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Craig Zadan, Neil Meron To Produce 3rd Oscar Show

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LOS ANGELES (AP) — The producers behind the last two Oscar telecasts are coming back for a third time.

The film academy announced Monday that Craig Zadan and Neil Meron will return to produce the 87th annual Academy Awards. The two were responsible for the 2013 show hosted by Seth MacFarlane and this year's telecast starring Ellen DeGeneres. Film academy chief Dawn Hudson said Zadan and Meron "are masters at tapping into the zeitgeist." This year's show set social media records when DeGeneres' star-studded selfie became the most re-tweeted image ever.

Meron said on Twitter on Monday that it's "a great honor" to produce the Oscar show again.

The 87th Oscars will be held Feb. 22, 2015, at Hollywood's Dolby Theatre.

Roma In Rome

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the other hundred
"The Other Hundred" is a unique photo book project aimed as a counterpoint to the Forbes 100 and other media rich lists by telling the stories of people around the world who are not rich but whose lives, struggles and achievements deserve to be celebrated. Its 100 photo stories move beyond the stereotypes and clichés that fill so much of the world's media to explore the lives of people whose aspirations and achievements are at least as noteworthy as any member of the world's richest 1 percent.

This project has a special meaning for me because for as long as I can remember, lists of the rich and famous have had a perverse hold on me. Populated with figures unlike anyone I had ever met with lifestyles the opposite of what I had always been taught was the right way to behave, they clearly could not be held up as models for emulation. And yet, with their wealth, power and influence, weren't they also meant to be models of success -- figures we should be looking up to? Clearly there was confusion here -- possibly even a contradiction. My conclusion was that rich lists were built around a lie. The reality is we can't all be rich. Most people on this planet can't even aspire to having even the tiniest fraction of wealth; 8 out of 10 live on U.S. $10 or less a day.

This is not something to celebrate, but nor should it have us despairing. Rather, it should tell us that if we want to look for success, then we should look elsewhere than those celebrations of excess epitomized by the Forbes' billionaires list and its many imitators. From this insight emerged the idea of "The Other Hundred": to turn the notion of a rich list on its head and celebrate instead not just those at the other end of society, but also the myriad ways in which people around the world use multiple means to gauge their own success and satisfaction -- some material, others not. Developing this idea took a while. I knew I didn't want to celebrate poverty. Being poor is a bad thing; everyone should have enough to satisfy his or her fundamental needs. But nor do people wake up with the dream of becoming millionaires; rather, people set about realizing more concrete, local tasks with the ideas and materials at hand.

One year later the end result of this musing was "The Other Hundred" (www.theotherhundred.com), the first book in what I now know will be a series -- a collection of 100 photo stories from 91 countries across six continents and selected from more than 12,000 images from 156 countries.

Many other ideas, themes and questions came up in the making of this book, and I hope it takes readers on a journey that helps them understand the world a little bit better. But the main goal remains to show the incredible variety of human life that exists in the world and which we almost never hear about. I would like to think that we succeeded.

We are currently working on the second edition of "The Other Hundred" for a December 2014 publication, focusing on the entrepreneurs left out of the mainstream media. These are the millions of people around the world who have ventured out and done things their own way without ever graduating with an Ivy League MBA, hiring an investment bank, planning an IPO or dreaming of fame and fortune.


Rome, Italy
Photographer: Alfredo Falvo


Around 7,000 Roma live in camps around Rome. Some of the camps are legal, others not. The vast majority of these people come from families that moved to Italy more than four centuries ago. But integration with mainstream Italian society remains a problem both for them and for more recent arrivals.

Suzana, 36, was born in Bari in southern Italy, to parents from Montenegro. In Casilino 900, a camp home to Roma of Bosnian, Macedonian, Kosovan and Montenegrin origin, she was the spokesperson for the Montenegrin community. But in 2010, after complaints from local residents, Casilino 900 was closed and its families moved to other camps around the city.

Now, Suzana, her husband and their seven children -- the oldest 16, the youngest three -- live at a city-run camp in Salone, just outside the city, in a small mobile home with just two bedrooms and a cramped kitchen-cum-living space.

Although she was born in Italy, she says it’s almost impossible for her to find a job. Through the week, she and her husband comb the streets looking for thrown away metals and other objects. Every Sunday, she has her own stand at Rome’s Via Marconi market selling secondhand crockery, paintings and other goods of value they’ve salvaged.

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This Interactive Map Will Help You Find Your Perfect Summer Music Festival

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Coachella might be finished, but there are still lots of music festivals ahead in the U.S. to choose from. But how to choose? You want the most ideal lineup of your favorite artists at a location that interests you -- read: fits in your budget/doesn't sound like an awful place to spend a few days. Thanks to Hopper's interactive festival planning map, comparing lineups and figuring out your travel arrangements is now that much easier.

Plug in all of the artists you would love to see this summer in the search field below to figure out which festival has the greatest concentration of your favorites. Then add in your nearest airport and the map will show you the cheapest way for you to travel, taking into account flights and festival ticket prices. Give the map a try below.



Watch How Teens React To 'Mean Girls' 10 Years Later

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One decade ago, a movie was released starring Lindsay Lohan about high school culture that captured the hearts of teens and adults alike: "Mean Girls"

Now those teens would be in their 20s, and a new generation has the chance to be exposed to the hilarity and insanity that is this classic comedy.

Do the cultural references still hold up? Can teens of today identify with those 10 years ago? Find out in the latest from "Teens React" by The Fine Bros above.

ASME Unveils 10 Finalists For Best Cover Contest Of 2013

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The American Society Of Magazine Editors (ASME) unveiled the finalists Monday for the Best Cover of the Year contest.

Each of the 10 finalists was chosen by top editors, art directors and photo editors as the winning cover in its category, ASME wrote on its Facebook page, where it listed the covers in the running for the top spot. The 2014 Cover of the Year will be announced on April 30.

Both Sports Illustrated and Boston Magazine won in their categories for their covers on the Boston Marathon bombings last April. George Clooney's polka dot W cover, Bloomberg Businessweek's Twitter cover and Kate Upton recreating the original 1913 Vanity Fair cover are also among the finalists for the Cover of the Year.

Here are the nominees:

Boston Magazine, News, Politics and Business Category:

cover1

New York Magazine, Entertainment and Celebrity Category:

cover2

Bloomberg Businessweek, Science, Technology and Nature Category:

cover3

Sports Illustrated/SI.com, Sports and Adventure Category:

cover4

O, The Oprah Magazine, Women's Service Category:

oprahcover

W Magazine, Fashion and Beauty Category:

cover6

Bloomberg Pursuits, Lifestyle Category:

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Bloomberg Businessweek, Brainiest Category:

cover8

Food & Wine, Most Delicious Category:

cover9

Vanity Fair, Sexiest Category:

cover10

Which cover gets your vote?

Iconic 1964 World's Fair Photos Reveal How Future Of Science & Technology Was Envisioned

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What scientific developments did Americans in 1964 think would be around today? These photos (seen below) from the 1964 World's Fair in New York City provide some insight.

Tuesday, April 22, marks the 50th anniversary of the World's Fair, where prognosticators descended onto 646 acres in the Flushing Meadows-Corona Park neighborhood of Queens, N.Y. to showcase their visions for what life and technology would be like in the decades to come.

While many of the innovations predicted at the World's Fair have yet to come true -- such as moon colonies and jet packs -- a good number eventually did come to life, including the Ford Mustang and the use of personal computers.

In fact, the event inspired a now-famous New York Times editorial written by legendary science writer Isaac Asimov, in which he offered his predictions for what the world would be like in 2014 -- and he did so with incredible accuracy. A few of his prescient insights were:

  • Gadgetry will continue to relieve mankind of tedious jobs. Kitchen units will be devised that will prepare "automeals," heating water and converting it to coffee; toasting bread; frying, poaching or scrambling eggs, grilling bacon, and so on.


  • The appliances of 2014 will have no electric cords, of course, for they will be powered by long-lived batteries running on radioisotopes.


  • Communications will become sight-sound and you will see as well as hear the person you telephone.


But of all of Asimov's predictions for 2014, perhaps the most compelling has little to do with technological advancements and all to do with the importance of individual innovation trumping humans' increasing reliance on computers.

"Mankind will suffer badly from the disease of boredom, a disease spreading more widely each year and growing in intensity," Asimov wrote. "The lucky few who can be involved in creative work of any sort will be the true elite of mankind, for they alone will do more than serve a machine."

world fair 1964
One of the Brass Rail lunch bars at the World's Fair gives the appearance of a mass of balloons tied together on August 11, 1964. The towers at right are observation platforms, part of the New York State pavilion.


worlds fair new york 1964
Riders on a moving walkway are reflected in the ceiling at the GE exhibit at the New York World's Fair, May 21, 1964.


worlds fair 1964
A small boy takes a turn at the wheel on a ride at The New York World's Fair.


worlds fair 1964 new york
The Polish Tatra Dancers of Buffalo in front of the Unisphere during Buffalo Day activities on July 5, 1964.


worlds fair 1964
Teddy Polchak of Bronx, N.Y., a visitor at the New York World's Fair on May 2, 1964, only appears to be losing his hero sandwich to the dinosaur in background. The slight-of-lens was accomplished outside the Sinclair exhibit on the fair grounds where life-size models of the extinct reptiles were a principal attraction.


worlds fair 1964
Robert F. Kennedy and family visit the RCA Pavilion at the World's Fair.


worlds fair 1964 electricity
This display in the Atomic Energy Commission's Atomsville, U.S.A., exhibit is used to illustrate the power of electricity.


world fair 1964
Standing on revolving floor, visitors to RCA Pavilion at World's Fair see themselves on television. The camera is behind TV set. Everybody can be an instant TV star.
The people see themselves on television and reactions are varied, some smirk, leer, laugh, grin, and make funny faces and cast sly looks at their images on the TV screen.

Sia Wrote Rihanna's 'Diamonds' In 14 Minutes

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If Rihanna's "Diamonds" sounds like it was written in less than 15 minutes, that's because it was: Speaking to the New York Times, songwriter Sia Furler revealed she wrote the track -- with its repeated chorus ("Shine bright like a diamond") -- in just 14 minutes.

In an interview with HuffPost Entertainment in 2012, producer Benny Blanco said that "Diamonds" happened "overnight."

"We're sitting there trying to make records, and we finally just said, 'Let's just do something we like. Let's make a hip-hop record with some really cool chords on it,'" he recalled. "It didn't sound Rihanna at all. We were more thinking of making a record that sounds like Kanye. Let's make a record with a dope beat. So we did. Then Sia heard the track and instantly gravitated towards it. We weren't even thinking of putting a pop song on it, but she wrote this amazing song."

As relayed to the Times, Sia recorded a version of "Diamonds," one that Rihanna followed to the letter when she sang the track for her album.

“I literally punched him in the arm. I thought Benny was playing a trick on me," Sia told the Times. "[Rihanna] could’ve done it her own way, but I think she really genuinely liked the way it was."

Listen to Sia sing "Diamonds" below; Rihanna's release is above.

[via NYT/The 6th Floor]

Iran To Allow First Public Concert (VIDEO)

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In a country that is known for its strict monitoring of musical content, Iran has surprised many with its recent decision to allow an pop star to perform in public.

Xaniar Khosravi is all set to perform on April 24 to a completely sold out show -- the first pop singer ever allowed to perform publicly in the country's history. Sharia Law mandates that all music must be approved by the Ministry of Culture and Islamic Guidance.

The pop singer's music was previously confined to the Internet and the country's underground music scene. But now the much-anticipated concert will go down in history.

When Khosravi posted about the show on his Facebook page , the concert sold out almost immediately. One Facebook user posted on the singer's page, "I'm so sad I couldn't get a ticket. I wanna die."

Leonardo DiCaprio Adds Steve Jobs Role To Pile Of Potential Movies

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As first reported by The Hollywood Reporter, Leonardo DiCaprio could play Steve Jobs for director Danny Boyle in Aaron Sorkin's untitled movie about the Apple Computer co-founder. David Fincher was previously attached to direct the film, albeit in the loosest of terms, with rumors that he wanted Christian Bale to play Jobs.

Whether this ever happens with DiCaprio is, of course, up for great debate. Since saying in December of 2013 that he was ready to take a "long break" after filming "The Great Gatsby," "Django Unchained" and "The Wolf of Wall Street" in succession, DiCaprio has found himself attached to no fewer five projects. In the last 13 months, he's been associated with nine films. Ahead a brief rundown of DiCaprio's ever-growing docket, as told by the Hollywood trades.

1. A Rasputin movie. "Warner Bros has acquired Rasputin, a pitch by American Sniper scribe Jason Hall that will be developed for Leonardo DiCaprio to play the Russian mystic who became an advisor to the Russian Imperial family the Romanovs." -- Deadline.com, June 7, 2013

2. An adaptation of S. Craig Zahler's come novel, "Mean Business On North Ganson Street." "In the first major deal made by Greg Silverman since he was promoted to run Warner Bros‘ worldwide feature film production arm, the studio has acquired the upcoming S. Craig Zahler crime novel 'Mean Business On North Ganson Street' as a reteam of Django Unchained stars Leonardo DiCaprio and Jamie Foxx." -- Deadline.com, June 27, 2013

3. A movie based on King Harald. "Warner Bros has made a preemptive acquisition of King Harald, a pitch that Mark L. Smith is writing as a potential vehicle for Leonardo DiCaprio. The subject: Harald Hardrada, the 11th Century conqueror who has been called the last great Viking king." -- Deadline.com, Aug. 6, 2013

4. A Woodrow Wilson movie. "Warner Bros is acquiring Wilson, the just published Putnam biography of Woodrow Wilson, the academic-turned-politician who led the United States into joining the allies in WWI. The deal is being made to develop the film as a potential star vehicle for Leonardo DiCaprio, with he and Appian Way partner Jennifer Davisson Killoran producing with Berg." -- Deadline.com, Sept. 16, 2013

5. A film based on the Vanity Fair article "The Ballad of Richard Jewell." "Leonardo DiCaprio will play a lawyer Jewell knew casually, a Southern attorney who mostly did real estate closings and seemed in over his head, but he guided Jewell through a hellish Twilight Zone that went on even after the FBI officially cleared Jewell’s name three months later." -- Deadline.com, Feb. 4, 2014

6. An adaptation of Michael Armour's "The Road Home." "'Crazy Heart' helmer Scott Cooper has signed on the write the script, direct and produce with Leonardo DiCaprio and Jennifer Davisson Killoran’s Warner Bros-based Appian Way. The drama will be shaped as a potential star vehicle for DiCaprio." -- Deadline.com, Feb. 23, 2014

7. An adaptation of Jo Nesbo's "Blood on Snow." "'Safe House' helmer Daniel Espinosa is in talks with Warner Bros. to develop to direct 'Blood On Snow,' which Leonardo DiCaprio is eyeing as a potential star vehicle." -- Deadline.com, March 5, 2014

8. An adaptation of Michael Punke's "The Revenant." "Leonardo DiCaprio has committed to star this September in 'The Revenant,' a gritty thriller that Alejandro Gonzalez Inarritu will direct for New Regency, for fall 2015 release through Fox." -- Deadline.com, April 15, 2014

9. A Steve Jobs movie. "Moving fast to replace David Fincher on its highly anticipated Steve Jobs movie, Sony Pictures is in talks with Danny Boyle to direct the biopic of the late Apple Computer co-founder. Boyle is said to have approached Leonardo DiCaprio to star." -- The Hollywood Reporter, April 21, 2014

For more on this latest DiCaprio report, head to THR.

Katy Perry Makes Controversial Joke In 'Birthday' Promo

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Katy Perry is a chameleon in the trailer for her music video (how is this a thing?). She plays the "world's worst birthday party entertainers," which include an old woman with a revealing neckline, a Jewish bar mitzvah emcee, a despondent clown, a creepy animal trainer and a princess with a Valley girl accent.

There's a not-so-funny joke about rabbis and circumcision, and some off-color stereotyping in here, Salon points out. Perhaps "Birthday" can still take the coveted "song of the summer" title, as Vulture wrote, but maybe it's time for Perry to quit the whole pissing-people-off-with-cultural-costumes thing.

Perry has yet to release the actual music video for her single "Birthday," but has already debuted a lyric video and this bizarre trailer. Where, we must ask, is the actual video? And can it please be free of "Yosef Shulem"? (The creepy animal trainer can take a walk too.)

Filmmaker Vanessa Black Gives Ukraine's Crisis A Human Face

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During Ukraine's recent political crisis, young American filmmaker Vanessa Black went to Kiev to document the people at the center of the protest movement.

Her project, #UkraineRising, aims to show the real human stories behind the demonstrations that toppled president Viktor Yanukovych in February.

Black chronicled the chaotic aftermath of Yanukovych's fall for Elite Daily, a news site aiming to let young people build conversations around the news. Black's poignant stories from Kiev, which will be made into a feature film, are being showcased by Elite Daily as part of the series “Millennials Making A Difference.”

As Ukraine grapples with Crimean secession and pro-Russian unrest in eastern cities, Black's portraits are a moving tribute to the Ukrainians bravely facing an uncertain future.

'Gone Girl' Author Comments On Changed Ending

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"Gone Girl" author Gillian Flynn participated in a Reddit AMA on Tuesday, April 22, and responded to questions about the book's ending being changed in the film adaption. She reassured fans that the finale wouldn't change as much as she had once suggested.

In January, Flynn hinted that the movie's ending would be much different than the book's. She told Entertainment Weekly, "Ben [Affleck] was so shocked by it. He would say, 'This is a whole new third act!'" Flynn wrote the screenplay and according to the interview, she was quite excited to take apart what she had written years before. "There was something thrilling about taking this piece of work that I’d spent about two years painstakingly putting together with all its eight million Lego pieces and take a hammer to it and bash it apart and reassemble it into a movie."

But Flynn's most recent answer on Reddit makes it seem that the changes won't be so dramatic. See her full comment below:

Tell your girlfriend not to worry—those reports have been greatly exaggerated! Of course, the script has to be different from the book in some ways—you have to find a way to externalize all those internal thoughts and you have to do more with less room and you just don't have room for everything. But the mood, tone and spirit of the book are very much intact. I've been very involved in the film and loved it. Working with David Fincher is pretty much the best place to start for a screenwriter. Screenwriting definitely works different parts of your brain than writing a novel. I do love that with novels, you can really sprawl out–it feels quite decadent. With screenwriting, you have to justify every choice. It's a nice discipline, but definitely not decadent.


The most recent trailer for "Gone Girl," which debuted last week, gives away nothing about the ending, but it does feature a pretty killer use of "She," covered by Richard Butler.

"Gone Girl" is out in theaters on Oct. 3.

Corey Stoll Talks Playing A Former Boxing Champ In 'Glass Chin'

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Most of us know Corey Stoll as Peter Russo on "House of Cards," and some may even remember his short portrayal of Ernest Hemingway in "Midnight in Paris." However, Stoll is soon to become a household name with starring roles on both the big and small screens.

Besides appearing in three films coming out this year -- as well as next year's "Ant-Man" -- and starring in FX's new horror series "The Strain," Stoll also made time to play a former boxer in "Glass Chin," which just premiered at Tribeca Film Festival. Stoll's Bud "The Saint" Gordon is a forgotten boxing champ whose career and fame plummeted after throwing a fight years before. He begins training an up-and-coming boxing star, Kid Sunshine, but getting back in the gym isn't enough. Desperate to restore his name, Bud goes into business with crooked entrepreneur JJ (Billy Crudup), only to end up being framed for murder.

HuffPost Entertainment caught up with Stoll during Tribeca to chat about "Glass Chin" and find out what it was like to star in a boxing movie with so little boxing.

What would you say is Bud's driving force in the film?
He's trying to get back to his high-status place, where he was before he took the dive. He's very status obsessed. When you see him at the beginning of the movie he's very bitter and very petty. Everything he does he's trying to sort of leap-frog over the hard work of building himself back up.

There's a clear difference between Bud and Kid Sunshine. Kid wants to win fights for something bigger than himself, but that's not what Bud's goal used to be, was it?
For Bud, it was always in a very small, ego-driven way. It was his way of being a man, being the man. I think it's sort of revelatory to see the Kid who does it for the honor of doing something incredibly well -- that the sweet science of boxing, it as an institution, is worthy of putting all of your sacrificing, all of your blood, sweat, and tears into it in order to create, if not art, then something sort of transcendent.

Do you think that's what draws Bud to Kid and why he enjoys training him?
Yeah. He saw that Kid had a purer set of motives than he did. I think Bud sort of, while he was boxing, assumed everyone was doing it for the same reasons he did. It sort of shocks Bud to see somebody doing this without so much ego.

What is Bud's weakness that makes him susceptible to JJ and leads to the trouble he gets tangled in?
I think he is really susceptible to flattery because he has this sort of grandiose sense of what he's supposed to be. When he was younger he got a taste of being the champ, or being close to being the champ. That people are supposed to treat you a certain way, you're supposed to get the best tables, people are supposed to bow down to you. Billy Crudup's character JJ plays into that and really makes him feel like the man that he was when nobody else does. His girlfriend doesn't do it, people on the street don't do it. He's really been forgotten. The people who do remember, remember him for his downfall. That's really his legacy.

In the film, Bud doesn't have many of his own interests. He listens to his girlfriend's music and sees the movie she picks out. Why is that?
I think for all sorts of athletes, when you're younger and developing your tastes in movies and music, he was just in the gym. JJ calls him a monk [in the film] and there is a sort of a monkish quality to boxer. It just takes so much time and they're so exhausted all the time. It's so all-consuming that I think Bud never really developed certain parts of himself.

There are a few parallels made between boxing and monks in the film, and there's this idea of boxing having a holy quality to it. Do you think Bud ever sees boxing this way?
He didn't, but I think he felt that. There's no way you can work as hard as you have to work in order to become a successful boxer without really feeling that meditation that you get in the gym. But I think Bud from such a young age was just so status obsessed that he didn't give that its due credit.

It's so interesting that you star in the boxing movie where you don't even get to box or fight. Were you ever wishing you'd get to have a fight scene?
Yeah, totally! We spent a few weeks at Gleason's Gym where we shot the gym scenes with Malcolm [Xavier] who plays Kid Sunshine. I was just there training alongside him just to get a sense of the gym and these guys, and to sort of develop my rapport with Malcolm. But yeah, there is something sort of funny about that. The guys in the gym would be like, "Oh you're making a boxing movie." "Aw yeah … sorta." [Laughs] Boxing is the setting, but it's not really a boxing movie.

You have a lot of films coming out this year, but you're still doing TV with the new FX show "The Strain." Is there a difference at all for you between your film roles and your TV ones?
I think sometimes in film there's a little bit more of a need to bring more of your whole self to every scene. Within a movie, this is your only chance to show this particular side of the character. Where in TV sometimes I think you can take your foot off the gas a little bit and every scene doesn't hold the certain responsibility of defining this part of the character. In "House of Cards," I knew I had 11 hours, and in other shows where the character is on-going you have a seemingly infinite amount of time. Even though you're working at this relentless pace in TV, in some ways you can even let the character unfold in its own time and you don't necessarily have to know entirely who he is. That being said, in the day-to-day working of it, they're sort of the same thing. You're trying to fulfill the writers intent and figure out why does this scene exist. That's the same.

"Glass Chin" will be screening at Tribeca Film Festival on April 22 and April 26.

These Were The First Photos To Show America's Landscapes In All Their Vivid Colors

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Even before color photography was publicly available, one enterprising firm found a way to provide the world with the earliest glimpse of North America's extraordinary landscapes in color.

These intricately-colored images, shared by private collector Marc Walter in the upcoming book "An American Odyssey," were originally published by the Detroit Publishing Company in a collection that spans from 1888 to 1924. The firm took black and white negatives and imbued them with color via a newly-invented printing process called photocrom, to which it obtained exclusive rights in America. The 1901 catalog boasts that the photocrom prints "combine the truthfulness of a photograph with the color and richness of an oil painting or the delicate tinting of the most exquisite water color."


From the buzz of New York City to the expansive canyons of Arizona, the collection provides a fascinating glimpse into America's past, in all its vibrancy.



(h/t: The Guardian)

'World's Most Sustainable Font' Wants To Save The World Through Typography

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Typography is a powerful invention. It is, after all, the design mechanism that brings us the words of novelists and writers in an aesthetically pleasing fashion. But can fonts be more "sustainable" than others, wagging their greener fingers at the opulent Times New Romans of the world? Can typography hop on the eco-friendly bandwagon?

"Yes," says Grey London, one of the collective minds behind Ryman Eco, pitched as the "world's most beautiful sustainable font." When printed, its ink usage is 33 percent less than "standard" fonts, the website claims, like Arial, Times New Roman, Georgia, and Verdana. That's because Ryman Eco's fine, outlined letters stand in contrast to the solid letters of TNR et al.

In the normal course of printing, ink bleeds on paper. But in Ryman's case, that's an advantage, as the outlined letters then look more like a solid, filled-in font.

ryman

"We love printing. But we don't love what printing does to the environment," the site states. "So we've worked with world-class font experts, Monotype, in an attempt to create the world's most beautiful sustainable font. We didn't want to compromise legibility for sustainability; after all the font will only help the environment if people actually use it. And of course, it must be completely free to download."

Forget Garamond, the font paraded around the internet last month as the design that could save the U.S. government hundreds of millions of dollars each year. Ryman Eco is a solution for civilians -- and its also free.

But just as fast as Ryman Eco pushed its pithy marketing video (shown above) to the masses, critics popped up to challenge the heavenly concept of an eco-friendly font. The 33 percent ink reduction, naysayers say, is a "nebulous" claim (and the typography has been criticized for looking "haughty"). Cutting the ink usage, for these critics, is not the answer. Ending America's reliance on paper communication is. And a "sustainable" font has little to do with that.

"Using no paper at all would do a lot more to help the environment," David Gianatasio from Ad Weekly mused, "but Ryman probably doesn't want to hear about that."

"Essentially, Ryman’s thinking here is: Printing anything at all is better for us than printing nothing," Slate's Eric Holthaus wrote, referencing the increasingly outdated nature of the printing industry. "So, we want you to feel good about it while you’re out there dot-matrixing out your to-do lists and inter-office memos."

Still, Ryman is characterizing its product as a simple fix that will make a difference right away. “We all know we should be saving the world but not enough people are looking at the small but powerful changes that might actually make things better,” Grey London ECD Nils Leonard explained to Fast Company.

Let us know your thoughts on Ryman Eco in the comments.

David Foster Wallace's Family Is NOT Happy About Movie Plans

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David Foster Wallace’s family is not happy with Hollywood’s plans to turn his life into a movie.

Funnyman Jason Segel stars as the famous author in the upcoming film "The End of the Tour." Currently in production, the flick is loosely based on reporter David Lipsky’s (played by Jesse Eisenberg) unpublished 1996 Rolling Stone article, which was later turned into a book, centering around a road trip with Wallace and focusing on Wallace's novel Infinite Jest.

But Wallace’s family and the David Foster Wallace Literary Trust claim he would never have agreed to the film, nor do they support its making.

Wallace’s estate released a statement to the Los Angeles Times on Monday, which reads, in part:
The Trust was given no advance notice that this production was underway and, in fact, first heard of it when it was publicly announced. For the avoidance of doubt, there is no circumstance under which the David Foster Wallace Literary Trust would have consented to the adaptation of this interview into a motion picture, and we do not consider it an homage.


In March, an extra on the film leaked a video from a set in the Mall of America:



Wallace, who suffered from near-crippling anxiety and depression, took his own life in 2008 at the age of 46. Toward the end of his life, he reportedly hadn’t been able to write for over a year, according to Salon.

In the wake of Wallace’s suicide, publisher Michael Pietsch (of publishing house Little, Brown, and Company), who had worked with the author for more than a decade, told Salon, “I hope he’ll be remembered in the way that every writer hopes to be remembered. ... That people will continue to read his books. His mind is there on every page. Infinite Jest, in particular, is one of the great works of a mind in our time.”

Electric Zoo Returns With New Drug Policies In 2014

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Electric Zoo producers confirmed on Facebook that the EDM festival will return to New York's Randall's Island this summer, despite sparking a national debate last year when two concert-goers died of drug-related causes.

The 2014 festival will feature new safety measures, according to the Wall Street Journal, including hiring plainclothes security guards, drug-sniffing dogs at all entrances, background checks on vendors and employees and providing free or cheap electrolytes. Ticket holders will also have to watch a PSA about drug safety before having their passes validated.

"We are incredibly excited to bring Electric Zoo back to New York,” E-Zoo organizers Mike Bindra and Laura De Palma said in a statement. “Over the past five years, Electric Zoo has grown tremendously, becoming a critically acclaimed, internationally recognized music festival. The opportunity to again host Electric Zoo on Randall’s Island is a responsibility we take seriously, and we look forward to expanding our safety and security measures in order to further improve the concert experience for our fans.”

Last year, E-Zoo canceled the final day of the three-day festival after Olivia Rotondo, 20 and Jeffrey Russ, 23, died of an MDMA-related drug overdose. Four others were hospitalized, 31 people were arrested, and there was one report of sexual assault. By taking new precautions regarding drug safety, the organizers hope to avoid the dangers associated with large-scale EDM festivals.

E-Zoo, which will celebrate its sixth year on Randall's Island, is scheduled for Labor Day weekend and tickets will be available for purchase April 29. Party on, but responsibly.

Bleachers' Debut Aims To Bring The Cool Of '80s Pop-Rock Back To The Mainstream

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That New York cliche about running into people you know, even while living in a city of 8 million people? It's true: While waiting inside the Bedford Ave. train station in Brooklyn on March 27, I ran into one of my co-workers. We started talking, and I told him that I just saw Bleachers, the solo project of fun.'s Jack Antonoff, perform at the Music Hall of Williamsburg. Just then, a drunk 20-something waddled over to us. "I'm really sorry to interrupt your guys conversation," he slurred, "but I totally just saw Bleachers and it was fucking amazing!"

The train arrived, and to my luck, our new friend was headed back into Manhattan as well. He spent the entirety of the ride listing off every fact he knew about Antonoff and his new venture. He fumbled with the zipper of his jacket to show me his brand new Bleachers shirt, having replaced his sweaty fun. tee immediately after purchase. He asked me why I went to the concert, and so I told him about the planned interview with Antonoff. As I got off at my stop he yelled out the doors, "Write about me in your story! Tell Jack I'm his biggest fan!"

I hope you're reading, drunk guy.



That night was only Bleachers' fifth live performance, and the concert sold out. Bleachers had only released one song, "I Wanna Get Better," but there wasn't one song that didn't have fans thrusting their hands in the air with abandon. Antonoff and his backing bandmates blazed through an exceptionally percussive set -- two drummers! -- that sent even the most petrified limbs sputtering at the knees. As the concert closed with the band's single, there wasn't one person in the crowd who wasn't screaming, "I wanna get better, better, better, better!"

"It feels amazing, as well as the culmination of basically 14 years of being on tour and making music," Antonoff said. "I don’t think it’s a common thing. The support and the faith I was feeling from the audience, both at that show and when I released one song and everyone got behind it, is similar in the faith that I like to play to people. That people are smarter than they get credit for, that they want to hear music where there’s this back and forth, mutual respect between us. The way that people have gotten on board with me is the most encouraging thing in the world, but it’s all very connected to the 14 years I’ve been on tour with Steel Train, even my band before that, Outline, and then fun. and now Bleachers. I’ve worked so hard for so long and everyone’s reaction has made me feel like ... almost like they trust me, which is just a wonderful feeling. It pushes me to write things better and better."

Antonoff wrote the entire time while touring the world with fun. He had never been able to write while on the road during previous circuits, describing his travels as the least ideal moments for him to channel his creative energies, but something was different this time around.

"For some reason I was really compelled," Antonoff said. "In a way where I wanted to wake up in the morning and write. To not just lay around in my hotel room, but to get out in New Zealand or wherever I was and put songs together. There was nothing else that was driving me."



Poised for a summer release -- and inevitable summer domination -- the debut album expands from "I Wanna Get Better," never sacrificing its catchy nature for depth. Sitting somewhere between the indie sounds of Steel Train and radio-charged pop of fun., Antonoff greatest influence is from the '80s, where mainstream music and good music co-existed.

"The active influence was parking back in this time in history, kind of like in a lot of John Hughes films, where you have these huge, amazing pop songs that sounded fucking incredible," Antonoff said. "They were experimental and changing things as they were coming out in pop, and mainstream didn’t have to be this bummed-out feeling. And then, you know, I grew up in the ‘90s, and that was a similar thing, where you'd also feel like your friends around your same age are listening to all the same pop music. Which at the time was Nirvana, Smashing Pumpkins and Pearl Jam, and that was mainstream. Then everything got kind of embarrassing and weird, and I moved into the indie bands. When I started playing in bands we had to be apologetic for what we did. We had to be apologetic because the mainstream was so bad."

He continued: "Now we’re in a place where I feel like there can be a shift. The Bleachers album is meant to be as interesting and artistic and creative as anything I’ve ever done, but there’s absolutely no apologetic element of how important culture is as I want it to be. I think that’s something that I’ve struggled with a lot of my life. I want to be able to do work where I think it’s very forward, but I also want it to exist in a big way and have an effect on a lot of people. You don’t have to have one or the other anymore. I was very influenced by a time in the ‘80s when that was existing more commonly."

It was with purpose that little word of Bleachers had escaped before the release of the first single. Antonoff didn't want any hype rattling before the music launched, because this project is entirely about the music. He could have used his own name for the band, but instead chose the working title of one of his songs, a word that describes simple bench seating. And there's something about this choice that really captures the album's candor.

"A lot of it is me being very honest with the things that I’ve been through," Antonoff said. "I think the only way that I can tell an interesting story that matters is to tell my story. I’ve gotten a lot from music, hearing other people’s stories. It talks a lot about the challenging and more horrible things I’ve been through. 'I Wanna Get Better' is a perfect example of that, the words are very literal. A lot of people might think it’s dark, but to me it’s very hopeful. It’s about moving on and finding ways to be kind to yourself."

'Still Life' Is A Powerful Poem On Moments In Motion

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"How do we hold a moment?"

That is the seemingly simple question posed and pondered within "Still Life," an incredible work directed by Charles Frank and Jake Oleson and posted by ZANDRAK.

The short film, "shot guerrilla style with the Phantom Miro and Red Epic", blends insightful prose with mesmerizing visuals set against a backdrop of New York City.

Click play to take the work in. And, after you finish watching, you'll probably be more than inclined to contemplate the inquiry as you walk the splendid streets of your own city or town.

Via Vimeo Staff Picks

Lorde Cancels Australian Tour Because She Is Sometimes A Normal Teen

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Sometimes you really have to listen to your parents, even if you're a 17-year-old superstar named Lorde.

The "Royals" singer tweeted Monday night that she would postpone her Australian tour due to a "nasty" chest infection. The tour was scheduled to start April 24, but at the behest of her parents (and her manager), she decided to put the run on hold.

"In case you missed the announcement earlier, I have had to postpone my Australian shows because of a nasty chest infection and general ill health," she wrote in a series of tweets. "I am so so gutted to have to do this but my parents and my team stepped in telling me I needed a break after being non-stop since the Grammys in january. We will 100% be back for this tour (most likely in November) so don't worry about that."

The Melbourne-based promoter Frontier Touring wrote in a statement, "Under doctor's advice, Ella Yelich-O'Connor will return to New Zealand for immediate rest and recuperation in order to regain complete health and continue touring for the rest of the year." In her own words, Lorde added, "It breaks my heart to have to postpone these shows as the band and I absolutely love playing to Australian crowds, and it was not a decision we made lightly."

Lorde is coming off a rock-star month, during which she performed at both Coachella weekends and with the remaining members of Nirvana at the Rock and Roll Hall of Fame induction. Combined with a chest infection, that's enough to warrant a break for any performer.

Let's applaud Lorde as she continues her reign as coolest teen on the planet by acknowledging that sometimes mom and dad know best.
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