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A Day In The Life Of 26 Famous Creatives

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When aspiring to complete a particular project or task, many of us often look to examples of the greats that have come before us for a little guidance. But what do we do when we discover that great minds don’t think so alike after all, and their paths to success vary dramatically?

Thanks to the productivity experts at Podio, we can browse the daily routines of some of the most legendary creative people and decide which set of daily habits works best for us. Their recent interactive infographic, “The Daily Routines of Famous Creative People,” showcases when 26 of the best artists, writers and musicians ate, slept, attended work, exercised and dedicated time to their crafts.

Whether we’re working on our latest novels, paintings or compositions and stuck in ruts, or we’re novices to the creative workspace entirely, we can all benefit from seeing how Charles Dickens, Pablo Picasso and Mozart spent their days -- even if it is just for fun.

Click on the images below to experience the interactive version of the infographic.


Click image to see the interactive version (via Podio).


Click image to see the interactive version (via Podio).


Click image to see the interactive version (via Podio).


'Rising Star' Music Director, Ray Chew Talks Career & Robin Thicke, Marvin Gaye Comparisons

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Keyboardist and orchestral arranger Ray Chew has been a key figure on some of television's most watched shows, serving as music director and/or composer on "Showtime at the Apollo," "American Idol," "Dancing With The Stars" and ABC's newest singing competition series, "Rising Star."

Growing up in Harlem's Grant Houses project, Chew managed to balance a rigorous schedule of attending school and learning the various intricacies of musical education. It later paid off when Chew got the opportunity to perform alongside the likes of Aretha Franklin, Prince, Diana Ross and Ashford & Simpson, among others.

During a recent interview with The Huffington Post, Chew, 46, opened up about his journey from Harlem to Hollywood and shared his thoughts on how new artists should be more diligent in paying homage to veteran musicians.

For those who aren't familiar with your career trajectory, take me back to your humble beginnings growing up in Harlem.

It came about from my parents. We were in the Grant projects on 125th St., and my mother and father insisted that I be a product of the environment. And they did everything they could to make sure I had access to musical education and cultural education, and so I had the support of a lot of family and I started my training very early at age 6. And from 6 throughout all my school years I was in musical training every day and on weekends. So every day I was in school, and then music school and every musical program they could find. My first professional job was at age 16 with [singer] Melba Moore, and at 18 I started working with Nick Ashford and Valerie Simpson and they introduced me to the New York session scene as well as being their musical director for a very long time ... I started working on a lot of records towards the end of that whole disco era. In the '80s I played on hundreds of albums and classic records with Diana Ross, and Chaka [Khan], and Teddy [Pendergrass], Gladys Knight & the Pips...

My first TV show was with "Saturday Night Live," and that was during the Eddie Murphy years ... After that, my next TV show, years later, was with the Apollo [Theater]. And that started my Apollo tenure. So a lot of people know me from the Apollo ... And after the Apollo I progressed and did a lot more TV musical direction. A lot of the BET TV shows of course ["BET Awards," "BET Celebration of Gospel," "BET Honors"]. That's been a great relationship for many years, and I cherish that. Then I started moving into a lot of the mainstream shows like "American Idol," the Emmys, "Dancing with the Stars" and of course now "Rising Star." So I guess that's the quick of it.

This year marks the Apollo Theater's 80th anniversary. As a respected affiliate of the institution, what are your thoughts on the theater's role in being an epicenter for black entertainment?

It's a great experience to not only visit this great institution, but it memorializes and archives the great musical spirit, and the history of our culture is embedded in the walls. It's embedded in the stage. It's embedded in the seats. It's just embedded in the whole place. When you walk around there, you can feel the spirit of James Brown and all the Motown acts, and even Ella [Fitzgerald] and the young Gladys Knight. So the spirit inhabiting that place is amazing, and you can feel it, and it's always such an honor to join with that. And I'm very proud of my 15-plus years of being the musical director at the Apollo and doing "Showtime At The Apollo," and that I have a page in their history ... I'm very proud of that.

Do you have any interest in recording new material with emerging artists?

Yes. I have two new artists that I'm focusing on right now. One is Stanaj and he is, I guess if you think of Justin Timberlake, Justin Bieber and Alicia Keys, if they had a love child, that would be him. [Laughs] So I'm very excited about him. [He's] already got a lot of stuff online. We're going to be presenting him really strong this year. My next artist's name is Bianca Raquel. I would describe her as having I guess an R&B, pop, indie feel, somewhere in there. And she doesn't like to be typecast, or pigeonholed in one spot. And so I think if you look at some of her stuff, you'll get a feel, just by hearing her voice and some of the things she does. She also happens to be my daughter.

With your experience working alongside artists such as Ashford & Simpson and Diana Ross, what are your thoughts on newer artists not paying homage to veterans? For example, the controversy and comparisons surrounding Robin Thicke's "Blurred Lines" and Marvin Gaye's "Got to Give It Up."

I think as long as they pay respectful homage, and do it in a way where they tip their hat and give a credit where credit is due ... I think with that whole record that [Thicke] released, I think from the beginning if they had said, "Obviously this was influenced by the Marvin record and we respect Marvin and his legacy" ... I think a lot of the controversy with that could have been put behind them earlier. I would recommend that to a lot of new artists, that they should be more vocal about whose shoulders they stand upon. A lot of young kids, they don't really know enough about their history and speaking up about it. So I'm not going to say all of them, but I would say a lot of young artists are not vocal enough about that. And they should be.

Aside from music directing and composing, you've also managed to produce major concerts at Carnegie Hall in the past. Do you have plans to produce any future shows at the venue?

Yes, we're going to be doing some more of those. We had two great events at Carnegie. We did an event called "The Night Of Inspiration" where we married secular and gospel music together on the great stage of Carnegie with a 60-piece orchestra and 130 in the mass choir. We had great names like Michael McDonald, Shirley Caesar, BeBe & CeCe Winans, Sheila E., Fred Hammond, Richard Smallwood ... It was such a great night. One of the best nights in my life...

A year or two after that, we did a tribute to the music of Motown and we had the Temptations, Boyz II Men, Anita Baker. And again, every time I do something at Carnegie Hall, my stipulation is that it has to be with a full orchestra. [laughs] So they asked me to do more stuff. And we have some plans, hopefully in 2015, for another great event there.

Since you've achieved so many amazing accomplishments thus far, is there anything else that you would want to pursue, or anyone that you would want to work with?

I'm always interested in new artists or somebody that's really going to capture the wonderful artistry that I hold so near and dear to me. Because for me it's about the legacy of what I'm going to be ... I feel like now it's very important for me to set the table for a lot of those who may follow me. The next young musical director. So I go and do seminars. I'm involved with NARAS [the National Academy of Recording Arts and Sciences], the Grammy organization ... I always like to connect and pass a lot of the wonderful knowledge that I gained over the years to others who [are] ready to receive it.


Guy Jams Out On Electric Guitar While Catching Waves (VIDEO)

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Talk about multitasking.

In this video, Canadian musician and wakesurfer Chris Hau shows us how to rock at surfing in the most literal way: by jamming out on his electric guitar while catching waves.

Previously, Hau wowed us with his similarly acoustic cover of "Sitting On The Dock Of The Bay," but this chosen medley of songs takes his skills to another level.

Although Hau includes "Wipeout" by the Surfaris in his mix, it doesn't look like he comes anywhere close to that.

The Biggest 2014 Emmy Snubs And Surprises

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The 2014 Emmy nominations are in, and while a lot of the nominees were total shoo-ins, there were also a handful of unexpected surprises. This year was exceptionally overcrowded in the Drama categories, especially when it comes to the leading women. There's simply not enough room for everyone.

Here are the biggest snubs and surprises of this year's Emmy nominees, and all those twists that got the Interwebs all riled up.

DRAMA SERIES

  • "The Good Wife" -- Twitter was pretty upset following the Emmy announcements that this CBS drama failed to get any awards recognition in the main Drama category. With a fantastic season of 22 episodes (something the network pushed during campaign season), there was a sense of hope that "The Good Wife" would break into the race. At least it got four nominations in Lead and Supporting Actress, Supporting Actor and Guest Actor.


  • "The Walking Dead" -- The AMC zombie drama has only hung out in the Best Makeup and Special Effects categories for the past few years, but it felt like maybe, just maybe, it could have a shot at Outstanding Drama this year. Unfortunately not.


  • "The Blacklist" -- The James Spader series was one of the best dramas on network TV this year, but clearly the network shows aren't breaking into the Drama race this year.


  • "The Americans" -- Another FX drama to get totally shut out of the awards, "The Americans" has proven to be one of the best shows on the network. It only managed to grab another Guest Actress nom for Margo Martindale.



LEAD ACTRESS DRAMA

  • Tatiana Maslany ("Orphan Black") -- Everyone was rooting for Maslany this year, especially after she was snubbed at last year's Emmys for the first season of BBC America's "Orphan Black." But seriously, someone needs to give this woman a nomination -- she plays enough characters to fill the entire Lead Actress category.


  • Elisabeth Moss ("Mad Men") -- Moss has been nominated for the past five years for "Mad Men," so she seemed an easy shoo-in this year. Competition is only getting more tough in this overflowing category of talented actresses though, and clearly someone had to be booted.


  • Mariska Hargitay ("Law & Order: SVU") -- The lead of "Law & Order: SVU" has been nominated eight times for Lead Actress in a Drama and has only won once, in 2006. This year however, was the year that Hargitay deserved a second Emmy the most, as her Olivia Benson endured a series of brutal attacks from a serial rapist throughout the entire season. Hargitay undoubtedly gave her best performances to date in multiple episodes and it's a shame it won't be recognized.


  • Keri Russell ("The Americans") -- Keri Russell looked like a strong contender for Lead Actress this year for "The Americans," especially since the FX drama has yet to get any Emmys recognition beyond a Guest Actress and Main Theme Music noms.



LEAD ACTOR DRAMA

  • Michael Sheen ("Masters of Sex") -- The Showtime drama did get recgonized for its first season with noms for Lead Actress Lizzy Caplan and two Guest performances, but what about star Michael Sheen? What's going on, TV Academy?


  • Damian Lewis ("Homeland") -- Wait, you're seriously not going to give Lewis a nomination for his (spoiler alert) final season? We know the third season was nowhere near the strongest, but following two nominations and a win, at least give him a nice goodbye.


  • James Spader ("The Blacklist") -- As we said above, "The Blacklist" didn't get any Emmy love this year. Yet after Spader's Golden Globe nomination for the series this year, we did have a little bit of hope.


  • Matthew Rhys ("The Americans") -- It's a real shame that the series got shut out in all three main categories, including no nomination for Rhys. We'll have to keep hoping for next year.


  • Hugh Dancy ("Hannibal") -- It's unfortunately rather expected that "Hannibal" hasn't gotten any Emmy love, especially for star Hugh Dancy who had a fantastic second season this year. Maybe next time.


  • Charlie Hunnam ("Sons of Anarchy") -- Hunnam has yet to get a nomination for his six-year (going on seven-) run on FX's "Sons of Anarchy." Maybe The Academy is just pissed that he ditched "Fifty Shades of Grey"?



SUPPORTING ACTRESS DRAMA

  • Emilia Clarke ("Game of Thrones") -- It was a bit of a surprise that Clarke didn't receive a nom for her Daenerys since she's had a rather emotional season on "Game of Thrones" this year, having to lock up her dragons and all. At least co-star Lena Headey got some much deserved Emmy love.


  • Bellamy Young ("Scandal") -- Young had a fantastic season on "Scandal" this year and seemed a likely contender for the Supporting race. At least the series got noms in the Lead Actress and Guest Actor and Actress categories.



SUPPORTING/GUEST ACTOR DRAMA

  • Mads Mikkelsen ("Hannibal") -- We also knew this probably wasn't going to happen due to the unwarranted lack of Emmy love for "Hannibal." Can we at least give him the Emmy for Best Dressed Character?


  • Charles Dance ("Game of Thrones") -- As Tywin Lannister, Charles Dance is one of the best parts of "Game of Thrones," and a character we love to hate. Out of any season, he definitely deserved recognition for this one.


  • Pedro Pascal ("Game of Thrones") -- It's incredibly shocking that Pascal didn't get a Guest Actor nomination for his run as Prince Oberyn Martell on "GoT" this year. We're not sure who was worse to him at this point, The Mountain or The Academy.



  • Pablo Schreiber ("Law & Order: SVU") -- "SVU" hardly gets recognized at the Emmys anymore, but Schreiber's multiple-episode run as psycho serial rapist William Lewis should've been an exception. His performances were so great that it actually caused fans to actively express their hatred for the actor via Twitter.



COMEDY SERIES

  • "Parks and Recreation" -- The NBC comedy has only be nominated once for Outstanding Comedy Series, in 2011. The show had a great sixth season and continued to make us laugh over the most mundane subjects and careers, yet The Academy still didn't want to recognize it. Leslie Knope never gives up hope, and neither will we for its final chance at a nomination next year.


  • "The Mindy Project" -- Um ... why has "The Mindy Project" never received any Emmy nominations? Hey, Television Academy, it's really not cool that you get the creator, writer and star of the show to wake up at the crack of dawn to announce your nominations, but not include her or her series in them.


  • "Girls" -- Lena Dunham's HBO has been nominted for Oustanding Comedy Series for its past two seasons, but got snubbed this year. It also got snubbed in the Comedy Writing and Directing caterogies, both of which it was nominated for in previous years. At least Dunham grabbed a Lead Actress nom and Adam Driver got another Supporting.


  • "Broad City" -- Okay, we know this was a major longshot wish, but still, the Amy Poehler-executive-produced Comedy Central series was one of (if not the) funniest shows on TV this year. In our dream world, Ilana Glazer and Abbi Jacobson take all the Emmys.



  • "Inside Amy Schumer" -- We know this is another unlikely nom, but that doesn't mean we're not upset about it getting snubbed. Wait, we might have to take back what we said above because Schumer's show might actually be the funniest thing on TV ... it's a close tie.



LEAD ACTRESS COMEDY

  • Mindy Kaling ("The Mindy Project") -- As we said: Not cool, guys, not cool.


  • Amy Schumer ("Inside Amy Schumer") -- Yeah, yeah, we know Amy Schumer would likely never get an Emmy nom for her Comedy Central series, but we're still bummed.



LEAD ACTOR COMEDY

  • Chris Messina ("Mindy Project") -- This is us further ranting about the unacceptable lack of love for "The Mindy Project" at the Emmys. Come on, guys!


  • Andy Samberg ("Brooklyn Nine-Nine") -- Samberg won Best Actor in a Comedy for his Detective Jake Peralta at the Globes this year. Where's his Emmy nom?


SUPPORTING/GUEST ACTRESS COMEDY

  • Yael Stone ("Orange Is the New Black") -- The cast of Netflix's "OITNB" got insane amount of much-deserved love this year, with Taylor Schilling, Kate Mulgrew and a handful of Guest Actress noms. Yael Stone was the only one left out, but there's still hope for next year. Stone's Lorna Morello was one of the highlights of Season 2 and had one of the best episodes of the entire series yet.


  • Natasha Lyonne, Uzo Aduba & Laverne Cox ("Orange Is the New Black") -- BEST SURPRISE EVER! These amazing ladies all got nominated for Guest Actress in a Comedy and we couldn't be happier (except the above comment). It will definitely be a tough race for this one, especially since they're up against Tina Fey and Melissa McCarthy, but we're hoping at least one of them takes home a statue.


  • Zosia Mamet ("Girls") -- Mamet has yet to be recognized for her hilarious Shoshanna on "Girls." This year's Season 3 gave Shoshanna a handful of shining moments (e.g. her bitch rant at Hannah at the beach house), and we really would've loved to see her nominated.



SUPPORTING/GUEST ACTOR COMEDY

  • Neil Patrick Harris ("How I Met Your Mother") -- Neil Patrick Harris was nominated four times for the CBS comedy, however not since 2010. We at least thought he'd get some love for the finale season of "HIMYM" this year, but maybe the Academy is just upset over that ending.



LEAD ACTRESS MINISERIES/MOVIE

  • Kristen Wiig ("The Spoils of Babylon") -- Wait, did Kristen Wiig just get an Emmy nomination for something non-"SNL"? Yes. Yes, she did.



SUPPORTING ACTRESS MINI/MOVIE

  • Allison Tolman ("Fargo") -- FX's "Fargo" got a lot of deserved love this year, with nominations for Best Miniseries, two for Lead Actor and one for Supporting Actor. We're glad to see Tolman get noticed for her incredible Molly Solverson.



OVERALL YAYS

  • "Game of Thrones" -- It's not really a surprise that the HBO series is totally claiming the Iron Throne of the Emmys this year with 19 nominations. But still, it's an awesome achievement and we definitely won't be shocked if it wins the most awards.


  • "American Horror Story: Coven" -- Last year, Ryan Murphy's "AHS: Asylum" dominated the Emmys with 17 nominations. The third season of the horror anthology got the same amount this year, but still fell behind to "Game of Thrones." Regardless, we're glad to see it grab a ton of Actress noms, five to be exact.


The 66th annual Primetime Emmy Awards air Monday, August 25, at 8:00 p.m. ET on NBC.

'Alive Inside' Celebrates The Healing Power Of Music

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Filmmaker Michael Rossato-Bennett had planned to film Dan Cohen, a social worker and founder of the nonprofit organization Music & Memory, for a single day. Cohen had wanted to document his nascent program for elders with dementia who were springing back to life at a Brooklyn nursing home. Rossato-Bennett found himself crafting a story of music and memory around Cohen's objective to bring personalized music to every individual in nursing homes throughout America. He filmed Cohen for three years.

Henry, 92, one of many subjects in Rossato-Bennett's documentary "Alive Inside," is reawakened by the sounds from an iPod, emerging from dementia to recall an affinity for jazz singer Cab Calloway. "It gives me the feeling of love, romance!" he says. Observing Henry, renowned neurologist Oliver Sacks, who has written extensively about the effects of music on the human brain, cites the philosopher Immanuel Kant, who called music the quickening art. "Music seems inherently alive and to give a feeling of life and emotion and ongoing, and of a journey," says Sacks.

"We accidentally captured something that I've never seen before," Rossato-Bennett told The Huffington Post. "The opportunity to see an unprotected soul is something that we don't often get."

A rough cut from the film featuring Henry, posted to Reddit in 2011, provided that rare glimpse of an unprotected soul and accumulated more than nine million views on YouTube -- considerable for a six-minute clip about a nonagenarian with dementia, but Henry's humanity has power. "In 2008, when we filmed Henry, I had been working with Cobble Hill [Health Center in Brooklyn, New York,] for over a year. I didn’t know that Henry was going to be the one that would rocket, but he so eloquently captured the magic," said Cohen.

Music & Memory trains elder care professionals, as well as family caregivers, to create and provide personalized playlists using iPods and related digital audio systems. The method has proven to bridge the gap between past and present with music-triggered memories for those struggling with Alzheimer’s, dementia and other cognitive challenges.

"You are the music while the music lasts." -- T.S. Eliot

"Alive Inside" explores the profound relationship between humans and music. "A primate does not respond to a beat, but a human child will. This is something that has evolved," said Rossato-Bennett.

As writer, director and producer, Rossato-Bennett knew early on that he had stumbled upon a story worth telling. "When [Henry] started to emerge from the cocoon that he had been inside of for ten years, we discovered that he wasn't just a man -- he was a poet, he was a singer. He was lost to the world, and when he emerged, I just started crying," said Rossato-Bennett.

"Making this film wasn't easy, because we're dealing with our deepest fears," he said. "As a culture, we don't deal with death, we're terrified; we also don't deal with loss, we're afraid of dementia, and rightfully so. It's a hugely scary thing to address. We treat aging like it's a disease, and we suffer it alone."

"We all know that there's more life inside of us than our daily world demands. It was like in one instance that I knew I had to tell this story. If I felt this, I knew the world would feel it," he said. "If I did this we could change lives, and it's happening."

Henry, and others featured in the documentary, captured audiences across the globe as "Alive Inside" earned top honors at the Sundance, Milan and Provincetown International Film Festivals, among others, in 2014.

As of Thursday, Music & Memory is active at 640 locations in 44 states. "Not one has dropped the program," said Rossato-Bennett.

Barring the development of medical breakthroughs to prevent, slow or stop dementia, the U.S. faces an epidemic of neurologic diseases, according to Gregory Petsko, an American biochemist and member of the National Academy of Sciences. By 2050, the number of people age 65 and older with Alzheimer's disease may nearly triple, from 5 million to as many as 16 million. "There isn't enough money in our coffers to do what we do now for even double the population," said Rossato-Bennett. "Caring for somebody [with dementia] is like giving up your life for their life."

Aside from logic and language, Rossato-Bennett believes we have other consciousness in us. "Those two sit out in front and we think that those are us, but we are not what we think we are," said Rossato-Bennett. "The capacity for love is not diminished."

Diagnosed with Alzheimer’s Disease in 2007, at age 61, Mary Lou finds loving her grandson easy, even if everything else is hard, explains Rossato-Bennett in "Alive Inside." Mary Lou's full-time caretaker is her husband Doug. At a particularly poignant moment in the film, Cohen notes that he thought Mary Lou might "grow wings," upon introduction to her personalized music, to which she quickly replies: "I was trying."

"The takeaway here is that we can stabilize one’s interaction with the world, very often with the music," said Cohen. "It helps to hold onto whatever cognition is there. By tapping into that emotional system you can take advantage of a connection and maximize their function rather than let them drift. Music brings out other parts of their personality to engage."

"I've found that music is one of our greatest wisdoms and one of our greatest tools for going through life's challenges. It's like laughter, it's like orgasm, it's like tears. Our consciousness shakes, it vibrates into the new world and new concepts," explained Rossato-Bennett. "Music has been used throughout history to facilitate that. Every religion and spiritual practice understands that music has the capacity to bring us to our best. [...] The simple truth that we are vibratory beings, and when the vibration stops, so do we. In the words of T.S. Eliot, 'You are the music while the music lasts.'"

With an iPod and a headset, and music specifically tailored to each individual's personal tastes, Cohen saw an opportunity to engage the consciousness of those lost in dementia. "I didn’t discover anything," he said. "I talked to Dr. Connie Tamaino and Dr. Oliver Sacks [at the Institute for Music and Neurologic Function], and we know that when musicians visit the nursing home there’s an effect on the patients with dementia, but there is a residual effect [with personalized music]. Just like when a family member might visit an individual in the morning and the rest of the day that person is in a better mood. [...] Why don’t we take what we know works and make it available any time?"

As a nation, there is work to be done if we are to improve the lives of over 1.5 million residents spread out across more than 16,000 nursing homes.

"You have to have your heart in the right place to work in nursing home, but our system -- our system of government, our funding -- this the challenge," said Cohen. "They want to do as much as they can, but they're limited. They're woefully underfunded. I still have a tough time getting adoption [of the program] because any request by staff for money is an uphill battle."

"There’s no guarantee, but there is no downside; you can’t say that about any drug."

Confronted with evidence that Music & Memory's method works, however, government legislators and health professionals can’t say no. Over 100 nursing homes already successfully deployed the program in Wisconsin, with 130 more to come, and Department of Health Services Secretary Kitty Rhoades pledged to encourage every facility in the state to become Music & Memory certified. "Increasing a person's ability to positively interact with others through the power of music is really priceless," she said. "We will do this annually until we get into all the nursing homes that want to participate, and then we will go into assisted livings as long as we're able to keep financing with grants or we'll partner with the private sector to be able to move forward even more rapidly."

As the single most expensive condition in America, the direct costs of caring for those afflicted with Alzheimer's will total an estimated $214 billion in 2014, including $150 billion in costs to Medicare and Medicaid. Music & Memory could have impactful economic benefits for the nation, Cohen believes. "If we can reduce by half the amount of antipsychotics, antidepressants, anti-anxiety medications, and try the music first ... rather than making that the automatic response -- a pill," he said.

"We have no problem spending tens of thousands on drugs that don't work, but if we could delay people going into nursing homes -- even by six months -- we'd save billions," said Rossato-Bennett.

"What happens too often: an elderly person [with dementia] will be out of control and the family calls 911 and the ambulance takes them to the emergency room and the emergency room puts them into the psych ward and pumps them up with one or more of any antipsychotic. Nothing else is done because they can’t communicate," said Cohen. "But music is proven to have a calming effect, with no side effect."

Cohen notes a marked reduction in antipsychotic usage among patients living in nursing homes that employ some form of music therapy, and he has hope for the future.

"I would like to see doctors prescribing music. They always go first for heavy duty antipsychotics that may be harmful, when music might do the trick," he said. "There’s no guarantee, but there is no downside; you can’t say that about any drug."

"There is life there," said Cohen. "I'm going to devote mine to bringing it out."



"Alive Inside" premieres July 18 at Sunshine Cinema in New York City, and across the nation beginning July 25.

Belittled Women: What Does The Term 'Gallerina' Symbolize?

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One recent afternoon, a gallerist visiting from the US walked into the office of an established London gallery, openly accessible from the exhibition space. ‘Hello girls,’ he said in greeting to the two young women who were working at adjacent desks. The visitor (male, white, middle-aged) assumed that these ‘girls’ (female, white, seemingly in their 20s) were not gallerists, but rather gallerinas. To distinguish between the terms, both of which are commonly used, though have yet to enter the Oxford English Dictionary, ‘gallerist’ signifies a director of a commercial gallery while ‘gallerina’ denotes an administrative employee at a commercial gallery. ‘Gallerina’, unlike ‘gallerist’, is gendered, referring specifically to a junior female employee. A play on ‘ballerina’, the word evokes the svelte posture and favourable appointment of the young women employed in this front-of-house position; it implies a particular appearance as much as any particular professional role.

Our Last Night's 'Bye Bye Bye' Cover Turns A Boy Band Into A Man Band

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'N Sync's "Bye Bye Bye" is a pretty angry song, right? So, why not add some mean riffs and quick double-pedal kicks to those sexy, angsty harmonies?

Hard-rock band Our Last Night has produced a number of covers of today's top pop songs -- Justin Timberlake's "Mirrors," Miley Cyrus' "Wrecking Ball" and Katy Perry's "Dark Horse" to name a few -- but this time around, the quartet reached back to 2000 to cover everyone's favorite cut from "No Strings Attached." Recruiting Set It Off vocalist Cody Carson to assist Matt and Trevor Wentworth in vocal duties, the band provides a fun reinterpretation of the pop hit. If you don't mind your guitars tuned down low and your drums a little zestier, give the song a listen below.

Stuff YA Readers Say (VIDEO)

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In an interview with John Green, Stephen Colbert quipped, "as far as I can tell, a young adult novel is a regular novel that people actually read." Whether or not this is wholly accurate, YA readers do seem to an exuberant lot. The most devoted have gone so far as to adopt their own way of speaking.

Shipping is the desire for two individuals, fictional or non, to be romantically involved. And, of course, Okay has become a stand-in for all sorts of verbal affections thanks to The Fault in Our Stars. This is Teen has put together a video to help you better understand the lingo. You can check it out above -- but you might want to read the book first.

This Music Video Captures The Heartbreak Of Campus Shootings In America

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Music can intertwine with life in poignant ways, and the music video for "Elysium" from the British band Bear's Den is a powerful example.

When filmmaker James Marcus Haney traveled to Seattle in early June to shoot the video -- and to spend time with his college-aged younger brother, Turner -- he aimed to capture the rawness of youth by filming Turner and his circle of friends.

"I wanted to document the actions and emotions of people at this age -- the highs, the lows, the noteworthy and the mundane," Haney said in an interview with NPR. "I wanted to get inside what it feels like to be a teenager today. On a personal level, I wanted to freeze the last remnants of youth still left in my brother -- to record him in this tender, fleeting age of early college years."

However, no one expected what happened next.

During the filming process, on June 5th, former janitor Aaron Ybarra, 26, opened fire at Seattle Pacific University, killing one student and wounding two others, according to police.

The deceased victim, Paul Lee, was a friend of Turner's.

Despite the tragedy, Turner and his comrades decided to help his brother finish the project as tribute to Lee.

The result is raw and heartbreaking. In the video, Haney shows the moment the students learn about the shooting on a news broadcast, huddled around a television at a house party.

The song itself gained another layer of meaning for all involved in the video.

"In his dorm room, [Turner] played the song 'Elysium' over and over," Haney told NPR. "A few of the other kids played it a lot too, and sent it around. While in the midst of a dormitory full of very broken and lost students, I couldn't stop listening to the song either — it took on a whole new weight and meaning."

This Is What A Treadmill Workout Looked Like In 1934

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Treadmills seem downright ho-hum these days, but before the era of "random hills" and heart rate training zones, indoor runners had to make their own fun. Luckily, they had people like Rosemary Andree -- a classical dancer and "body culture expert" -- to help teach 'em how to mix it up. Not sure any type of expert would approve of those shoes, though.


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22nd August 1934: Rosemary Andree, a classical dancer and body culture expert, demonstrating exercises using a treadmill. (Photo by Fred Morley/Fox Photos/Getty Images)

Just Try Not To Smile At These Inspirational Notes A Clever Artist Hid In Tray Tables

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You might want to sit down for this one -- ideally, in a seat with a tray table.

That's where artist Joe Butcher (aka October Jones), from Birmingham, England, hid inspirational drawings for unsuspecting travelers during the summer and fall of 2012. Each note features a drawing of "Peppy," a cool cartoon cat who spouts out words of encouragement along with a unique -- and often hilarious -- motivational phrase.

"Lick the back of your hand," one note implores. "That's what a WINNER tastes like."

Despite being nearly 2 years old, the collection of inspiring moments from Peppy are relevant as ever. The sketches recently gained significant attention on Reddit.

So if you ever hear someone on public transit yell, "I am a superfly success machine!" you know what's happening.

READ the rest of the tweets, below:








































If this style of uplifting whimsy feels familiar, there's good reason for it: October Jones was the artist responsible for giving fellow train commuters cartoon alter egos in February.

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This Is How NOT To Pronounce These French Cuisine Favorites

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We've all been there at one time or another.

You're sitting at a restaurant with some friends, glancing over the menu. You look down and -- bam -- there it is: a word you have absolutely no idea how to pronounce.

In the video above from ZAGAT, an array of passerby try their hand at pronouncing some French cuisine favorites. The results are equally disastrous and hilarious.

All we have to say is, bonne chance and bon appétit.

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On Kawara, Japanese Conceptual Artist, Dies At 81

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On Kawara, the 81-year-old Japanese painter and conceptual artist whose fascination with human mortality was legend, has died, The Huffington Post has learned.

The news -- first circulated on Twitter -- was confirmed by a representative of the David Zwirner Gallery. The gallery has represented the artist since 1999.

Born in Japan, Kawara first exhibited in Tokyo in the early 1950s. Though he became known for his riddle-like abstractions, he started out quite differently. He was a teenager during the bombings of Hiroshima and Nagasaki, and his early work -- much of which he destroyed -- reflected the grotesque imagery of that time, incorporating drawings of amputees and body parts.

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Onlookers marvel at the 'Reading One Million Years' art installation by Japanist artist On Kawara on March 30, 2004 in Trafalgar Square, London. For seven hours a day from 8am yesterday, several pairs of men and women will sit in this box and read from two printed lists of years from 998,031BC to AD1969 - the year Kawara conceived the idea - and AD1980 to AD 1,001,980. Working flat out, it is predicted the British team will only read around 217,000 years. (Photo by Bruno Vincent/Getty Images, Caption by Getty)


Kawara’s later work concerned time and space in relation to human existence. His most famous project, the Today Series, is designed to end the day he does. The series of conceptual paintings is guided by rules, invented by Kawara. Each canvas is marked only with the date of creation, written in the language and conventions of the country in which it was painted. The first in the series was painted in New York, the city Kawara eventually called home.

A single canvas took the artist a full day to complete, and always included four or five coats of a single brand of paint. The lettering, always hand-painted, is in white and placed in a consistent way, whatever the canvas size.

As in much of Kawara’s later work, the series was both humanist and clinical. While the paintings were constructed according to preset guidelines, they could also stir unique feelings in a viewer. An essay at the website of Phaidon Press, a publisher of Kawara’s work, compares the trick to a Zen koan question, “a puzzle without a solution”:

“The date paintings are clinically objective until you happen upon one that depicts the date of your wedding or the birth of your child, at which point it suddenly turns personal and evocative.”

Equally, the emphasis is on the state of Kawara’s existence at the time of painting, and on the nature of existence more generally. Painted dates signify a day Kawara was alive. Days without a painting attached present a riddle: What was he exactly?

Writing in a catalogue for an exhibit at David Zwirner Gallery last year, the Japanese author Lei Yamabe calls this unknown state “the flickering between life and death.”

“The series will be complete when Kawara’s body ceases to exist,” she writes, “when superposition finally collapses completely and Kawara has entered the irreversible phase of ‘death.’”

"On Kawara -- Silence" is set to go on view at the Guggenheim in New York next year.

These Gorgeous Photos Were Taken At 500 MPH

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Sergeant Larry Reid Jr. just might be the flyest photographer you'll ever encounter. Quite literally.

A photographer for the United States Air Force, Reid spends his days with the Thunderbirds, an elite group of F-16 demonstration pilots. As part of his job, Reid often flies along with the group, capturing their astounding acrobatics in mid-air.

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This is no cushy assignment: The job requires Reid be able to manipulate his camera in some tricky situations -- like holding onto a camera while doing 9 Gs. In an interview with the photo blog Fstoppers, Reid likened his work to shooting aboard "a roller coaster on steroids."

"[Y]ou're going 500+ miles per hour, and ... everything happens so fast," he said, adding that doing more than 9 Gs while holding a 15 to 20-pound camera and lens would bring him close to "absolute muscle failure."

For perspective, in April of this year, the Thunderbirds flew a professional photographer by the name of Blair Bunting in one of their F-16s. In a blog after the experience, here's how Bunting, a civilian, described doing 9 Gs:
Firstly, in no way is it comfortable, not even close. I began to feel my face melting away as the skin in my cheeks pulled down to my mouth. The color from my vision was the next thing to fade away, first the reds, then the greens. Squeezing like hell, I did everything I could to get air into my lungs as the G-suit wrenched it out. With all the color of a 1950s television set, the next thing I noticed was that waves were starting to develop in my vision and a vignette appeared. All the while I am listening to the pilot’s breathing and trying my hardest to match it.


See some of Sergeant Reid's photos, below:


So, where do we send our job applications?

h/t PetaPixel

9 Things Girls Should Only Ever Learn After They've Grown Up

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Kids will believe in anything, and maybe that's for the best.

From dandelions that grant wishes to chicken soup that cures all ills, they fall for it all hook, line and sinker. But, as 20-something filmmaker Emily Diana Ruth suggests in her new video, "What A Young Girl Should Not Know," it's only when we as women grow older and look back that we realize just how lucky we were.

Many women will identify with the lessons in the video. Some are presented touch of whimsy.



Others are harder hitting.



But each one speaks to the world that, as kids, we were so briefly suspended in: a universe where people were simple and constant, where our dreams were appropriately sized and watermelon trees took root in unsuspecting stomachs.

Little girls face far too many obstacles while growing into women already. Let their imaginations run wild while they can, Ruth suggests. It can only make them stronger.

Watch the video above for the full list, and be careful of the watermelons.

Seth Meyers Interviews Jeff Koons, While Looking Strangely Like Jeff Koons

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Artist and international man of mystery Jeff Koons stopped by "Late Night with Seth Meyers" to discuss his Whitney retrospective, his staff of 120 and whether or not... HOLD ON, are Seth Meyers and Jeff Koons related?

The chiseled jaws, the "cool dad" hair, the piercing blue eyes. How has this gone unnoticed? Seriously though, they're twins. Could Meyers be one of Koons' eight children in disguise? We're currently investigating the matter further; check back for verification.

Watch the clip above to hear Koons wax poetic -- Koons-style -- about his artistic philosophy while gazing at a vision of his younger self. It's basically a gazing ball IRL.

Marty McFly's Hoverboard Is Going Up For Auction

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Marty McFly’s hoverboard from “Back to the Future Part 2” is going up for auction in October.

Radio Times reports the iconic film prop, which is currently valued between $17,000 and $26,000, is one of many pieces of classic film memorabilia that will be auctioned off at London’s Westfield shopping centre in the fall. The auction is a collaboration between movie prop reseller Prop Store and cinema chain Vue Entertainment.

For those who aren’t familiar, the hoverboard was used by Michael J. Fox’s character in the 1989 film. According to USA Today, the prop is made of solid wood. Prop Store project manager Sian Anderson told the outlet that the hoverboard also features a “rare ball-bearing spinning footpad.”

It's worth mentioning that the hoverboard does not actually hover. Sorry.

There are 375 props up for auction, including McFly’s board. Radio Times reports that other items include a Golden Ticket from “Willy Wonka and the Chocolate Factory” ($26,000 - $34,000), Arnold Schwarzenegger’s biker outfit from “Terminator 2: Judgement Day” ($38,000) and Captain Nemo’s Nautilus Car from “The League of Extraordinary Gentlemen” ($69,000 - $102,000).

Those are some hefty price tags, but this collection only scratches the surface of what some devout collectors are willing to pay. In November, an anonymous buyer paid $4,085,000 for one of the two title statues featured in “The Maltese Falcon,” per Yahoo Movies.

Check out Marty McFly’s hoverboard in action.

This Is What Happens When 20 Strangers Are Asked To Undress Each Other And Get In Bed

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Undressing someone for the first time can be a little awkward -- best case scenario, it's adorably so. Slipping a shirt over someone else's head is usually easier said than done, and belts never unclasp quite the way you want them to.

You were all lips a minute ago -- now suddenly you're all thumbs.

Filmmaker Tatia Pilieva's "Undress Me," a sequel to her popular "First Kiss," portrays that clumsy sweetness perfectly.

"I asked strangers to undress each other and get in bed. Nothing else. No rules," writes Pilieva in the video description.

Since there are no rules for what they do once in bed, no rules are broken. A pair of trousers is, though.

The video is intended as a celebration of the work of William Masters and Virginia Johnson, pioneers in the research of human sexuality. They also made a practice of asking strangers to get in bed together.

Good work, everyone.

If Even One Person Believes Steven Spielberg Killed A Dino, It's Too Many

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At HuffPost Weird, we don't have much faith in humanity. But we do have enough faith to believe that almost nobody seriously thought this photo was real:

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Well, "real" in the sense that it seriously portrays a slaughtered animal. It IS real in the sense that it is an actual photo, which shows director Steven Spielberg on the set of "Jurassic Park," posed next to one of the animatronic dinosaurs used in the film.

Facebook user Jay Branscomb posted the photo last week. His caption is seemingly a reference to Kendall Jones, a cheerleader who angered the public by posting photos of herself with trophy kills in South Africa.

Branscomb's caption reads:

"Disgraceful photo of recreational hunter happily posing next to a Triceratops he just slaughtered. Please share so the world can name and shame this despicable man."


Since Branscomb's post, a myriad of websites have claimed that "gullible" people on the Internet were "outraged" after believing that Spielberg had actually killed a Triceratrops. Fox 8 declared the photo "outraged the Internet," LAist claimed the photos "sparked massive outrage," and Buzzfeed asserted that "a whole bunch of people" believe Spielberg really downed a Triceratops.

Intrepid HuffPost Weird News reporters took a deep dive into the thousands of comments on Branscomb's photo, and found that in reality, a miniscule number of Facebook users -- if any -- believed the photo shows a real dinosaur.

The vast majority of "outraged" commenters were clearly in on the joke:

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Even some of the examples specifically cited by other outlets as gullible morons did not hold up to close inspection.

Gawker and Buzzfeed both mocked Vincent Smith for this post:

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But Smith was almost certainly kidding. He made DOZENS of comments on the post, including "At this rate triceratops will be extinct in -6 million years," and "Hollywood killed all the dinosaurs." He also stated he "likes BBQ triceratops."

Commenters themselves pointed out that most of the "outraged" posts were actually in on the joke:

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We have to admit, though, there was at least one comment that we truly weren't sure about:




If this woman was trolling, she did a great job.



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Meet Arc Waves, A Brooklyn Band Breaking The Mold

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Before The Beat Drops is an artist introduction series dedicated to bringing you the rising acts before they make their break. Our unlimited access to music of all kinds is both amazing and overwhelming. Keeping your playlists fresh, we'll be doing the leg work to help you discover your next favorite artist.

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Defining yourself as a Brooklyn band can sometimes be detrimental to first impressions. Much of the music coming out of the New York City borough lately has the unfortunate tendency to sound homogeneous. Yet it's the distinguishing qualities that separate one group from a swarm of hipster clones.

Arc Waves is a Brooklyn band, but one that offers something refreshing to the music scene. It’s their combination of a British-punk influence and the classically-trained airy vocals of lead singer Elaine Lachica. Both drummer Mike Hodges and Lachica come from a professional music background, while guitarist Brandon Jaffe and bassist William McCormack bring the ‘80s British vibe to the band’s music.

“With a lot of the Brooklyn bands, they’re using a lot of the same stuff,” Lachica said in an interview at Brooklyn bar Crown Victoria. “The great thing about this band is that it’s not just the parts, it’s what’s underneath.” Lachica described the band’s writing process as stripping everything down to the bare essentials. Then the rest of the members begin layering the songs with their own unique musical styles. “We wanna do something that really explores the different things we’ve done,” Jaffe explained. While Jaffe and McCormack are big lovers of British pop and punk, Hodges brings his combo of electric and analogue drums to the band's sound, which overall is inspired by the music of Joy Division and Cocteau Twins.



It wasn’t easy forming Arc Waves though, as the band sorted through a slew of musicians to find the perfect fit. While some bands come together by chance, Arc Waves benefited from the convenience of technology. “Honestly, we met through Craigslist,” Jaffe admitted before McCormack revealed, to Lachica’s surprise, that he actually found the band while Googling Cocteau Twins (Lachica’s vocals have been compared to the Scottish band’s lead singer). Lachica jumped in to clarify her hesitancy to share their origin story. “Craigslist is a little creepy,” she said.

Although McCormick said he'd met a number of his closest friends over the classifieds site, the band encountered many crazy people during auditions. Jaffe described one drummer as “a fucking weirdo,” and Lachica mentioned one guitarist who brought his little brother to the audition. “Honestly we felt like he was gonna kill us. It didn’t work out,” she said, laughing. But once all four of them finally met, everything slotted into place. “Everyone just fits together really well,” Lachica said.

Arc Waves recently released their first single, “Half Dome," on Jersey City radio station WFMU, where they're performing live on August 28. Their debut EP is scheduled for release this September. The band isn’t just putting their music out solo though; they have help from a producer who believes in them so much that he’s creating a label around them. The band cut a demo with studio owner Chris Butler who soon after decided to form Ghost Station Records and record all of their music. “It’s like a Motown thing. He wants to form something in Brooklyn to capture everything that’s going on right now,” Jaffe said. “It's the beginning of a Brooklyn collective.”




A HuffPost Entertainment editor, who is not the author of this article, has a personal relationship with Brandon Jaffe. The rest of the editors like the band anyway.
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