comments.

'Human Zoo' Exhibition Featuring Black Actors In Cages Shuts Down After Protests

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A performance art piece titled "Exhibit B" was slated to run from September 23 until September 27 at London's Barbican Centre. The controversial work, created by white South African artist Brett Bailey, replicated the "human zoos" that existed in the 19th-and 20th-centuries, forcing viewers to confront a heinous moment in history head on.

However, many have accused the work, which featured black actors chained in cages, of being racist itself.

Two hundred people protested in front of The Barbican yesterday and an online petition demanding the termination of the piece was signed by 23,000 individuals. Due to the overwhelming outrage, the Barbican announced that "Exhibit B" would shut down.

A statement delivered from the gallery reads:

"Last night as Exhibit B was opening at the Vaults it became impossible for us to continue with the show because of the extreme nature of the protest and the serious threat to the safety of performers, audiences and staff. Given that protests are scheduled for future performances of Exhibit B we have had no choice but to cancel all performances of the piece.

“We find it profoundly troubling that such methods have been used to silence artists and performers and that audiences have been denied the opportunity to see this important work. Exhibit B raises, in a serious and responsible manner, issues about racism; it has previously been shown in 12 cities, involved 150 performers and been seen by around 25,000 people with the responses from participants, audiences and critics alike being overwhelmingly positive."


It's not all too surprising that massive amounts of people took issue with a white artist orchestrating a "human zoo" of black actors. What is, perhaps, more surprising, is that this isn't the first occurrence of an art world "human zoo" this year.

Bailey's piece consisted of 12 "tableaux vivants," glass cases featuring actors frozen in silence. One tableaux, titled "A Place in the Sun," featured a black woman chained to the bed of a French colonial officer. "It’s a picture of unimaginable suffering," Bailey explained to The Guardian. "She is sitting there looking in the mirror and waiting to be raped. It’s the only way she can feed her family."

"What interests me about human zoos," the artist explained in the same interview, "is the way people were objectified. Once you objectify people, you can do the most terrible things to them. But what we are doing here is nothing like these shows, where black people were brought from all over Africa and displayed in villages. I’m interested in the way these zoos legitimised colonial policies. But other than that, they are just a catalyst."

Yet for many, the images on display transformed a critique of racism into a manifestation of racism. Even one performer in the piece raises the question: "How do you know we are not entertaining people the same way the human zoos did?"

Petition author Sara Myers, a mother from Birmingham, Alabama, explained the harm of allowing such an exhibition to continue. "I want my children to grow up in a world where the barbaric things that happened to their ancestors are a thing of the past. We have come a long way since the days of the grotesque human zoo -- we should not be taking steps back now."

"If Brett Bailey is trying to make a point about slavery this is not the way to do it," she added. "The irony gets lost and it's not long before the people behind the cage begin to feel like animals trapped in a zoo."

Bailey defended himself against said charges in a lengthy Facebook post yesterday. Part of it reads:

"EXHIBIT B is not primarily a work about colonial-era violence. Its main focus is current racist and xenophobic policies in the EU and how these have evolved from the scientifically legitimised and state-sanctioned racism of the late 19th century. These policies do not exist in historical isolation. They have been shaped over centuries. The dehumanizing stereotypes of Otherness instilled in the consciousness of our ancestors have been transmitted subconsciously and insidiously through the ages. EXHIBIT B demands that we interrogate representations that to so many people still appear innocent."


Still, Bailey and the Barbican Centre resolved the best course of action was to discontinue the performance, due to the "extreme" nature of the protests and threats made against the performers and staff. The Centre's statement ends: "We believe this piece should be shown in London and are disturbed at the potential implications this silencing of artists and performers has for freedom of expression."

What do you think about this controversial exhibition's unexpected end? Let us know your thoughts in the comments.

Former Waitress Says She Donated Rush Limbaugh's Tips To Abortion Nonprofit

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If hyper-conservative media personality and flagrant misogynist Rush Limbaugh gave you $4,000, what would you do with it?

Writer and abortion activist Merritt Tierce had the perfect answer when this happened to her: Donate the money to an abortion nonprofit.

The mother of two served Limbaugh twice when she was a waitress at Dallas steakhouse Nick & Sam's, she said in an interview with The Dallas Morning News. Both times, he tipped her $2,000. Both times, she gave a sizable portion of the money to the Texas Equal Access Fund, a nonprofit that helps pay for abortions for women who cannot afford them. At the time, Tierce was also the executive director of the TEA Fund.

“It felt like laundering the money in a good way,” she says in the interview. “He’s such an obvious target for any feminist or sane person. It was really bizarre to me that he gave me $2,000, and he’s evil incarnate in some ways.”

Tierce -- whose autobiographical debut novel, Love Me Back, hit shelves Sept. 16 -- recently penned an op-ed for the New York Times about her personal experience with abortions.

"In spite of my awareness of our miserable present and inevitably doomed future, I didn’t really want to have an abortion," she wrote of her decision to have a second abortion. "I wanted the man to love me or at least be forced to publicly acknowledge our relationship existed. But he didn’t want to have a baby with me, and I knew that having that baby would have been a terrible thing for my children. And for me."

Meanwhile, back at the far-right ranch, we wonder what Limbaugh is thinking now that he knows his money has gone toward turning women into "abortion machines." And, yes, that's a thing he actually said about women.

This Is What A World Without Hunger Looks Like, According To Kids Whose Families Don't Have Enough Food

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Can you envision a world where everyone has adequate access to food? These kids can.

The World Food Program's (WFP) "Zero Hunger: A World Without Hunger" contest inspired children across the globe to create an image in response to the question, "Can you imagine the world without hunger?" A WFP panel chose 16 winners out of hundreds of submissions, representing 27 different countries where the organization is present. To enter the contest, the child needed to be benefiting from a school feeding program that is partnered with the WFP.

The organization, which is part of the United Nations and provides food relief to communities in need and victims of natural disaster and conflict, helps feed the 66 million primary school-aged students in developing countries who attend class hungry. The food crisis disproportionately impacts children in such countries, where one in every six is underweight.

Check out the submissions from all 16 winners below.

All images and captions courtesy of the World Food Program.

WFP in Action Around the World

world food program winner two
About the artist: Deepen Subedi, 18, is a boarder at a Drujegang High School in Dagana district, Bhutan. His family farm and live in a remote village, one hour walk from the nearest main road. He loves to draw, sing and meditate and aims to become a writer.




Harvest & Family Meal in Bangladesh

world food program winner
About the artist: Farzana Yasmin Sumona, 10, is from Bangladesh. Her parents are both teachers and Farzana wants to be an artist. Her painting shows a typical Bangladeshi village: cultivation, harvesting and a family meal.




Happy Earth With Zero Hunger

rob greenfield
About the artist: Christina Erica T. Arbasto, 11, from the Philippines, enjoys sport and wants to become a pharmacist. In her picture, the smiling globe symbolizes well-nourished children; the fruits and vegetables are locally grown; a farmer planting rice represents hard work to avoid food scarcity and the national flags indicate support from around the world toward the Philippines.




Happy Family

world food program participant
About the artist: Keley Cuellar Gonzalez, 10, from Cuba is always making new friends. She likes to share her lunch with other children and dreams of a world in which no child goes hungry.




Working Together Toward Zero Hunger Goal

world food program contest winner
About the artist: Rebecca Portillo Rodríguez, 9, lives in Matanzas, Cuba, where WFP has started a project to increase bean production. Rebecca, whose artwork shows that working together can ensure sufficient food for all children, likes to play and study.




Midnight Harvest

participant world food program
About the artist: Shakira Amelia Machado Gómez, 13, is from Holguín, Cuba, where 10 years of WFP projects have helped prevent anemia in children and vulnerable groups. Through WFP, Shakira has learned the importance of growing and eating fruit and vegetables. Studying and painting are her favorite activities.




World With Zero Hunger: Food, Water, Oxygen

world food program winners
About the artist: Roxana Daniela Elvir Barrientos, 10, from Honduras likes watching cartoons and playing on her computer. In her picture, the table represents the world, the plates are the food, and the continents are represented by children. The woods demonstrate the importance of nature: food, water and oxygen.




World With Zero Hunger

world food program contest winner
About the artist: Dhan Bahadur Bohara, 14, from Nepal has two brothers and a sister. His hobbies include study, dance and drawing, and he wants to teach young children. His artwork represents a world inside a tree with people, crops and fruits highlighting a world with zero hunger.




School Meals Keep Children Happy

zero hunger
About the artist: Alaisa W. Ambolodto, 12, lives in the Philippines. She loves ice cream, Spongebob cartoons and drawing. Alaisa wants to be either a teacher or an engineer. Her artwork, rice on a big red plate, illustrates all the different activities that children do if they have enough food.




School Meals Keep Children Healthy and Active

zero hunger contest winner
About the artist: Adzmie B. Kusain, 11, lives in the Philippines and goes to a school on the Rio Grande de Mindanao River. The teachers, parents and pupils use pump boats and bancas for transport. WFP food assistance to the school keeps the children healthy and active.




Zero Hunger: Farming, Fishing & Livestock Rearing

zero hunger contest winnerss
About the artist: Najeeb Aazmin, 14, lives in rural Sri Lanka and is a keen observer of nature. Drawing is his main hobby. Being aware of hunger, Najeeb intends to live with zero hunger through farming, fishing and livestock rearing.




Harvest in Tanzania

harvest in tanzania
About the artist: Gift George, 7, is from Dodoma, Tanzania, and wants to be a banker. His picture depicts a world without hunger and shows farmers in his village harvesting fruit and vegetables throughout the year.




Zero Hunger in Bhutan

zero hunger contest
About the artist: Rinchen Kinley is 19 and boards at Sonamthang High School in Zhemgang district, Bhutan. He is the youngest of three in a farming family. His interests are drawing and football, and he wants to study engineering.




Give a Hand to the Developing World

zero hunger contest
About the artist: Kumarthasan Katheesan, 14, lives in Sri Lanka in a family of six people. His favorite hobbies are drawing and playing cricket. His ambition is to be an engineer.




Working Hard for Brighter Future

zero hunger food contest winner
About the artist: Guush Ghebrehiwot Ghebremedhin is 14 and comes from Mereb-Lekhe district in Ethiopia. He is interested in painting and design, and dislikes wasting his time. Guush’s picture shows hard-working compatriots, creating a brighter future for the country.




Corn as a Staple Food

zero hunger contest about hunger
About the artist: Mariela Alessandra Gáleas Perdomo, 10, from Honduras enjoys painting and traveling -- to see more of her country. Her artwork shows how corn, a staple of the Mayan civilization, remains central to development for many people, as well as being a typical crop in Honduras.




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5 Jaw-Dropping Homes And Hideaways For Living Off The Map (PHOTOS)

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hide seek book We all dream about getting away from it all. But to where? And what are we going to do when we get there, pitch a tent?

Thankfully, a new book from Berlin-based design house Gestalten focuses exclusively on hideouts and includes everything from spectacular homes nestled in forests to cozy bungalows perched on mountaintops. Architecturally, these homes experiment and solve problems; aesthetically, they soothe the soul and embrace their coexistence with nature.

"The successful hideout not only pulls on our heart strings and conjures an instinctual feeling of longing, but also helps us reclaim our sense of wonder toward the world around us," architect and professor Sofia Borges writes in the preface. And the 256 pages in Hide and Seek: The Architecture of Cabins and Hide-Outs ($60) don't disappoint, with beautiful photographs that show how, “with the right concept, decor and atmosphere, even small or basic designs become stunning sanctuaries."

To the lucky homeowners: Oh, how we envy you. Here are five of our favorites:

1. Garage, Puget Sound, Washington

There is no auto repair done in this garage. No, this space, called Garage, by Seattle-based Graypants, Inc., is for repairing the soul. Built at the edge of the Puget Sound, it repurposes a neglected garage into a multi-functional living space, complete with pop-up beds hidden beneath the floorboards. Outfitted with glass walls and a wood-burning stove, this hideout is perfect for watching the seasons change. It won Graypants three architectural awards, and is also the setting for a trippy promotional video.







Photography: Amos Morgan Photography, copyright Gestalten, 2014.


2. Casa Pezo, Cretas, Spain

Casa Pezo, known as Solo House by its Pezo von Ellrichshausen designers, was built to sit above the treetops and watch over the Spanish vineyards, olive groves and 600 residents of Cretas below. A hidden plinth supports the home as it climbs out through the native plants, and "crystalline, symmetrical" living spaces follow the 360 degree view of Iberia. In the middle, a roofless pool "reflects the sky." Tour it yourself here.







Photography: Christobal Palma, copyright Gestalten, 2014.


3. Bivacco Luca Vuerich, in Friuli-Venezia Giulia, Italy

More than 8,000 feet above sea level, along the Ceria-Merlone trail in the Julian Alps, exhausted trekkers can find respite in this A-frame cabin designed by Giovanni Pesamosca Architetto. It was named after a 34-year-old climber who was killed in a 2010 avalanche. His family commissioned the house and built it on the Foronon Buinz Mountain in a single day. At 16 square meters, these are tight quarters, but up to nine campers can sleep through winter's harshest winds there.








Photography: Flavio Pesamosca, copyright Gestalten, 2014.


4. Sledge-Project, Qaasuitsup, Greenland

sledge project
Photography: René Kristensen, Rob Sweere, copyright Gestalten, 2014.


Are they from the future, or another planet? Designed by Dutch artist Rob Sweere and commissioned by the Uummannaq Polar Institute, the two rooms in Sledge-Project can host six residents each and can be pulled by dog or person across the arctic sea ice. They're insulated, provide facilities for cooking, sitting and sleeping, and were built for an organization that pairs troubled children with local hunters to "learn the ways of the wild," the book states. There's no access to electricity, and any water is taken from the ancient glaciers surrounding the island.

5. Portable House ÁPH80, Madrid, Spain

Have your own remote destination in mind? Madrid-based studio Ábaton designed a series of portable homes, called ÁBH80, for simplicity and mobility. In keeping with the company's philosophy of well-being and environmental balance, it says these homes are "easily transported by road and ready to be placed almost anywhere." The tiny domiciles offset spatial efficiency with an indoor feeling "of fullness," and the wood used inside is from regulated forests that will be regrown. It takes six to eight weeks to manufacture all the pieces, but only one day to assemble them. If you're in Spain and have your escape already picked out, prices start at around $28,000. The kit can also be shipped to a number of countries, including the U.S. See them in action here.








Photography: Juan Baraja, copyright Gestalten, 2014.

Amazon's 'Transparent' Is This Year's Best New Show, And Everyone Should Watch It Right Now

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The urge to define Amazon’s newest original series, “Transparent,” as just a show about a transgender parent coming out to her family is strong, but maybe also misplaced. The series is about a father, Mort, transitioning to a woman, Maura, and while "Transparent" deals with the struggles and complications of being trans in today’s society, it also has so much more ground to cover.

“Being trans questions the binary and there are so many things about this show that question the binary,” Jill Soloway, creator, writer and director of “Transparent” told HuffPost Entertainment earlier this month in New York City. That may be the most apt way to approach the new series, which premieres all 10 episodes of its first season on Amazon Prime on Friday. “Transparent” doesn’t just aim to tell the story of a trans character, but of an entire family questioning their understandings of gender, sexuality and identity, and learning to accept and love one another as they each evolve into who they are.

transparent rainbow

"That was and is the most fantastic voyage that I’ve ever been on, because it was a voyage to myself, and a voyage to real humility, scared stiff."

While sitting in the Bryant Park Hotel, Soloway and star Jeffrey Tambor told us about the conception of the series and the areas it explores and addresses. Soloway, who was a writer and producer on “Six Feet Under” and “United States of Tara,” wanted to tell a story about the birth of a new parent, defying the Disney trope of the always-immediate death of a mother or father. She described the semi-autobiographical series -- her own father came out to her as trans a few years ago -- as one about “a parent coming out and what it would mean to have a blossoming new member of the family arrive.” As Tambor’s Mort Pfefferman begins to publicly transition to Maura, the skin of his male identity is left behind. Maura is then able to reveal her true self. In the trailer for “Transparent,” Maura’s oldest daughter, Sarah (Amy Landecker), asks if she's going to start dressing up like a woman now. Maura's reply: “All my life, I’ve been dressing up like a man.”

Tambor was handed the script for “Transparent” when he got off a plane. Within 20 minutes, he knew he had to meet Soloway right away. “There’s about six or seven roles in a lifetime where you go, “I have to be in this,” the “Arrested Development” actor told us. When asked about how he crafted his character, and whether he approached it as a man transitioning to a woman or a woman having always dressed as a man, Tambor sat in silence for a few moments.

“Two stages,” he then said. He described the pilot as stage one, and the rest of the episodes as Maura’s stage. “Maura was always very clear to me,” Tambor said, “But I had to get to Maura, and Maura had to kind of get to me."

As far as researching how to approach playing a trans character, Tambor worked with two transgender consultants and did a lot of reading -- Soloway gave out multiple books on gender and sexuality to the cast and crew, including 200 copies of Julia Serano’s “Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity.”

trans tambor

"As you grow and change, you become possibly someone else. You want to go back to your family of origin and say, ‘Do you still love me? Is this unconditional love and if not what are the conditions?'"

But Tambor knew that reading and research could only do so much. "It's very scary and I’ve never talked about this, but at a certain point you have to put it down,” Tambor said.

As a cisgender male, or a person who identifies with the gender they were assigned at birth, Tambor said he caught himself questioning how he played the role at times.

“I remember one weekend where I texted you,” Tambor said to Soloway, sitting across from him. "'Am I doing all right?' I just went, 'Ah! This is big!' I felt I have a responsibility to the community, and this is important!" Yet the beauty of playing a character who is discovering herself on the page not only helped Tambor, but added even more depth and color to Maura.

“Maura is very young in her development and Jeffrey is very young, as a cisgender male, in understanding what this is,” he told us. “So some of my mistakes were actually advantageous to making Maura. I put my politics into the performance and I made her real, elegant, smart, not smart, wise, not wise, beautiful, not beautiful, and human." After previewing four episodes of the series, we can attest to his powerful and poignant performance. "That was and is the most fantastic voyage that I've ever been on, because it was a voyage to myself, and a voyage to real humility, scared stiff."

But beyond Maura, there is the rest of the Pfefferman family, each of whom are on their own journeys of self discovery. There's Sarah, who’s married to a man and has two children, but begins questioning her sexuality once she runs into her old girlfriend from college, Tammy (Melora Hardin). There’s Josh, played by Jay Duplass, a record producer who is dating a younger girl. And then there’s Gaby Hoffmann’s Ali, whom the actress explained to us is “just beginning to feel uncomfortable and unsatisfied” in her skin and gender. While each of these characters are on their own quest of understanding their identities, Soloway reminded us that “Transparent” is still primarily about family.

“As you grow and change, you become possibly someone else,” Soloway said. “You want to go back to your family of origin and say, ‘Do you still love me? Would you still love me if I become X or Y or Z? When will you stop loving me? Is this unconditional love and if not what are the conditions?’" All four family members are asking those questions of each other throughout the show.

trans soloway

"I hope we’re going to further along getting to place where we don’t need to ask those questions and not give such a shit about what other people do with their genitalia, because it’s mind-boggling."

While what Soloway is doing with a show like “Transparent” is revolutionary in a variety of ways, the 48-year-old recognizes that she has made mistakes before and is constantly learning new things.

“I can’t necessarily claim to know how it feels to be trans, all I can claim is to know how it feels to be the daughter of a trans person, and that’s the story I’m telling,” Soloway said. “It’s not every story. We’re not the answer, we’re an answer.”

To further her and everyone’s knowledge about trans issues on the set, Soloway not only brought on two trans consultants, but also hired trans actors and crew members, and used gender neutral bathrooms on the set. While working with consultants Zackary Drucker and Rhys Ernst, Soloway said she continued to learn more every day from how people always ask about surgery when talking about trans folk -- “as if there’s ‘a' surgery,” she said -- to how lacking our culture is in trans representation.

Hoffmann, in a separate interview, also chimed in about the necessity to start conversations about gender and sexuality. “I hope we’re going to further along getting to a place where we don’t need to ask those questions and have those debates,” Hoffman said. “And everybody can just fucking mind their own business and respect one another and not give such a shit about what other people do with their genitalia, because it’s mind-boggling.”

hoffman light

With the recent rise in focus on the trans community, thanks to the likes of Laverne Cox and Martine Rothblatt, there’s no better time than now to begin the conversation that “Transparent” is likely to jump start. Soloway hopes that her series will change audience's understanding of queer people. She likened “Transparent” to “Will & Grace,” saying that she hopes it will do for the trans community what the NBC sitcom did for the gay community.

“There were a lot of people all over the country who didn’t think they knew any gay people, but then they knew Will and Grace and Jack," she said. "I’m hoping that people will be able to look at their understanding of trans-ness as sort of un-foreign after they see ‘Transparent.’”

But at the end of the day, no matter how you approach the series, it’s undoubtedly one that everyone -- gay, straight, trans, cis and all people in between -- can relate to. “It’s a show about a queer family, but it’s really a show about a family.”

The first full Season of "Transparent" premieres on Friday, Sept. 24 at 9 a.m. ET on Amazon Prime.

12 Banned Books Every Woman Should Read

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While it would be great if we were past the whole "banning books" thing, the fact remains that hundreds of books have their places in libraries or on school reading lists challenged each year.

According to the American Library Association, books are most commonly challenged for being "sexually explicit" or containing "offensive language." But some of the books that are most often challenged are also literary classics, containing storylines that almost everyone can learn from.

In honor of Banned Books Week 2014, we've pulled together a list of controversial books that every woman should read. They cover sexual freedom and women pushing back against prescribed roles, oppression against women and people of color, and what it means to be a woman in different places and times. Above all, they are stories well-told.

Here are 12 banned, censored and commonly-challenged books every woman (and person) should read:



Hilary Duff's 'All About You' Music Video Is, You Know, Not That Bad

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Hilary Duff released a music video for "All About You," an insanely catchy single from her upcoming album. Duff goes looking for a mystery dude she saw in a coffee shop, and partakes in group dance lessons.

We can forgive the obvious product placement -- hello, Amazon -- and we're even kind of into the choreographed bar dancing because, holy moly, this is the hit single Taylor Swift deserves. "Think you're all about me but I'm all about you / Turn the lights down let me show you it's true!" Sing your heart out, Duff fans, because this song rules.

'Real Women, Real Bodies' Promotes Positive Self-Image With Nude Silhouette Series

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These nude photos offer a powerful message -- without showing any skin.

The University of Wyoming Union's "Real Women, Real Bodies" organization produced a series of images showing the silhouettes of women's bodies with no digital alteration.

real women

Sydney Stein, a current UW undergraduate and the group's president, started Real Women, Real Bodies with fellow students in March 2014.

"The idea behind the name is to encourage women," Stein told The Huffington Post in an email. "Real does not imply that some bodies are fake. To us, 'real' is a word of empowerment."

The group's mission is to promote healthy body image at the University of Wyoming campus. They plan to shoot a second series of photographs featuring men.

"Our intent is to encourage everyone to be confident in their bodies," Stein said.

real women

Stein and other group members asked over 30 women to participate participant in the shoot, and 11 were comfortable posing nude.

"In many magazines photos of female bodies are altered -- our brave volunteers shed it all to show that any real body type is absolutely beautiful," Stein told HuffPost. "We as an organization work to promote positive self-image in women, reminding them that nothing needs to be nipped or tucked to feel or look beautiful."

See more of the amazing images below.

real women

real women

real women

real women

[h/t Cosmopolitan.com]

A Brief History Of People Holding Cats Like This


The Most Popular Quotes From Banned Books Aren't Obscene, They're Beautiful

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To call attention to nationwide censorship of popular titles, the American Library Association has organized Banned Books Week. At The Huffington Post, we've used this opportunity to feature voices from frequently challenges communities, and from authors who rank among the most banned.

According to Amazon's Kindle team, the passages below are the most-highlighted words within their respective novels. Each of the titles was on this year's list of the top 10 most banned books nationwide. Some were deemed unsuited for younger audiences, while others were determined sexually explicit or violent. But a quick look at their most-read extracts shows that readers connect not with their explicit content, but with the deeper meanings they contain.

Here are the most-highlighted passages from frequently banned books:

starry sky

wallflower

bluest eye

flashlight dark

couple silhouette

Meet The Artist Who Predicted The Ubiquity Of The Internet In The 1970s

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"I think the Internet is very exciting, because you can collaborate with other people all over the world," Nam June Paik said in an interview in the year 2000. "It is almost like a string quartet -- four people playing together. We can do this kind of thing on the Internet. And from contact new things can emerge."

He continued: "I have a small site on the World Wide Web. But I am 68 now, and my eyes have become bad in the last three years. I can't read the small letters on the screen. And I never learned to type."

It sounds like a response not all too different from your average retiree navigating the alien terrain of the web. But Korean artist Nam June Paik is no stranger to the wonders of the internet. In fact, he was one of the first to predict them. Paik, the multimedia artist, dubbed the "father of video art," is often credited with theorizing the possibility of an Internet-like network, popularizing the term "electronic superhighway" in 1974.

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Li Tai Po, 1987. 10 antique wooden TV cabinets, 1 antique radio cabinet, antique Korean printing block, antique Korean book, 11 color TVs. 96 x 62 x 24 in. (243.8 x 157.5 x 61 cm). Asia Society, New York: Gift of Mr. and Mrs. Harold and Ruth Newman, 2008.2. Photo credit: © 2007 John Bigelow Taylor Photography, courtesy of Asia Society, New York


"Paik saw new forms of electronic communication as linking the whole country, its past and its future," Richard Kurin wrote in The Smithsonian's History of America in 101 Objects. "Rather than automobiles traversing the nation's interstate highway system, electronic pulses would tie Americans together."

Paik was born in Seoul in 1932, the youngest of five siblings. He studied classical music growing up, slowly becoming more and more interested in the experimental music scene. After graduating from college in Tokyo, Paik moved to Germany where he connected with artists including Joseph Beuys and John Cage. He eventually found himself in New York City, participating in the burgeoning Fluxus movement, which privileged chance, absurdity and participation.

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Still from Good Morning Mr. Orwell, 1984. Video, color, sound. 38 minutes. Courtesy Electronic Arts Intermix (EAI), New York Photo credit: Courtesy Electronic Arts Intermix (EAI), New York


Televisions and personal videotape recorders became Paik's artistic media of choice, along with the affixed repercussions for a future globally connected through bits and bytes. "This is a glimpse of the video landscape of tomorrow," says Paik's 1973 video Global Groove, "when you will be able to switch to any TV station on the earth, and TV Guide will be as fat as the Manhattan telephone book."

On New Year's Day in 1984, Paik collaborated with Salvador Dali, John Cage, Laurie Anderson, and Allen Ginsberg on "Good Morning, Mr. Orwell," what is now often called the "first international satellite installation." The piece "linked live transmissions from each of the artist’s locations across the United States, France and Germany, and illuminated the family rooms and faces of over 25 million viewers." The work, which aired nationwide in the US on public television and reached an audience of over 25 million viewers internationally, was a rebuttal to Orwell's dystopian prophecies for the coming year.

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Transistor Television, 2005. Permanent oil marker and acrylic paint on vintage transistor television. 12½ x 9½ x 16 in. (31.8 x 24.1 x 40.6 cm). Nam June Paik Estate Photo credit: Ben Blackwell


Paik's sculptures, incorporating technology as both medium and message, are as playful as they are foreboding, frighteningly contemporary despite their now obsolete technologies. His 1987 piece "Li Tai Po" is a friendly looking robot composed of 10 antique wooden TV cabinets, one antique radio cabinet, one antique Korean printing block, one antique Korean book, and 11 color TVs. The screens swirl with Day-Glo galaxies that predate screen savers, communicating an image at once nostalgic and futuristic. Later, in 2005's "Transistor Television," Paik would adorn a white television screen with a doodled happy face, turning the outdated vessel into a clunkier Etch-A-Sketch.

"Nam June Paik: Becoming Robot" is the first New York exhibition dedicated exclusively to the artist since his death in 2006. The show focuses on Paik’s artistic process and his philosophy of technology, especially as it relates to the human body and culture at large. Featuring artworks never before seen in the U.S., the exhibition depicts Paik's wild, multidisciplinary vision, that connected the worlds of art, science, information and popular culture in ways never before imagined. The show runs through January 4, 2015 at the Asia Society Museum in New York.

Urban Theater: New York Art in the 1980s

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This piece originally appeared on artnet News.

By Christina Rees

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Robert Longo’s drawing of Cindy Sherman


The big ‘80s show that just opened at the Modern in Fort Worth—“Urban Theater: New York Art in the 1980s”— is good, to my relief. It is, as expected, big and graphic and punchy. The iconic work is here; it’s what turns on curator Michael Auping, who really belongs to this era, and his rekindled fondness for certain aspects of the decade transfers to the viewer. If you walk into the show with trepidation, you’ll probably walk out feeling at least a little better about this uneven and unsettling moment in recent art history. I would have loved for it to have been even bigger; it could have easily engulfed the whole museum and then some, but then Auping would have been dealing with a lot more of the patchiness of ‘80s art. Here, limited by space, it comes off as cohesive.

I don’t know if this concentration of the “good” stuff helps or hurts the show’s overall energy level; it may be more formal than I’d like. But, as I told a colleague right after I saw the show, I may not be the most objective judge of an ‘80s show, because like a duckling, this era is my primary imprint. It was when I first started really looking at contemporary art. Cindy Sherman was my first memorable museum outing as a teenager (at the DMA). In high school, I wore my limited edition Haring Swatch until it broke. And in college we were all obsessed with David Salle and Eric Fischl and Nan Goldin. Etcetera.

By art history standards, the ‘80s legacy is unsettled still, though not for much longer. While hipster Millenials have been joyfully and not ironically borrowing style cues from that decade since even before Vice Magazine arrived in NYC in 1999, those of us who came of age in the ‘80s or lived through it as adults have had a complicated and sometimes dread-inducing association with that time.

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Keith Haring


A lot of what’s problematic about the ‘80s—deregulation and Reagonomics, the unchecked hunger of a new art economy, the beginning of the narcissistic marketing of oneself, the AIDS crisis that killed so many bright stars and created a seemingly endless creative vacuum—still resonates today. Lee Atwater’s evil master plan for co-opting the religious right and rural vote for the GOP happened then; we see where that got us. And the kind of ugly, post-modern free-for-all in design and clothing and music and architecture got going in the ‘80s. Things started to feel plasticky and superficial and unrigorous around that time. Pop music production was (despite an almost worldwide ongoing love affair with hits of early MTV) terrible—super synthetic and flattened. There are several generations of adults who just don’t want to revisit all that, and they certainly don’t like to look at photos of themselves taken in 1985. Yeesh.

So some would like to dismiss the whole decade, including much of the art. At the same time, right now the ravenous and excavating appetite of collectors and connoisseurs keeps looking backward, and the art of the 1980s is up for reexamination in a big way. Longo’s “Men in the Cities” felt dated six years ago, but I’ve started to see a lot of ‘80s Longo and Kruger imagery being used illustratively in current pop culture. There’s a sensibility there that’s starting to feel fresh again. Of course. Thank Supreme, I guess. Follow the trickle up. Or just accept that the internet has made every well-documented decade accessible to all of us all the time, and anything earlier than 2001 is up for the nostalgia treatment.

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Jean-Michel Basquiat


But pre-internet, a lot of the artists in the ‘80s, especially those in New York, were dealing with their own here-and-now in a reflexive and boisterous way, and, again, the best thing any exhibition could communicate is that energy. And I do think the Modern show, almost by default, captures a bit of it. Street art came into its own at that time, of course, and the big, braggadocious gestures of Schnabel and Mary Boone’s macho stable were everywhere too. These big Haring tarps and some of Basquiat’s work and Schnabel’s broken plate paintings are at the Modern, and one of the best things in the show is an environment made by Kenny Scharf (I was surprised, because though Scharf was always a downtown super-connector, his art is generally unconvincing) —you can walk into his dayglo cave-like time-machine and it reignites some of the nightclubby, counterintuitive optimism of the time. One should keep in mind that the changes between the early ‘80s and the late ‘80s meant the difference between downtown post-punk DIY-ness of Fab 5 Freddy—he and his cohort were still reeling from and riffing on recession—and the ultra-slick cocaine-fueled narcissism of Koons and “American Psycho,” which is a breathtaking range of aesthetics and concerns. You can’t pin the whole of the ‘80s on Holzer’s earliest Inflammatory Essays (circa 1980) any more than you can on Mapplethorpe’s photos of gimps (1985), or Christopher Wool’s resilient text paintings (1990). It all unfolded in due time on one tiny island.

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Barbara Kruger


Auping secured some things I was happy to see. A whole room of Goldin’s aesthetically un-aestheticized photos of her and her scruffy friends burning themselves out; a wall dedicated to Colab’s seminal “Times Square Show”; three of Longo’s best jerking Men (including one woman, who just happens to be Cindy Sherman, his better half at the time); another room given over to the Guerrilla Girls via documentation and still-charged ephemera. Ross Bleckner’s heartbreaking “Sanctuary”—one of the best paintings of the era, is here. Laurie Anderson bangs away on her own body in a big video installation of a segment from “Home of the Brave.” (I do wish there was more video in this show.) And ’80s graphics still look sophisticated, and well-suited to delivering messages. Fifteen years ago I sort of agreed with Robert Hughes in dismissing Kruger’s designer-y soundbites, but now she seems so prescient and wise, because we’re still dealing with the dirty politics and distressing takeover of consumer culture and war on women she was addressing back then. The Clinton years and Generation X may have offered a moment of relief, but now these issues and the way money and power flows is worse than ever.

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Kenny Sharf


The clear takeaway is that these artists were fearless. They called it like they saw it. Politics didn’t scare them, and they knew how to use media because they were the first generation to grow up inundated by it. They called out the powerful, and often gained their own power in the process. And the tandem rise of the art dealer and art collector is telling. Economically, the decade was dizzying.

Oh, New York! For a lot of fans of the city, the ’80s were the last years of it being fertile and open-ended, and also the first time the city hinted at what it might become. The movie “Smithereens,” directed by Susan Seidelman, was shot in 1982, and downtown looks like an unrecognizable, post-apocalyptic (but very interesting) shit hole. The ‘80s windows in Warhol’s diaries and Interview Magazine are a great resource for watching the decade unfold in real time, downtown and up, and while I flip through these at home for the millionth time, I’m also starting to think: But what about the 1990s? For they, too, are upon us. So go see this show before we move on.

Urban Theater: New York Art in the 1980s at the Modern Art Museum of Fort Worth, Sept. 21-Jan. 4, 2015.


This post originally appeared on Glasstire on Friday, September 19, 2014.



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Microbe Portraits Capture The Gorgeous Interaction Of Photography And Bacteria

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South Korea-based artist Seung-Hwan Oh doesn't just develop his photographs. He subjects them to the strange, sometimes violent whims of microbes. The distorted, psychedelic images that come from this meeting of bacteria and portraiture look like this:

imperm1

"The visual result of the symbiosis between film matter and organic matter is the conceptual origin of this body of work," the artist writes on his site. So how does this "symbiosis" result in the dramatic erosion of color and form seen above? Seung-Hwan Oh immerses developed film in water, adding various unnamed microbes to the liquid that consume the light-sensitive chemicals present on the photos over the course of a few months to a few years. The silver halides "destabilize," as do the bodies, faces and lines once present in the imagery.

Subjects blur into negative space, creating a sort of dystopian nightmare, in which the material world is slowly being consumed by tiny single-celled organisms. In fact, some of the microbe-meets-photo scenes appear so aggressively abstract, one might confuse the "portrait" with the rendering of the end of a galaxy -- or maybe the beginning.

It "creates an aesthetic of entangled creation and destruction that inevitably is ephemeral, and results in complete disintegration of the film so that it can only be delicately digitized before it is consumed," Seung-Hwan Oh writes.

Go the way of the bacteria, and feast upon the series, titled "Impermanence," below.

10 Modern Architectural Landmarks Worth Conserving For Future Generations

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The Getty Foundation has singled out 10 architectural landmarks from the 20th century worth preserving, from Frank Lloyd Wright's Robie House in Chicago to Le Corbusier's apartment and studio in Paris to Jørn Utzon’s Sydney Opera House. The new campaign, Keeping it Modern, aims to maintain some of recent history's epic feats of building and design by offering sizeable grants to the foundations charged with looking after them. Getty recognizes these foundations as upholding models of conservation for the modern age.

The grants range in scope from $50,000 to $200,000 and will be used in part to research methods of preserving the exterior and interior portions of these structures. "Modern architecture is one of the defining artistic expressions of the 20th century," Deborah Marrow, director of the Getty Foundation, the arts grants branch of the J. Paul Getty Trust, explained to The L.A. Times. "These buildings were made with experimental materials, using new construction techniques and innovative forms."

This year, the Getty Foundation staff was responsible for choosing the inaugural grantees -- eligible buildings needed to "be significant, publicly owned, and serve a public function," and proposed conservation plans could not focus on rebuilding. Going forward there will be juried competitions to determine the winners.

Check out a list of the 10 modern architectural landmarks worth conserving for future generations below:

1. Paimio Sanatorium, Finland

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Paimio Sanatorium by Alvar Aalto in Finland (Wikicommons)


Designed by Finnish architect Alvar Aalto, the Paimio Sanatorium was created between 1930 and 1933, and was intended to function like a "medical instrument" that would, according to the Getty, "contribute to the healing of tuberculosis, paying close attention to hygiene and patient comfort." It is no longer used as a health care facility, so the structure's conservation plan aims in part to explore new uses for the remote building -- it's located in a pine forest. (Grant: Alvar Aalto Foundation, $180,000)

2. Eames House, United States

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The entry door to the Eames house (Wikicommons)


The Eames House, built by renowned design duo Charles and Ray Eames, is a stunning fixture in Pacific Palisades, California. The married couple painstakingly imagined nearly every detail of the home, modifying it over the nearly 40 years they lived there (from 1949-1988). "It was also known as Case Study House No. 8, because it was commissioned by Arts & Architecture magazine as part of a program challenging architects to design progressive but modest homes in Southern California that demonstrated what life could be like in the modern age," The New York Times' Sarah Amelar describes. (Grant: Charles and Ray Eames House Preservation Foundation, Inc., $100,000)

3. Le Corbusier's Apartment and Studio, France

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The French architect posing in his Paris apartment on March 21, 1947, before leaving for New York to study designing plans for the U.N.'s headquarters. (Photo by Keystone-France/Gamma-Keystone via Getty Images)


Le Corbusier designed an apartment complex in Paris, France in the early 1930s, and he ended up taking over the top two floors for his own apartment and studio. He lived there until his death in 1965. Charles-Édouard Jeanneret-Gris, aka La Corbusier, is known as one of the pioneers of modern architecture in general, so it's fitting his building made the cut. The conservation plan intends to document the changes that have occurred inside the space in order to develop a new restoration scheme. See more expansive photos of the apartment here. (Grant: Fondation Le Corbusier, €147,000)

4. Robie House, United States

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View of Frank Lloyd Wright's Robie House, completed in 1910, Chicago, IL, 1956. (Photo by Hedrich Blessing Collection/Chicago History Museum/Getty Images)


Chicago's Robie House is one of the most well known examples of Frank Lloyd Wright's beloved Prairie Style architecture. Built in 1908-1910, the brick and glass haven is just as modern on the outside as it is in the inside. (Grant: Frank Lloyd Wright Trust, $50,000)

5. Miami Marine Stadium, United States

miami marine stadium

This undated photo provided by Friends of Marine Stadium shows Miami Marine Stadium on Key Biscayne, an island east of downtown Miami. Architectural experts both in Miami and around the world say the 6,566-seat Miami Marine Stadium is a significant modernist structure -- and the move to preserve it is not a joke. (AP Photo/Friends of Marine Stadium, Rick Bravo)


Miami Marine Stadium, designed by Cuban American architect Hilario Candela in 1962, is a recognizable structure that sits on the city's waterfront like a precarious piece of oversized origami. Once a boat racing venue, the stadium closed in 1992 after Hurricane Andrew. "As a result of many years of disuse, the building faces two interrelated conservation challenges: the structural integrity of and surface damages to the concrete, as well as extensive graffiti." The graffiti has attracted artists from around the country who've taken a shining to the present state of the landmark. (Grant: Friends of Miami Marine Stadium, $180,000)

6. Museum of Architecture in Wrocław's Centennial Hall, Poland

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Museum of Architecture in Wrocław (Wikicommons)


German architect Max Berg designed the Museum of Architecture in Wrocław's Centennial Hall to celebrate the 100th anniversary of Napoleon's defeat at the Battle of Leipzig. Completed in 1913, the building was then the "largest reinforced concrete structure in the world" with the "biggest freestanding dome ever." (Grant: Museum Architecture in Wrocław, $200,000)

7. Salk Institute for Biological Studies Campus, United States

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The Salk Institute, designed by world renowned architect Louis I. Kahn, above the Pacific Ocean and adjacent the glider port and the University of California San Diego. (AP Photo/Lenny Ignelzi)


Architect Louis Kahn is the man behind La Jolla, California's Salk Institute for Biological Studies. He worked in close contact with Dr. Jonas Salk, the campus' namesake, to create a tranquil center for science and academic exploration. The conservation plan takes note of the site's unique materials: pozzolanic concrete, unfinished teak, lead, glass, Cor-Ten steel left to weather and rust, and stainless steel/nickel alloy. (Grant: The Salk Institute for Biological Studies, $200,000)

8. Sydney Opera House, Australia

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Sydney Opera House (Getty)


This is probably the most well-known item on the list. Designed by Danish architect Jørn Utzon and constructed between 1959 and 1973, the Sydney Opera House has become the cultural symbol of Australia. This conservation plan is proactive: it will include a comprehensive study of the concrete elements of the building. (Grant: Sydney Opera House Trust, $200,000)

9. Max Liebling House, Israel

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Dov Karmi's Max Liebling House in the White City of Tel Aviv. (G. Lindlar / J. Paul Getty Trust)


Did you know that Tel Aviv is home to nearly 4,000 Bauhaus structures, and is the largest concentration of modern movement buildings in the world? The 1936 Max Liebling House is one of them, imagined by Israeli architect Dov Karmi. (Grant: Tel Aviv-Yafo Foundation, $130,000)

10. Tunghai University's Henry Luce Memorial Chapel, Taiwan

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Tunghai University (Getty)


The I.M. Pei-designed chapel dates back to 1962, and was completed with the help of artist C.K. Chen in 1963. Combining the functionality of modern design with the traditional swooping lines of older Chinese architecture, the building was meant to be made from wood, but ended up being constructed using in situ cast concrete. "A Getty grant will be used to create a comprehensive conservation plan for the chapel, the first ever for a modern movement building in Taiwan." (Grant: Tunghai University, $175,000)
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