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Could This 'Big U' Save NYC From Another Superstorm Sandy?

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Six winning entries in a groundbreaking federal design competition to protect cities from rising sea levels were announced on Monday, and include a colossal "Big U" system that will fortify New York City's most vulnerable, low-lying areas.

"Big U" will see the installment of a 10-mile system of berms and other protections from West 57th Street down to Battery Park and then around to East 42th Street. In the Lower East Side, park-like berms will be constructed; near the Manhattan Bridge, artist-designed panels attached to the underside of FDR Drive will provide light at night but will flip down for protection during flooding emergencies.

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The plan also contains educational initiatives, including replacing a current Coast Guard building with a maritime museum that will allow visitors to see "tidal variations and sea level rise while providing a flood barrier," as "Big U's" final proposal indicates.

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Another winning design, "Living Breakwaters", focuses on Staten Island, which suffered devastating effects brought on by Superstorm Sandy. The project calls for a "necklace of breakwaters," or living reefs, along the island's South Shore to protect against future flooding.

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The Jersey shore, Hunts Point in the Bronx, Hoboken, NY, and Bridgewater, CT are also among areas designated for protection in the winning designs.

The six projects are expected to receive initial funding of $920 million, with the "Big U" design receiving $335 million for a portion of its $1.2 billion first phase, the Wall Street Journal reports. According to Gothamist, U.S. Housing and Urban Development Secretary Shaun Donovan said the six designs were just the start of a nationwide effort that will ultimately cost billions.

The Rebuild by Design competition was organized by President Barack Obama's Hurricane Sandy Rebuilding Task Force as a part of a larger $60 billion aid package the federal government has dedicated to the tri-state region in the wake of 2012's unprecedented storm. The severe damage and loss of life -- once unthinkable for a city like New York -- raised the need for communities and governments to tackle climate change with resilient, smart innovation.

New York City Mayor Bill de Blasio said construction on the six projects should begin over the next few years.

“The issue before us is resiliency: protecting our city, our state, against an ever-changing climate,” de Blasio told reporters at a press conference Monday.

Why Is Heavy Metal Most Popular In Wealthy Countries?

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In 2012, a map documenting the number of heavy metal bands per 100,000 people made rounds on the Internet, the greatest concentration landing in the Scandinavian countries. At the time, Richard Florida, co-founder and editor-at-large of The Atlantic's CityLab, originally looked to geography and personality to explain the results. Music that draws the "intense and rebellious" would, logically, go hand-in-hand with long, cold winters and a past filled with Pagans and Vikings, right?

heavy metal

Two years later, Florida has returned to the map, looking in through a different lens. In his new report, along with the help of his Martin Prosperity Institute colleague Charlotta Mellander, Florida has discovered a relationship between a country's wealth and "high quality of life" and the popularity of heavy metal. He writes: "At the country-level, the number of heavy metal bands per capita is positively associated with economic output per capita (.71); level of creativity (.71) and entrepreneurship (.66); share of adults that hold college degrees (.68); as well as overall levels of human development (.79), well-being, and satisfaction with life (.60)."

While heavy metal might be most common in "the most advanced, most tolerant, and knowledge-based places in the world," Florida notes that there's no indication of direct causation between the two factors. Mellander, who is Swedish, believes that the density of heavy metal acts is related to Scandinavian governments’ "efforts to put compulsory music training in schools, which created a generation with the musical chop to meet metal’s technical demands." A genre born out of the United States and United Kingdom, it is unlikely that the genre would or will ever hold much weight in areas like Africa, the Middle East and much of Asia.

Heavy metal may sound the banner of the destitute and the alienated, but it is thriving among their counterparts, and the affluent certainly have the media, entertainment companies and consumers necessary to keep it alive.

8-Year-Old Singer Blows 'Norway's Got Talent' Judges Away With 'Summertime'

Shaun Ross, Albino Model, Talks Accepting & Defining His Beauty In Super Cool Psychedelic Video

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You probably recognize model/actor Shaun Ross from his recent starring role in Beyoncé's video "Pretty Hurts." However, it wasn't always epic music videos and major fashion shows for the 23-year-old looker who has Albinism.

Shaun once told CNN, "I was always the outcast, but a confident outcast. I just had to accept it. I'm going to be me -- either you're going to accept it or you're not."

That's the same sentiment he's expressing in a very artistic way via Nowness.com's #DefineBeauty series. In the final video of the project "Beyond The Skin," filmmaker Jonas Åkerlund follows Shaun around Los Angeles and captures an eye-catching collection of images and moving interview.

“Hollywood is so good at only seeing what’s on the outside, and using that first impression instead of going deeper,” Åkerlund told Nowness. “I think Shaun has spent all his life with those reactions. Look again and you see that this guy is really beautiful.”

We totally agree.

Check out the video above and let us know what you think in the comments section below.


'Two Guys One Pup' Will Have You Scratching Your Head For Days

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This is a video from VFILES called "Two Guys One Pup." There are two guys. There is one pup. So you can't really say that the title is misleading in any way...

However, to quote a modern Internet sage, "What does it mean?" No. Friggin'. Clue.

Chainsaw Artist Turns Tree Stump Into Something Straight Out Of 'Game Of Thrones' (PHOTOS)

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Chainsaw artist Steven Kenzora got all "Game of Thrones" before "Game of Thrones" was even a hit.

Just check out what he did with this tree stump.

(Story continues below)


The image of the impressive dragon sculpture is currently breathing fire on Reddit, even though Kenzora completed the project using a chainsaw and other power tools about four years ago, he told The Huffington Post.

Reddit user Pyro_Cat used to climb the tree but wrote it was later cut to a stump. Pyro_Cat's family then hired Kenzora to craft something while they went away on vacation.

The dragon carving stuck with Kenzora. "Probably my [favorite] one," he wrote of the sculpture on his Facebook page.

And that's saying something. According to chainsawsculptors.com, Kenzora, of Peterborough, Ontario, has completed about 1,500 pieces.

Check out a 2011 video of Kenzora's work below.



h/t Distractify

This story was updated with a comment from Kenzora.

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Here's Everything Wrong With 'Gravity' As Told By Neil deGrasse Tyson

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Astrophysicist and "Cosmos: A Spacetime Odyssey" host Neil deGrasse Tyson was quick to point out the inaccuracies of "Gravity" on his Twitter account when it premiered last fall. About eight months later, Tyson revisted his grievances, teaming up with CinemaSins to point out everything that's wrong with the film. Some of the sins focus on actual science -- anything that Tyson says during the video -- while others focus more on points like how the movie expects us to believe that any woman would run off on George Clooney. It's quite informative:

Street Artist Gives The Pantheon In Paris A Face-Lift

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The Pantheon in Paris just got a major makeover.

The mausoleum, home to some of France's greatest icons, will feature the faces of ordinary folk while the landmark undergoes extensive restorations. Inspired by an art project that incited global participation, the French government commissioned photographer and street artist JR to create a mosaic for the temporary redesign.

"Those resting here risked their lives. The great men of tomorrow are perhaps among these portraits," JR told French newspaper 20 Minutes.

JR is the brain behind Inside Out, a participatory art project staged around the world and featuring poster-sized self-portraits. Drawing from that idea, JR created a website so anyone could upload photos of their faces in order to take part in the Pantheon project. He also photographed participants in a portable photo booth around Paris during the month of March.

The artist then narrowed down thousands of portraits by quality, choosing only the most expressive models. For the final installation, JR installed 4,160 anonymous faces on the scaffolding on the exterior of the landmark, and within the mausoleum itself.

Check out photos of the new faces within the interior Paris Pantheon, below.


Banksy Masterpieces Recreated In LEGO In Photographer Jeff Friesen's 'Bricksy' Series

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What happens when you put LEGO bricks and some of street artist Banksy's most iconic works together? As photographer Jeff Friesen has proved, the answer is a whole lot of awesome.

In his whimsically-titled series "Bricksy," the award-winning Canadian photographer has recreated some of Banksy's most famous works of graffiti using little more than LEGO pieces.

"Friesen cleverly reimagines Banksy's world-renowned images, giving them a considerable clean up," Mashable wrote of the clever series. "When placing the originals in a more light-hearted context, the subversive artworks are subverted themselves in a tongue-in-cheek fashion. For Friesen, it's all about getting a good laugh."

An Instagram account that may or may not belong to the elusive British street artist posted some of Friesen's "Bricksy" masterpieces this week -- all of them juxtaposed with the Banksy artworks that they attempt to replicate:









Over the past week, Friesen has also uploaded several of his "Bricksy" photos on his own Instagram page. Scroll down and see if you can figure out which Banksy pieces these LEGO dioramas are modeled on:







Friesen, who is the creator of the "50 States of LEGO" photo series, will be releasing a book entitled "United States of LEGO" in September.

Until then, check out Friesen's "Bricksy" series and his other LEGO art on his website.

For 50 Years, This Free Love Pioneer Has Painted The Beauty Of Female Sexuality

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For over 50 years, Dorothy Iannone has been bringing the ethos of free love to the world of painting. Transforming her wild brand of "ecstatic unity" into vibrant color palettes and unabashed nude forms, her artworks illustrate the beauty and mystical sublime of sex, sex and more sex.

At 80 years old, Iannone is still a poster woman for the depths and possibilities of erotic art. While her naked, fornicating figures fell under the swift guillotine of 1960s censorship, today the octogenarian is running off of several straight years of gallery attention. Solo exhibition after retrospective, the art world seems eager to cozy up to the self-taught artist and her canvases teeming with female sexuality and spiritual love. No longer deemed "pornographic," Iannone's hailed as a "high priestess, matriarch, sex goddess." And we can see why:

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Dorothy Iannone, Let the Light from My Lighthouse Shine on You, 1981, Privatsammlung Schweiz, © Dorothy Iannone, Foto: Jochen Littkemann, Courtesy Air de Paris, Paris


A retrospective of Iannone's work just ended its run at the Berlinische Galerie, a show that paid homage to the artist's penchant for Buddhist and Tantric imagery. The paintings land somewhere between the nudes of Henri Matisse and Gustav Klimt and the warped figures of contemporary illustrators like Steven Harrington. Throw in the chaos of a Gary Baseman picture and a pinch of Barbara Kruger's evocative text, and you're circling around the intensity of Iannone's visual world, where sexual organs of another planet take center stage.

There's plenty of reasons to love Iannone outside of her paintings. She produced tantalizing autobiographical writing and film, including a 1967 book recounting her personal sexual adventures with men. Years before that, she was arrested by U.S. Customs for attempting to smuggle in Henry Miller's then-banned book, The Tropic of Cancer, in true iconoclast fashion. And the artist herself likened her relationship with Dieter Roth (the man for whom she left her husband, James Upham) to that of Cleopatra and Antony. "In a welcome twist on the typical artist-muse gender relationship, Roth became Iannone’s muse," Hyperallergic's Jillian Steinhauer wrote.

In essence, Iannone is a perfect mix of rebellious art spirit. Her playful forms blur the line between painting and comic art, while her mischievous subject matter filters eroticism through the female gaze. Check out a few of her works previously on view in Berlin and let us know your thoughts on the artist in the comments.

In Case You Were Wondering, This Is What A Portrait Of The Entire Internet Looks Like

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To most of us, imagining the contents of the entire world wide web is as laborious an effort as envisioning the entirety of outer space. Between the Wikipedia entries, emails, cat videos, food porn, regular porn and beyond, the many nooks and crannies of the internet seem to stretch to digital infinity.

Although we're struggling immensely to conjure any image of the beast that is the internet, artist Benjamin Redford seems to have a pretty good idea. The ambitious artist crafted a meticulous rendering of the internet at large, with content crowdsourced from 220 users around the globe. The endeavor, titled "Internetopia," is thought to the largest crowd-sourced artwork ever made.

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"I read lot of sci-fi so I'm pretty fascinated by the idea of cyberspace," Redford explained to The Huffington Post. "However it's mostly portrayed as infinite, clean, grid systems. I liked the idea of making a more 'human' version, made up by people around the world. Although looking over the completed artwork now, it seems to resemble something completely different."

To create the epic depiction, Redford divided his 2.5 by 1.5 meter canvas (roughly eight by five feet) into 3,012 cubes. Contributors to the piece submitted an idea in exchange for a dollar on Kickstarter -- the more money donated, the more space their ideas would take up on the final work.

These requests ranged from "a cat eating a hot dog sitting in an upright position, sitting on a stack of cats attached together by a belt with balloons on strings floating in the sky" (20 cubes) to "a hot sand-desert with a man lying somewhere not in center, legs and hands spread. Happy or dead, it's unknown. A horse nearby, standing with a head lowered, tired of a long walk" (15 cubes) to "an old beluga whale, teaching a classroom of baby sharks and baby beluga whales. Some of the sharks are morphing into whales" (10 cubes) to "a trumpet" (1 cube).

You can see a complete list of all the ideas here.

Redford spent three months on the piece, first drawing with pencil on custom designed graph paper, then translating it to 150gsm tracing paper with 0.1mm technical pens. Exceeding his Kickstarter goal by a whopping $9,000 (from $2,000 to over $11,000), Redford had more than the necessary artistic inspiration to fill his massive canvas. The resulting artwork is as sprawling and strange as the net itself, chock full of just as many frivolous distractions and moments of unexpected poetry.

So, if you're still wondering what a drawing of the internet looks like, it has seven "Where's Waldo" Waldos, three penises, two repetitions of the number 42 and a lot of animals. Take a look at the piece below and examine a more detailed version here.

Meet The Artist Who Wants To Build A Little Red House On The Moon

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Swedish artist and entrepreneur Mikael Genberg wants to build a self-constructing home, specifically a trademark Swedish cottage, red with white gables. Complicating matters just a bit, he really hopes to build it on the Moon.

The initial idea for "The Moonhouse Project" arose nearly 15 years ago when Genberg learned of the Swedish space industry's plan to build a satellite that would orbit the Moon. Why not, Genberg thought, brighten up the barren lunar landscape with some traditional Swedish architecture? The impossible dream has been in development since 2003, becoming more and more real every day.

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"The Moonhouse seeks to inspire people to push through our mental boundaries and change the perception of what is possible," explains the project statement. "Everyone in the world has their own personal Moonhouse -- a representation of challenges and goals and how we achieve them."

In Genberg's radical vision, a miniature red house will hitch a ride on the back of a spacecraft in October of next year, being self-assembled and transported by US aerospace company Astrobotic. Once in space, the unconventional housing unit will build itself, filling its insides with gas in under 15 minutes. Designed to fit one standing adult, the house measures in at around 8-feet high, 10-feet wide and 6 1/2-feet deep, made from a specially developed space-cloth over a carbon structure. The little guy weights just 22 Earth-pounds, but, because there is no wind on the Moon, it should be able to hold itself up.

How much does it cost to ship a small house the approximately 238,900 miles (384,400 km) journey from Earth to Moon? Around $15 million, a price funded in part by partners from the private sector but mostly from an independent crowdfunding campaign. Supporters of the endeavor can pledge "Moon meters" to the cause; every one dollar donated takes the Moonhouse 25 meters closer to its final destination.

"Putting a house on the Moon should be impossible, but through crowdfunding, through the internet through being enough individuals going together proving this that means that we can do anything," Genberg told The New York Daily News. Thus far $4,372 had been raised at the time of publication, with over 80 days remaining to take part.

"Historically, space has belonged to an exclusive few," the project statement explains further. "The Moonhouse is a democratic art project in space where everyone is welcome to participate and help create a unique symbol for what people together can achieve. The Moonhouse allows space to become more accessible to everyone in bringing man closer to the Moon."

Genberg's not the first artist to have lunar art ambitions. German-born Agnes Meyer-Brandis has been training a flock of "moon geese" to fly to the Moon in 2027, while a group of artists operating under the name "Republic of Moon" attempted to create an embassy to Earth's great natural satellite. We're just happy Damien Hirst's attempt to blast a spot painting into space didn't pan out.

Learn more about The Moonhouse in the video below and let us know your thoughts in the comments. For a different take on art in space, check out photographer Trevor Paglen's mission to launch an art exhibition into the great beyond.



CORRECTION: A previous headline incorrectly mentioned that this house would be the first artwork on the moon. As the article points out, this would not be true. We apologize for the error.

Tattooed Porcelain Dolls Offer An Alternative Way Of Viewing The Feminine Body

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Jessica Harrison has a deep respect for the traditional art of porcelain. One look at the artist's portfolio, and it's not difficult to notice a particular penchant for ceramic; albeit, a macabre one.

For one of her series, she transformed delicate porcelain dolls into mutilated zombie figurines, the female form's intricate dresses and graceful limbs doused with blood and hacked at the joints.

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Painted Lady 10, 2014, 22 x 17 x 13cm, found ceramic, enamel paint


Harrison turns the taboos of femininity on their heads, proving what's on the outside -- be it bodices, braids or pink cheeks -- does not always match what's in the inside -- in the case of "Broken," literal guts. Challenging assumptions associated with the body doesn't stop there, of course.

In a new sculptural project, Harrison has adorned the pristine skin of porcelain dolls with permanent decorations historically reserved for hardened sailors. Her figurines receive the tattoo treatment, once again turning the female form into a canvas on which she explores the binaries of the body.

"Harrison proposes a multi-directional and pervasive model of skin as a space in which body and world mingle," proclaims Harrison's artist statement. "Working with this moving space between artist/maker and viewer, she draws on the active body in both making and interpreting sculpture to unravel imaginative touch and proprioceptive sensation in sculptural practice."

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Painted Lady 3, 2013, 22 x 15 x 12cm, found ceramic, enamel paint


Her tattooed creations are making their debut at Galerie L.J. in Paris. Titled "Flash," the works draw inspiration from French philosopher Michel Serres, who muses about the relationship between the soul and our sense of touch.

"I touch one lip with my middle finger. Consciousness dwells in this contact," he wrote in Les Cinq Sens (The Five Senses). "Often consciousness conceals itself in folds... when the skin tissue folds upon itself. By itself, the skin takes on consciousness... Without this folding-over, this contact of the self with itself, there would be no internal sense, no body of one's own."

For Harrison, this consciousness oozes to the surface for all to see, taking the shape of inked roses and ships and skulls. In stark contrast to the flowing ball gowns and neatly pinned hair, her women possess darkly ornate bodies that prompt the viewer to question what lies beneath.

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Painted Lady 5, 2013, 22 x 15 x 12cm, found ceramic, enamel paint


"Her research considers the relationship between interior and exterior spaces of the body, but looks neither inwards towards a hidden core, nor outwards from the subconscious," her statement explains, "instead looking orthogonally across the skin to the movement of the body itself, using the surface of the body as a mode of both looking and thinking."

Based in Edinburgh, Scotland, Harrison pursued a PhD in sculpture in 2013, funded by the Arts and Humanities Research Council. Intrigued by the "tactility" of the medium, she infused her 3D objects with a sense of mortality and being we typically associate with humans, not dolls. Scroll through a preview of "Flash" below and let us know your thoughts on the works in the comments.





"Flash" will be on view at Galerie L.J. until June 24, 2014.

Here's What Happened When I Went On A Smartphone Cleanse For 31 Days

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Last night, as I guiltily tapped away on my smartphone while lying in bed, I realized something: I didn't have to feel bad about my post-work smartphone use anymore. It was June 1, which meant my cleanse was over.

I have, more or less, officially survived 31 days of restricted smartphone use. 31 long days of reaching for my phone while stopped at red lights and waiting for trains, only to realize I wasn't allowed to do it.

To be perfectly honest, some of those moments led to ridiculous mini panic attacks. What if I'd missed a very important text? Was that Instagram photo getting enough likes? What if an unanswered work email had sent the company up in flames? ...OK, so that last one may be a little extreme, but you get the point.

I consider myself a disciplined person. I eat my vegetables, exercise almost every day and pretty much every item on my to-do list gets crossed off. But this smartphone cleanse of mine was very, very hard.

Without further ado, let's revisit "the rules."

1. No post-work Smartphone use. This was perhaps the hardest rule of all, and the one I failed at the most often. While I was out and about in the world, whether it was with friends, on a run or at a yoga class, I was pretty good about staying away from my phone. But when "alone time" hit, I felt powerless to stop myself from incessantly refreshing my Instagram feed and texting the friends I'd talked to on Gchat only hours before.

I did get a lot better at picking up the phone to call people, though, which made me realize how much of a false connection texting really is. My best friend from home lives across the country, and last month we got in the habit of talking on the phone a few times a week. Unsurprisingly, those conversations were much more fulfilling than texting could ever be.

2. No "I'm bored" smartphone use. This was another tough one, but I was amazed by what happened when I kept my phone in my bag in "boring" situations. Mostly, I realized that the activities I'd always labeled boring were not actually that boring. I do live in New York City, after all. On walks around my neighborhood I made eye contact with and smiled at more people, witnessed some epic arguments and overheard a lot of great conversations.

Another thing I noticed was how many people weren't paying attention to anything -- including a car that was inches away from hitting them -- because they were glued to their smartphones. Not great, society. Not great at all.

3. No "I'm uncomfortable" smartphone use. This one was challenging too, but in a fun way. Awkward situations were still pretty awkward, but I did make a few new friends -- okay, acquaintances -- in the elevator last month. And this past Friday night, I was out with a group of friends who spent most of the evening on their phones. I guess I can't prove this, but I'm pretty sure I had a better time talking to the one other person who left her smartphone in her bag.

Am I changed person thanks to my 31-day smartphone cleanse? Not really. Yes, I did feel happier and more authentically connected when I separated myself from my phone. But what I truly came to understand is that constant smartphone use is now very ingrained in me -- and everyone -- and it's not good. Realistically, this habit is going to take more than 31 days to kick. And I'm not stopping now.

Were H&FJ Partners Jonathan Hoefler and Tobias Frere-Jones Ever Partners at All?

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Jonathan Hoefler is standing in his office on the seventh floor of the Cable Building in Noho, sipping a mug of ginger tea and telling stories about an obscure 16th-century Flemish punch cutter. His people are getting bored and wandering away to check their phones, the people he has brought here today to make sure he doesn’t say anything that will harm him in the ongoing court battle that has torn apart and reconfigured this famous typography firm. But Hoefler doesn’t seem to care. He’s grinning through the gap in his top teeth.

Hoefler picks up an antique type-specimen book and flips through page after page of the punch cutter’s alphabets, explaining why the letterforms are so lovely to him. “I think it’s kind of the gentle taper of these serifs,” he says, running his hand reverently across a page of type. “It gives it a kind of intellectual quality.” This punch cutter’s name was Hendrik van den Keere, and Hoefler points to a series of small geometric shapes that dangle like Christmas-tree ornaments from the interiors of some of van den Keere’s letters. Then he turns the page and points to a lowercase a. See? he says. It doesn’t have the usual “ball terminal” at the upper left. Hoefler looks up. “I think that kind of controlled irregularity is what van den Keere was about.”

17 All-Caps YouTube Comments About Lana Del Rey's 'Ultraviolence'

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Lana Del Rey released the title track to her upcoming album "Ultraviolence" on Wednesday, and fans held down their shift keys to celebrate. Ahead, the 17 best all-caps comments left on the "Ultraviolence" YouTube page. Del Rey's new album is out on June 16 in the United Kingdom and June 17 here in America.

  1. SLAY LANA

  2. I CAN'T STOP LISTENING

  3. AMAZING LANA AS ALWAYS

  4. excuse me while I be reallY FUCKING NOSTALIGC [sic] ABOUT THINGS YES

  5. I AM CRYING. OH MY GOD. 

  6. YAAAAS QUEEN

  7. SLAY QUEEN LANA SLAAAAAY

  8. IT SOUNDS H E A V E N L Y

  9. I CANT STOP LISTENING TO IT THANK YOU

  10. IM CRY SO HARD

  11. DYING

  12. SHE SLAYED ALL OF US.

  13. LANA U DID IT AGAIN
  14. BEAUTIFULLY HYPNOTIC

  15. PERFECT, OH MY GOD!

  16. ASDFGHJKJHFDSEDRFCVGHGFDSDFGH

  17. LANA DEL SLAY

Daily Life In Myanmar: Photos Capture Country's Timeless Beauty

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Welcome to Daily Life! Each week HuffPost World will transport you to one of the corners of the Earth through images that expose the beauty and tragedy of worlds you may have never before seen.



Philip Seymour Hoffman Reflects On Happiness, His Children In Unheard Interview

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This poignant animated video of Philip Seymour Hoffman ruminating on happiness, mortality and his family is today's must-watch. Hoffman's moving words -- released as part of PBS Digital Studios' "Blank on Blank" series -- resonate in particular because of the actor's death from a drug overdose earlier this year.

"I would definitely say pleasure is not happiness," Hoffman said in the interview, which was recorded on Dec. 22, 2012. "I think I kill pleasure. Like I take too much of it, and therefore make it unpleasurable ... there is no pleasure I haven't actually made myself sick on."

Hoffman also asks himself an astute, thoughtful question: "There's a period of time in your life when I kind of look back, and I'm like, was I happy, or was I just not aware?"

Even after his death, Hoffman continues to give us all something to pause and think about.

These Photos Of Mosquitoes Emerging From Their Pupas Reveal The Insects' Hidden Beauty

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As it turns out, a bloodsucking, disease-spreading creature can also be also surprisingly majestic.

Entomologist and photographer Alex Wild captured these macro photos of Aedes aegypti, aka yellow fever mosquitoes, as they emerged from their pupa, discarding their cocoon-like skin underwater then entering the air, for the first time, as an adult.

Wild took the photos in tandem with a research project in Leslie Vosshall’s neurobiology lab at Rockefeller University, which is studying the animals' sensory systems. In a blog on Scientific American, Wild explains what, exactly, he captured:

"Mosquitoes lead a starkly different existence between their early days and their adult lives, spending their youth in the water and their adulthood in the air," White said. "The transition occurs when the maturing insect sheds its last immature casing in the water and exits upwards through a small opening to the atmosphere, literally leaving its old skin beneath the surface."

Mosquitoes have a surprisingly broad range, inhabiting nearly every part of the world except for the coldest, driest environments. Of the more than 3,000-plus species of mosquitoes, National Geographic reports, only three species are responsible for the majority of diseases -- such as malaria, yellow fever, dengue and West Nile virus -- that can be transmitted to humans.

We're Obsessed With 83-Year-Old Dance Icon Carmen De Lavallade And You Will Be Too (VIDEO)

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Carmen De Lavallade is living proof that beauty, grace, health, and general badass-ness can be a reality at 83-years-old. The dancer and choreographer proves that and more as the newest subject of StyleLikeU.com's "Ageless Dailies" video series.

With a nonstop career that spans over six decades, the dance icon has worked with legends like Josephine Baker, Dorothy Dandridge, Lena Horne, Alvin Aliey, and Harry Belafonte, to name a few. But it's not just her performing arts resume that's impressive -- one look at her and you'll see she's also a style maven. Needless to say, we're obsessed!

Here are a few more gems that will have you crushing on Carmen as well...

1. She basically discovered world renowned dancer/choreographer Alvin Ailey. Carmen met him in junior high school and encouraged him to switch from gymnastics to dance. The rest is (mind-blowing) history.

2. Being a fierce dancer runs in her family. Her cousin, the late Janet Collins, was the first black ballerina of the Metropolitan Opera. #BrownGirlsDoBallet

3. She is married to Geoffrey Holder, the two-time Tony Award-winning actor/dancer/costume designer, who is probably best known for playing the part of Punjab in the 1982 film version of "Annie."

4. The stunning red floral-printed dress she's wearing in the video is one of many ensembles that her husband has designed for her. Talk about marital bliss!

5. Carmen shows no signs of slowing down -- she's performing in a solo show called "As I Remember It" at the end of this month.

6. Just watch the video above and prepare to swoon!
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