It's hard to give context to tragedy. Just ask the minds behind the newly opened National September 11 Memorial & Museum, which has been roundly criticized for inadequately contextualizing the attacks of 9/11, qualifying the terrorists behind them as "Islamic," and turning the tragedy into fodder for a very tasteless cheese board.
On the other end, there's the stripped-down 9/11 remembrance by artist Dinh Q. Lê, who foregoes context altogether. In a recent video installation, "WTC In Four Moments," Lê presents the iconic building as a series of Rothko-esque color blocks.
![2014-06-02-WTCin4momentsscreencapture1second2.jpg]()
A screen capture taken one second into WTC In Four Moments.
While the images are abstract, they're taken from reality. Lê, whose signature "photoweavings" tend to revolve around his Vietnamese-American identity, or the Vietnam War, turned his focus outward, to a subject practically every American has an opinion about: what happened.
To do so, he tried to clear 9/11 of all "iconic connotations," according to a press release from PPOW Gallery in Manhattan, where the piece was recently on display. He developed four six-minute long videos, each tracking photographs taken of the World Trade Center at critical times: one before the attacks, another during, one after the collapse, and one during the rebuilding.
He first edited the photographs nearly beyond recognition. Using Photoshop and After Effects, he stretched each into 656-foot long digital versions before turning the warped images into film. The footage pans the length of the distended photographs, and is set to music composed by Lê. By representing the tower as simply as possible, he hopes to make people think about the chronology of great tragedy. The press release reads, in part:
"The abstracted version of the work removes all iconic connotations associated with September 11th, leaving the viewer to reconsider the events as a slow progression of moments that led to a cataclysmic trauma and the newly built One WTC."
Still images of the videos reveal stripes of suggestive color: blue sky, a steely facade, and in the second, devastating image, a shocking stripe of orange.
![2014-06-02-WTCin4momentsscreencapture3minutes2.jpg]()
A screen capture taken three minutes into WTC In Four Moments.
It's not a substitute for visiting the museum. But there's something powerful about confronting the tower, as it was and as it is.
![2014-06-02-WTCin4momentsscreencapture5.52minutes2.jpg]()
A screen capture taken towards the end of WTC In Four Moments.
On the other end, there's the stripped-down 9/11 remembrance by artist Dinh Q. Lê, who foregoes context altogether. In a recent video installation, "WTC In Four Moments," Lê presents the iconic building as a series of Rothko-esque color blocks.
While the images are abstract, they're taken from reality. Lê, whose signature "photoweavings" tend to revolve around his Vietnamese-American identity, or the Vietnam War, turned his focus outward, to a subject practically every American has an opinion about: what happened.
To do so, he tried to clear 9/11 of all "iconic connotations," according to a press release from PPOW Gallery in Manhattan, where the piece was recently on display. He developed four six-minute long videos, each tracking photographs taken of the World Trade Center at critical times: one before the attacks, another during, one after the collapse, and one during the rebuilding.
He first edited the photographs nearly beyond recognition. Using Photoshop and After Effects, he stretched each into 656-foot long digital versions before turning the warped images into film. The footage pans the length of the distended photographs, and is set to music composed by Lê. By representing the tower as simply as possible, he hopes to make people think about the chronology of great tragedy. The press release reads, in part:
"The abstracted version of the work removes all iconic connotations associated with September 11th, leaving the viewer to reconsider the events as a slow progression of moments that led to a cataclysmic trauma and the newly built One WTC."
Still images of the videos reveal stripes of suggestive color: blue sky, a steely facade, and in the second, devastating image, a shocking stripe of orange.
It's not a substitute for visiting the museum. But there's something powerful about confronting the tower, as it was and as it is.
