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Celebrities Transformed By Tattoos Is Our New Obsession

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Ever wanted to know what Prince William and his delicately beautiful Kate Middleton would look like if they were deeply into tattoos and lived in Brooklyn? Well, now you can.

Cheyenne Randall has been transforming images of pop culture and historical figures in Photoshop, reports Today. The 36-year-old Seattle artist, who practices Native American artwork, told Today he has a "slight obsession with seeing, out of pure curiosity, what some of my favorite iconic personalities would look like, perhaps if they were in a parallel universe or took another path in life."

Randall publishes results to his Tumblr page, Shopped Tattoos, and to Instagram, where he has over 2,500 images to date.

Head over to Today.com for more.

Prince William and Duchess Kate Middleton



Audrey Hepburn



Carrie Fisher as Princess Leia



Marilyn Monroe



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Annie Leibovitz's Book Bash Draws Hollywood Elite, Reveals Stars' Secret Hiding Places

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Annie Leibovitz is not just an American portrait photographer, she is royalty. Or, put in more accurate terms, she has photographed Hollywood royalty for decades, and is perhaps the most iconic, and infamous, of them all.

At a private cocktail party at the Chateau Marmont in Los Angeles on Wednesday night, Vanity Fair, Leon Max and Benedikt Taschen presented the new Annie Leibovitz coffee table book. The limited-edition, sumo-size Taschen book costs around $3,000 and includes over 40 years of Leibovitz’s most esteemed photographs.

“The book took about four years,” Leibovitz told The Huffington Post. “There was a moment when it stalled a little bit. And I changed my thinking on it. It’s just so big. I’ve never done anything like it. You start to go through it and you can’t remember what you had in the beginning," she said, leaning near a grand piano in the living room of the Chateau Marmont. "This is the first time I’ve done a book that isn’t chronological. There are riffs. It’s kind of like a roller coaster ride -- it goes up and down.”

The 476-page book is 19-inches by 27-inches and weighs so much it seriously comes with its own stand (designed by Marc Newson). “It’s not really meant to be flipped through. You’re supposed to just fall upon pictures and leave them open. It’s not a retrospective. It was hard,” Leibovitz said. Shooting Vanity Fair’s iconic Hollywood cover is one of Leibovitz’s signatures. “I loved Cate Blanchett, and I definitely think Sandra Bullock was amazing. But I was sorry that Robert Redford didn’t get in there,” she said of this year's top performances.

While she is known for her famous portraits, Leibovitz seems to have left her own indelible mark on Hollywood. “I had a great platinum blond wig on. My tits were completely out. This was 15 years ago,” actress Melanie Griffith reminisced about being on set with the famous photographer. “I just adore Annie. She’s wild and wonderful and natural and crazy and so good. She took another one of me wrapped up in celluloid. Naked. Sitting like a pin up-girl. Just only in celluloid with John Waters in the picture and Stephen Dorff in this crazy old director’s outfit," she said. "I have that in the men’s bathroom in our house. I was hiding it from my kids. Now they’re all grown up. The other one is in a dark hallway. We don’t like having photos of us all around the house. But those are special.”

Griffith’s favorite film of the year is “12 Years A Slave.” “I loved the whole thing. I think Michael Fassbender is fucking unbelievable. And I loved Lupita [Nyong'o] and Chiwetel [Ejiofor]. All of them.”

Others like Quincy Jones, David Hockney, Patricia Clarkson, Paul Haggis and photographer Terry Richardson joined the party. Sylvester Stallone (holding hands with his wife and daughter) seemed to have missed a memo. “I didn’t know there was a book! I thought this was just a party. I just came here out of the ether. My god. I’ve got to get out more,” he laughed.

Stallone’s iconic “Thinker” photograph with Leibovitz is in the book -- and it leaves little to the imagination. “She’s probably the only one I would do that for. She thought of it all,” Stallone told HuffPost. “She found out that I liked sculpture -- I collect Rodin and Boteros, you name it. She said, 'Why don’t you and your wife reenact Rodin’s figures?' I went, 'Okay!' And now I see it and I cover my face and go, Oh, my god.”

Turning to his wife, Jennifer Flavin, Stallone laughed, “She wants me to take them down. The kids’ friends come over and it’s like, ‘There’s my dad naked!’ We have two in our bedroom so the kids don’t have to see them.”

His favorite performance of the year belongs to “Dallas Buyers Club.” “I think Matthew McConaughey did an amazing job. He certainly earned it. And actually I think Christian Bale is unbelievable. It’s really been a stellar year,” Stallone said.

Over by a corner, Michael Richards peered over at the pages of Leibovitz's tome. “I just looked through the book with the publisher. That was a highlight. The photographs really come through when they’re printed this large,” Richards said. “I have worked with Annie only once. But in spirit, I feel like I have worked with her more than that. She’s very creative," Richards said. "We went through a sort of search-and-destroy process together and then Annie had this one thought. And it became the thought. We went for it and that’s the picture in the book.”

The book is available in four different dust jackets: Whoopi Goldberg (1984), Keith Haring (1986), David Byrne (1986) and Patti Smith (1978) and is limited to a total of 10,000 signed and numbered copies.

Oscar Voter Calls Meryl Streep's Performance 'Bottom-Drawer'

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What's it like inside the minds of Oscar voters? This, apparently: an anonymous member of the Academy of Motion Picture Arts & Sciences directors' branch told The Hollywood Reporter's awards analyst Scott Feinberg that Meryl Streep's Best Actress-nominated work in "August: Osage County" was "bottom-drawer." Academy members, they're just like us?

To be fair, the unnamed voter did note that he or she "loves" Streep in general, but just wasn't enamored with the actress's work in John Wells' film, an adaptation of Tracy Letts' Pulitzer Prize-winning play that was expected to compete for numerous Academy Awards this year, but was only nominated twice: Best Actress for Streep and Best Supporting Actress for Julia Roberts. ("Julia Roberts was horrendous," the voter told THR.)

Other quips from the masked voter: "Her" put them to sleep; "12 Years A Slave" was "interesting, admirable and well done," but didn't take "courage" to make; Leonardo DiCaprio gave a "popcorn performance" in "The Wolf of Wall Street"; and Jennifer Lawrence "dazzles" in "American Hustle."

As for Best Picture? This voter selected "American Hustle," with "12 Years A Slave" finishing at No. 2 on the ballot. That result differs slightly from the Academy member who was polled by The Daily Beast's Michael Musto. The voter, who was given the pseudonym Pat by Musto, selected Alfonso Cuaron's "Gravity" as Best Picture, with "12 Years A Slave" again sitting at runner-up.

I voted for 'Gravity' because I thought it was unique and well done. I didn’t think the acting was that good. I thought Sandra Bullock was adequate. I wish they had gotten an actor who could have gone deeper and you could have really felt for. But of all the films, it was the most memorable.


The 86th Annual Academy Awards are set for Sunday, March 2.

Gregg Allman Biopic Suspends Production As Homicide Investigation Looks Into Crew Fatality

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Last week's fatal train accident on the set of the Gregg Allman biopic, "Midnight Rider," has prompted the movie to suspend production, Variety reports.

Unclaimed Freight Productions, the company responsible for "Midnight Rider," made the official announcement on Wednesday, saying the movie's schedule is delayed "in light of the tragic loss." Second camera assistant Sarah Jones was killed on the first day of shooting on Feb. 20, when the movie was filming on a railroad bridge and a train bounded down the tracks. It smashed into a bed that was on the bridge for a dream sequence and couldn't be removed in time. Some of the other crew members were struck by flying debris, but most escaped the train's path and remained uninjured, including director Randall Miller and lead star William Hurt.

It's now unclear whether CSX Corporation, the railroad management group that oversees the film's production site, granted permission for "Midnight Rider" to film on the train tracks. The sheriff's office near Jessup, Ga., where production was located, is conducting a homicide investigation to determine whether the movie's workforce is ultimately responsible for the accident. Variety reports that personnel could face criminal charges, including the obstruction of a railroad line and criminal trespass, if found guilty. The incident was caught on the film's cameras, which are now being used as evidence. Some crew members have reportedly hired lawyers to take legal action against Unclaimed Freight.

Meanwhile, a Facebook page called Slates for Sarah has inspired a torrent of tributes to the late cinematographer, whose previous credits include "The Vampire Diaries" and the TV movie "My Future Boyfriend."

"Midnight Rider" stars Hurt and All-American Rejects frontman Tyler Ritter as the elder and younger Allman, respectively. HuffPost Entertainment reached out to Hurt's representatives for comment and will update this post upon a response. The movie, based on Allman's autobiography, also stars Eliza Dushku, Bradley Whitford and Wyatt Russell (son of Kurt Russell and Goldie Hawn), who was on the set, but not on the bridge, at the time of the accident.

[via Variety]

Watch Jean-Claude Van Damme Perform His Split Stunt.. In Zero Gravity

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Is Jean-Claude Van Damme going for "The Most Epic Man of the Year" award? He's already proved himself in the martial arts world, the movie industry and even in commercials when he did the epic splits for Volvo.

There really was only one place for him to go -- up.

We're talking all the way up -- to outer space -- where he could repeat his splits stunt in zero gravity for the whole world to see.

We know what we're all unanimously thinking: Damme, that's epic ... even if it's not real.

Lea Michele's Cory Monteith Song, 'If You Say So,' Is Heartbreaking

These Minimalist Posters Will Make You Love 'The Lego Movie' Even More

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If you've seen "The Lego Movie," then you already know that everything is awesome and the film's official poster is as fun, busy and as action-packed as the movie itself. A Lego is a simple thing, though; it's a building block that runs on imagination.

Graphic designer Chris Melberger has taken the Lego spirit in style and gone back to the basics. He has created minimalist posters for the popular movie, featuring characters' featureless faces and quotations from the film.

Check out these simply awesome re-imaginations of one of this year's most imaginative movies.



Check out more of Melberger's designs on his website and on Twitter.

Test Your Best Picture Recall With This Infographic That Illustrates Every Winner In Oscar History

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Test your Best Picture knowledge with this handy infographic, which illustrates each winner throughout the Oscars' 85-year history.

Content marketing agency Beutler Ink created the chart, and now you can use it as a guide to your Oscar-weekend binge-watching. See how many Best Picture winners you can recall from the representations below. (The answers are listed beneath the chart.)

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'The Boy,' Gay Horror Film, Launches Indiegogo Campaign

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"The Boy" is a film project that follows the experiences of an African-American family who will go to extreme lengths to save their son who they believe is possessed by demons -- because he is gay.

Described by producer James Peoples and director Cayman Grant as a horror/thriller, the film chronicles the events that unfold when a boy's family calls on a local tribal healer to heal their son of his gay "demon." Peoples told The Huffington Post that the project aims to be an honest portrayal of the extreme lengths some families will go to in order to "exorcise" same-sex attraction out of their children.

"The Boy is an important film on many levels," Peoples and Grant said in a joint statement to The Huffington Post. "As storytellers, we have a responsibility to educate and inform. As filmmakers, we get to do that in the form of entertainment. This 'horror' genre film brings to light the atrocities that are happening to our gay youth here at home and abroad. In recent months, this specific subject matter has become a hot topic with the deaths and abuse of countless children and young adults."

They added: "Our hope is to make people understand… to inform them that this is really happening worldwide… and even in our own backyard."

"The Boy" is currently engaged in an Indiegogo campaign in order to fund the project. Head here for more information.

An Artist And A Hive Of Bees Collaborate On A Series Of Sculptures

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Aganetha Dyck has become well known for her unusual sculptures, delicate artworks that depict mundane objects playfully obscured by mounds of honeycombs. But the Canadian artist can't take all the credit. She shares the glory with her willing collaborators -- honeybees.

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Dyck has been partnering with bees for the past 20 years. She chooses the objects -- porcelain figurines dressed in 18th century garb, or, other times, shoes and helmets -- and leaves her hives of bees to adorn the forms with their swirling, asymmetric combs. The results, shaped by Dych, are every bit fantastical as they are disturbing. Ordinary facets of human life mingle with the natural constructs of an insect's world, leaving the viewer with an unsettling sense of time and human existence.

“The [artworks] remind us that we and our constructions are temporary in relation to the lifespan of earth and the processes of nature,” curator Cathi Charles Wherry explained. “This raises ideas about our shared vulnerability, while at the same time elevating the ordinariness of our humanity.”

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Dyck's own research delves into the possibilities of interspecies communication and the potential environmental impact of bee population dips due to colony collapse disorder. Particularly drawn to the architectural capacity of bees and their paper-thin structures of incredible strength, her interest transformed into action, as she recruited bees to help construct collaborative sculptures. She recognizes that the minuscule beings "do most of the work," an aspect of the art she considers to be "amazing."

"Their power -- the power of the small, instead of something gigantic like an elephant or something... is to keep the world population alive," Dyck states, with a touch of awe, in the clip below. "I think a lot of people think that we humans are not part of the environment somehow. I can understand sometimes why we don't think we're part of nature but not to be part of the environment? It blows my mind."

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The ten-minute video illuminates the inner workings of hives, and sheds light on Dyck's collaboration with bees. Her artwork will be on view in "Honeybee Alterations" at Ottawa School of Art, but you can preview some of Dyck's sculptures here. Let us know your thoughts on the magical works in the comments.

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Aganetha Dyck's "Honeybee Alterations" will be on view at Ottawa School of Art from March 3 to April 13, 2014. All images courtesy of Gurevich Fine Art.

h/t Colossal

'The Square,' Egypt's First Oscar Nominee, Blocked In Home Country

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CAIRO (AP) — Directors of Egypt's first Oscar-nominated film will be walking the red carpet at the Oscars ceremony next week in Los Angeles, but most Egyptians have yet to see the hard-hitting movie that chronicles the country's unrest over the past three years.

Far from being widely celebrated in Egypt, the film has not been shown at Egyptian film festivals or theaters after running into problems with censorship authorities. The filmmakers say they have been blocked because of their portrayal of the country's military-backed governments. They still hope to get approval for wider distribution. "It's a kind of politics disguised in bureaucracy," said Karim Amer, the film's producer, taking a line that one of the film's central character uses to describe the government's counter-revolutionary actions.

"The Square," named for Tahrir, or Liberty Square, is built around the geographic focal point of the uprising, where millions of Egyptians gathered to protest Hosni Mubarak's regime, the rule of the generals who succeeded him and now-deposed Islamist President Mohammed Morsi. It recounts the country's recent turmoil, beginning when Mubarak stepped down in 2011 through August 2013, right before security forces stormed two protest camps of Morsi supporters, killing hundreds.

The filmmakers tell the story through the eyes of three protesters hailing from different backgrounds. The self-described revolutionaries are Ahmed Hassan, a streetwise idealist; Khalid Abdalla, a British-Egyptian Hollywood actor raised abroad by his exiled activist father; and Magdy Ashour, a member of Morsi's Islamist group, the Muslim Brotherhood, which has been outlawed and labeled a terrorist organization by the government installed by the military.

The movie follows their ideological trajectories, from hope and exuberance to disappointment and disillusion.

Ashour grows apart from the Brotherhood. He goes to protest in the square even after the group has prohibited members from demonstrating because, he says, the demands of the revolution have still not been met by the country's interim leaders. Abdalla struggles to convince his exiled father that his activism will bear fruit, and Hassan suffers a head injury while throwing rocks at security forces and falls into a depression.

"The good and free people are being called agents and traitors, and the agents and traitors are being called heroes," Hassan narrates over scenes of ambulances carrying away wounded protesters.

The film's director, Jehane Noujaim, who grew up in Egypt, said she wanted to tell the story in a way that would let viewers in 50 or 100 years feel "that energy and that spirit of being in the square."

The footage includes graphic images of bloodied bodies getting smashed by military vehicles, police dragging a protester's limp body across the street and other scenes of brutality. At one point, a protester kneels on the sidewalk, weeping, with the blood of comrades on his hands.

"Our army is killing us. They are killing us," the protester says. "They've forgotten Egypt."

That depiction of the Egyptian military, which removed Morsi in July, is the reason the filmmakers believe the film has not been licensed for showing in Egypt.

But the project has gained acclaim in the West, winning audience awards at the Sundance Film Festival and at Toronto and Montreal festivals. It was acquired last year by subscription service Netflix.

In Egypt, it's only available through YouTube and illegal downloads. After the academy announced the Oscar nominations, the film was hacked and released on the Internet. Amer estimates that more than 1.5 million people have watched it online.

"What's been fantastic is to see the overwhelming ability of the Internet to show truth from fiction," he said.

Ahmed Awad, undersecretary to the Minister of Culture and head of censorship, told The Associated Press that the film has not been banned in Egypt for any political reasons. He said it was not shown because the film's producers did not file the proper paperwork. He called the filmmakers' accusations of repression "propaganda" designed to attract more attention.

"I am very happy about the Oscars, because it's a very high level of art," Awad said. "We are not against the film, but there are laws. I can't make exceptions."

Noujaim said that the team submitted the film to censorship authorities in September and received verbal permission to show it at a festival. But, she explained, the film never received an official letter to that effect, and the filmmakers did not feel comfortable proceeding without a formal permit given the tense political climate. She said they are appealing and submitting additional paperwork.

Some Egyptians who have seen the film say it is designed more for educating a Western audience than interpreting the country's recent history, that it glosses over some events and does not capture the nuance of post-revolutionary politics.

Joe Fahim, an Egyptian film curator and critic, said the film is not an artistic masterpiece, but he believes it's an important film for Egyptian audiences because it can serve as a record of the country's political upheaval.

"It's a reminder of the turbulent history of the past three years," Fahim said.

Noujaim, who last month received a Directors Guild documentary award for "The Square," said the film is ultimately an ode to the activists who made the revolution happen.

"That's the only thing that's ever worked — a dedicated few that stick to their principles, stick to every battle, and once in a while, they're able to inspire the majority," she said.

Despite the setbacks, Amer added, what's fundamentally changed in Egypt is that "the young Egyptian voice that's been born in that square is unwilling to give up, and I think that's what our film chronicles and shows."

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Lederer reported from the United Nations.

Now's Your Chance To Fly With A Pelican (VIDEO)

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Watching a pelican learn to fly on video would be magical enough, but imagine getting to experience the ride first-hand.

Apparently, that's exactly what a few folks at Greystoke Mahale in Tanzania had in mind when they attached a GoPro to this pelican's beak. The bird, nicknamed Big Bird, spent months trying to regain its ability to fly after washing up on the shores of the African Great Lake Tanganyika.

According to the video description, Big Bird had been abandoned by its flock before it "stumbled ashore after a storm" in Tanzania.

For more information about this incredible story, you can check out Absolute Travel's blogger Brooke Garnet, who followed the story up close and in person.

To fly with Big Bird yourself, watch the video above.

Yearbook-Style Portraits Of Prisoners Show A Different Side Of Incarceration

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Gaze upon one of Alyse Emdur's collected photographs and a brief sense of confusion takes hold. The adult subjects, dressed in both plain clothes and jumpsuits, stand in front of yearbook-style backdrops, gazing into the camera with varying degrees of smiles plastered across their faces. The eerie, bucolic scenery, so seemingly separate from the subjects and their poses, leads one to wonder where the trove of photos came from.

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Emdur did not capture these images herself; instead, the photos were sent to her from prisons across the country. They're part of a series and book titled "Prison Landscapes," which consists of the unique portraits of inmates alongside Emdur's own snapshots of painted backdrops she's come across in prisons from Texas to California. Together, the pictures illuminate the tension between captivity and the desire for freedom that we don't often confront.

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“Prison visiting room portraits are constructed to intentionally leave out the reality of prison," Emdur explained to Feature Shoot. "The aim of my project is not to be an authority on that which is left out, but to rather make the artifice visible. Although the paintings on the backdrops represent freedom, they are vehicles to control the representation of prisons and prisoners.”

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The Los Angeles-based photographer began the project in 2005, after finding a portrait of herself visiting her brother during his incarceration when she was just five years old. Since then she has solicited and received hundreds of portraits from prisoners in similar situations. Though she wasn't present during the actual photo shoots, her outsider perspective provides a crucial foil -- as seen in her zoomed-out images of the backdrops and "studios" themselves.

Emdur's unusual collection also offers a rare glimpse into the prison population devoid of criminal charges and accusations. Scroll through a preview of the series here and check out Emdur's website for more.

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Emdur's photographs are on view as part of "Prison Obscura" at Haverford College’s Cantor Fitzgerald Gallery through March 7, 2014.

Adorable Cat Photos From 1915 Will Make Your Heart Explode Into Tiny Pieces

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One hundred years from now, when archivists look back on our lifetime, they will be faced with a digital treasure trove filled with-- among other things -- cat memes. There's just no denying our generation's obsession with the adorable animals.

But if you thought a predilection for tiny creatures in hilarious situations is solely a contemporary phenomenon, you are sadly mistaken. You need only travel back in time another hundred years for proof -- the 1915 book "The Little Folks of Animal Land" by Harry Whittier Frees, a photographic compilation of minuscule pets (primarily kitties) acting out everyday human activities.

The images show cats with toothaches, cats folding laundry, and cats flying planes, and became popular as postcards and posters in the early 20th century. After gazing upon the vintage "meme," we can't help but wonder if an affinity for funny felines is the thread that's holding humanity together. Behold, the LOLcats of the 1900s:





You can gaze upon the amazing historical find online, courtesy of the library of Harvard University. (h/t Live Journal)

David O. Russell And Florence Henderson Share A Special Spiritual Bond

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Harvey Weinstein isn't the only one with the Pope in his pocket.

Actor Florence Henderson joined Vanity Fair and Chrysler at a cocktail party Thursday evening in L.A. to toast director David O. Russell and the cast of “American Hustle.”

After overhearing that Henderson was holding Russell’s Pope-blessed rosary in her hand at the party, The Huffington Post stole a moment away to ask her about it. “I have that in my purse. But I am holding something else from him tonight. He gave it to me at the beginning of the evening and I won’t say what," Henderson said. "But at the end of the evening I’ll give it back to him. And I’m just praying for him to win the Oscar. I do believe in prayer. And I have such great respect for his work.”

The two met at the premiere of Russell's “The Fighter,” which scored seven Oscar nominations at the 2011 ceremony (it went on to win Best Supporting Actor and Best Supporting Actress for, respectively, Christian Bale and Melissa Leo). Having never officially met before, Henderson said of Russell, “I was invited to the premiere and he was so gracious. I didn’t even think he would know who I was. But then he went on stage and said, ‘Tonight is very special for me because two of my heroes are here. Florence Henderson and Gloria Steinem.’ That was the beginning. We have sort of formed a spiritual relationship.”

Russell has proven himself to be an Oscar-whisperer of sorts. His films “The Fighter,” “Silver Linings Playbook” and this year’s “American Hustle” have scored multiple nominations and wins. One of Russell's hallmarks as a director is wringing emotional and unexpected performances out of top-notch actors, including frequent collaborators Jennifer Lawrence, Christian Bale, Amy Adams and Bradley Cooper, all of whom were nominated for their work in "American Hustle."

The Huffington Post spoke with Russell about Oscar pressure and if arriving at the Academy Awards is always his goal when he starts a new film. After hollering politely at a friend for “Wine. Red. Pinot,” Russell said, “No you can’t think that way. The Oscars motivate me. They motivate me to make the most emotional, impactful movie I can make. I have to weave a tapestry. If the movie isn’t good, it doesn’t mater if the performances are good. The movie has to be propulsive.”

In terms of sitting at the awards anxiously waiting for his categories to be called, Russell said, “That’s what you get. That’s the price of admission. If you get to be a part of it, you have to go in expecting nothing and you have to really, really meditate on that. And be okay with it and just be happy to go.” Russell is nominated twice this year, for Best Original Screenplay (with Eric Warren Singer) and Best Director.

Russell said he grew up watching the Academy Awards, and one of his favorite Oscar memories includes a Hollywood legend. “I remember Warren Beatty hosting the Oscars. He was real dry and sardonic. Which is kind of a '70s luxury,” Russell said. “I also remember him winning for ‘Reds’ [1981] and giving a very beautiful speech to Diane Keaton and Jack Nicholson who were sitting there. I have been fortunate enough to become friendly with him over the years.

“I also remember Dustin Hoffman winning for ‘Rain Man’ [1988] and he forgot to thank Tom Cruise," he continued in reminiscing on Oscars past. "He went backstage and Ryan O’Neal or somebody came out and said Dustin Hoffman is freaking out, he forgot to thank Tom Cruise. I experienced that last year when Jennifer [Lawrence] forgot to thank me and Harvey [Laughs]. She has spent the last year thanking us. Which, hey -- I’ll take it!”

Come Sunday night, there might be a lot more thanking in order. “American Hustle” is nominated for a whopping ten Academy Awards, including Best Actor, Actress, Supporting Actor, Supporting Actress, Best Picture, Director and Original Screenplay.

Vanity Fair’s “American Hustle” event was held in support of the Ghetto Film School, an organization that educates, develops, and celebrates the next generation of great American storytellers, and is a cause very close to David O. Russell’s heart.


Cristin Milioti Sang 'The Moon Song' At The Oscars Concert

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LOS ANGELES (AP) — John Williams and Jill Scott were among the artists who brought this year's Oscar-nominated music to life at an inaugural concert organized by the motion picture academy.

Williams conducted an 80-piece orchestra performing his score from "The Book Thief," while Scott put her own spin on the Pharrell ditty "Happy" from "Despicable Me 2" at Thursday's first-ever Oscar Concert at UCLA's Royce Hall. The show featured each of this year's nominated composers leading an orchestra of professional studio musicians, as well as performances of each original song vying for the Academy Award.

"What's fantastic about an evening like this is we can understand completely that these movies we see wouldn't be what they are and couldn't be made without the service of a great orchestra," said Williams, who with 49 nods is the second most nominated person behind Walt Disney in Oscar history.

The concert, hosted by rapper-actor Common and featuring an appearance by Oscar-winning songwriter Richard Sherman, kicked off with six-time nominee Alexandre Desplat leading a suite from "Philomena." Other composers who took the stage included 12-time Oscar nominee Thomas Newman with "Saving Mr. Banks"; as well as first-time nominees William Butler and Owen Pallett of Arcade Fire with "Her"; and "Gravity" composer Steven Price, who delegated conducting duties to collaborator Joseph Trapanese.

Pallett recalled that the nimble score from filmmaker Spike Jonze's futuristic love story "Her" was originally intended to be more dark and mechanical.

"Originally, the movie was set 30 years in the future, and then he brought it back to 15 years in the future, so we had to take the 'Blade Runner' score out and make it a bit more contemporary," said Pallett.

For her rendition of "Happy," Scott was joined not only by the orchestra but also the young girl Redbirds dance troupe from the Debbie Allen Dance Academy.

The other song performers included "The Voice" contestant Matt Cermanski singing U2's "Ordinary Love" from "Mandela: Long Walk to Freedom" and actress Cristin Milioti from "The Wolf of Wall Street" and "How I Met Your Mother" crooning Karen O's "The Moon Song" from "Her." Robert Lopez and Kristen Anderson-Lopez, the songwriters behind the sweeping "Frozen" ballad "Let It Go," performed their own tune from the animated film starring Kristen Bell and Idina Menzel.

"I am not Idina Menzel," warned Anderson-Lopez before she was accompanied by her husband on piano. "Very few of us are, which means I don't have to perfect. I can just let go."

Menzel, as well as each of the other nominated song performers, including Karen O and U2, will be on hand during Sunday's ceremony to showcase their original song selections on the live broadcast.

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Online:


http://www.oscars.com

David Lynch's Secrets For Tapping Into Your Deepest Creativity

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If anyone knows a thing or two about creativity, it's David Lynch. Arguably one of the most brilliant film directors of our time, Lynch is best known for genre-defying, surrealist art-house films like Mulholland Drive, Blue Velvet, and Wild at Heart. His style is so original that it's even inspired its own adjective: "Lynchian."

Lynch is also an outspoken devotee of Transcendental Meditation, which he's practiced daily for over 40 years and brings to underserved populations through his work with the David Lynch Foundation. And the award-winning director says that meditation is his greatest secret to creative success.

"Transcendental meditation is for [all] human beings, and it transforms life for the good, no matter who you are or what your situation is," Lynch said in a Rolling Stone interview on Feb. 25. "It's a mental technique that allows [you] to dive deep within to the deepest level of life, which underlies all matter and mind. At the border of intellect, you transcend and experience that unbounded level of life: all positive, pure consciousness with qualities of intelligence, creativity, happiness, love, energy, and peace."

In 2006, Lynch penned a book illuminating his methods for achieving his greatest artistic visions. In Catching The Big Fish: Meditation, Consciousness and Creativity, Lynch likens ideas to fish: "If you want to catch a little fish, you can stay in the shallow water. But if you want to catch the big fish, you've got to go deeper."

For many of us who do creative work, lifestyles of stress, burnout, sleep deprivation and technology addiction can keep us from "going deeper." We multitask on texts, emails, news and social media -- without putting our full focus on anything we do -- and that can keep us on the surface of our thoughts and ideas. This can take a major toll on our creative thinking, which is never at its fullest potential if we're not accessing a deeper part of our consciousness. Lynch argues that meditation is the solution, the greatest tool we have for accessing our own brain power and diving into the subconsciousness where creativity resides.

Need a creative boost? Here are some of Lynch's best secrets to finding your personal vision from Catching The Big Fish.

1. Meditate, meditate, meditate.

meditation

Lynch is a longtime devotee of Transcendental Meditation, a practice that involves the repetition of a mantra during 20-minute, twice daily meditations. He swears that TM helps him to access a deeper level of consciousness, where all of his best ideas have come from. "Down deep, the fish are powerful and more pure. They're huge and abstract. And they're very beautiful," he writes.

But you don't have to take Lynch's word for it: The science has proven that mindfulness really can boost your brain power in a number of ways. A 2012 Dutch study found that certain meditation techniques can promote creative thinking. Mindfulness practice has been linked with improved memory and focus, emotional well-being, reduced stress and anxiety, and improved mental clarity -- all of which can lead to better creative thought.

Anyone can find time in their schedule to meditate, says Lynch -- you don't have to be sitting cross-legged in a special meditation room to enjoy the practice of mindfulness.

"You can meditate anywhere," says Lynch. "You can meditate in an airport, at work, anywhere you happen to be."

2. Slow down.

mindfulness

Few things crush creativity faster than excessive busyness -- research in organizational psychology has found that environments with high levels of time pressure can stifle creativity, and many of us know personally that our best ideas don't happen when we're stressed out and rushing from one deadline to another.

The world will likely only continue operating at an increasingly fast pace, so we must take it upon ourselves to slow down. Accessing one's deepest creativity, for Lynch, pretty much boils down to a simple piece of advice: "Keep your eye on the donut and not the hole." As Lynch explains, "If you keep your eye on the doughnut and do your work, that's all you can control. You can't control any of what's out there, outside yourself."

In other words, slow down, find time for your creative work, and let go of trying to keep up with endless emails, social media updates, to-do lists and obligations. They'll always be there -- it's your job to find a way to slow down for long enough to do the work that's important to you.

3. Sleep.

dream

It's a simple equation: People who sleep better are more creative. Lynch explains that sleep is "really important" to his creative process. "You need to be able to rest the physiology to be able to work well and meditate well," says Lynch.

Writer Steven King also believes that sleep is crucial to the creative process and can help to release what he calls the "repressed imagination." King wrote in On Writing: A Memoir on the Craft:

In both writing and sleeping, we learn to be physically still at the same time we are encouraging our minds to unlock from the humdrum rational thinking of our daytime lives. And as your mind and body grow accustomed to a certain amount of sleep each night — six hours, seven, maybe the recommended eight -- so can you train your waking mind to sleep creatively and work out the vividly imagined waking dreams which are successful works of fiction.


The evidence that sleep deprivation disrupts creativity isn't just anecdotal: A number of scientific studies have found that sleep is essential for learning and creativity. Sleep helps the brain to consolidate memories so that we can later retrieve them more easily, and it also helps us reorganize and reconfigure memories so we can come up with new and original ideas.

4. Cultivate compassion.

compassion

Meditation can seem like a selfish pursuit -- one that cuts us off from others and the world around us as we retreat into our inner selves. But Lynch argues that meditation is anything but selfish, and for that reason, it can boost your creativity.

"Compassion, appreciation for others, and the capacity to help others are enhanced when you meditate," writes Lynch. "You start diving down and experiencing this ocean of pure love, pure peace -- you could say pure compassion. You experience that, and know it by being it. Then you go out into the world, and you can really do something for people."

Research has found that love and creativity are closely connected -- a 2009 study published in the Personality and Social Psychology Bulletin demonstrated that participants primed with thoughts of love had high levels of creative insights compared to those who thought of lust and control-group subjects. "Love enhances global processing and creative thinking," the researchers concluded.

Anthony Mackie Comments On Michael B. Jordan's 'Fantastic Four' Casting Controversy

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Anthony Mackie stars in "Captain America: The Winter Soldier" as The Falcon, but in an interview with Marc Lamont Hill on HuffPost Live, the 35-year-old had more to discuss than just his franchise. When asked about the recent controversy that sprouted up in the wake of Fox casting Michael B. Jordan in "Fantastic Four" as Johnny Storm, a character who has been portrayed as white in the comics, Mackie said the problem lies with the viewers. "As an audience member, if you can't [accept that anyone can play a fictional character], you have to look at yourself," he said. Watch Mackie and Hill chat about that and "Captain America" in the clip above. The full segment can be found online here.

Mackie's "Captain America" film is out in theaters on April 4.

Daily Life In Sri Lanka: Photos Show The Beauty Of Harbor Life On Island Nation

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Welcome to Daily Life! Each week HuffPost World will transport you to one of the corners of the Earth through images that expose the beauty and tragedy of worlds you may have never before seen.

There's No 'Anchorman 3' On The Horizon, Says Adam McKay

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This week will offer fans their final opportunity to see Ron Burgundy and the rest of the Global News Network crew in theaters. Writer/director Adam McKay told Empire that he has no plans to make "Anchorman 3."

“It’s done,” McKay said. “I think that’s it. It was great to do it and it was so fun to work with those guys again, but I think that’s it for Ron Burgundy.”

This week's re-release of "Anchorman: The Legend Continues" features almost 800 new jokes, but it'll whip by in a flash, as the movie is in theaters for a one-week engagement. After that, McKay has no doubt that "Anchorman" is officially over as a series.

"Now we’re releasing this alt version, we’re totally satisfied. No 'Anchorman 3,'" he said. "I’m going to say definitely no. I’ll actually say it in this case!”

McKay also said he's done with sequels in general, which means the chance for a "Step Brothers 2" or "Return of Talladega Nights" is slim. Instead, he'll focus on new projects like "The Big Short," an adaptation of Michael Lewis' non-fiction look at the financial crash of 2008.

"Anchorman 2" was lucrative for Paramount, but it hasn't topped some of McKay's originals, despite an aggressive marketing campaign prior to its December release. The movie has racked up about $169 million in global ticket sales, which falls short of the $223 million taken in by the 2010 action comedy "The Other Guys" but surpasses the $128 million generated by 2008's "Step Brothers."
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