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More Than 250 Artists Reimagine A 'Sailor Moon' Episode, And It's Magic

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Japanese superheroine Sailor Moon is no stranger to major makeovers -- she and her Sailor Scout friends go back and forth between their secret identities several times per episode, after all. But the animated makeover above is on a whole other level.

More than 250 artists worked together to reanimate an entire Sailor Moon episode, shot for shot. Leading the charge was producer and illustrator Kate Sullivan.

"There's such an incredible range of styles from each artist... I'm still floored by the enthusiasm of participating animators and fans watching the project in progress," Sullivan said in an April interview.

The styles of the shots may vary, but they all perfectly capture the goofy superheroine that we grew to love in the '90s and has since been reborn in "Sailor Moon Crystal."

As the original series' English theme song suggested, there's only one Sailor Moon.


The Unexpected Way These Artists Are Gaining New Perspective

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An artist's studio is a sacred place, but what happens when someone “breaks in” to sneak a peek at the artist’s private work?

Sima Familant, a private curator and art advisor, joined HuffPost Live host Caroline Modarressy-Tehrani to discuss her new web series “Studio Break-In,” which provides an all-access peek into her artist friends' studios.

“We’re old friends so it’s so nice to be able to do something like this,” said Familant. “It’s also been fun for me because I’ve watched their work develop, so for me, I get to go into their space and just see more; I get to see more of the ideas behind it.”

One of the artists featured on “Studio Break-In,” Samira Yamin, joined the conversation to share how having visitors in her studio expanded her line of vision.

“Listening to someone meditate on your work in some way that you hadn’t thought of can just send you in a grand new direction," said Yamin.

To hear more of the conversation, watch the full HuffPost Live clip in the video above.

These Photos Show Why North Korea Isn't As Robotic As We May Think

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the other hundred
"The Other Hundred" is a unique photo book project aimed as a counterpoint to the Forbes 100 and other media rich lists by telling the stories of people around the world who are not rich but whose lives, struggles and achievements deserve to be celebrated. Its 100 photo stories move beyond the stereotypes and clichés that fill so much of the world's media to explore the lives of people whose aspirations and achievements are at least as noteworthy as any member of the world's richest 1 percent.


Jung Pyong Ri, North Korea
Photographer: Eric Lafforgue


“Everywhere I go, I try to show the human side of a country. What’s behind the headlines that you see or read in the media,” writes Eric Lafforgue.

“I’ve been six times to North Korea. Every time they’ve opened new places to visit, and I’ve kept on meeting local people.

My contact with them has always been good. On my first visit in 2008, they wanted to see the pictures on my camera screen. Nowadays, especially in parks and at funfairs, they often ask me to pose for them and take a picture of me with their camera.

In Jung Pyong Ri, a small seaside village, tourists are allowed to share food and sleep in the homes of local fishermen. For sure, these people are more privileged than many, and propaganda may be everywhere, but they have kept a warm side if you make the effort to discover it.

North Koreans aren’t the robots they are often portrayed as in Western newspapers and magazines."

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In his uncle’s house in Jung Pyong Ri village, beneath the portraits of North Korea’s first two leaders, Kim Il-sung, and his son, Kim Jong-il, a boy plays his guitar before going to school. He had stayed overnight in the house to play music with his twin cousins who live there.
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More from The Other Hundred

Inside Gaza
Cairo's Blind, Female Orchestra
The Reality Of Education In Liberia
A Different Australia

Abandoned Kittens Are Now Raising Awareness For Pet Adoption, Lookin' Cute Doin' It

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These are more than just lovable kittens, they are living reminders of the importance of adoption.

In May, Israel-based photographer Alex Greenshpun and her partner found a box containing five abandoned kittens, according to her post on Behance. They took in the tiny creatures, who couldn't have been more than a few weeks old, and nursed them back to health.

Greenshpun photographed them constantly, and decided to use the photos as a way to draw attention to the need for animal rescue and adoption. So far, three of the five 2-month-old kittens have already been adopted.

"The goal of this photo project is to raise awareness to the beauty and significance of animal rescue and adoption, as well as to the importance of spaying/neutering pets," Greenshpun told The Huffington Post in an email. "There are countless cases of orphaned and abandoned animals each year. Most are not as lucky as our little kittens have been."

Meet the five little kitten advocates below:






To see more of Alex Greenshpun's photography, check out the slideshow below, as well as her website and Facebook page.

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Maude Apatow Will Guest Star On 'Girls' Season 4

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Maude Apatow was seen dancing with Lena Dunham on the set of "Girls" Season 4, and now HBO confirmed to HuffPost Entertainment that she'll have a guest role on the hit show. TVLine was the first site to report the casting news.

Fifteen-year-old Apatow, who is best-known as all-star Twitter teen and Judd Apatow's daughter, will guest star as a character named Cleo, TVLine reported, and may appear in several episodes. Her credits include roles in "This is 40" and "Knocked Up." Judd Apatow is the executive producer of "Girls," and Dunham has spent time with Maude Apatow for years (they went to a Taylor Swift concert together and live tweeted the event for Teen Vogue -- it's worth a read).

"Girls" has already locked down Gillian Jacobs, Jason Ritter, Natasha Lyonne and Zachary Quinto for guest roles on Season 4.

Apatow's rep did not return immediate request for comment.

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The 12 Things Every First Apartment Needs

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Finding that first place to call home after college can be a stressful experience for a recent graduate.

While retailers like IKEA, Target and Bed, Bath and Beyond are here to help, such massive stores can leave you feeling overwhelmed and uninspired. Even worse? You might miss the opportunity to transition your space from the poster-clad dormitory of yesteryear to the stylish, adult space of tomorrow.

Fear not -- we've created the only list you need when it comes to making that first apartment your own. Check out the 12 must-have items below.



1. ARTWORK that was not purchased from the college bookstore.

artwork
Just keep in mind the fact that you don't have to break the bank (or even step foot in a gallery) to find something that works for your place. And at the end of the day, a little framing goes a long way.





2. A PLACE FOR YOUR MAIL that doesn't take up valuable kitchen counter space.

place for keys
Having your own place also means having your own bills to pay. Find a small spot, like a side table near the door, where you can keep everything from keys to thank-you notes.





3. A RUG that isn't actually the mat you took from the bathroom you shared with several roommates.

a rug
Adding a rug isn't just a way to keep things cozy; it's also a great way to cover floors that you might be stuck with in a rental.





4. LIGHTING that isn't the hideous fixture your landlord hasn't updated since buying the apartment building.

lighting
Again, this is another place where you can mix personality with practicality. The right lighting can compliment the theme of any room and can also make your home feel more spacious.





5. BEDDING that didn't come in an all-in-one bag.

bedding
While the pre-styled package is an affordable and easy option, it completely takes away one of the best ways to bring some character to the bedroom. Even if you start with the bag as a base, add a few hand-picked touches like different sheets, vibrant throw pillows or a luxe blanket.





6. A PLACE TO SIT that's not a futon or the floor.

place to sit
Granted, not everyone has room for a love seat, sofa combination or a perfectly placed sectional, but there should still be an option for you and a few guests. Try a couple comfy chairs or a smaller settee for a welcoming vibe.





7. BOOKSHELVES that aren't filled with textbooks and notebooks.

bookshelves
Bookshelves can be used to hold your books, provide a place for decor and serve as extra storage -- all of which are necessary in a first apartment.





8. A COFFEE TABLE that doesn't primarily function as a clutter station.

coffee table
And with a coffee table comes those epic coffee table books you've always wanted to own.





9. PLACE SETTINGS that aren't a hodgepodge of alma mater glasses and silverware stolen from the fraternity house.

place settings
No, you do not have to "register" for your first apartment so you have enough plates to serve your extended family at Christmas -- but you should have enough dishes that you and your roommates can eat on something besides paper plates. And if you have guests over for a drink? A set of wine glasses beats out plastic solo cups every single time.





10. WINDOW TREATMENTS that aren't blinds that came with the apartment.

curtains
Unfortunately, blinds are usually one of those things that you agree to live with when you sign a lease. But curtains are a great way to hide whatever you're working with, give yourself some privacy and (if hung properly) make your ceilings look even higher.





11. TOWELS that aren't terribly mismatched and faded.

towels
Whether you're talking dish towels or bathroom towels, it's always good to start with a fresh set in a new place. They give a clean, cohesive impression.





12. A PERSONAL TOUCH chosen by you, not your mom.

personal touch
From your favorite fresh flowers to a bold paint color, add something that will let people know it's your home when they enter.





Have something to say? Check out HuffPost Home on Twitter, Facebook, Pinterest and Instagram.

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Are you an architect, designer or blogger and would like to get your work seen on HuffPost Home? Reach out to us at homesubmissions@huffingtonpost.com with the subject line "Project submission." (All PR pitches sent to this address will be ignored.)

Ryan Gosling's 'Young Hercules' Performance Is Still LOL

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Because there's never a bad time to post videos of Ryan Gosling, Movies.com has reminded us that The Gos starred on "Young Hercules" during the late 1990s. He played Hercules as a youth on the series, and had to say things like "the Falls of Artemus" with a straight face.

"I had a fake tan, leather pants. I was fighting imaginary monsters -- they weren't really there, but I was acting like they were there," Gosling said of his early work when discussing it in 2013. Work up your best Hey Girl references for social media purposes and watch the video below. For more, head to Movies.com.

11 Stunning Facts You Might Not Know About Internet Superstar George Takei

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Not everyone can successfully play the social media game, let alone someone in their 70s. George Takei, best known for his iconic role as Enterprise helmsmen Hikaru Sulu on "Star Trek," has spent the last few years working as an LGBTQ advocate with incredibly funny and poignant accounts on major social media platforms like Facebook, Twitter and Tumblr.

Despite the Japanese-American star's ever-growing Internet presence and outspokenness on both past and current views, there are still some obscure facts that you might not know about this incredibly talented man.

1. He's named after royalty.

Takei's father was a major Anglophile, so he named both of his sons after members of the British royal family. George is named after King George VI, whose coronation was just a few weeks after George's birth in 1937. His brother is named Henry Takei after the infamous King Henry VIII. His sister, Nancy Reiko Takei, managed to avoid the naming trend.

2. He spent part of his childhood in an internment camp.

As a Japanese-American family living in California in the 1940s, the Takeis were placed in an internment camp, first in their home state, then in Arkansas. Takei was 5 years old when he entered, and 8 when they were released. Even though he was just a child, his experiences there deeply shaped who he is as a person, and even inspired the new musical "Allegiance," starring Takei. Plans are that "Allegiance" will arrive on Broadway soon.

3. His first acting jobs were voice overs.

Given the small number of roles available to Asian actors in Hollywood, it's not surprising that Takei's first roles were not on-screen gigs. According to IMDb, Takei's very first job was as an uncredited voice actor for the film "Godzilla Raids Again," followed by another uncredited role in "Rodan." Takei's big break came in 1959, when he starred in an episode of the hit crime show “Perry Mason,” nearly seven years before he landed the part of Hikaru Sulu on "Star Trek."

4. Takei and Walter Koenig weren't always close.

takei koenig

Fans of Takei know of his rocky relationship with "Star Trek" co-star William Shatner, but you may not know that he and co-star Walter Koenig got off to a rough start. Takei had to miss nine episodes of the show's second season because of his work on "The Green Berets." Koenig was brought on as Pavel Chekhov to replace Sulu, which Takei was no happy about. In an interview with Mother Jones, Takei said, "When I came back [to the show] I hated Walter sight unseen." The two had to share a dressing room and a script when Takei returned, but soon they became close friends. Koenig was even best man at Takei's wedding in 2008.

5. He was involved in a lot of local politics.

Takei was not only involved in Hollywood, but also in Los Angeles politics. He ran for City Council in 1973 and lost, but was appointed to the board of directors of the Southern California Rapid Transit District by Mayor Tom Bradley. He served from 1973 to 1984, and was also the vice president of the American Public Transit Association. And he didn't only work to better the Southern Californian community; he also served two terms on the board of the Japan-United States Friendship Commission in the 1990s, appointed by President Bill Clinton.

6. He only came out recently.

george takei gay

Takei's involvement in LGBTQ activism makes up a big part of who he is today, but he wasn't always involved in the movement. In fact, he didn't officially come out as gay until 2005, after Governor Arnold Schwarzenegger vetoed a same sex marriage bill. He told The Huffington Post he then knew it was time to reveal his orientation: "I was angry, but I couldn’t speak out without coming out. My voice had to be authentic. And so that’s when I talked to Frontiers [magazine]."

7. He co-wrote a science fiction novel.

Takei is not stranger to the literary world, having written "To the Stars: The Autobiography of George Takei, Star Trek's Mr. Sulu," "Oh Myyy!: There Goes The Internet" and "Lions and Tigers and Bears: The Internet Strikes Back." What you may not know is that he co-wrote a science fiction novel with author Robert Asprin entitled "Mirror Friend, Mirror Foe." The plot follows a professional killer and his fight for survival after a computer reprograms all the others around the world to destroy humanity. Gene Roddenberry would be proud.

8. He starred in a "Twilight Zone" episode you've probably never seen.
george takei twilight zone

Like his "Star Trek" co-star William Shatner, Takei appeared on the famous 1960s show "The Twilight Zone," but his episode only aired once in the United States, on May 1, 1964. The episode was entitled "The Encounter," about a World War II vet and a Japanese gardener getting locked in an attic together and dealing with their personal demons. The episode received a lot of complaints due to the gardener's backstory and its portrayal of Japanese-Americans. It was then pulled from syndication in America, though not anywhere else. It can be found on the Season 5 DVDs as well as on Netflix.

9. He's a skilled marathoner and fencer.

Takei's hobbies are not limited to acting and local politics. Takei is a skilled athlete, who showed off his fencing skills on "Star Trek." He also was on the track team during his high school days as a long distance runner. Along with completing five marathons, he was part of the Olympic Torch Relay for the 1984 summer games.

10. He has his own brand of cologne.
george takei cologne

Celebrity scents are a dime a dozen, but they typically belong to young actors looking to bank on their names, not a seasoned science-fiction star. But if anyone could pull it off, it would be Takei. His scent, Eau My, is a unisex scent described as "subtle and charming, with top notes of mandarin zest, Italian bergamot and fresh ozone transitioning to night-blooming jasmine, white freesia petals and grated ginger." Just in case you were looking for a new signature fragrance.

11. "Oh my!" became his catchphrase because of Howard Stern.

It may be hard to believe but Takei's signature "Oh my!" was not originally meant to be his catchphrase. He uttered the words during an interview on Howard Stern's radio show, and Stern captured it as soundbite for his show before Takei came on as an announcer in 2006. The phrase became associated with the actor, who in turn embraced it as his go-to motto.

Architects Turn 50,000 Plastic Bottles Into A Dreamy, Cloud-Shaped Shelter

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In the United States alone, consumers toss away more than 60 million plastic bottles each year. It's a staggering statistic, one that caught the attention of the architecture firm STUDIOKCA.

In an attempt to highlight America's ongoing battle with consumption and waste, and provide a ethereal take on sustainable design, the firm built "Head in the Clouds." Using 53,780 recycled plastics bottles -- approximately the amount thrown away in just one hour in New York City -- STUDIOKCA created a dreamy, cloud-shaped structure capable of providing shelter for 50 people.

chang

This massive, globular creation took over New York City's Governor's Island last year, part of the 2013 City of Dreams competition. As summer heats up on the East Coast, we're reminded of the Kickstarter project that stands as "an example of a viable design and construction strategy" fit for a green future.

At 40-feet tall, the giant cloudscape took more than 200 volunteers to assemble, carefully placing together 16 and 24-ounce bottles and water jugs sourced from local schools and businesses, and filled with various amounts of blue dyed water. "Our practice explores how light and materials tell a story, shape an experience, and create a sense of place," the architects wrote on their past Kickstarter site.





This Cocktail Waitress Traded In Her 'Golden Handcuffs' To Live The Life She Really Wanted

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During the years she worked as a cocktail waitress in Las Vegas, Melissa Ritz lived a lifestyle many would envy. She earned six figures. She bought herself a three-bedroom, three-bathroom house and filled it with nice things. She drove a yellow, gently-used VW Beetle. She shopped for clothes without worrying about the price tag, ate out at the city's best restaurants and flew her friends in from around the country for fun-filled weekends. Indulging her love of travel, Ritz and a friend took a three-week trip to Paris, Amsterdam and Germany. She went to Mexico and on three Caribbean cruises.

The job's perks went on and on: great medical and dental insurance, 401(k), leaving work every night with cash from tips. Working as a cocktail waitress supported her while she pursued an undergraduate degree in dance. "It was a beautiful setup," Ritz, 38, told The Huffington Post.

But as time went on, Ritz found herself thinking about one aspect of her job that wasn't so beautiful: It offered her security, but the work wasn't necessarily fulfilling. There was a darker side to all those great perks.

"The cocktail waitresses and I called them the 'golden handcuffs,'" she said. "Because you just never leave."

"What are you doing here?"

One night in 2009, six years after she first moved to Vegas, a flash of Ritz's pre-casino life put things in perspective.

She observed a young couple sitting at the blackjack table where she worked -- something of a rarity, as the casino patrons tended to be older. Ritz, whose father was in the military and who had herself enlisted in the Air Force after high school, noticed that the man had Marine Corps tattoos on his arms and that his legs were amputated below both knees.

In her eight years in the Air Force, Ritz worked in hospitals, including one overseas where she saw many young veterans who'd fought in Afghanistan and Iraq. Those experiences raised big questions for her about her own purpose and path, and prompted her to leave the only thing she'd ever really known -- a military life -- to try her hand at singing, dancing and acting.

The sight of the injured veteran at the blackjack table transported Ritz back to her time in the military. She was flooded with sensory memories of her time in the hospital, the smell of blood, iodine and cleaning solution. "I went into the bathroom because I had this moment of, 'What are you doing here?!'" she said. "This isn't what you're supposed to be doing!'"

While she was composing herself in the bathroom, Ritz ran into the young veteran's girlfriend. She shared a bit of her story and asked the woman to extend her sincere thanks for her boyfriend's service and sacrifice. Then, almost immediately, Ritz began plotting a new course.

"I took it as a message that I needed to make a change, that this -- cocktailing -- wasn't what it was about," she said.

Ritz investigated her options and found a three-year MFA program in theater performance at the University of Nevada Las Vegas. She auditioned and, in 2010, enrolled -- quitting her job and selling her house and most of her things. She moved into a small rental apartment and lived off the modest stipend she received teaching undergraduate theater classes and Bikram yoga classes. Otherwise, she threw herself into her classes and, in the little free time she had, began writing a one-woman show about Ina Ray Hutton, a famous bandleader from the big band era.

New York, New York

Last October, Ritz made another bold change, packing up her things again and moving to New York City, where she rents a 125-square-foot furnished room in a former Upper West Side convent that is now a boarding house for women.

Ritz set one goal for herself for 2014: to work on her one-woman play, Journey of a Bombshell: The Ina Ray Hutton Story. Her work has been accepted into a solo theater festival and will be running for two nights this October. She supports herself by teaching Bikram yoga classes, and raised money for the show, which she is producing, with a successful Kickstarter campaign.

"I sing and tap dance in the show, as well as act it out," said Ritz, who has painstakingly revised her work with her director for more than seven months. "I'm hoping I can get enough industry people in to launch me into the career that I want to have as an actor." The first show sold out, and the festival gave her a second performance, which was a very "happy moment" for her, she said.

Six months to a year from now, Ritz hopes to take the show on tour. She refuses to formulate a plan B, recognizing that the stretches in her life when she prioritized security over passion ultimately left her feeling somehow empty. "That's why I went into the military," Ritz said. "Because I was afraid to try something new."

Now, however, she is no longer apprehensive about pursuing her dreams or asking herself, "What if?"

"I constantly keep focusing on the acting and performing and writing," Ritz said. "Creating this myself is very fulfilling."

letting go
Ritz during her time in the Air Force, in costume for her new show and in her uniform during her cocktail waitressing days.


If you or someone you know is taking steps to live a life that's simpler, saner and more fulfilling, we want to hear about it. To submit a Letting Go nomination, email thirdmetric@huffingtonpost.com.

Dad Documents His Sons' Awesomeness In Gorgeous, Quirky Photographs

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When Wes Armson saw his two sons cracking a smile, letting out a laugh or even sneezing for the first time, he wanted to remember it forever. He’d sometimes close his eyes, he said, in an attempt to store these little milestones in his mind.

But the 29-year-old dad from Calgary, Canada, soon figured out a much better way to capture memories of 2-year-old Skyler and 5-month-old Maddox: He could whip out his camera and freeze precious moments in a series of beautiful photographs.

“My long-term memory is horrible. I think that portion of my brain is broken,” he said of his desire to photograph his kids, per an earlier interview with Photography Blogger. “The thing that I most enjoy about photographing my own children is that the photos help me remember those [special] moments and those feelings.”

For many months now, Armson, a mechanical engineer by day who works as a lifestyle photographer in his free time, has been photographing his sons when they're dressed up in fancy costumes or posed in quirky ways.

“I wanted to take images that are hopefully fascinating and interesting because that's a true depiction of the reality that we sometimes forget in life's business,” he told The Huffington Post in an email this week. “My kids don't need to be soaring through the air to be amazing, that scenario simply expresses my perspective to others. The slightly out-there photos accurately portray how I feel about my children. Already my boys are super, fun, smart, adventurous, silly, caring, a miracle and a tremendous blessing.”

Scroll down to see some of Armson’s photos of his sons. For the full collection, visit his Flickr page and website.

You Can Now Take A 'Game Of Thrones' Class At The University Of Virginia

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From books to television to the classroom, "Game of Thrones" cannot be stopped.

That's right. The hit HBO series inspired by George R.R. Martin's A Song of Ice and Fire has found its way into University of Virginia classrooms. According to UVA Today, the discussion-based class will be taught by associate professor of English Lisa Woolfork.

"I think this is awesome," Evan Sacks, a UVA graduate, told The Huffington Post. "It would be fascinating to discuss the show's complexities in an academic setting. I haven't had many opportunities to have intellectual conversations about the show, and it would be fun to do so on a day-to-day basis."

Summer courses are held every day for a couple hours, according to Sacks, who added that he wished he could still enroll.

But don't be thrown off by the seemingly laid-back nature of the course.

“One of the goals behind this class was to teach students how the skills that we use to study literature are very useful skills for reading literature and TV in conjunction,” Woolfork told UVA Today. “‘Game of Thrones’ is popular, it’s interesting, but it’s also very serious. There are a lot of things in the series that are very weighty, and very meaningful and can be illuminated through the skills of literary analysis.”

News of the college class is just another milestone for "Game of Thrones," which recently surpassed 'The Sopranos' for most viewers in HBO history.

Pharrell's 'Come Get It Bae' Music Video Features Miley Cyrus

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We now live in a post-2013 VMAs world, where music videos featuring Miley's tongue and dancing models are considered kind of "meh." Pharrell's new video for "Come Get It Bae" just happens to star both (plus a sugar shaker). As Vulture points out, Pharrell wants you to know he loooooves women in a healthy way by starting the video with a proclamation: "Beauty has no expiration date." Thus begins the awkward dance session in a photo studio. Pharrell films the women with a Super-8 camera, Miley jumps in and no one twerks. Enjoy.

Here's What We Know About Fight Club 2

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Brace yourself. In under a year Fight Club 2 is slated to hit bookstore shelves around the country.

On Tuesday, bestselling author Chuck Palahniuk announced on his website that in April 2015 Dark Horse Comics will publish the sequel in graphic novel form. The ten-issue maxiseries will be illustrated by Cameron Stewart, best known for his work on Catwoman and Batman and Robin.

USA Today first broke the news on Tuesday in an interview with the author, who said he felt obligated to write a sequel after making a slip-up at last year's Comic-Con.

"I messed up and said I was doing the sequel in front of 1,500 geeks with telephones," Palahniuk said. "Suddenly, there was this big scramble to honor my word."

The first book debuted in 1996 and was immortalized by David Fincher into the cult film starring Edward Norton and Brad Pitt in 1999.

So, here's what we know about the forthcoming sequel: Fight Club 2 jumps ahead ten years from where we left off in the first book. Its unnamed insomniac protagonist is married to Marla Singer and they have a nine-year-old boy.

More from USA Today:
Palahniuk says readers will have an idea of Tyler's [played by Brad Pitt in the film] true origins. "Tyler is something that maybe has been around for centuries and is not just this aberration that's popped into his mind."

Palahniuk brings back most of the characters in the first book as well as the organization Project Mayhem, which still has its hooks in the narrator as he has to save his boy when the youngster's life is in peril.


We can also expect at least one scene set at a fight club that closely resembles the original, Palahniuk says.

More details about the upcoming sequel will be revealed at a Comic-Con panel featuring Palahniuk in San Diego this weekend called "FIGHT CLUB: From Page To Screen and Beyond."

Who knows, maybe he'll also jump the gun on Fight Club 3?

Read the full story at USA Today here.

'Divergent' Author Says 'Hunger Games' Comparison Is 'Scary, But A Nice Thing'

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Veronica Roth's YA dystopian series Divergent has endured comparisons to Suzanne Collins's wildly successful The Hunger Games series since the first installment, Divergent, was published in 2011. However, in an interview with HuffPost Live, Roth insisted that she doesn't mind the comparison. "If you're going to be compared to something," she laughed, "it's not so bad."

Given the dystopian trend sweeping YA fiction in the past decade, it's no surprise that two of the most popular series in the genre have been frequently juxtaposed. The New York Times review of Divergent in 2011 even went so far as to break down the similarities between the series point-by-point. With the Hunger Games film series, which has broken box-office records, building toward the release of the next film in November, and the second Divergent film slated for a spring release, there are more opportunities than ever to compare the two series.

Roth, who sold Divergent while she was still a college student, admits that she finds it "scary" that her books are being compared to The Hunger Games, "simply because those books are incredible." But while she's wary of the comparison, she's appreciative of how it's benefited her own work, pointing out that "it's also helped the books and the movie to find an audience, in a really wonderful way."

Watch the rest of Veronica Roth's HuffPost Live interview here.

Dakota Fanning On Growing Up In The Spotlight: 'It's Definitely Not A Normal Thing'

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Dakota Fanning captured the world's attention as Sean Penn's bright-eyed daughter Lucy in the 2001 film "I Am Sam." Since then, the 20-year-old has nabbed role after role, transitioning from child actress to full-blown movie star.

Her latest project, "Very Good Girls," written and directed by Naomi Foner (mother to Maggie and Jake Gyllenhaal), tells the coming-of-age story of two teenage girls who make a pact to lose their virginity before leaving for college. Elizabeth Olsen co-stars in the film, which opens in theaters as a limited release on July 25.

Fanning spoke with HuffPost Entertainment about her new movie, her relationship with Olsen and growing up in the Hollywood spotlight.

“Very Good Girls” gave you the opportunity to show a more mature side of yourself. What was that like?
It was great. When I first read the script, the thing that I connected with the most was that I was experiencing the same time in my life as the character. I had already been kind of full circle with moving away and going to school and leaving my childhood behind, so it was exciting to make a movie about that because it really is such a rare thing to see in movies. And it’s something that everyone experiences, but it’s also a very specific experience, I think, that a young woman has.

How did you mentally prepare for the sex scenes in the film? You haven't done much of those in your career, and you had a few in this movie, including one with Peter Sarsgaard.
I wasn’t very uncomfortable with it. It’s just something you kind of have to do. It’s really not that big of a deal, it’s just a technical thing. Everybody is really respectful and I wasn’t uncomfortable. You just kind of have to just go for that and get it done, like anything else.



And how was it working with Elizabeth Olsen? You have amazing chemistry together.
It was great. I knew Lizzie before making the movie, so we had an existing relationship and friendship. So it was nice to make a movie that’s a lot about friendship with somebody that you actually know and like.

"I think I have a different relationship with [fame] now that I’m older."
At 20 years old, you have accomplished, well, a lot. How does it feel growing up in the spotlight? Have you learned to adapt to it all?
It is a hard thing because I don’t really know any other way. But, it definitely still is a surreal experience as you get older. I think when you’re a child, it’s hard for you to know your life is different from anyone else’s. And then, of course, as you get older, you realize that there are billions of people on the planet and everybody lives a different way and everybody has a different situation. As you grow up, you think, “Oh, no, that’s not normal for everyone.” And so, yeah, I think I have a different relationship with it now that I’m older. When people say hello to me, I feel like maybe I know them from somewhere, because they say like, “Hi! How are you?” And I’m like, “Oh, hi!” And then I realize, “Oh, no, they just think they know me because they watched me in a movie.” Which is cool, but definitely not a normal thing.

Is there a difference, you think, living in New York vs. Los Angeles?
I think it’s the lifestyle that’s so different. In New York, you walk everywhere so you’re amongst people all of the time and everybody is in a hurry and going somewhere or has something on their minds. And in LA, it’s still much more of a laid-back life, at least in my experience. But as far as other things, I feel like it’s just different. In New York, people see you like walking down the sidewalk and before they could say anything, you’re around the corner, because that’s how New York works. So I think it’s probably a more anonymous kind of life, living in New York.

What’s one experience from your career that you connect with the most? Is there a memory that sticks with you?
Wow, there are so many. I think an experience that I feel really close with was the first movie that I did do [“I Am Sam"]. Although I was very young, I still remember I was working with Sean Penn ... and the story was really special, the experience was really special and it was my first introduction to what making a movie meant and it was such a doorway for me for everything else that I’ve done up to this point. So, I’m very grateful for that experience.

i am sam

Did your parents let you watch all of your own movies when you were a kid?
I mean, I filmed it, so I knew nothing was real, so I was allowed to. It’s kind of pointless to say you can’t watch something that you already pretended to do! I think the only one -- there was a movie I did called “Trapped,” it was my second movie, and there was a part between Charlize Theron and Kevin Bacon where someone covered my eyes for like five minutes. But other than that, I’ve pretty much been allowed to watch everything since “I Am Sam” was made, so I had a healthy relationship with it. I wasn’t going to be like scarred from it, because I knew that it was fake.

"Each role that I’ve played has had a piece of a dream role in it."
Do you ever feel uncomfortable watching yourself onscreen?
I didn’t feel that way when I was younger, it was just like, “Oh, This is fun! I remember when we filmed that.” I would just watch it as a movie and forget that it was me. And that’s easier to do when you’re younger because you have less insecurities and you still have that childlike view that everything is wonderful. And then as you get older, you’re like, “Oh, God.” I started to kind of recoil seeing myself, for sure. But I try to just enjoy the film and forget about myself and let it go. It’s more about hearing myself, actually. I think that’s what the insecurity is, like, "I can’t believe I sound like that." It’s strange!

What are your goals for the future? What would be your dream role?
Each role that I’ve played has had a piece of a dream role in it. I don’t know if you ever get to find that complete dream role, but I’ve been so lucky with the ones that I’ve had. I just like stories that are about real people or just about people, in general. Those are my favorite movies to watch -- little movies about experiences that everybody has. I think sometimes people can get lost in the bigger special effects, science fiction, robot stuff, and those are cool and fun to watch too, but I think it’s so important to sometimes step back and watch something that’s about life and human interaction.

This interview has been edited and condensed.

Jeff Friesen's Mini Stereotypes Of LEGO America Are Coming To A Coffee Table Near You

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Jeff Friesen isn't looking to take over the world, but he is looking to re-create it -- and he's doing it brick-by-brick.

As the creator of the wildly popular LEGO scenes "The Great LEGO North," "The 50 States of LEGO" and the recent "Bricksy," Friesen's work has been ruling the LEGO-loving internet since he laid the first brick last fall.

Now, the Canadian photographer's U.S. series is getting the hard copy treatment: A book with forty exclusive new scenes will be released in September.

(See "The 50 States of LEGO" below.)

With a mix of sight gags (Delaware) and pop culture (Iowa), Friesen uses "The 50 States of LEGO" to riff on the impressions, history and stereotypes from each state in the union. Speaking from his home in Halifax, Nova Scotia, Friesen told HuffPost that he's confident in his insights into the 50 states -- despite being a native Manitoban.

“I lived in the states for a couple of years, and I’m pretty well-traveled," Friesen said. "I’ve been to about 37 states -- though many of them were visited at high speed while driving.”

For Maryland, a state Friesen hasn't visited, he seized on the state's iconic seafood. Other states, like Illinois, are represented by their largest or most iconic city: the Land of Lincoln has two new exclusive scenes featured in the book that depict The Blues Brothers and the St. Patrick's Day tradition of dying the river green and -- both distinctly Chicago institutions.

Friesen only uses official LEGO bricks and pieces to create his scenes, a limitation that has forced him to get extra-creative in some instances: "For Georgia, I can’t do a peach farmer, because you can’t do peaches in LEGOS."

This, Friesen explained, is also why his LEGO citizens have a carb-heavy diet of bread, croissant, pizza, and the occasional chicken drumstick or carrot.

While the clever captions and scenes can be a little subversive at times, Friesen said the series has turned out to be virtually "troll-proof," receiving largely positive feedback.

"More often than not, people are in agreement about my [characterizations]," Friesen said. "My Canada ones are a little more pointed than the ones I made for the U.S., because I live here."

After his "The 50 States of LEGO" book is released, Friesen said he'll look to build scenes of London. He also plans to collaborate more with the builder who inspired his LEGO artwork to begin with -- his 7-year-old daughter, June.

"June's a really a good builder," Friesen said. "She’s much more abstract than me: She’ll have a werewolf running a coffee shop.”

Neil Armstrong's Lunar Heartbeat Is A Strong, Smooth Bass Line For This John Lennon Cover

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Who knew Neil Armstrong's heartbeat would make such a smooth bass line?

On July 20th, 1969, the astronaut became the first person to set foot on the moon, and uttered these famous words: "That's one small step for man, one giant leap for mankind."

Armstrong spent two-and-a-half hours exploring the lunar surface, and somewhat surprisingly, his heart rate during the mission was much lower than expected -- even lower than the heart rates of some scientists back at Mission Control. It spiked only once to a rate of 160 beats per minute at the end of the spacewalk.

While listening to a radio program about the moon landing, even German-based singer-songwriter Louise Gold became fascinated by Armstrong's steady beat, and decided to use it as the bass line in a new song -- turn up the volume and listen to it in the Youtube video above.

"It struck me then that this strong yet peaceful sound could be the perfect rhythm for a song," Gold told CNET.

She said John Lennon's "Oh My Love" fit well with how she imagined Armstrong must have felt on that historic day: "peaceful and exhilarated at the same time, a bit like being in love with someone and finding out that this person loves you back," Gold told online magazine Vice in an email.

The songwriter then mixed in a sample of data from NASA's Voyager spacecrafts that had been converted into melodies, and posted the cover on YouTube on July 16, 2014.

As YouTube user Gustavo Abanto pointed out in a comment, you can hear the heartbeats in the video at 2:10.

And YouTube user Alex Beyer commented, "This is so beautiful and haunting."

Bold And Courageous Kickstarter Aims To Create Biggest D*ck Drawing Of All Time (NSFW)

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We're always happy to see Kickstarter using its powers to bring awareness and much needed funds to grassroots art projects and underexposed creative endeavors around the world. Or, to help make one big giant d*ck drawing. That works too.

Today we're admiring the hopes and dreams of a young man named Alex Wong, who just really, really loves penis drawings. Having just graduated college without steady employment, Wong is using this precious time in a man's life to explore the complex space where art and physicality intersect, sort of.



Wong explains on Kickstarter:

"With your help, I will be able to create a wonderful (and long) drawing of the male anatomy. This is both a personal project rooted in my childhood dreamds, as well as a collaborate project to spread awareness and understanding of our bodies. We didn't grow up drawing d*cks out of nowhere. It was fun, it was funny. It's still fun and it's still funny. Whether it is a terrible sketch on a bar napkin or a beautiful painting on a canvas; a d*ck drawing is a d*ck drawing. Seeing an abstract d*ck by Picasso in a museum is just as funny as drawing one for yourself in the condensation of a car window. Let's impress Guinness with the World's Biggest D*ck Drawing. Project WBDD is officially on the rise!"


The plan is simple. Every dollar you donate will add an inch to the penis rendering. The sky is the limit, people.

It's worth noting that Wong seems realistic about the possible outcomes of his artistic endeavor. He expresses his fears honestly on the world wide web: "Maybe nobody will pledge to get balls, a head, pubes or veins added to the d*ck drawing and it'll end up looking deformed. Who cares! All d*ck drawings are different."

May the force be with you, Wong.

On a darker note, Jezebel makes the very astute point that Wong is not that good at drawing d*cks. Of course, the art of penile rendering is subjective. For those not convinced, you may find a more worthy cause to donate to here.

h/t Jezebel

The Major Problem With Zach Braff's ‘Wish I Was Here'

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There is a beauty to Zach Braff’s “Garden State” that still resonates today. It’s a film within the recent indie canon that captured something many would later attempt: the mid-20s ennui, the disappointing reality of a failed dream job, the desire to escape from home, the lost sense of a home. "Garden State" tackled those moments and handled them well. Anyone in their 20s, or even teens, could relate to the lost soul who Andrew Largeman was, a guy tuned out from every aspect of life in order to escape any and all of its emotional threats. But “Garden State” is about waking up to that mess, throwing yourself head-on into what you don’t understand, and knowing that braving it is better than watching from afar through a thick smog.

One of the best ways to describe Los Angeles -- where Andrew lives before heading back East -- is with its smog. Not just literal smog, either: Los Angeles is a city that's easy to flee to for change. It's a place where people can get lost in dreams of success, glamour and false identity, especially if an identity wasn’t already intact. In “Garden State,” LA is epitomized by this concept of a stifling haze one can flow through, half awake, not wholly sure of what they want, who they are or where they’re going. Braff’s Andrew only becomes aware of his psychological and emotional absence and his repressed pain once he returns home to New Jersey, the source of it all (and, of course, when he stops taking his medication).

“Garden State” ends with Andrew not returning to Los Angeles, the city where he could seamlessly blend in and fall back into his vegetative state. Instead, he stays in New Jersey where nothing really makes sense at the moment, where he has no choice but to face the complications he’s been evading. While “Garden State” ends in a place of uncertainty, it’s so memorable and relatable for demonstrating that you can embrace that feeling. It's a vibe best encapsulated by the lyrics of Frou Frou’s “Let Go”: "It’s all right, because there’s beauty in the breakdown." It may be a simple and obvious message, but it is one that carries weight.

Fast-forward 10 years, and Braff has released “Wish I Was Here,” his second film as a director and follow-up to “Garden State.” The new film takes place in Los Angeles, focusing on Braff’s character, Aidan, an out-of-work actor who hasn’t been himself lately. (If the similarities to Andrew aren’t evident yet, here’s a list of 17 to convince you.) If anything, “Wish I Was Here” plays like a loose theoretical continuation of “Garden State,” as if Andrew Largeman had moved back to LA once he tired of Jersey in an effort to restart his acting career. He got married to Sarah (Kate Hudson), a bland and attractive blonde (a forgettable archetype she fills often) -- no cute, quirky small-town girls here -- had kids, and completely lost himself in the fog of Los Angeles all over again. He’s even more frustrated with his Jewish religion now than before, he still has a bad relationship with his father, and he hasn’t been very present lately (“I haven’t seen you in a while,” his wife says, just in case we somehow missed the meaning of the title). Even more disappointing than his rehashing of the same tropes from his first film is that Braff makes his moral, uplifting messages so painfully obvious that they are almost a bit insulting to the audience’s intelligence. What can be more eye-roll worthy than Aidan sitting in a doctor’s office waiting room looking at an empty pamphlet holder with the label “This pamphlet could save your life.” Oh, no, a guy played by Zach Braff is lost again.

Rather than writing other supporting characters who inspire him and guide his protagonist to self-realization (e.g. Natalie Portman’s Sam and Peter Sarsgaard’s Mark), Braff makes his own Aidan the knowledgeable, moral compass of “Wish I Was Here.” Aidan shows his children his place of solitude on a desert rock (his own version of the “infinite abyss” in “Garden State”), reminds his daughter to be unique (which sounds a little like Sam’s "original" scene) and gives his brother a (very sappy) speech on fishbowls and facing fears. Maybe that’s because Aidan is supposed to represent the older, more learned Andrew, which makes sense. But then why is Aidan so lost if he has all the answers?

There's an unavoidable sense of failure that comes with copying major elements of a good movie only to tell a less daring story. Had Braff made an entirely different film in style and tone from "Garden State," or one that was an actual continuation of his "Garden State" character a decade later, “Wish I Were Here” would, I hope, be much better. But he didn't, and the ending of "Wish I Was Here" reveals that to be true. It's an ending that weakens the film, and in a way, devalues what “Garden State” achieved. (Spoiler Alert) In it, Aidan doesn’t face any major life decisions, as Andrew does, nor have to take any risks. After his father dies, he simply settles. He gives up his acting dreams to become a drama teacher, he and his wife sue the guy who sexually harassed her, his nerdy brother gets the hot girl and everything works out in a pretty perfect manner. If “Garden State” was about embracing the chaos of the moment, then “Wish I Was Here” is about settling. While there's nothing wrong with films that end happily or definitively, there's something undeniably disappointing about a movie that succumbs to complacency.

Embracing the mess may be more of a suitable choice for a younger person as opposed to a married man who must sacrifice his dreams to provide for his family. Maybe Braff doesn't view Los Angeles as so much of an escape anymore but as a place where one can eventually find grounding. Yet still, the Braff from a decade ago told a story that said so much more about life without so much overt trying. "Garden State" served as a reminder that sometimes an ellipsis is better than a period or an exclamation point. Maybe today's Braff is the Andrew who got on that plane back to LA and never looked back. If anything, here's to hoping in another 10 years he'll return to Jersey and make a meaningful movie once again.

"Wish I Was Here" is now playing in select cities.
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