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France Wants To Punish Facebook For Censoring A Painting of A Vagina. Terrible Idea.

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This post originally appeared on Slate
by By Mark Joseph Stern

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Gustave Courbet’s The Origin of the World is a stunning work of art, a gorgeous display of painterly brilliance and a cornerstone of the French Realistic movement. It is also, according to Facebook, pornographic. The website recently censored an image of the painting posted by a French teacher, then suspended his account for violating the terms of use. Now the teacher, whose name has not been released, is suing, claiming that Facebook violated his free speech—and that French courts should have jurisdiction to hear his case. On Thursday, a Paris court agreed with his second claim, meaning the man will receive a trial in France under French law.

Upon first glance, this news might seem like a big win for free expression. Facebook’s indecency policies, after all, are absurdly arbitrary and puritanical, calling for the censorship of nude drawings and breastfeeding photos. And a Courbet fan has a much better chance of winning a free speech claim against Facebook in France than in America: While the First Amendment only applies to government censorship, France’s free speech laws can sometimes be used to punish private censorship, as well.

But in reality, Thursday’s decision could clear the way for civil libertarian nightmares down the road. European countries generally take a very lenient approach to free speech, granting the government broad powers to censor any expression deemed hateful. Allowing European courts to monitor the online speech hosted by American companies would ultimately result in punishment of unpopular views and chilling of vital expression. French courts have already tried to forbid Yahoo from permitting the sale of Nazi memorabilia online, and President François Hollande is currently considering legislation that would hold websites like Facebook and Google accountable for allowing the publication of hateful speech.

This is a dark path, and I doubt even those fed up with Facebook’s censorship are willing to go down it. France has a right to censor its own citizens, but its repressive theories of free speech shouldn’t start infecting American-based Internet hotbeds of expression. I adore The Origin of the World and think Courbet’s influence on Post-Impressionist earns him a spot among the greatest painters since the Italian Renaissance. But I’m willing to let Facebook censor it if it means keeping France’s hands off the modern era’s most vital forums for uninhibited expression.

Doctor Describes On-Scene Aftermath Of Harrison Ford's Plane Crash

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LOS ANGELES (AP) — Dr. Sanjay Khurana was close to finishing a golf game when a vintage plane clipped a tree and "dropped like a rock" onto the next hole's green. He rushed to the crash, finding a pilot bleeding from a deep gash in his head.

When the surgeon got a closer look, he was stunned to see the pilot was Harrison Ford, the actor he grew up watching in the "Star Wars" and "Indiana Jones" movie franchises. "I'm a child of the '80s," Khurana said Friday. "I'm a big fan."

One of Hollywood's pre-eminent stars, who is also an experienced pilot, crash-landed his World War II-era plane Thursday, but he was conscious and able to talk when witnesses pulled him from the wreckage.

Soon after Ford took off from Santa Monica Municipal Airport near Los Angeles, he radioed that the single engine of his 1942 Ryan Aeronautical ST3KR stopped working and he was going to make an immediate return.

Ford, who received his pilot's license in the 1990s, glided his plane onto a fairway near the airport in what aviation experts characterized as a skillful landing given a total loss of power above a densely populated area.

Ford's publicist, Ina Treciokas, said the actor's injuries were "not life-threatening, and he is expected to make a full recovery." Ford's son Ben tweeted Thursday from the hospital: "Dad is ok. Battered, but ok! He is every bit the man you would think he is. He is an incredibly strong man."

No one on the ground was hurt.

National Transportation Safety Board investigators hoped to speak to Ford but had not done so as of Friday morning.

"We definitely want to know what he knows," investigator Patrick Jones told reporters.

Safety board experts will look at the airplane's engine, flight controls and records, Jones said. A final determination of what happened will take about a year.

What was immediately clear to fellow pilots is that Ford did a remarkable job guiding his crippled plane away from homes and, without enough altitude to reach the airport, onto the golf course's relatively flat ground.

"I would say that this is an absolutely beautifully executed — what we would call — a forced or emergency landing," said Christian Fry of the Santa Monica Airport Association.

The plane, which was called the PT-22 Recruit when it was used as a U.S. Army training aircraft, was intentionally designed to mimic the flight characteristics of larger warplanes, making it a tougher flying challenge, said Larry Lee, 68, of Atlanta, Georgia.

Lee lost his own PT-22 last summer when the engine failed as he was 130 feet above ground approaching a grass field.

Unlike Cessnas and other small planes, the PT-22 can roll over and plunge straight to the ground unless it is driven down and forward to keep up its speed.

Lee managed to land his plane in a soft area between pine trees although "I left my wings in the trees," he said.

Ford, an experienced pilot, did the right thing in the emergency, Lee said.

"Keeping the plane under control...saved his life and the lives of people on the ground," Lee said.

Ford is not the only Hollywood heavyweight at Santa Monica's airport, which sits amid million-dollar homes near the Pacific Ocean.

A studio executive who pilots his own aircraft and said he saw Ford's flight described the landing as remarkable.

"He made the correct turn that the plane was designed for with an engine out," Relativity Media CEO Ryan Kavanaugh told The Hollywood Reporter. "Ninety-nine percent of pilots would have turned around to go back to the runway and would have crashed."

The fact that a spinal surgeon was playing a round of golf after a morning operation gave the crash-landing its own movie-like quality.

Khurana didn't realize the actor who played Han Solo and Indiana Jones was at the plane's controls until Ford lay about 10 yards from the plane. Fellow golfers who rushed to the pilot's aid helped remove him from the open cockpit, fearing leaking fuel might ignite.

After hitting a tree, the plane "kind of spun a little bit and belly-flopped" with such force it felt like a small earthquake, Khurana said. He estimated it fell "like a rock" about 100 feet.

After dropping his clubs and rushing about 50 yards to the plane, Khurana found a bloodied pilot groaning, complaining of pain below his waist and "trying to get a sense of where he was and what had happened."

It took several golfers to hoist Ford away from the wreckage, Khurana said.

"My initial fear was this was going to be one of those very serious, very tragic injuries right away. Fortunately, he was remarkably intact," Khurana said.

As the doctor checked Ford's breathing, circulation and other vitals, Khurana's optimism grew. Then he realized he was treating the man who brought to life heroic characters of his youth.

It didn't take long for paramedics to arrive and for Khurana to reflect on what had happened.

"I don't think I would have ever imagined waking up that morning, that after an early day of surgery, I'd see an airplane crash," he said. "It's a very odd scenario. But I'm glad I could have been of help."

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Associated Press writer John Antczak contributed to this story.

ISIS Militants Destroy Iraq's Ancient Hatra City: Officials

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By Ahmed Rasheed and Isabel Coles
BAGHDAD/ERBIL,Iraq March 7 (Reuters) - Islamic State militants have destroyed ancient remains of the 2,000-year-old city of Hatra in northern Iraq, the tourism and antiquities ministry said on Saturday.
An official told Reuters that the ministry had received reports from its employees in the northern city of Mosul, which is under the control of the radical Islamist group, that the site at Hatra had been demolished on Saturday.
The official said it was difficult to confirm the reports and the ministry had not received any pictures showing the extent of the damage at Hatra, which was named a world heritage site in 1987.
But a resident in the area told Reuters he heard a powerful explosion early on Saturday and said that other people nearby had reported that Islamic State militants had destroyed some of the larger buildings in Hatra and were bulldozing other parts.
Hatra lies about 110 km (70 miles) south of Mosul, the largest city under Islamic State control. A week ago the militants released a video showing them smashing statues and carvings in the city's museum, home to priceless Assyrian and Hellenistic artifacts dating back 3,000 years.
On Thursday they attacked the remains of the Assyrian city of Nimrud, south of Mosul, with bulldozers. The United Nations cultural agency UNESCO condemned the actions as "cultural cleansing" and said they amounted to war crimes.
Hatra dates back 2,000 years to the Seleucid empire which controlled a large part of the ancient world conquered by Alexander the Great. It is famous for its striking pillared temple at the center of a sprawling archaeological site.
Saeed Mamuzini, spokesman for the Mosul branch of the Kurdish Democratic Party, said the militants had used explosives to blow up buildings at Hatra and were also bulldozing it.
The antiquities ministry said the lack of tough international response to earlier Islamic State attacks on Iraq's historic sites had encouraged the group to continue its campaign.
"The delay in international support for Iraq has encouraged terrorists to commit another crime of stealing and demolishing the remains of the city of Hatra," it said in a statement.
Archaeologists have compared the assault on Iraq's cultural history to the Taliban's destruction of the Bamyan Buddhas in 2001. But the damage wreaked by Islamic State, not just on ancient monuments but also on rival Muslim places of worship, has been swift, relentless and more wide-ranging.
Last week's video showed them toppling statues and carvings from plinths in the Mosul museum and smashing them with sledge hammers and drills. It also showed damage to a huge statue of a bull at the Nergal Gate into the city of Nineveh.
Islamic State, which rules a self-declared caliphate in parts of Iraq and Syria, promotes a fiercely purist interpretation of Sunni Islam which draws its inspiration from early Islamic history. It rejects religious shrines of any sort and condemns Iraq's majority Shi'ite Muslims as heretics.
Last July it destroyed the tomb of the prophet Jonah in Mosul. It has also attacked Shi'ite places of worship and last year gave Mosul's Christians an ultimatum to convert to Islam, pay a religious levy or face death by the sword. It has also targeted the Yazidi minority in the Sinjar mountains west of Mosul. (Writing by Dominic Evans; Editing by Pravin Char and Stephen Powell)

Italy's Dazzling Beach Resorts Are Here To Satisfy Your Summer Cravings

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If you're hungry for a warm-weather escape, look no further than DOWN.

Photographer Bernhard Lang captures the glory of Italy's blazingly beautiful beach resorts in this stunning aerial photo series. The shots show various beach hangouts on the country's Adriatic Coast, between the towns of Ravenna and Rimini. Their patterned umbrellas, crystal-clear waters and candy-colored walkways are just the beach porn we need to make it to summer.

Even if temps there haven't warmed up yet, we're certainly feeling the heat. Buongiorno, paradise!



You can see more of Lang's work on his website.

There Probably Won't Be A Proper Sequel To 'Frozen' For Some Time

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"Frozen Fever" is a clever name for Disney's short-film follow-up to "Frozen," and not just because the seven-minute mini-movie is built around Elsa having a head cold. In the 16 months since "Frozen" was released in theaters, the animated musical has broken box office records, won two Oscars, sold millions of copies of its soundtrack and spawned enough viral videos to fill two YouTubes. Put it this way: The official trailer for "Frozen Fever" has nearly 18 million views.

"I still can't believe that," co-director Jennifer Lee said to The Huffington Post about the number. "A trailer for a short!" added co-director Chris Buck.



Such is life in the world of "Frozen," which is why Lee and Buck were initially a little intimidated about going back to the fictional kingdom of Arendelle. It was only after the idea to build the short around Elsa (voiced by Idina Menzel) trying to throw Anna (voiced by Kristen Bell) a birthday party while also battling a head cold that things clicked into place.

"Whatever pressure we had for the future went away a little bit," Buck said of cracking the plot. "We know these characters pretty well. We know what works for them and what doesn't work for them. So at that point it's all about having fun."

Part of their enjoyment came from stretching what audiences might expect from Elsa, who spent most of the first film locked in a kingdom of isolation. In "Frozen Fever," she shows a goofy side that rivals anything Anna did in "Frozen."

"Elsa was much more of a tragic figure in 'Frozen,'" Lee said. "Now she's a lot of fun. Idina loved it. There was a lot of laughing when we recorded her for the song ['Making Today a Perfect Day' from 'Let It Go' writers Robert Lopez and Kristen-Anderson Lopez] and the short."

But while Lee and Buck are thrilled with the finished product -- and Lee is currently writing the book for the forthcoming "Frozen" Broadway musical -- don't expect "Frozen Fever" to become "Frozen 2" any time soon.

"It was really nice to do a short and just get back with these characters who we love without the pressure of having to do a huge sequel," Buck said. "We're going to take a little bit of a break from the 'Frozen' stuff before diving into anything else."



"Frozen Fever" is attached to Disney's "Cinderella," in theaters on March 13.

Kevin Frayer, Photographer, Showcases Stunning Drag Queens In China (PHOTOS)

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Even though queerness may manifest itself and be understood differently in China than other parts of the world, the country still has some very recognizable emblems of the lesbian, gay, bisexual and transgender community -- including drag queens.

Photographer Kevin Frayer provided The Huffington Post with this compelling compilation of photographs documenting drag performers in the Nanning, Guangxi Province of Southern China. All of these drag queens operate out of the same night club, with many of them living and building community with one another outside of work.

The Huffington Post chatted with Frayer this week about his experiences documenting these performers. Check out some of the photographer's work below, as well as a brief interview.




The Huffington Post: Why did you decide to embark on the project?
Kevin Frayer: I am always looking for a unique view of China. Things exist here just as they do everywhere else, and it's important to highlight all elements of society -- to give a fuller view. And often they are wonderful stories to share.

Who are the drag queens involved in the project? Do they all primarily operate out of clubs?
The drag queens showcased in my photographs work in the same night club. Some of them live and socialize together, and some are in relationships with each other. They are really wonderful people -- warm, engaging, honest and inviting. It is nice to share their experience with others.

What is life like for a drag queen in China?
They have the same daily challenges as anyone else but also have the struggle of trying to navigate obstacles and attitudes. China is not an easy place sometimes, but for many they face the greatest difficulty in finding acceptance from their families.

What do you want people to take away from these images?
Primarily, I want people to see that there is more to life and living in China than the cliché view. With the drag queens, it is simply a small vignette of their lives… how some came from other cities and towns and are finding a sense of acceptance and community, as well as creative fulfillment in performing together.



Iraq Probes Report Of ISIS Attacks On Ancient Site Of Khorsabad

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BAGHDAD (AP) — Iraq's government is investigating reports that the ancient archaeological site of Khorsabad in northern Iraq is the latest to be attacked by the Islamic State militant group.

Adel Shirshab, the country's tourism and antiquities minister, told The Associated Press there are concerns the militants will remove artifacts and damage the site, located 15 kilometers (9 miles) northeast of Mosul. Saeed Mamuzini, a Kurdish official from Mosul, told the AP that the militants had already begun demolishing the Khorsabad site on Sunday, citing multiple witnesses. On Friday, the group razed 3,000-year old Nimrud and on Saturday, they bulldozed 2,000-year old Hatra — both UNESCO world heritage sites. U.N. Secretary General Ban Ki Moon has called the destruction a "war crime," and a statement by his spokesman on Sunday night said Ban was "outraged by the continuing destruction of cultural heritage in Iraq" by the Islamic State group.

Khorsabad was constructed as a new capital of Assyria by King Sargon II shortly after he came to power in 721 B.C. and abandoned after his death in 705 B.C. It features a 24-meter thick wall with a stone foundation and seven gates.

Since it was a single-era capital, few objects linked to Sargon II himself were found. However, the site is renowned for shedding light on Assyrian art and architecture.

The sculptured stone slabs that once lined the palace walls are now displayed in museums in Baghdad, Paris, London and Chicago.

The Islamic State group currently controls about a third of Iraq and Syria. The Sunni extremist group has been campaigning to purge ancient relics they say promote idolatry that violates their fundamentalist interpretation of Islamic law. A video released last week shows them smashing artifacts in the Mosul museum and in January, the group burned hundreds of books from the Mosul library and Mosul University, including many rare manuscripts.

At a press conference earlier Sunday, Shirshab said they have called for an extraordinary session of the U.N. Security Council to address the crisis in Iraq.

"The world should bear the responsibility and put an end to the atrocities of the militants, otherwise I think the terrorist groups will continue with their violent acts," he said.

___

Associated Press writer Vivian Salama contributed in Baghdad to this report.

American Tourists Allegedly Carve Initials Into Rome's Colosseum

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Two tourists from California are accused of carving their initials into Rome's Colosseum on Saturday and posing for a selfie.

The unidentified women, aged 21 and 25, were arrested after the alleged vandalism, The Guardian reports. They reportedly snuck away from their tour group and scratched their initials, J and N, into the amphitheater with a coin.

Signs posted in both English and Italian make the law very clear: Defacing walls is illegal at the Colosseum. Yet vandalism happens and tourists have been fined as much as $25,000 in the past for such violations.

"There’s a difference in perception. Museums are treated like churches, sacred places where there are things of great value. Whereas the Colosseum is an incomplete building which has already been robbed," a spokesman for the Special Superintendency for the Archaeological Heritage of Rome told The Guardian.

The suspects may go in front of an Italian judge to face penalties. Buzzfeed reports that they apologized, saying, "We regret it, but we did not imagine it was something so serious."

Italian media tweeted photos of the vandalism, which appears to show the letters J and N carved into the brick of the ancient World Heritage site.




The Colosseum undergoes constant cleaning due to vandalism and natural decay. In 2013, officials unveiled several discoveries during a restoration project, including new frescoes as well as ancient graffiti and drawings of phallic symbols.

Carol Went Pretty Far On Last Night's 'Walking Dead'

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They've survived walkers, an evil governor, a megalomanical police woman and even cannibals, but can Team Rick make it through ... a welcome party?

Spoiler alert: The following recap contains spoilers. There is no sanctuary.

After being promoted to Constables by Alexandria's resident-in-chief Deanna, Rick and Michonne are ready to patrol their newfound neighborhood, but there's a lot more going on than Deanna, the rest of the town or even Michonne understands.

Here are the four main takeaways from Sunday night's episode, entitled "Forget."

Rick, Carol and Daryl plot to get an upper hand, and Carol is willing to go pretty far for it.

When Rick, Carol and Daryl have a secret meeting at the bungalow in the woods outside of Alexandria, the plan is to obtain as many weapons as they can from the pantry -- just in case. They want the rest of the group to try acclimating to life there, but with the condition that this inner circle is prepared to take things into their own hands. They plan to have Carol (who is proud to be "invisible" once again) slip in and take back their weapons during a welcome party hosted by Deanna, something that should be easy to do now that Carol dresses and acts like a female Mr. Rogers.

Carol wins the trust of Olivia the pantry worker and even plays dumb about her knowledge of weaponry to a man named Tobin so she can undo a window latch and later sneak in. But being deceptive is nothing compared to what she actually does to get a hold of some hand guns. After slipping out of the party, Jessie's younger son, Sam, follows her, thinking she is going to get more cookie-making supplies and sees her taking the guns. She tells him she'll bake him his very own batch if he keeps quiet. But after learning that he tells his mother everything, Carol goes the other way and tells him that if he says anything at all, he'll wake up outside the walls alone until "the monsters" come and eat him alive. WTF!

After that horrifying speech (Carol certainly does have a way with children, doesn't she?) Carol is able to get what she needed and distribute the guns to Rick and Daryl. Only by then, Daryl isn't interested.

Daryl has a change of heart after his day with Aaron.

After refusing to bathe or even pretend to rejoin society last episode, Daryl discovers his role in Alexandria thanks to the man who recruited him, Aaron. While tracking in the woods, Daryl runs into Aaron. Aaron does his best to relate to Daryl, telling him he understands what it's like to feel like an outsider due to his relationship with Eric. "People are people. The more afraid they get the more stupid they get." Apparently homophobia is still alive and well in the South.

They spot a beautiful looking horse -- one that the town's children have dubbed "Buttons" -- and try to lasso it, but walkers spook it away. Daryl saves Aaron, Aaron saves Daryl and the two are beginning to trust each other. Then, as it so often goes in this show, the two bond over a tragic moment when walkers catch and devour the horse. Aaron encourages Daryl to try and attend the welcome party and let people get to know him, but Daryl realizes he isn't quite ready for primetime. As a compromise, Aaron invites him over to his and Eric's place to slurp up a plate of spaghetti. No more worms for him!

But the food isn't even the best part. Aaron shows Daryl something special waiting in his garage: the body of a motorcycle and tons of parts. Aaron reveals his true motive for inviting him over: he told Deanna not to assign Daryl a job because he wants him to become the second recruiter for new Alexandrians. After all, his BF Eric didn't have such an easy go of it on their last attempt. Aaron insists that Daryl will be perfect for it, what with his penchant for skulking around the woods and ability to tell the difference between a good person and a bad person. Daryl accepts with a simple, "I've got nothing else to do," so it's settled. Daryl doesn't want to keep a secret weapon anymore. He wants to ride that chopper.


Everyone has a hard time remembering how to function at parties, but Sasha has severe PTSD.

Poor Sasha. Not only did she just lose her brother and boyfriend, but now all she wants to do is pick off walkers and instead she's being made to go to a party. She's not the only one who isn't ready to mix and mingle. Michonne, who just got comfortable in her new Constable's windbreaker, has to put on a dress and pretend her plastic cocktail sword isn't her trusty Katana. Sgt. Abraham enters the party with suspicions (and Rosita with a ton of side-eye), and Noah has enough social anxiety to go around. But you know what really helps in this situation? Alcohol!

By the end of the party, Carl's had a fun time with his new friends, Abe's feeling tipsy and thankful to be there, and even Mchonne hangs up her sword. But Sasha is another story. Earlier, Deanna told her she could be the primary lookout in the town's clock tower -- which is currently unmanned for the most part -- but only if she comes to the party. When she gets there she is greeted by Deanna's much nicer son Spencer, but even his friendly quips and good looks can't put her at ease. When another friendly Alexandrian asks what her favorite food is because she's worried she won't make anything she likes, Sasha flips out. She's seeing visions of the various traumas her group has endured and can't believe someone is worried about what she's going to eat. Deanna calls bullshit on Sasha's behavior, but tough love might not be enough to bring her back to her old self.


Rick and Jessie sitting a tree, K-I-S-S-I-N-G.

Okay, let's talk about what's going on with Rick. Last week he had no problem saying he could "take this place" if necessary, and now it appears he's setting his sights on taking something else that doesn't belong to him: Jessie. After Deanna's husband Reg (who built Alexandria's walls) compliments Rick at the party for keeping 14 people alive outside, Rick has his first nice glass of scotch in ages. He further warms up to the idea of being at a party when Jessie arrives with her husband and two kids. Now, in last week's episode Jessie's husband gave Rick an ominous greeting in the dark, but this time the man (who is also a doctor) is all smiles and warmth. What changed?

Jessie tries to convince Rick that the "view" is pretty good at the party, meaning the view of their friends and families enjoying themselves instead of fighting for their lives. It's not exactly like before, and they've all lost something (or someone), but Jessie is an optimist who seems intent on passing her infectious positivity onto Rick. A few glasses of the brown stuff later, Rick is happily sporting a red "A" that Jessie's younger son stamped on his hand, watching Carl talk to kids his own age and seeing Jessie hold his baby daughter like she's one of her own. There's a sweet moment when Jessie hands Judith over to Rick and he uses the opportunity to plant a little kiss. However, the moment loses some of its sweetness when, the following day, Rick sees her walking with her husband and touches the gun in his holster as if he could shoot her husband dead right then and there. WTF, Rick?

So, what will happen next week? The biggest mystery of this episode had little to do with Team Rick acclimating to their new surroundings: a walker with a "W" carved into its forehead that Carol shoots by the bungalow. What on Earth could that stand for (Woodbury?!) and does it have something to do with why Enid was sneaking out last episode? Here's a preview clip from next week's episode entitled "Spend" to hold us over.



9 Amazing Female Graphic Novelists, Illustrators And Cartoonists You Should Read

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It's been a big couple of years for women in the comic book world, with Marvel Comics unveiling female versions of their previously male-dominated troop of heroes. Last month, a girl-powered Avengers cast was announced, including such superheroes as She-Hulk, Dazzler, and Medusa. It's a bound in the right direction for the industry, but there are scores of comic artists out there who work outside of the world-saving realm.

Illustrators such as Alison Bechdel (a recent MacArthur grant recipient) and Marjane Satrapi are using the medium to tell their own stories -- which, of course, can be as powerful as the action-packed pages of more traditional comics and graphic novels. For further girl-centric graphic reading, we've rounded up a few of our favorites -- focusing on those whose work takes on the form of a clear, engaging narrative. Take a look at nine graphic novelists, cartoonists and illustrators who are making waves in the field:




Escape The Ugliness Of Everyday Life With Erik Parker's Beautifully Warped Work

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erik
SEEN, 2014 Acrylic on canvas 64" x 84"






"I guess making paintings for me is about responding to living," painter Erik Parker explained to The Huffington Post. "I couldn't see any other way of doing things. It's like a broken narrative in response to what it means to be a human being."

Parker's massive canvases contain all the abrasive colors and warped wanderings of an hour wasted on the internet, only instead of leaving your head numb and buzzing, they provide a strange sort of clarity, as if you'd gone on a hike. Most often, they depict the most unnatural nature-scapes you've ever seen, with pink swampy waters, Seussian trees gone awry and flowers plucked straight from your uncle's party shirt. It's the kind of nature that links the past up with the present, aligning 1970s psychedelia and old school kitschy landscaping with whatever mutant greenery our future holds for us.

A new series of Parker's work, titled "¿What About Now?" is currently on view at Madrid's Galería Javier López. They'll make their U.S. debut this fall at New York's Paul Kasmin Gallery.

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Run Down Vanity, 2015, Acrylic on Canvas, 30" x 22"


Parker, born in Germany and based in New York, studied with Peter Saul at the University of Texas, Austin before getting his MFA from Purchase College of the State University of New York. "What I learned from [Peter Saul] was: Sure! You can paint a landscape, talk about current events, and incorporate some history in a single artwork," said Parker. "It's a challenge, but why not?" There's a lot uniting the two painters, including but not limited to a rebellious spirit, political awareness coupled with charming irreverence, a persistent counter-cultural itch and an aversion to formalism.

The latter inclination was revealed when discussing Saul's current show at Venus Over Manhattan, comprised of works made in the 1960s. "I was familiar with a lot of those paintings when they came out and they're still, you know, really really cool," Parker said. "Way more interesting than Jasper Johns -- right? Like, Jasper Johns is mild. It's just like, really? What does that have to do with anything?"

Saul's influence is certainly evident in Parker's newest series, a super-sized travel brochure for a flattened landscape dwelling somewhere between your television screen and a hallucinatory trip. An organic logic governs the structure of the acidic-tinted canvases, with wild vines and dripping leaves organizing the other contents of the frame. Each image recalls elements of everything from Symbolism and Pop Art to countercultural comics, 1980s graffiti and outsider art.

pop
Burst the Curse, 2015, Acrylic on canvas, 28" x 30"


Although stylistically Parker's current exhibition is all over the map -- and yet, undeniably all his own -- the subject matter is slightly easier to pin down. "I think I'm always trying to paint swimming holes," he explained. "Searching for swimming holes is something I always like to do. I haven't really questioned it or thought about it too much. But I think that's something we can all agree on: swimming holes are awesome. Or else, there's something wrong with you."

The content was also influenced by the particularly brutal winter New Yorkers faced this year, and Parker's desire to escape it via the portal of his studio. He conjured the spirit of summer by playing Brazilian music, Bossa Nova mostly, while he worked. And the Melvins. "When I'm working alone I listen to a lot of the Melvins," he said.

Yet there were other more sinister things on Parker's playlist as well, relating to the recent onslaught of dismal news regarding police brutality. "We have a lot of cops killing people, killing black people. So I was listening to the news a lot, as well as this book called The New Jim Crow. I was reminded -- I'm in my 40s -- that nothing fucking changes. It seems like every 20 years we have to have this discussion again. If you look at the early 1990s or late '80s hip hop -- NWA, Ice Cube, all these dudes on the west coast. They were talking about the same thing. And if you look back to early blues like Lead Belly, they're talking about cops killing people. It never changes."

Looking at most of Parker's works, drenched in acidic colors and tropical destinations, you'd likely fail to notice their association with current events. And that's precisely the point. "It's just cathartic for me," he explained. "I'm just trying to respond to what's going on, because I can't do much about it. Some days you turn on the news and you can't believe these things are going on. You can't believe someone is sitting on death row perfectly innocent for 25 years, and then the courts overrule it and say, yes, this man is innocent, but they still can't get him out. You hear things like that and all you can do is go -- well, beaches look good. Let's just get out of our world, you know what I mean? It's just a way to cope."

Even the natural escapes the world provides us, Parker adds, are likely in jeopardy. "Everything is bittersweet," he says. "The landscapes of the beaches and stuff. These things are leaving us too." But what's harrowing in life is often riveting in art. "It's more interesting than sweet-sweet."

rigged
Rigged, 2014, 78" x 76" , Acrylic and collage on canvas


Parker's compulsion to create in the face of the chaos of everyday life aligns him in spirit with the outsider artists he often resembles in style. In particular, he's inspired by Joseph Yoakum, a self-taught artist of African American and Native American descent whose landscape drawings were created entirely from his imagination. "What I really like about Yoakum is that that dude never went anywhere. I come down to the studio, I live a few blocks away, and I'm just making up these places. You're flipping through Instagram, find an image of a place, Google it, project it onto a canvas and then draw it your own way. You sort of have your own location and can just make up a name for it."

Aside from his ability to travel endlessly without going anywhere at all, Yoakum also possessed a genuineness that appeals to Parker. "When you break into the category of outsider or self-taught art, I find that it's totally sincere. They could give a shit about making money or being in a museum or something. It's about the urgency of making something, so that thing can exist."

Parker doesn't place himself in this category, explaining that coming face-to-face with such authentic art-making can make him feel "like a phony." However, his urge to create worlds -- overgrown, neon, sharp-edged swamplands to be exact -- to combat the ugliness in the world around him, doesn't seem to be all that different. "The art is just a way for me to deal with this stuff on a regular, day-to-day basis. Just being a human being in this world."

"¿What About Now?" runs until May 6, 2015 at Galería Javier López in Madrid.



Striking Portraits Of Our Wonderful World From The Smithsonian Photo Contest

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The best photographers have the power to transport you to another place and wonder at the world anew. The finalists in Smithsonian magazine's 12th Annual Photo Contest do just that.

Out of 26,600 images submitted by photographers from 93 countries, the Washington-based institution selected ten finalists in six categories, and anyone can vote for the Readers’ Choice Award. The winners will be announced on March 31, 2015.

"The finalists range from a serene sunrise canoe in Minnesota to a train ride in Myanmar to a vicuña wandering the grasslands of the Andes," the journal explains. "Some moments were sought out, others captured by chance."

Take a look at some of the most striking images from the contest, and see a full gallery on Smithsonian's website.

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A girl looks out of the window of a slow train, while an old woman sleeps, in Kayah State, Myanmar.
Photo by: Jorge Fernandez (Spain)

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An albino child attends an exhibition about albinos at the Ethnology Museum of Valencia (Beneficencia), Valencia, Spain.
Photo by: Ana Yturralde (Valencia, Spain)

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U.S. President Barack Obama stands in the Oval Office of the White House Oct. 7, 2014 in Washington, DC.
Photo by: Olivier Douliery (Arlington, Virginia)

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Onno, a teenage girl from the Arbore tribe, Ommo Valley, Ethiopia.
Photo by: Matjaz Krivic (Ljubljana, Slovenia).

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Leslie is a tiny little lady who works with the big dogs. Her attitude and sarcasm allows her to fit in just fine with the rough edged construction men. Glenwood Springs, Colorado.
Photo: Kristen Keefer (Glenwood Springs, Colorado)

Author Tom McGuane Talks 'Crow Fair,' Police Killings And The Art Of The Short Story

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It was early March and starting to snow heavily outside his hotel in Midtown, but the unseasonable blizzard didn’t seem to have chilled Tom McGuane's enthusiasm. “I’ve been going like a house afire,” he said, counting off the interviews he’d done that day and The New Yorker fiction podcast he’d recorded for the press tour promoting his new short story collection, Crow Fair.

McGuane, 75, was in New York City for a whirlwind visit from the Montana ranch where he lives with his wife, Laurie Buffett, and his schedule seemed to be packed. McGuane admits he still feels as vital as ever, though several stories in the book seem to betray a preoccupation with the burdens of aging. “I’m doing pretty much what I did forty years ago,” he explained, which is saying something for a man who’s won cutting horse championships and run a working ranch. “I am kind of delusional about it, because I haven’t had a lot of the problems that are associated with aging yet.”

Profiles of McGuane often nod to how significantly he’s changed since the ‘70s, when his turbulent, divorce-prone lifestyle earned him the moniker “Captain Berserko.” Since his marriage to Laurie, which he’s described as extremely happy, these problems seem to have ebbed away, leaving behind a dedicated writer and rancher living a quiet country life for the past few decades.

His prose has undergone a similar evolution, from the explosively comical first novels to the subdued, pared down stories of Crow Fair, which deliver their moments of dark humor in the form of almost absurdly passive protagonists and imperceptibly tragic moments.

The Huffington Post spoke with McGuane about his stunning new collection, why we keep our frenemies, the rise of extrajudicial police killings and much more:

Why he’s become a more prolific short story writer in recent years:
“It took me a long time to know enough about writing to really write short stories. You can’t just immerse yourself, as you do in a novel, and see where everything goes. Novels are a very flexible, accommodating form. Short stories aren’t.”

On the state of contemporary literature:
“When I look around for writers who are really cutting edge and really hold my attention and the general array of stuff out there, I find myself more interested in short story writers than novelists. That said, I’ve started a novel, and that’s probably what I’ll do again, but I really love short stories. It’s a characteristically American form, and something we’ve always done well in this country.”

“There’s no shortage of good writers right now. It’s amazing because of all the information about the decline of the book culture or the decline of print -- obviously we occupy a smaller part of the array of artistic communication out there, but it doesn’t seem to be weakening.”

On working with New Yorker fiction editor Deborah Treisman:
“She understands not only what I do well, she understands what I do poorly.”

On writing spare, restrained prose:
“Probably, subliminally, I think of the reader as a kind of collaborator. I don’t want to say something for the reader that the reader could have said for himself. I’ve trained a lot of horses, and one of the rules is “Never ask a horse to do something that he was going to do anyway.” And it sort of applies to readers. I don’t want to say something that would be better unsaid, and second-guesses the intelligence of the reader.

“I’m not as in love with language-driven fiction as I used to be. I’m very interested in the idea of one perception leading to another, and you keep it clean and direct and get on with it. So I think my writing’s probably getting sparer. Sometimes I wish it wasn’t so spare. I read writers who have a wonderful lyrical streak, and I think, you know, why don’t I take more time with my sunsets? [Laughs]"

Why he writes passive characters:
“I am drawn to the idea of people drifting into the worst mistakes of their lives. And the inability to identify their approach.

“I’ve learned that people don’t seem to be as sufficiently proactive in their lives. You wonder how sweeping things can happen to people like what happens to the people who end up in ISIS or what happened to the people who end up in Nazism.... People are swept by rock and roll fads or celebrity fads; there’s a real impulse, a passive impulse, of people to be swept up in bigger things, and it’s kind of a bad idea, so I like to write about how that goes haywire.”

Why it’s so difficult to really know each other:
“One of the illusions that we live by is that we can really know anybody else, and we’re often surprised by traits in people that we thought we knew very well. The struggle to overcome loneliness, which is sort of our universal burden, leads us to leap to conclusions about who other people are. The comic version of it would be if some well-to-do old guy marries some piquant young woman who he thinks will really fit into his life, and she turns out to be mean and deceitful. [Laughs] All the things that he wouldn’t have predicted by how cute she was when they went out to dinner. “

Why we hold on to friendships with people we dislike:
“A lot of relationships of any kind, including friendship, are based on very sketchy information, and by the time the thing develops it’s sort of no-exit, but it’s based on flawed assumptions. I have friends like that. I have friends I’ve had for decades who drive me crazy. Don’t you?”

Coming to the realization that friends, like significant others, can be disappointing “reinforces your feeling of generalized loneliness,” McGuane noted.

On the importance of the landscape to Western literature:
“I feel very strongly about the landscape that I live in, and I feel umbilically tied to it in a way, and to the rivers and wildlife and human populations. For some reason it’s an emotional attachment that I feel, and I don’t think I’m particularly unique in feeling that way about it. It’s a feeling that you wouldn’t strongly have living in New York. There are other things you’d love about living in New York, but it wouldn’t be the landscape, or the skyscape, or the river. All of these things are here, but the humanscape is what presses itself on you here.”

“For better or for worse, where I live, you really know everything about everybody else, there’s very little, on a certain level, privacy. That’s a little claustrophobic in some ways, but when you’re writing you can see these people in three dimensions.”

The problem with the dream of land ownership:
“The only mistake people make is that they think the relationship with the land is best served by owning it, which is something the Indians could never understand. That just seemed outlandish to them, any more than owning air or water. I think people still make that mistake, I mean they want to own thousands of acres. I have owned a lot of land, but I considered it sort of illusory. It just meant that I got to do what I wanted with it for a while.”

Why he feels nostalgic for the America of his youth:
“I remember reading Eudora Welty ... she said she and her family used to drive to Ohio from Mississippi. She said she remembered each town, as you rolled along the highway, was as individualized as a human face, and you would recognize them along the way ... There was a kind of definitiveness that in my lifetime has kind of disappeared. She said the last time she went up there it all kind of ran together.

“The distinctiveness of the West or other places has become a bit cloudier, and I don’t know if it’s good or bad but I think it’s inevitable.”

On the Midwest:
“I’m from the Midwest originally -- it’s always the case in the Midwest that people want to get out.

“One of the things that I really liked about the Midwest was there wasn’t this kind of self-consciousness that New England has or that the West has. I mean everyone in the West is sort of vain about its natural attributes, and it gets kind of tiresome.”

Why he’s frustrated with America today:
“Right now it seems like the country is pretty close to being ungovernable. Maybe this is the point of view you have from living in Montana, but from afar it seems like the government of the United States is pretty close to dysfunctional. And it also seems like the uniting idealism that used to be part of national life, where people felt like, ‘We have all these problems but we’re in this together,’ that seems to be gone. There seems to be a rise of this kind of septic regionalism. It’s an angrier country than I remember. If I were going to put it in Hallmark card terms, I would say we don’t seem to love each other as we once did. [Laughs]"

McGuane also expressed anger over the failures of campaign finance reform, saying, “[Politicians] could just submit a list of their donors and you’d know their positions, and that would be that.”

On recent police killings of unarmed men and women:
“You hardly pick up the newspapers at all anymore without some homeless person in handcuffs who’s been shot, or some terrible thing like that. It’s getting to be common. I don’t know why. I don’t think it’s because police are getting more wicked. I think it’s a kind of aloofness toward our fellow citizens.

He’s also baffled by the extent of violent imagery in popular entertainment:
“You never see a teaser for a film on television that doesn’t have someone running around a corner with a gun. Have you noticed that? …. I think Hollywood has as much responsibility for gun violence as the National Rifle Association.”

...And addressing that in a story, “Shaman,” in his collection:
“I wanted to have, not a Christ-like figure, but a figure of benign innocence as the victim of this kind of shoot-first, ask-questions-later mentality that’s swept the country.”

15 Perfectly Bjork Lyrics That Remind Us Why She'll Always Reign Supreme

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This has not been the best week for Bjork.

Her highly anticipated (not to mention contentious) museum retrospective, curated by Klaus Biesenbach, opened at the Museum of Modern Art this week. The reviews are in, and they're not pretty.

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ArtNet's Ben Davis described the spectacle as "a cross between a fashion show and a theme-park ride, though that doesn't make it sound as lame as it actually is." Jason Farago at The Guardian echoed the sentiment, likening the whole ordeal to "fairyland meets the Hard Rock Cafe," while ArtNews' M.H. Miller put it plain and simple, saying, "I felt sad and embarrassed leaving the museum."

Yet, in every single one of the exhibition's damning reviews, the blame for the artistic debacle was placed not on the Icelandic polymath herself but the museum and its sloppy curation job. As Roberta Smith put it, "Björk should have said no -- not because her work isn’t museum-worthy but because, as proved here, the Modern is not up to the task."

So, to lessen the blow of the exhibition's public opening on March 8, we've rounded up our favorite Bjork lyrics to remind us all just how magical the artist's brain truly is. Don't let the retrospective's cheesy arrangements and creepy three-dimensional models lead you astray. Bjork is a genius, even if her exhibition was a (big) (huge) flop.

1. "Every boy, is a snake is a lily/ Every pearl is a lynx, is a girl" -Oceania, Medúlla



In non-Bjork English: We are all made of everything.



2. "As fast as your fingernail grows/ The Atlantic ridge drifts/ To counteract distance/ You know I gave it all." -Mutual Core, Biophilia



In non-Bjork English: Small things and big things, body parts and tectonic plates, slowly grow, and grow distant. I gave everything to keep us together.



3. "I suck my tongue/ In remembrance of you" -Possibly Maybe, Post



In non-Bjork English: Try it, it feels kind of like kissing.



4. "And if you complain once more/ You'll meet an army of me" -Army of Me, Post



In non-Bjork English: Grow up or be prepared to face a battalion of baby Bjorks -- which, honestly, doesn't sound so bad.



5. "There's definitely, definitely, definitely no logic to human behavior" -Human Behavior, Debut



In non-Bjork English: People are weird.



6. "He offers/ A handshake/ Crooked/ Five fingers/ They form a pattern/ Yet to be matched" -Pagan Poetry, Vespertine



In non-Bjork English: Every first handshake is an opportunity, a puzzle, a new beginning.



7. "The history touches/ Every single archive/ Compressed into a second/ All with us here as wake you up" -History of Touches, Vulnicura



In non-Bjork English: Like your life flashing before your eyes at the end of your life, Bjork experiences a rush of memories at the end of her relationship.



8. "Imagine what my body would sound like/ Slamming against those rocks/ When it lands/ Will my eyes/ Be closed or open?" -Hyperballad, Post



In non-Bjork English: Bjork contemplates her own fate and potential death. If she flung herself off a cliff, she wonders, would she survive?



9. "What is it that I have/ That makes me feel your pain?/ Like milking a stone/ To get you to say it"
-Stonemilker, Vulnicura



In non-Bjork English: Getting you to express your emotions is as fruitless as attempting to get blood from a stone.



10. "Fuck logic, fuck logic/ Bravo to instinct/ And sweet intuition" -Sweet Intuition, Army of Me



In non-Bjork English: YOLO, just do it, No Fear, trust your gut, etc.



11. "Delicious boy/ With animal eyes/ Beautiful buttocks/ Haunting movements/ But the thing that makes me love you/ Is the unforgettable smell of your skin." -Walkabout, Stick Around for Joy



In non-Bjork English: It is always a lover's scent that seals the deal.



12. "I'm a fountain of blood/ In the shape of a girl/ You're the bird on the brim/ Hypnotised by the Whirl / Drink me, make me feel real/ Wet your beak in the stream/ Game we're playing is life/ Love is a two way dream."
-Bachelorette, Homogenic



In non-Bjork English: Sometimes Bjork doesn't feel real or human, though she remains as powerful and transfixing as a fountain of blood. She needs love to make her feel alive, or at least lost in some passionate dream.



13. "He knows how many freckles she's got/ She scratches his beard" -Birthday, Life's Too Good



In non-Bjork English: Love is in the little details.



14. "These cells are virgins" -Headphones, Post



In non-Bjork English: In Bjork's self-described "love letter to sound," she describes her body before experiencing the sensual impression of Graham Massey's music on her headphones.



15. "His wicked sense of humor/ Suggests exciting sex" -Venus as a Boy, Debut



In non-Bjork English: Some savvy love advice, courtesy of your queen, Bjork.



“Björk" is on view at the Museum of Modern Art through June 7.

Here's The Dance Opera That's Being Filmed Inside CERN's Large Hadron Collider

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If Neil deGrasse Tyson's version of "Cosmos" hasn't convinced you of the beautiful drama hidden within the scientific community, perhaps this dance opera -- filmed inside CERN's Large Hadron Collider (LHC) in Switzerland -- will twist your arm in the right direction.

The gorgeous film project, titled "Symmetry," combines the best parts of opera and dance with the titillating rigor of digital art and physics to create a visual narrative that explores the philosophical elements of the giant particle accelerator. The Creator's Project premiered the trailer for the epic film, which will be screened at the EYE Film Institute in Amsterdam on March 14 during the Cinedans film festival (a festival dedicated to dance on film) as well as the NewScientist CERN festival. Take a peak at the beautiful teaser below:



The official description for "Symmetry," written and directed by Ruben van Leer and choreographed by Lukas Timulak, reads: "Inside CERN’s Large Hadron Collider (LHC), the particle accelerator where scientists are studying the tiniest building blocks of the natural world and peering at the remnants of the explosive birth of our universe, an unlikely group of individuals in suits and construction helmets burst into dance."

The film centers on the interaction between dancer Slovakian-born, Netherlands-based Timulak and American soprano Claron McFadden, who illuminate the romance of the big bang, and the love laced into the search for the world's smallest particle. The piece is particularly relevant given the fact that the LHC is preparing for its second attempt at throttling particles together at speeds humans can't even fathom.

"Symmetry" is the perfect collision of science and art. Check out more of the dance opera here and let us know your thoughts on the project in the comments. For more on the wild world of contemporary opera, check out our roundup of innovative opera artists here.


New Clean Reader App Removes Obscenities From Books On Demand

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We’ve come a long way since the early 19th century publication of Thomas Bowdler’s Family Shakespeare, a famously sanitized edition meant to make Shakespeare’s classics appropriate for children and the gentler sex. Today, cleaning up obscene texts is as easy as downloading an app.

Clean Reader, an app that allows readers to quickly and easily cover up or replace all offensive language in books purchased through the app, was dreamed up by Idaho couple Jared and Kirsten Maughan and developed by Page Foundry. The Maughans wanted to encourage their young daughter, who was a strong reader, to get into more advanced books, but found that adult books were likely to contain “pretty significant swear words.”

Reactions have ranged from bemused to outraged, with cries of censorship greeting media coverage of the app. To be clear, however, Clean Reader isn’t censorship; anyone who’s read a book of Shakespeare’s stories for children or an abridged classic for younger readers has experienced a similar curation. Parents who value learning and yet want to protect their children from adult material have long found other ways to introduce their young ones to classic and challenging texts. If an adult reader wishes to similarly expurgate their reads, many of us may not agree -- it seems tantamount to preferring the awkwardly scrubbed daytime version of "Sex and the City" -- but it’s a personal choice, not a governmental one.

It’s the strategy behind the app that suggests there’s something broader at play. According to the Washington Post, when the Maughans first spoke to lawyers about developing the app, the lawyers hastened to point out that “republishing books with the offensive words changed or removed would violate authors’ copyrights.” Well, yeah. In the past, while classics such as The Adventures of Huckleberry Finn have been published in bowdlerized form, works under copyright were protected from the black markers of commercial expurgators.

The Maughans took their idea to Page Foundry, which developed a filter to clean up texts within the app. Instead of republishing the texts with edits, the app would be purveying the same book, but providing the option to cover up all of the obscenities. It even offers different levels of cleanness: Off, Clean, Cleaner, or Squeaky Clean, depending on how clean you like your reads.

This can be a pretty poor substitute for an actually edited “clean” edition, as demonstrated by the Washington Post’s running a particularly expletive-laden passage from Colson Whitehead’s Sag Harbor through the app. The result can be almost unreadable, with so many words covered with dots that it’s hard to tell what’s going on. For example: “I could hit your fat • • fine, you • Rerun from What’s Happening-looking •.” Huh?

Still, execution hiccups aside, the app makes one thing very clear: Ebooks have a flexibility that could completely change the extent to which censorship or sanitization is possible -- and the extent to which authors’ copyrights give them control over their texts.

There have been previous episodes that have signaled the unusual vulnerability of ebooks; in 2012, a digital publisher was busted for having accidentally replaced all instances of the word “kindle” with “Nook” in their edition of War and Peace, showing how easily, in the ebook realm, brand wars could bleed into the preserve of literature. In 2009, Amazon chose to simply delete digital copies of George Orwell books from customers’ Kindles after discovering the editions were not authorized for sale on Amazon, sparking outcry.

Ebooks are here to stay, and it’s worth embracing the many advantages of the flexible format -- the customizable text size, the ability to pack hundreds of books in one slim tablet, the availability of new reads from anywhere reached by the Internet, and even the development of innovative new literary forms that make use of the visual and audio capabilities of the format. The Clean Reader app may prove to be a purely beneficial outgrowth of the possibilities offered by ereading.

It’s also worth pausing, however, to note that ebooks have once again shifted the balance. No longer does an author necessarily have the option of signing off on altered editions -- at least if the alteration is merely a filter applied to the original book. Once we had to wait until books left copyright -- long after they'd become fixtures in literary and cultural history -- before we could play freely with their stories. Now, we can read a book that came out yesterday in a form as heavily edited as the recently sanitized edition of the classic Huck Finn.

Perhaps this is all meaningless. After all, the changes aren’t “real.” But it’s worth wondering what this newly unstable sense of reality means for readers.

CORRECTION: A previous version of this article stated that Jared and Kirsten Maughan initially intended to create an app that republished edited versions of books. Jared Maughan clarified in an email to HuffPost Books that this was not the case. The post has been updated to corrected this.

'Empire' Star Jussie Smollett Comes Out

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"Empire" star Jussie Smollett opened up about his sexuality for the first time in an intimate interview with Ellen DeGeneres.

Interestingly, the 31-year-old actor opted to arrange a backstage chat with DeGeneres after his official appearance on "The Ellen DeGeneres Show," which airs March 9, to speak about the subject. However, he stopped short of using the terms "gay" and "bisexual" in the clip.

"It was really important to me to make sure that it got across that there is no closet," he said. "There’s never been a closet that I’ve been in. I don’t own a closet, I got a dresser, but I don’t have a closet, but I have a home and that is my responsibility to protect that home."

He then quipped, "My mama knows, my mama likes me a lot and yes, I take her to 'The Sound of Music' sing-along every single year."

"Empire" has already received heaps of praise for its gay-inclusive plot. On the smash Fox series, Smollett plays Jamal Lyon, an openly gay singer-songwriter who is the ex-boyfriend of Michael Sanchez (Rafael de La Fuente).

In his "Ellen" appearance, Smollett revealed that he landed his "Empire" audition after sending co-creator Lee Daniels a private message on Instagram. He was called back for seven auditions before he got the role.



H/T Towleroad

Twin Sisters Perform Gorgeous Cover Of Jason Mraz's 'Im Yours'

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There are some fantastic covers of Jason Mraz's "I'm Yours" out there. And if you ask us, these 10-year-old girls completely nailed the chart-topping tune.

Abby and Sarah are twin sisters who started singing at age four. Although their "I'm Yours" cover has over 2.5 million views, Mraz isn't the only artist they've so honored. In January, the twins stopped by The Ellen Show to cover Sam Smith. And if you ask us, they totally nailed their "Stay With Me" and "I'm Not The Only One" covers as well.

“Sometimes at the dinner table our parents tell us to stop singing because they want some peace and quiet," Abby jokingly told Degeneres.

With voices like these, we can hardly believe it!

H/T Viral Videos

Justin Sayre Reveals Cover For 'Husky,' His First Novel For Young Readers (PHOTO)

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Writer-performer Justin Sayre is gearing up for the release of his debut novel for young readers, Husky, and we've got an advance peek at the cover.

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Penguin Young Readers Group officials describe the book as follows:

It’s the summer before high school, and Davis is worried. According to a friend, everybody gets one adjective to describe them at the beginning of the school year. Unfortunately, Davis has a pretty good idea what his adjective will be. But Davis hardly has time to think about high school, as the rest of his life is changing faster than ever before.


Best known for his monthly variety show, "The Meeting," Sayre says the book is "for anyone who has felt outside or uninvited," and features themes that extend beyond a young gay audience.

"I wanted to write something that spoke about that time in a young person's life, when they start to realize their body is not their own," he told The Huffington Post in an email. "That it, in some ways, belongs to other people, for them to love or criticize ... But I also wanted to write something about a regular kid. A sensitive kid, and I do think all kids are sensitive, we just teach them to cover up their real emotions."

Husky is slated for a Sept. 22 release. Take a look at the book cover below.

Mara Measor's 'Naked Prayers' Uses Doodles To Talk To God

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Out of the depths of her despair, Mara Measor started talking to God.

The singer-songwriter first started keeping a prayer journal during a year-long service trip to Ethiopia. She felt lonely at first, since she didn’t speak the language, so she turned to God for companionship.

Then, her prayers turned into doodles. Measor, now 26, said she found it comforting to draw herself in such a childlike way. She'd look at the tiny figure scrawled onto the pages of her journal and think, “She’s going to be okay.”

The discipline of documenting and drawing out her prayers became crucial when Measor, a Hong Kong native, moved to New York City. In her new and unfamiliar environment, a number of challenges hit her at the same time. She struggled to survive as an artist and wondered whether her dreams were sustainable -- all while trying to cope with her dad’s illness.

Before she knew it, she began slipping into depression. Having grown up in a Christian community, she didn’t know how to address her mental health at first.

“I think for Christians, it’s easy to have a lot of guilt piled on to you when you’re not doing great,” Measor said. “If you’re trusting in God, then things should be fine and if you’re not happy, you must be doing something wrong.”

She began seeing a counselor and slowly began process of finding herself -- and renewing her relationship with God.

Measor’s upcoming book, “Naked Prayers,” is a documentation of all the prayers and doodles she wrote to God from 2012 to 2013, during the period of great turmoil and restoration in her life.

She’s raising funds for her project and an accompanying album at Kickstarter.

The book is aimed at people of all faiths who are going through hard times, Measor said.

“You don’t have to pretend that everything’s okay -- not to others and especially not to God,” Measor said. “It’s so sad when you speak to him as anything but exactly who you are.”
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