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Nasir al-Mulk 'Pink Mosque' Of Iran Is Like Stepping Into A Kaleidoscope

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From the outside, the Nasir al-Mulk Mosque in Shiraz, Iran, seems like a fairly traditional house of worship -- but it's hiding a gorgeously colorful secret.





The multitude of stained glass windows turn the inside of the mosque into a riotous wonderland of color that is absolutely breathtaking.





Japanese photographer Koach was blown away by the mosque's beauty which is best appreciated in the morning light, explaining:
You can only see the light through the stained glass in the early morning. It was built to catch the morning sun, so that if you visit at noon it will be too late to catch the light. The sight of the morning sunlight shining through the colorful stained glass, then falling over the tightly woven Persion carpet, is so bewitching that it seems to be from another world.

Even if you are the world’s least religious person, you might feel your hands coming together in prayer naturally when you see the brilliance of this light. Perhaps the builders of this mosque wanted to show their “faith” through the morning light shining through this stained glass.










Not to mention the gorgeously painted, intricate arches and niches.













It's also known as the "Pink Mosque" for the rose-colored tiles that cover the interior. However, picking out just one color doesn't do justice to the plethora of hues that decorate it.









Though Masjid al-Aqsa in Jerusalem and Istanbul's Blue Mosque both feature stained glass windows, on the whole they are fairly uncommon in mosque architecture.





The rarity of architecture like this makes Nasir al-Mulk all the more precious.

Man Known As Kissing Sailor From One Of History's Most Iconic Pictures Has Died

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HOUSTON (AP) — A man who became known for claiming he was the sailor kissing a woman in Times Square in a famous World War II-era photo taken by a Life magazine photographer has died. Glenn McDuffie was 86.

McDuffie died March 9 in a nursing home in Dallas, his daughter, Glenda Bell, told The Associated Press. A mail carrier and semi-professional baseball player after he returned from World War II, McDuffie's life became more exciting about six years ago when Houston Police Department forensic artist Lois Gibson was able to identify him as the young man leaning over the woman in his arms to kiss her.

By taking about 100 pictures of McDuffie using a pillow to pose as he did in the picture taken Aug. 14, 1945, by photographer Alfred Eisenstaedt, Gibson said, she was able to match the muscles, ears and other features of the then-80-year-old McDuffie to the young sailor in the original image.

"I was absolutely positive," Gibson said of the match. "It was perfect."

The identification remained controversial, partly because other men also claimed to have been the sailor in the image, but also because Life magazine, whose photographer had died years earlier, was unable to confirm that McDuffie was in fact the sailor, noting Eisenstaedt had never gotten names for those in the picture.

Yet for McDuffie, Gibson's word was enough. A well-respected forensic artist who was in the 2005 Guinness Book of World Records for helping police identify more suspects than any other forensic artist, Gibson said McDuffie was ecstatic when she told him the results he had waited 62 years to hear.

And so began a whirlwind lifestyle of going to air shows, gun shows, fundraisers and parties to tell his story. Women would pay $10 to take a picture kissing him on the cheek, Gibson said.

"He would make money and kiss women," Gibson said. "He had the most glamorous life of any 80 year old."

McDuffie had told the AP he was changing trains in New York when he was told that Japan had surrendered.

"I was so happy. I ran out in the street," said McDuffie, then 18 and on his way to visit his girlfriend in Brooklyn.

"And then I saw that nurse," he said. "She saw me hollering and with a big smile on my face. ... I just went right to her and kissed her."

"We never spoke a word," he added. "Afterward, I just went on the subway across the street and went to Brooklyn."

Gibson's daughter, Bell, said on anniversaries of the war's end her father would recall that moment and the air of excitement in Times Square.

For years it bothered him that he wasn't identified as the man in the photo, she said, and he turned to Gibson for help to clear it up.

"He wanted to do it before he died," she said.

McDuffie is survived by his daughter and two grandchildren. His funeral will be held March 21 at the Dallas-Fort Worth National Cemetery.

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Plushnick-Masti can be followed on Twitter at https://twitter.com/RamitMastiAP

8 Things You Didn't Know About Split, Croatia -- As Told By Indie Darling Lovely Quinces

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In honor of South by Southwest, the music festival taking over Austin, TX this week, we're interviewing the bands and musicians who've traveled far and wide to play and celebrate indie music. With this international spirit in mind, we've asked them to talk about their hometowns, exploring the art, music and food that make Gothenburg, Sweden or Cape Town, South Africa destinations for culture vultures everywhere.

Dunja Ercegovic started playing music in her home country of Croatia just two years ago. Since then she's opened for Kurt Vile and Tame Impala, played to sold out crowds in Zagreb, traveled internationally to places like Vienna and Chicago and finally made her way to Austin, TX for South by Southwest. Not bad for her rookie years.

Ercegovic plays under the name Lovely Quinces, blending folk and indie rock à la Land of Talk or Fleet Foxes. She counts Joni Mitchell and PJ Harvey amongst her heroines, influences that can be seen in her acoustic guitar and harmonica-heavy songs. Essentially, she's channeling the best of Americana and melancholy rock from the depths of the Balkans, all on her own. (As she states on her Facebook, "We are Lovely Quinces. We meaning me, myself and I, for now.")

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In the run-up to her performances at SXSW, we chatted with Ercegovic about her home city, Split. Behold, 8 things you didn't know about Croatia's music capital.

1. The city is 1,700 years old.

"The whole city is an attraction because it is 1,700 years old and it was centered on the structure of the ancient Roman Palace of the Emperor Diocletian."

2. If you've been to Spain or Italy, this is your next Mediterranean destination.

If she had to compare her hometown to any other city in the world? "Any city in Italy or Spain probably. The vibe and atmosphere is pretty much that way."

split croatia



3. You'll need to be prepared to eat fish.

"In Split we mostly eat Mediterranean food that includes a lot of fish. There are lot of great restaurants but the most popular is Fifa because its is very cheap, the food is good and the crowd is great."

4. It's the perfect spot for laid-back travelers. Really laid-back travelers.

"Our mantra and motto are usually ''Take it easy'' or ''Fuck it." We are very phlegmatic and enjoy our time to rest and not to think, we don't get excited too much or be nervous for some reason. We just want to drink our coffee and smoke cigarettes and you can see that for yourself if you walk down the promenade during working hours because you can't find a seat in the cafes."

The six words that best described the city, according to Ercegovic: Phlegmatic, Italian, beautiful, easy-going, ancient, and home.

split croatia



5. There are festivals everywhere.

"Last year we hosted ULTRA party in our soccer stadium, and we had festivals like ENTER festival on Bacvice beach and XSTATIC (an extreme sport festival) too!"

6. The secret "indie" spot is Matejuska.

"I love to walk down the promenade which we call Riva and then at the end of the promenade there is a part by the sea which we call Matejuska where a great deal of people -- mostly from alternative and indie scenes -- sit, drink beer which they bought from a little local market, and just hang out."

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7. Classic rock, blues, metal, and hip hop music reign supreme.

And Ercegovic hopes there will be more room for the indie music community. "Unfortunately, there is not really a big interaction between these artistic scenes. I do hope that will change."

Venue to visit: Quasimodo, a rock club.

8. Nonetheless, there is untapped musical talent everywhere.

"I can say from my point of view that there hasn't been a band from my hometown that made it on the scene in a long time, even though there are a lot of talented musicians."



New York's Fabulous 1980s and '90s Club Scene

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By Jordan G. Teicher

In New York’s nightclub scene of the late 1980s and early 1990s, Alexis Di Biasio stood out in the crowd. For one, he was older than most of the people out at the clubs, and with his salt-and-pepper hair, he looked it. Also, he was always taking photos.

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Club kid Ernie Glam at an outdoor party in Battery Park thrown by Susanne Bartsch, 1990.



Ernie Glam (his club name) met Di Biasio in the late 1980s at a party, and as they struck up a friendship, he learned more about Di Biasio’s life. “His day job was as a bookkeeper. Photography wasn't his profession. It was his hobby and passion. I don't know what he was doing with the photos other than meticulously putting them in boxes. They were all alphabetically organized with little index cards like you’d see in libraries. He took them because he just loved drag queens and club kids,” Glam said. “That was his niche. He basically just went out to clubs or whatever types of events we were going to and took photos. Those were the only places he took photos. He didn't take studio photography or anything like that.”

In the late 1980s, many of New York’s megaclubs closed down as a result of the economic crash of 1987. In their place, smaller clubs like Tunnel opened in Chelsea, and that's when Glam said the “club kids”—young, outlandishly dressed people who partied several times a week—emerged. “This was still before [Rudy] Giuliani took over. There was still a wild abandon in New York. There were a lot of eccentrically dressed people, and those were the people Alexis adored,” Glam said. “There were a lot of incentives for being extravagant. Promoters would encourage that. They’d shower the eccentric people with free drinks or free admission to create a circus environment in the club that would be enjoyed by the other patrons,” Glam said.

Club kids were known for their wild ensembles, which drew inspiration from punk, S&M, and clown styles. Often homemade or assembled from thrift-store items, the outfits were unique and bold expressions of identity. “That was part of the ethos of the day. You were a legend in your own mind. Everyone was a star, and everyone could be a star. All you had to do was throw some glitter on,” Glam said.

In 1995, Di Biasio gave Glam four boxes of his photos to store in his closet. He was moving to Miami Beach, Fla., and he thought the humid weather would damage the photos. For almost 20 years, those photos sat in Glam’s apartment in New York. Now, a selection of them has been collected in the book, Fabulousity: A Night You’ll Never Forget … or Remember, published by Wild Life Press. Di Biasio died suddenly last year before the book was released, making it a tribute to both the photographer and the era. “I'm glad he took the pictures because there was a lot of free-flowing alcohol back then,” Glam said. “I wouldn't remember the clubs as well if he didn't take the photos.”

See the original post on Slate with more photos.

Heartbreaking Photo Series Captures The Final Years Of Two Brothers And Lifelong Best Friends

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"The story began when I heard about two elderly brothers living together in Tessanden, a tiny hamlet near the village of Vågå in the middle of rural Norway," explained Norwegian photographer Elin Høyland. "I first met up with them at the local supermarket they travelled to each week. When I arrived they emerged bearing huge rucksacks stuffed with food."

Høyland was introduced to Harald and Mathias Ramen, two brothers, 75 and 80 years old respectively, who had spent their entire lives on the same small farm they grew up on. Though at one point their parents and siblings lived with them, the two were eventually on their own, together. Neither ever got married.

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Intrigued by this simple and removed way of life in a quickly-changing Norway, Høyland set out to document the final days of the two elderly brothers. She dubbed the series "The Brothers," aiming to capture both the brothers as individuals as well as lives they led, which Høyland feared would soon be extinct completely.

Their days in the rural village were simple, comfortable and routine. "The brothers chopped wood, carried wood and burned wood," Høyland explained. "They were also avid birdwatchers and at least twice a day they would feed wild birds in the twenty bird boxes that they monitored. In their free time they listened to the radio or read the local newspaper. In the 1960s Harald and Mathias had hired a television on a one month trial, but returned it after deciding that it took up too much time."

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Høyland's black-and-white photos are quiet yet powerful, mirroring the humble yet fierce existence of these two inseparable siblings. Capturing the two birdwatching, sitting silently atop their beds or gazing firmly into the camera while donning matching Fair Isle sweaters and beanies, Høyland documents two unassuming lives so isolated and yet intertwined they seem plucked right out of a fairy tale.

At once somewhat mythical and palpably real, the series captures true familial love in the smallest of gestures. The most heartbreaking photos depict their shared bedroom, first with both brothers seated on their respective beds, then only with Mathias after Harald passed away, and finally with both beds empty. A gripping depiction of nature, family and death, "The Brothers" is a stunning reminder of what's truly important in life, regardless of how old you are.

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Afrika Bambaataa Among Hip-Hop Pioneers Looking To Create NYC Museum

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NEW YORK (AP) — The pioneers of hip-hop are hoping to create a museum in the Bronx dedicated to the genre.

Organizers say it would be called the Universal Hip Hop Museum. Afrika Bambaataa says the museum would look at the historical and cultural roots of hip-hop and the contributions made by break dancers and disc jockeys.

Bambaataa is frequently called the father of hip-hop. He would serve as the museum's chairman.

The museum hopes to open in 2017 inside the Kingsbridge Armory, which is being redeveloped into a national ice sports center. The plan was announced at a news conference on Wednesday.

Bambaataa says many people think of rappers when they hear the word hip-hop. But he says there's a whole culture and movement behind it.

Gorillaz Alums Reunite At SXSW

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AUSTIN, Texas (AP) — For a guy who got his start in the '90s British rock 'n' roll scene, Damon Albarn sure knows how to throw a hip-hop party.

Albarn invited De La Soul and Del The Funky Homosapien to join him during his performance Friday night at South By Southwest, pulling off one of the bigger surprises so far at the annual music conference and festival. De La Soul joined Albarn for their Gorillaz collaboration "Feed Good Inc.," before Del came on stage to perform initial Gorillaz single "Clint Eastwood" for the first time since its release 13 years ago. "What can I say about them? They're very dear friends of mine," Albarn said of De La Soul before the performance. "But it's Del The Funky Homosapien I'm most excited about. It is literally the first time that not only have I met him, but he's going to sing 'Clint Eastwood.' It's actually quite a momentous moment."

And not just for Albarn, who also debuted songs from his new solo album "Everyday Robots," out April 29. Those who bothered to stick around after De La Soul's high-spirited appearance got a double surprise. Snoop Dogg took the stage at the Fader Fort, where the magazine is celebrating its 15th anniversary by inviting artists to perform who have appeared on its cover, contributing a surprise verse as well. Albarn said Snoop's appearance was meant to add "a little cayenne" to the set.

Albarn's music has increasingly featured hip-hop and bass-inflected electronic music, and he says he finds inspiration working with diverse artists from different musical worlds.

"I'm more of a fan of making it than listening to it," Albarn said of hip-hop. "I've got my favorites, A Tribe Called Quest and De La Soul, and I suppose that first wave really. Mind you, I love Kendrick Lamar. That sort of excited me again. Of course I love hip-hop but I'm not hip hop. It's another aspect of the spectrum that I kind of can hear the spirit of music in."

Dave Jolicoeur of De La Soul said Albarn's open-mindedness has led to a great friendship.

"He's a cool dude who just likes to have fun and create music," Jolicoeur said of the Blur frontman. "For us, that's been our MO ever since Day 1, goofing around, having a good time. There's no real rules at all, but hopefully we get something out of this. That's been the person that I've known, a guy who just likes to create. There are no embarrassing moments where you say, 'You can't do that, you can't say that.' Just do what you're doing, and be free."

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Online:

http://damonalbarnmusic.com

http://sxsw.com

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Follow AP Music Writer Chris Talbott: http://twitter.com/Chris_Talbott.

Spandau Ballet Finally Returns To The U.S. At SXSW

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AUSTIN, Texas (AP) — It's been nearly three decades since Spandau Ballet played in the United States. After a successful return to America at South By Southwest, members of the influential British pop group now wonder why they stayed away for so long.

"We're sorry we left it 28 years," band member Gary Kemp said. "That's a long time. It is amazing how fast it went." The recently reunited band played their SXSW show Wednesday at Vulcan Gas Company. It was a sweaty, close affair, and one that left the band — who in the 1980s had a hit record and single both titled "True"— excited about its future reunion prospects.

"The reaction was phenomenal," Kemp said. "I don't think we really realized how much love there was for Spandau and knowledge really of our catalog here in the states. It's the first time we've played in a club proper since playing in New York the first time in 1981 ...

"This is a club town, and we wanted to be part of the atmosphere. The vibe was phenomenal. We felt like we took our arena skills and compressed them down and contained that energy on the festival stage."

The group, which also includes Tony Hadley, John Keeble, Martin Kemp and Steve Norman, also debuted a new career-spanning documentary "Soul Boys of the Western World" at the festival.

The George Hencken-directed film filters the vibrant London 1980s music scene through the band's story.

"I think it was a golden age really," lead singer Hadley said. "It was kind of a golden age where only music was available to kids. It's how they found their identity, who they were. ... I think there's a nostalgia about that.

"Hopefully we're not embedded in that era. We've evolved. The sound we're making now it's not an '80s replica."

The group finishes its SXSW run with an appearance Friday night at the Lou Reed tribute where it will play "Satellite of Love."

The entire experience has the group thinking big with plans for a new album and world tour.

"The usual world domination stuff," Keeble joked.

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Online:

http://sxsw.com

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Follow AP Music Writer Chris Talbott: http://twitter.com/Chris_Talbott

Lupita Nyong'o Apparently Met With J.J. Abrams About 'Star Wars: Episode VII'

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Lupita Nyong'o has truly arrived. Fresh off her Academy Award win for Best Supporting Actress, the "12 Years a Slave" star is now part of the "Star Wars" rumor mill. Late Friday, The Hollywood Reporter's Borys Kit revealed that Nyong'o had met with director J.J. Abrams about potentially playing an offspring of Obi-Wan Kenobi in "Episode VII." HuffPost Entertainment contacted representatives for Nyong'o to see if they had comment on this story; this post will be updated if and when we receive an official response.

The news puts Nyong'o in league with a surfeit of actors and actresses who have been tied to "Episode VII" in some way. On Thursday, Variety reported that five actors -- Jesse Plemons, Ed Speleers, John Boyega, Matthew James Thomas and Ray Fisher -- were on Abrams' list to play the male lead in the new "Star Wars" film. Previously, "Girls" star Adam Driver was attached to the project as a potential villain in the mold of Darth Vader. Other stars who were rumored for parts at one time or another include Benedict Cumberbatch, Gary Oldman, Michael Fassbender, Alex Pettyfer, Saoirse Ronan and Michael B. Jordan.

Nyong'o has yet to book a follow-up part to "12 Years a Slave," but she did appear in the Liam Neeson film "Non-Stop" in February in a small supporting role. For more on her other possible new jobs, head to THR.

"Star Wars: Episode VII" is due out in theaters on Dec. 18, 2015. It's expected that production will begin in the spring.

'Anchorman 2' Gag Reel Might Just Be The Best Part Of The Movie

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"Anchorman 2" was pretty hilarious, but the gag reel from the movie might just be even funnier. Will Ferrell and the crew prove yet again that they are the kings and queens of improv and all things absurd, and that at times, even they can't keep it together. Now we know what those sad villagers of Pompeii felt like. Watch the amazing video below.

Barricades, Elephant Feasts And Prayers For Missing Passengers: Week In Photos, March 9 - 16

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Nothing quite compares to the power of a photograph to communicate the goings on in the world. Ranging from the serious to the silly, these photos offer peeks into what happened around the globe this week.

1. In Japan, balloons in the shape of doves are released during a memorial service for tsunami victims in Natori, Miyagi Prefecture, on the third anniversary of the disaster, March 11, 2014.
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(KAZUHIRO NOGI/AFP/Getty Images)

2. In China, students at Hailiang International School in Zhuji light candles to pray for the passengers on the missing Malaysia Airlines jet, March 10, 2014.
malaysia prayer
( STR/AFP/Getty Images)

3. In Turkey, a protester stands in front of an Istanbul barricade bearing the portrait of Berkin Elvan, the 15-year-old boy who died from injuries suffered during last year's anti-government protests, on March 12, 2014.
berkin elvan portrait
(GURCAN OZTURK/AFP/Getty Images)

4. In New York, a firefighter applies water to rubble after a gas leak triggered a deadly explosion in East Harlem, March 13, 2014.
harlem
(AP Photo/Julio Cortez)

5. In Ukraine, a Crimean Tatar prays in a mosque in the village of Orlinoye near Sevastopol, Crimea, March 14, 2014.
crimea
(AP Photo/Andrew Lubimov)

6. In India, a Hindu devotee performs with fire in a procession ahead of the Holi festival in Amritsar, March 12, 2014.
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(NARINDER NANU/AFP/Getty Images)

7. In the Gaza Strip, a Palestinian boy rides a donkey cart in Beit Hanoun, March 13, 2014.
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(MAHMUD HAMS/AFP/Getty Images)

8. In Venezuela, an anti-government activist is arrested by national police during a protest against the government in Caracas, March 13, 2014.
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(LEO RAMIREZ/AFP/Getty Images)

9. In Thailand, elephants feast on watermelon, banana, and sugarcane at a National Elephant Day celebration in Mae Rim, March 13, 2014.
thailand elephant
(Taylor Weidman/LightRocket via Getty Images)

10. In Israel, hundreds of thousands of Ultra Orthodox Jews gather on March 2, 2014, in Jerusalem to demonstrate against any plans to make them undergo military service.
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(MENAHEM KAHANA/AFP/Getty Images)

Kid Cudi Tells Arsenio Hall What He Would Change About Hip Hop, Takes Jab At Drake

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Kid Cudi stopped by the "Arsenio Hall Show" Friday night, March 14, to discuss what he would change about the current state of hip hop and perform his new song "Internal Bleeding."

Cudi said the "braggadocio, 'money, cash, hoes' thing is dead," and that it is holding hip hop as a culture back. Getting worked up just talking about his gripes with hip hop, Cudi shared his mission since day one. "All I wanted to do was help kids not feel alone, and stop kids from committing suicide," he said. "I dealt with suicide for the past few years. There wasn't a week or a day that went by where I was like, 'I wanna check out.'"

Lightening the mood, Cudi stated that if he rapped about all of his possessions, "there would be no Drake." While Cudi's jab seems to have been made in good fun, we're not sure Drake will see it that way.

Watch the interview clips and Cudi's live performance below.





Demi Lovato Calls Out Lady Gaga's SXSW Performance As 'Glamorizing' Eating Disorders

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Following Lady Gaga's interesting, and debatably disturbing, SXSW performance, Demi Lovato took to Twitter to criticize the bit involving performance artist Millie Brown.

Lovato's struggles with eating disorders and addiction are well-known, and so she was quick to point out that Brown forcing herself to vomit all over Gaga was unacceptable. She stated that Gaga was glamorizing eating disorders and that the performance wasn't "cool" in any way whatsoever.

"Putting the word ART in it isn't a free card to do whatever you want without consequences," she tweeted.

Despite some passioned reactions from upset Gaga fans, Lovato continued to warn of the negative ways pop culture can impact others, especially someone with as much clout as Gaga.

However, in the end, Lovato reminded everyone that was still a Little Monster at heart. Read her tweets below.






















An Art Show Dedicated Entirely To Hot Sauce Is Making Our Spicy Dreams Come True

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Most of the time, discussions revolving around the divine genre of condiments known as hot sauce are passionate, divisive and potentially dangerous. Some hearts beat for the sweet and garlicky taste of Sriracha, while others would sacrifice their lives for the South of the Border kick of Tapatio. Then there are the Tabasco lovers but, come on, their opinions are not valid.

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Michael C Hsiung On the topic of how various sauces can make pizza better




A new, utterly revolutionary art exhibit in Los Angeles dares to go where no hot sauce discussion has gone before, breaking down the boundaries that divide us. Peace on earth! The exhibition, dubbed "L.A. Heat," revolves around the rival hot sauce titans, Sriracha and Tapatio, both of which originated in the city of angels.

Just to summarize: art and hot sauce have joined forces, and it's a beautiful, beautiful thing.

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Hot Side Story by Yoshie Sakai




"I love Sriracha and Tapatio," Stephen Wong of the Chinese American Museum told the LAist. "I’m also a proud Angelino, and found it intriguing that these sauces are also from L.A. Looking at foodways in Los Angeles, and in particular the rise of Sriracha and Tapatio, were ripe for artists to explore."

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Sriracha Hot Chili Sauces by Ching Ching Cheng




The inspired exhibition ranges from humorous homages to full on obsessive altars. From a Sriracha-centric take on Andy Warhol's Campbell's soup cans to a spot-on revival of "West Side Story" starring hot sauces vs. un-spicy condiments, these inspired artworks show the true scope of hot sauce's potential. We didn't think it was possible, but we think our love for the fiery juice just expanded.

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Founder's Table by Chris Christion





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Bean Sprout Uprising Troop 626 by Sandra Low





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Los Angeles Grocery by Patrick Martinez





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Sherie Mateo views pieces by artists Yoshie Sakai and Sand One





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Proposal for a mural dedicated to David Tran by Audrey Chan. Photo by Joe Quan





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Roots of the Sauce by Michael Massenberg. Photo by Joe Quan





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Hot sauce titans David Tran & Luis Saavedra meet for the first time. Photo by Ellen Endo





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Tau Bay by Trinh Mai. Photo by Jow Quan





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Sketinguish 1-2-3 Sketracha by Sket One. Photo by Joe Quan





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"L.A. Heat" runs through July 12, 2014 at the Chinese American Museum (CAM) in Los Angeles.

Paul Stanley Says KISS Is Not Happy With The Rock And Roll Hall Of Fame

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NEW YORK (AP) — Paul Stanley of Kiss wants to shout it out loud: The band is miffed at the Rock and Roll Hall of Fame for not inducting members Eric Singer and Tommy Thayer along with the original lineup.

Kiss is scheduled to be inducted into the Rock Hall on April 10 in New York City. But Stanley said in an interview Friday with The Associated Press that he doesn't think the Rock Hall is being fair and that the organization has altered their rules for other acts. "We have continuing issues with the Rock and Roll Hall of Fame, starting with the fact that they chose to only induct the original lineup when that's hardly the case with other bands," he said from Los Angeles.

"In the Grateful Dead's case, (they) also inducted a writer who never played an instrument," said Stanley, referring to Robert Hunter's inclusion when the band was inducted in 1994. "Or they've inducted rap artists, or they've inducted people who have been in the band for seven years as opposed to ... 25 years or 20 years — whatever their criteria of this week is."

A representative for the Rock Hall didn't immediately return an email seeking comment. Acts become eligible for induction 25 years after the release of their first record.

Kiss wrote on its website last month that it would not perform at the Rock Hall induction.

The original members from 1973 — Stanley, Gene Simmons, Peter Criss and Ace Frehley — are scheduled for induction. Criss left the band in 1980 and Frehley left in 1982. Other members joined during the 1980s, but the current lineup includes Singer, who joined in 1992, and Thayer, who came on board in 2003.

Stanley, 62, said the Rock Hall "tried to strong-arm us into playing in original lineup," but the band would not do so.

"Their craving of nostalgia or for wanting to have us play by their rules in many ways jeopardizes what we have spent 40 years building," he said. "I've been there since the beginning, and when I put on my Kiss gear, I do it with great pride, and anything that may jeopardize that by going out with a lineup that I might question is a nonstarter for me."

Thayer and Singer should be inducted, he said, because they "have been in the band for decades and played on multiplatinum albums and toured the world."

He ended with this: "So, in this case, very clearly the tail doesn't wag the dog, and Kiss is a big dog, and the Rock and Roll Hall of Fame is a small tail."

Nirvana, Peter Gabriel, Hall and Oates, Linda Ronstadt and Cat Stevens will also be inducted at the 29th-annual Rock and Roll Hall of Fame induction ceremony at the Barclays Center. Rolling Stones manager Andrew Loog Oldham and the late Beatles manager Brian Epstein will receive Ahmet Ertegun awards, a nonperforming honor. And Bruce Springsteen's E Street Band will get an award for musical excellence.

The event will air in May on HBO.

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Online:

http://www.Kissonline.com/

http://www.rockhall.com/

ScHoolboy Q Hits SXSW After 'Oxymoron' Success

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AUSTIN, Texas (AP) — It's ScHoolboy Q's turn.

The Los Angeles rapper took the handoff from Top Dawg Entertainment label-mate Kendrick Lamar and scored a touchdown when his new album "Oxymoron" opened at No. 1 two weeks ago. It's the second straight strong showing for TDE and Q, who sees it as the start of a championship team. "Somebody has to step up besides Kevin Durant," said Q, who has been making the rounds at South By Southwest this week. "Somebody has to step up beside Michael Jordan and Kobe Bryant. They can't do it by themselves. Football is the best example, you can't win by yourself. A good quarterback can't win a championship. The linebacker can't win you a championship. The coach can't win you a championship. It has to be everybody."

Q held up his part of the deal, delivering a critically praised major label debut that compares favorably to Lamar's Grammy Award-nominated breakthrough "good kid, m.A.A.d. city" in its grittiness and authenticity. Given the opportunity in front of him, the rapper could have aimed for pop radio success, but instead made an LP that reflects his life as a father and former gang member.

The 27-year-old began his TDE run as Lamar's hype man and calls King Kendrick his brother, giving him the credit for his moment.

"That's how it goes in any successful label — you have to roll off somebody," Q said. "It's just up to you to take advantage of the opportunity because there's plenty of rappers that have friends. Like you have a friend rapper, but he never gets to drop an album or nobody cares about his single, nobody really cares about his project because it just wasn't as good."

Terrence "Punch" Henderson, one of TDE's two founders, said the back-to-back successes — "good kid" debuted at No. 2 upon release in November 2012 — show where the label is headed.

"The first time with Kendrick wasn't a fluke," Henderson said. "Q came out, got a No. 1 album, but the album's actually great. It's a great record and that's what we aim towards, to put out great music."

Henderson reaffirmed plans to release a new album from every label member this year — SZA is up next on April 8. That list includes Lamar, who he says has recorded 12 new songs but may throw them out and start anew.

Interest is high. Lamar was one of the top nominees at the 2014 Grammy Awards, but was shut out in what turned out to be a hip-hop landslide victory for Macklemore & Ryan Lewis. Though Lamar didn't win, he teamed with Imagine Dragons for one of the night's most powerful performances and attained a new level of popularity.

"The performance was crazy, probably the best performance of the night," Henderson said. "I'm not just saying that because that's my artist, either. After that all the controversy behind him not winning, that's keeping him in all the conversations. It keeps us as an underdog. There's no ceiling. If you win, where do you go after that? So it gives us something to work towards still."

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http://schoolboyq.com



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Rick Ross' 'Mastermind' No. 1 Still Means A Lot To The Rapper

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AUSTIN, Texas (AP) — Rick Ross still gets excited by No. 1 albums, but as he celebrates his fifth he takes satisfaction in different ways.

Ross marked the ascendance of "Mastermind" on Saturday night during South By Southwest, drawing one of the week's larger crowds in Austin during the annual music conference and festival. "You know what, when this is what you center everything around, you just want the best, not only for yourself, but for your team, everybody you build with," Ross said. "I not only want a No. 1 for me but for all the new-time dudes who've never been on a No. 1 album."

It's been quite the run for Ross. Five of his six major-label albums started out atop the Billboard 200, moving him into rare company. The magazine says among rappers only Jay Z (13), Eminem (seven), Nas and Kanye West (six apiece) have had more and he's now tied with Tupac Shakur and DMX.

Ross attributes the run to remembering where he got his start.

"Regardless of the success I see, I still go back to my foundation ... that made me," he said as he stood shirtless in his dressing room tent following a performance at Fader Fort. "Yesterday, after being out on promo for two months, I took a day out of my schedule to go to the smaller markets in South Carolina, the Columbias, you know the (places) that don't get attention. But those are the places where I remember making my first $5,000 shows from, so I still go to those places. At the end of the day, I still think that's the energy that keep that moving like that."

The 38-year-old Miami rapper played new material for fans and showed his mind's been on mortality since he survived a January 2013 drive-by shooting in Fort Lauderdale. He told the crowd it was important to remember the rappers who have died too early like Shakur, The Notorious B.I.G. and Pimp C before launching into "Nobody," a song with the chilling French Montana vocal hook "you're nobody till somebody kills you."

The song is paired back to back on "Mastermind" with "Shots Fired," a series of news clips recounting the attack.

"You know it's unfortunate, it's nothing to glorify," Ross said. "Where I come from in my city — I come from Carol City in Miami — they've renamed it the Miami Gardens, you know, and they done dubbed it the Murder Gardens, and it's unfortunate. But those are conditions we were unfortunately seeing coming up. So me being in the position I am, that's what come with that. So Rule No. 1 in the handbook I studied is never let the game kill you."

Ross says the experience has caused him to look at life through a new filter. Not long after the near miss he put on Biggie Smalls' "Ready to Die."

"I just listen to it in a different light," Ross said. "It's jacked up, but that's what come with this. ... You're never indestructible, but what you do is if you have certain feelings you want to express, you express your feelings. I'll continue to do that till the day I die."

Online:

http://rickrossmastermind.com

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De La Soul Plans 2014 Albums, Upcoming Mixtape

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AUSTIN, Texas (AP) — Get ready for a lot of new De La Soul music.

Dave Jolicouer, a member of the classic hip-hop group, says a new mixtape will be issued in the next week or so and the trio is working on two full albums they hope to release later this year. A little more than a month ago, De La Soul gave away its entire catalog for free on Valentine's Day, and the result showed the trio there's plenty of love still out there 25 years after issuing the landmark release "3 Feet High and Rising."

"It motivated us even more," Jolicoeur said before a surprise South By Southwest appearance with Damon Albarn on Friday night. "We're already in the process of recording two albums, but actually it made us feel like we really, really need to get this done. People are still fans, still really love the music and let's do it for them."

The response to the group offering seven full-album downloads online went beyond modest expectations — demand was so heavy that it temporarily overwhelmed the servers and the hip-hop group had to ask fans to be patient.

The numbers were "insane, I'm afraid to say it," Jolicouer said. "I'm not really allowed to, but I'll say I was expecting it to be somewhere between 15,000 and 25,000 people. Man, you can multiply that by whatever number you can throw in the air, so it was ridiculous."

He said the move was not a marketing campaign, but a gift to fans, who only had to provide an email address. The group's music is difficult to find for a number of reasons, including tangled sample and ownership issues and now-shuttered labels.

"I thought it was really cool," Jolicoeur said. "We had an opportunity to speak to our attorneys, and, you know, in hindsight it was maybe not the smartest thing to do. But in the midst of it, a lot of people think, 'Great campaign, great promotion, great publicity stunt,' but it really wasn't. ...

"It was just, 'What can we do for Valentine's Day? Yo, we can give away our catalog. Yeah, why not?'"

Of the new two albums the group is working on, he said one will be sample-based and one will be recorded with a live band, Los Angeles' Rhythm Roots Allstars. The mixtape will include some new songs as well as some reworked material.

"But in a De La fashion, it's just not a mixtape with 11 songs," Jolicoeur said. "There are skits and things. It's cool. That's coming out in about a week, and hopefully God willing more De La music.

"That's all we do. There won't be any movies. There won't be any fashion lines, nothing like that. Just music."

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http://wearedelasoul.com

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Tyler, The Creator's SXSW Show Sparks Riot

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AUSTIN, Texas, (AP) — Rapper Tyler, The Creator, was arrested Saturday for allegedly inciting a riot during a show at the South By Southwest music festival.

Travis County Sheriff's spokesman Roger Wade said the Odd Future rapper, whose name is Tyler Gregory Okonma, was arrested at Austin-Bergstrom Airport and was likely to be arraigned later Saturday. If convicted of inciting a riot, which is a misdemeanor, he faces up to a year in jail and a $4,000 fine. His bond was set at $3,500.

The rapper's publicist declined to comment about the arrest.

Police say the 23-year-old Los Angeles resident incited a large crowd of fans at the annual music conference and festival to push their way past venue employees controlling access to a Thursday show that was already at full capacity.

Officers who were at the scene said in a warrant that Tyler yelled for fans to push their way inside twice, and that a bartender had to protect a woman from injury in the resulting push.

Police released a video from the concert that shows scores of fans bursting through a gate at the Scoot Inn in downtown Austin.

Tyler and members of the Odd Future collective were denied a visa to travel to New Zealand in February after officials there said they were a potential "public threat" because of past troubles, "including incidents at past performances in which they have incited violence." They pointed to a 2011 incident in which police were called to a comic book store in Boston where fans became unruly.

The group's manager, Christian Clancy, defended them last month after the New Zealand decision, saying they were young at the time and were being judged too harshly.

Queer New World: Mr(s) Williamsburg Competition In Brooklyn (NSFW)

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This is the twentieth installment in an ongoing series that explores drag culture and the nightlife scene in Brooklyn, N.Y. Over the past several years, following the large-scale exodus of artists across the East River and into northern Brooklyn, those engaged in drag culture in this outer borough have created a new, queer world entirely their own. Accompanied by a larger movement to understand drag culture outside of the pageant circuit, many individuals engaged in the drag community in this borough approach drag culture through a nontraditional lens of "alternative" drag or performance art, enabled largely by the malleable and queer nature of this part of New York. Visit HuffPost Gay Voices regularly to learn not only about the individuals involved in Brooklyn's drag community, but more about the culture of the community itself.

Note: The video featured below contains graphic content and may not be suitable for viewing in work and other sensitive environments


Over the past several months, this project has provided a platform for the wide-ranging spectrum of artists, performers and events that intersect and collectively form the Queer New World of the drag and nightlife scene in northern Brooklyn, N.Y.

As we move into the closing weeks of this 25-part series, this showcase examines possibly the most expansive annual event to occur within the context of Brooklyn Drag Culture: the Mr(s) Williamsburg competition.

Building on notions of both traditional drag pageantry and similar nightlife events over the last several years in northern Brooklyn, Mr(s) Williamsburg is a unique and developing competition that seeks to be inclusive of all forms of artistic performance, expression and identity. The competition is currently in its second year and has given rise to an explosion of interest, with the number of performers doubling from 25 in 2013 to roughly 50 this year.

Mr(s) Williamsburg functions as a round-robin tournament spanning three prominent bars frequented by the Brooklyn queer community. Both Metropolitan and This N' That played host during the 2013 premiere of Mr(s) Williamsburg, alongside recently closed Sugarland Nightclub.

The nine-week tournament consists of six weeks of preliminaries, with a winner and runner-up chosen by a panel of judges each night of competition. The seventh week, dubbed the "Wildcard" round, allows all runner-ups from the previous six weeks another shot to place in the semifinals of Mr(s) Williamsburg.

During the eighth week of competition, all previous winners come together to contend for a coveted spot in the final three and the title of one of the tournament's three bars: Mr(s) Metropolitan, Mr(s) This n' That and Mr(s) Sugarland Nightclub in 2013.

During the ninth and final week, these top three contenders once again compete against one another for the ultimate title of Mr(s) Williamsburg.

(Pictured below left to right: Mr(s) Williamsburg 2013 -- Macy Rodman, Mr(s) Metropolitan 2013 -- Amber Alert and Mr(s) Sugarland Nightclub 2013 -- Lady Simon)

mrs williamsburg

With the recent closing of Sugarland Nightclub, Greenpoint's LuLu's has joined the round-robin rotation for the nine-week tournament, bringing with it a fresh face to accompany founders Merrie Cherry and Alotta McGriddles as the three hosts of Mr(s) Williamsburg: prominent burlesque performer Darlinda Just Darlinda.

"I think I was a bit naive to think anyone would be comfortable enough to do a 'pageant' that was run solely by drag queens," Alotta McGriddles told The Huffington Post. "This year, along with myself and Merrie Cherry, we have the FABOOSH Darlinda Just Darlinda joining us as a hostess at Lulu's. We want all the colors of the rainbow represented this year and, I am happy to say, we have already had a boy singer contestant and the rest of the competitors are almost equally divided between drag artists and burlesque performers."

As noted by the hosts at the time of the event's announcement, Mr(s) Williamsburg is a nonrestrictive competition open to all of Brooklyn. This is in no way a drag pageant in the traditional sense of the word, nor are there boundaries or expectations on performers of performance styles. Alotta McGriddles reinforced this by telling The Huffington Post that "make-up" and "outfit" are not even categories on the judges' score sheets. "It's about the show, not your contour."

mrs williamsburg

"The performance community can be somewhat segregated," Merrie Cherry noted. "There are so many ways for a performer to express themselves and most of the time performers stay in their group. Once in awhile the groups come together for special events and in the last year you see it even more. I hope Mr(s) Williamsburg will help to thin that divide. We are a family of people that are living our dream as performers. It is already hard to make it -- we should be the ones to further all of our careers and create better stability, in every since of the word."

The 2014 Mr(s) Williamsburg competition kicked off at This n' That bar on Feb. 24 following the premiere of "RuPaul's Drag Race" and will run until the final installment and crowning on May 3 at LuLu's. The winner of each preliminary round is awarded a cash prize of $100, with the overall victor walking away with $500 and the title of reigning Mr(s) Williamsburg for a full year, as well as a one-of-a-kind piece of jewelry designed by Kurt Fowl.

The Mr(s) Williamsburg feature continues after the slideshow


Brooklyn drag legend Thorgy Thor is the only permanent judge on the weekly panel, with every contestant coming under the scrutiny of the performer's eleven years of drag expertise.

"It's important to have a 'pageant' like this for the entertainment value of course, but also to keep things fresh," Thorgy Thor told The Huffington Post. "I hosted a pageant each month for two years just to be able to feature all the new talent coming out of the woodwork. All of these performers spend time and energy decorating themselves and going out, but don't always have a platform to be seen and featured. Pageants do that! And Mr(s) Williamsburg allows performers of all types to compete against each other in a fun, creative and alternative nature. You will see some shit you won't see anywhere else -- it's also just a great event to come together, support each other and spray fake blood all over the stage"

The opening round of Mr(s) Williamsburg saw some intense competition for a small sampling of the 50 performers involved. While Lady Havokk took the title of runner-up, Charlene shut the bar down with her performance and walked away with the winning title from the first week of preliminaries.

"Mrs Williamsburg is equal parts a celebration and a self-curating showcase of the artfulness that our community is known for," Charlene told The Huffington Post. "Our usual shows have a low-key vibe, like best girlfriends dancing to their favorite songs at a slumber party, so really we’re making fun of Artpop more than we’re mapping out acute performances that communicate with an audience. The competition gives us circumstance for the latter, because Thorgy Thor has no time to see half-baked bullshit."

Check out Charlene's winning performance from the first round of Mr(s) Williamsburg 2014 (watch until the end -- you won't be disappointed).



As drag culture and the nightlife scene continue to develop alongside the malleable nature of northern Brooklyn, competitions such as these provide a valuable outlet for young performers to network and form an identity with the broadly-defined Brooklyn queer community, as well as within the boundaries of drag culture itself.

However, at the end of the nine weeks Mr(s) Williamsburg isn't about the competitive nature of the traditional drag pageant, or even who ultimately walks away with the title. Rather, it is about the outpouring of love and support the individuals engaged in this scene offer one another through these performative settings, and the chance to create and augment something collectively -- simply because they all feel and have the drive to produce culture, build community and the recognize the radical potential invested in this Queer New World.

With three rounds of preliminaries completed, six weeks of competition still remain before Mr(s) Williamsburg comes to a close. The winners of these initial weeks include Charlene, Rify Royalty and Chris of Hur. For a full list of Mr(s) Williamsburg dates head here.

Missed the previously featured drag performers and installments in this series? Check out the slideshow below.
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