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Iranian Teen's Dream To Be An Astronomer Will Break Your Heart (VIDEO)

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Sepideh Hooshyar had a simple dream: to study the stars. But the teen faced enormous obstacles when she tried to pursue it -- in no small part created by her own family.

The trailer for a new documentary, "Sepideh -- Reaching for the Stars," will be the most hopeful and heartbreaking thing you watch today. The film recently premiered at this year's Sundance Film Festival, and follows Sepideh's life for almost five years, beginning when she was only 14 years-old.

"Every day, every night I dream of floating in space," says the teen in the trailer's voiceover, using a microscope to gaze at the sky with friends.

Watch part of her incredible story, above.

[h/t Wired]

Annie Lapin's Newest Painting Exhibition Combines Instant Attraction And A Slow Burn

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How does a painting come into being? Through a combination of struggle, careful construction, and the hazy in-between, Annie Lapin creates paintings that shape how you see them while documenting their own creation. Her newest exhibition, "Various Peep Shows," features loosely rendered collages of paint that come together to form impossible yet inviting spaces, treating architecture as a code which may or may not be cracked.

"Quick, confident brush strokes appear to rest lightly on the surface of the canvas, operating as pure mark making until the slow burn of an image makes its way to the eye," Honor Fraser Gallery describes of the show, giving a sense of the slow breed of looking necessary to fully digest Lapin's work. Her painted forms teeter between ghostly figurations of a thing and literal conglomerations of pigment, the tension between the two forming meaning somewhere in the middle. The question of what painting is and how it is seen burns throughout the series, and Lapin seems partial to gorgeous hypotheticals rather than definitive answers.

We reached out to Lapin to learn more about her work.

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Various Peep Shows (Through), 2013


The press release for your exhibition says your paintings "appear to coalesce from the hazy set of information gathered at the corner of the eye." The paintings reminded me of the first morning blinks when your first visions are speckled with remnants of dreams. Do concepts of dreaming and waking play a role in these works?

I don’t think about dreaming and waking per se, but you could draw a parallel between my understanding of what dreams are and the way I want paintings to operate. The liminal state of waking up from a dream is the moment we realize that the representations and fragments of meaning that felt so solid in sleep are really just our minds’ creation. I’m interested in that moment of self-awareness when our minds create meaning. In dreams, the stimulus for meaning and creation in the mind is electrical firing of various neural pathways. In painting, the stimulus is physical information on a canvas perceived through the eyes.

As a painter, I’m always chasing this triad of paradoxical yet simultaneous experiences: to be highly aware of the physical/handmade construction of the painting; to have that construction generate cohesive and seemingly sensible representations in my mind; to witness representation shifts and changes as my mind turns it over. While I don’t put it in these terms for myself, in response to the question, I think that this experience of the constructed nature of ones own cognition which can occur when you view a painting is quite similar to either lucid dreaming or the moment of awareness of being awake after a dream.

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That is Here and There, 2013


Your newest exhibition is also described as quick, confident and loose, more so than your previous shows. What brought about change?

The paintings in "Various Peep Shows" are all a single pass, so that every stroke is pretty visible on the surface. I have been thinking about the idiosyncratic mark, and how that characterizes the construction of paintings as much as a painting’s materials affect the look of a work. But I wanted to really lay it bare, and by repeating certain structures in these paintings, and creating a simple script for the landscape, the architecture, and other elements, I wanted the act of image-making to become almost like handwriting, which is both markedly individual and very connected to materiality.

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That Looks In and Out, 2013


How did you decide to incorporate spray painted lettering into the works?

The spray-painted letter was an impulse that I’ve had for a really long time, but couldn’t justify. For years, at various points in the studio I’ve fantasized about vandalizing my own paintings with language, but it felt like an irrational, potentially self-destructive thing to do. However, recently, as mentioned before, I began to think about the works as a kind of handwriting anyway. Even more pressing was my need to get straight to the point about the way I was using landscape imagery in my paintings -- as a system of representation that could be pushed until it could be confused with purely formal mark making, while retaining deep psychological and representational triggers. Letters are the same for me. Thinking about how letters operate allowed me to systematize the imagery and construction of the paintings in this show.

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Through Stands and Looks Sideways, 2013



Many of the painting depict windows. If this commenting in any way on the conception so figurative paintings as windows into other lands?

The frame is one of the most fundamental structures of painting. I don’t use it to reflect upon the notion of figurative paintings as windows, but rather as a formal device to draw attention to the construction of the work as well as to ruminate on the act of looking at a painting.

How are creation and destruction interacting in this exhibition?

There are elements that appear to depict a kind of entropic self-destruction in this work, so there is an illusion of a subtractive effect. But it’s really just an illusion. The way the works are constructed is to allow each painterly decision and mark to be left out there. Even if a layer of landscape-ish gestures covers a row of letters, there is an interaction there that is meant to be visible and forms part of the abstract synergy of the work. I think the tension between what seems to be destructive but is actually constructive is a big part of the work and the way I think.

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Here Times There, 2013


What is the last artwork you saw that affected your artistic style or process and why?

Last summer I spent two weeks in Turkey, and became really obsessed with kilim rugs. I can’t fully explain how this affected the current work, but I’m aware that is did. Looking at images that were woven into a surface rather than painted on top really affected how I wanted the images to impregnate the surface of the canvas. Perhaps the parts in which you look through architectures to get to a deeper point in the painting, and all the little trompe l’oeil moments which push certain marks to a simulation of higher or lower relief are my way of trying to create a space in the picture plane that isn’t just an illusion of spatial depth, but rather an illusion of material depth, like fabric soaked with ink rather than superficially painted. I was also aware of how the images in kilim rugs arise out of this history of hand gestures that occurred on the loom, and that despite their highly geometric nature, each work was highly idiosyncratic and imperfect – almost like a kind of expressionism that just happens to be applied with different sort of timing than expressionistic painting.

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Annie Lapin, Various Peep Shows, 2014 Installation view at Honor Fraser Gallery


annie
Annie Lapin, Various Peep Shows, 2014 Installation view at Honor Fraser Gallery


"Various Peep Shows" runs until February 22, 2014 at Honor Fraser in Los Angeles. All photos by Brian Forrest.

Bewitching Long Exposure Photos Capture The Elusive Language Of Dance

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For years photographers have attempted to accomplish the impossible: capture the bewitching movement of dance in a single, frozen image. Photographer Jesús Chapa-Malacara has come painfully close with his ethereal series "Dance Prints: Humans Slicing Through Space," which explores the language of dance through striking images and ghostly gestures.

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For the series, Chapa-Malacara focuses on two diametrically opposed forms of dance: ballet and breakdancing. One is meticulously precise and graceful while the other is wild and expressive, the results of which are palpable on the page even once the actual movements are gone. "I think they're working really beautifully, playing off each other," the artist wrote in an email to The Huffington Post. "One is so upright, the one is all about being on the floor and up side down. In the future, I would like to expand the work even further, both in scale and in subject matter."

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Having been a dancer himself, Chapa-Malacara understands a subtle truth about dancers. He explains this little-known secret on his Kickstarter: "Here's the thing about being a dancer. Whereas most people think of dance primarily as the cool tricks and poses, dancers spend a lot more time thinking about the movement in between than the actual poses. So I kept thinking, how can I tell that story? "

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The resulting images capture the fluidity of motion with a heavenly ease, making the viewer feel like an audience member in a personal performance. Chapa-Malacara is now raising funds on Kickstarter to expand his project to encapsulate the entire language of dance, particularly ballet. He explained, "Each photo you see is every little piece of what it takes to start and finish a 'word' within the ballet language, all the little details dancers spend years perfecting. So over the long term, I hope to create a visual compendium of the ballet lexicon."

See the entrancing images of frozen motion below and watch Chapa-Malacara's Kickstarter video to learn more.

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'Grind,' Hook Up App Musical, To Be Released By Chemically Altered Productions

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Social meet-up apps like Grindr are not uncommon in the gay community and now experiences with technologically-enabled hook-ups are the inspiration for a new musical.

Called "Grind," and produced by Chemically Altered Productions, the show had its own Indiegogo campaign to fund post-production and is slated to star, among other notable names, Anthony Rapp ("Rent") and Pasha Pellosie ("Project Runway").

"'Grind' is a short film musical that takes a sexy and artistic look at the ways we connect in today’s multi-screened hook up culture and asks, 'Do you really know who you’re talking to?'" the project's Indiegogo campaign notes. "Created by a multi-disciplined team from a wide spectrum of backgrounds, musical theater, film, pop music, classical dance, psychology, and technology are all represented and this project will take advantage of them all as it explores the emotional vulnerability and danger involved in connecting with others in the irreversibly intrusive world we sign on for willingly."

Keep an eye out for more updates on "Grind" in the future and follow the project on Facebook or Twitter to stay in the loop.

(h/t Anti Twink)

First 'Fifty Shades Of Grey' Poster Hits Five Major Cities Across U.S.

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Universal Pictures unveiled the first promotional material for "Fifty Shades of Grey" on Friday: a poster that will hit five major U.S. cities to "[start] the yearlong countdown to Valentine's Day 2015 when the film arrives in theaters."

Unsurprisingly, the poster doesn't provide a ton of new insight about the movie or its titular provocateur. In the ad Jamie Dornan wears a fitted suit while overlooking the Seattle skyline. Even though we only see his backside, the feel of the image radiates confidence. We just know Anastasia Steele (Dakota Johnson) is out there, waiting to be emboldened by her dominating new suitor.

If you live near one of five cosmopolitan street corners where the poster will appear, you can gauge Christian Grey's suaveness for yourself. Those intersections are in New York (Grand Street & 6th Ave.), Los Angeles (Wilshire Blvd. & Gayley), Chicago (LaSalle & Hubbard), San Francisco (Mission Street & 6th) and Seattle (1st & Wall Street).

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While this may be the first major marketing attempt we've seen from the film, Universal has made sure to provide us with additional sneak peeks over the past few months, particularly in the form of an Entertainment Weekly cover that featured a series of character photos. Any scoop comes with heightened anticipation after the movie, which was filming in Vancouver as of December, was delayed from Aug. 1, 2014, to Feb. 13, 2015, in the wake of the Charlie Hunnam casting switcheroo.

Sam Taylor-Wood ("Nowhere Boy") is in the director's chair, with Eloise Mumford, Jennifer Ehle, Marcia Gay Harden, Rita Ora and Luke Grimes also starring in the erotic drama.

Noah's Ark Prototype Was Round, 4,000 Year Old Tablet Suggests

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LONDON (AP) — It was a vast boat that saved two of each animal and a handful of humans from a catastrophic flood.

But forget all those images of a long vessel with a pointy bow — the original Noah's Ark, new research suggests, was round.

A recently deciphered 4,000-year-old clay tablet from ancient Mesopotamia — modern-day Iraq — reveals striking new details about the roots of the Old Testament tale of Noah. It tells a similar story, complete with detailed instructions for building a giant round vessel known as a coracle — as well as the key instruction that animals should enter "two by two."

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The tablet went on display at the British Museum on Friday, and soon engineers will follow the ancient instructions to see whether the vessel could actually have sailed.

It's also the subject of a new book, "The Ark Before Noah," by Irving Finkel, the museum's assistant keeper of the Middle East and the man who translated the tablet.

Finkel got hold of it a few years ago, when a man brought in a damaged tablet his father had acquired in the Middle East after World War II. It was light brown, about the size of a mobile phone and covered in the jagged cuneiform script of the ancient Mesopotamians.

It turned out, Finkel said Friday, to be "one of the most important human documents ever discovered."

"It was really a heart-stopping moment — the discovery that the boat was to be a round boat," said Finkel, who sports a long gray beard, a ponytail and boundless enthusiasm for his subject. "That was a real surprise."

And yet, Finkel said, a round boat makes sense. Coracles were widely used as river taxis in ancient Iraq and are perfectly designed to bob along on raging floodwaters.

"It's a perfect thing," Finkel said. "It never sinks, it's light to carry."

Other experts said Finkel wasn't simply indulging in book-promotion hype. David Owen, professor of ancient Near Eastern studies at Cornell University, said the British Museum curator had made "an extraordinary discovery."

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Elizabeth Stone, an expert on the antiquities of ancient Mesopotamia at New York's Stony Brook University, said it made sense that ancient Mesopotamians would depict their mythological ark as round.

"People are going to envision the boat however people envision boats where they are," she said. "Coracles are not unusual things to have had in Mesopotamia."

The tablet records a Mesopotamian god's instructions for building a giant vessel — two-thirds the size of a soccer field in area — made of rope, reinforced with wooden ribs and coated in bitumen.

Finkel said that on paper (or stone) the boat-building orders appear sound, but he doesn't yet know whether it would have floated. A television documentary due to be broadcast later this year will follow attempts to build the ark according to the ancient manual.

The flood story recurs in later Mesopotamian writings including the "Epic of Gilgamesh." These versions lack the technical instructions — cut out, Finkel believes, because they got in the way of the storytelling.

tablet

"It would be like a Bond movie where instead of having this great sexy red car that comes on, somebody starts to tell you about how many horsepower it's got and the pressure of the tires and the capacity of the boot (trunk)," he said. "No one cares about that. They want the car chase."

Finkel is aware his discovery may cause consternation among believers in the Biblical story. When 19th-century British Museum scholars first learned from cuneiform tablets that the Babylonians had a flood myth, they were disturbed by its striking similarities to the story of Noah.

"Already in 1872 people were writing about it in a worried way — What does it mean that Holy Writ appears on this piece of Weetabix?" he joked, referring to a cereal similar in shape to the tablet.

Finkel has no doubts.

"I'm sure the story of the flood and a boat to rescue life is a Babylonian invention," he said.

He believes the tale was likely passed on to the Jews during their exile in Babylon in the 6th century B.C. And he doesn't think the tablet provides evidence the ark described in the Bible existed. He said it's more likely that a devastating real flood made its way into folk memory, and has remained there ever since.

"I don't think the ark existed — but a lot of people do," he said. "It doesn't really matter. The Biblical version is a thing of itself and it has a vitality forever.

"The idea that floods are caused by sin is happily still alive among us," he added, pointing out a local councilor in England who made headlines recently for saying Britain's recent storms were caused by the legalization of gay marriage.

"Had I known it, it would have gone in the preface of the book," Finkel said. A recently deciphered 4,000-year-old clay tablet from ancient Mesopotamia — modern-day Iraq — reveals striking new details about the roots of the Old Testament tale of Noah. It tells a similar story, complete with detailed instructions for building a giant round vessel known as a coracle — as well as the key instruction that animals should enter "two by two."

The tablet went on display at the British Museum on Friday, and soon engineers will follow the ancient instructions to see whether the vessel could actually have sailed.

It's also the subject of a new book, "The Ark Before Noah," by Irving Finkel, the museum's assistant keeper of the Middle East and the man who translated the tablet.

Finkel got hold of it a few years ago, when a man brought in a damaged tablet his father had acquired in the Middle East after World War II. It was light brown, about the size of a mobile phone and covered in the jagged cuneiform script of the ancient Mesopotamians.

It turned out, Finkel said Friday, to be "one of the most important human documents ever discovered."

"It was really a heart-stopping moment — the discovery that the boat was to be a round boat," said Finkel, who sports a long gray beard, a ponytail and boundless enthusiasm for his subject. "That was a real surprise."

And yet, Finkel said, a round boat makes sense. Coracles were widely used as river taxis in ancient Iraq and are perfectly designed to bob along on raging floodwaters.

"It's a perfect thing," Finkel said. "It never sinks, it's light to carry."

Other experts said Finkel wasn't simply indulging in book-promotion hype. David Owen, professor of ancient Near Eastern studies at Cornell University, said the British Museum curator had made "an extraordinary discovery."

Elizabeth Stone, an expert on the antiquities of ancient Mesopotamia at New York's Stony Brook University, said it made sense that ancient Mesopotamians would depict their mythological ark as round.

"People are going to envision the boat however people envision boats where they are," she said. "Coracles are not unusual things to have had in Mesopotamia."

The tablet records a Mesopotamian god's instructions for building a giant vessel — two-thirds the size of a soccer field in area — made of rope, reinforced with wooden ribs and coated in bitumen.

Finkel said that on paper (or stone) the boat-building orders appear sound, but he doesn't yet know whether it would have floated. A television documentary due to be broadcast later this year will follow attempts to build the ark according to the ancient manual.

The flood story recurs in later Mesopotamian writings including the "Epic of Gilgamesh." These versions lack the technical instructions — cut out, Finkel believes, because they got in the way of the storytelling.

"It would be like a Bond movie where instead of having this great sexy red car that comes on, somebody starts to tell you about how many horsepower it's got and the pressure of the tires and the capacity of the boot (trunk)," he said. "No one cares about that. They want the car chase."

Finkel is aware his discovery may cause consternation among believers in the Biblical story. When 19th-century British Museum scholars first learned from cuneiform tablets that the Babylonians had a flood myth, they were disturbed by its striking similarities to the story of Noah.

"Already in 1872 people were writing about it in a worried way — What does it mean that Holy Writ appears on this piece of Weetabix?" he joked, referring to a cereal similar in shape to the tablet.

Finkel has no doubts.

"I'm sure the story of the flood and a boat to rescue life is a Babylonian invention," he said.

He believes the tale was likely passed on to the Jews during their exile in Babylon in the 6th century B.C. And he doesn't think the tablet provides evidence the ark described in the Bible existed. He said it's more likely that a devastating real flood made its way into folk memory, and has remained there ever since.

"I don't think the ark existed — but a lot of people do," he said. "It doesn't really matter. The Biblical version is a thing of itself and it has a vitality forever.

"The idea that floods are caused by sin is happily still alive among us," he added, pointing out a local councilor in England who made headlines recently for saying Britain's recent storms were caused by the legalization of gay marriage.

"Had I known it, it would have gone in the preface of the book," Finkel said.

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Jill Lawless can be reached at http://Twitter.com/JillLawless

Beats Music's '90s Hip-Hop Concert Unites Dr. Dre, Eminem, Nas, Others

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LOS ANGELES (AP) — Dr. Dre's powerful rolodex was put to good use for the launch of Beats Music with a concert featuring Eminem, Diddy and Nas.

Nineties hip-hop was the party's theme Friday night at Los Angeles' Belasco Theatre. Eminem and Dre closed the night, performing the hits "My Name Is," ''Forgot About Dre" and "Lose Yourself." Paul McCartney, Drake, Selena Gomez and Macklemore were among those who attended.

Mase reunited onstage with Diddy to perform "Mo Money Mo Problems," while Blackstreet joined Dre for "No Diggity," which the rapper produced.

Beats Music, a streaming service set to compete with Spotify, iTunes Radio and others, launched Tuesday.

Other performers included Busta Rhymes, Bone Thugs-N-Harmony, Arrested Development, Method Man, Redman and Scarface.

Eminem's "Bezerk" is nominated for best rap performance at Sunday's Grammy Awards.

Grandmas Sing Grammy Nominated Songs On 'Ellen'

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For the third year, "Ellen" brought back their tradition of celebrating the year's crop of Grammy nominated music by having real grandmas sing the year's hits in their segment "Cover from Anotha Mutha."

"The Office's" Ellie Kemper, who was Ellen's guest host for this show, introduced the segment this year, which featured real-life grammies singing the Grammy hits "Get Lucky" by Daft Punk and "Thrift Shop" by Macklemore & Ryan Lewis.




Swedish Marines Lip-Sync 'Greased Lightning' And Change Your Life

Carole King MusiCares Tribute Attracts James Taylor, Alicia Keys, Lady Gaga And More A-Listers

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LOS ANGELES (AP) — Carole King's gift as a songwriter is all about connection — friends, lovers, strangers experiencing deep emotions not often exposed to each other.

Over the decades, King has made that connection with untold millions of fans. Some of those fans came out to honor the songwriter as MusiCares person of the year Friday night as part of the build up to Sunday's Grammy Awards. Among them, lifelong friend James Taylor, Gloria Estefan, Alicia Keys and Lady Gaga, who thanked King for getting her through some difficult years before she found fame as a songwriter herself. Gaga told the crowd she used to lock herself in her father's man room as a high school student and listen to "You've Got a Friend" over and over.

"And I would crank up this song so loud," Gaga said as she sat at a white baby grand piano in the center of the room wearing steampunk sunglasses and a flowing white dress. "And I really believed so much, Carole, that you were my friend. So thank you so much for the way you sing right to us in your music."

Toward the end of the song, Gaga modified the lyrics: "You've got a friend, yes you do, Carole, I love you."

Lady Gaga earned the first of a handful of standing ovations at the annual event, a fundraiser benefiting The Recording Academy's musician-oriented charity.

A silent auction and other activities before the dinner and concert raised $5.5 million and the audience pushed that number higher before the singing started with a live auction that included $120,000 for a copy of King's landmark "Tapestry" album on vinyl with a set of lyrics handwritten by King. Zac Brown bought an Acura specially equipped in honor of the event for $70,000, and the car maker kicked in an extra $30,000 to the charity.

Estefan, a former MusiCares person of the year, sang "It's Too Late," and told the crowd "Tapestry" was "the No.1 most impactful" album she'd ever heard. Keys nailed "Natural Woman," a song most identified with Aretha Franklin, also modifying the lyrics at the end to pay tribute to King. And Train's Pat Monahan left the stage to serenade the 71-year-old singer-songwriter directly on "I Feel the Earth Move."

Many of the night's most interesting performances came from the pairing of artists. Album of the year nominee Sara Bareilles, Jason Mraz and Zac Brown joined together on a stripped-down "Beautiful." Will.I.Am was joined on stage by protege Leah McFall and added a rapped verse to King's "Love Makes the World." Miranda Lambert, Jennifer Nettles, Amy Grant and Martina McBride joined together in a medley of songs. King's daughter, Louise Goffin, and Jakob Dylan sang "Going Back." And Miguel and Kacey Musgraves dueted on "I'll Do My Crying in the Rain," a song King and Taylor performed together.

King also was in a collaborative mood. She brought a pair of Egyptian musicians on stage to add an Arabic flavor to "Home Again." Taylor joined her next, finishing the evening as a part of her band.

"As a songwriter my dream was always and still is to hear great singers perform my songs," King told the crowd. "It does not get any better than this folks."

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Online:

http://grammy.com

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Follow AP Music Writer Chris Talbott: http://twitter.com/Chris_Talbott.

Directors Guild Of America Award Winner Could Get Edge In Tight Oscar Race

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LOS ANGELES (AP) — With the tightest three-way Oscar race in years, the 66th Annual Directors Guild of America Awards could give "Gravity," ''American Hustle" or "12 Years a Slave" the edge in the home stretch to the Oscars.

The DGA hands out awards for best director in TV and movie categories in Los Angeles on Saturday night in what customarily is a final calling for the film that wins the best picture and director Oscars. Coming out of the recent flurry of Hollywood honors, Alfonso Cuaron's space saga "Gravity," David O. Russell's con caper "American Hustle" and Steve McQueen's historical epic "12 Years a Slave" all remain in competitive positions as they head for the March 2 Academy Awards.

Yet the DGA could further complicate the race by choosing still-viable nominees Paul Greengrass ("Captain Phillips") or Martin Scorsese ("The Wolf of Wall Street") for its top honor — outstanding directorial achievement in a feature film.

But so far, the outcomes in this year's Oscar derby make that unlikely.

The cast of "American Hustle" took home the award for outstanding performance at the SAG Awards last Saturday, just a week after it gained momentum from its best comedy win at the Golden Globes. Then last Sunday, the Producers Guild of America — a usually reliable Oscar bellwether — produced a tie between "12 Years a Slave" and "Gravity" for its top prize. Meanwhile, "American Hustle" and "Gravity" tied for a leading 10 Oscar nominations on Jan. 16, with "12 Years a Slave" close behind with nine. Each was nominated for best picture.

In the 65-year history of the DGA awards, the winner has failed to also take home the best director Oscar only seven times. Ben Affleck won the guild award last year for "Argo" but was denied a best director nomination at the Oscars. However, like many DGA winners, "Argo" went on to win the best-picture prize at the Oscars.

The DGA and Oscar feature director contenders usually match up closely and this year is no exception, other than for Alexander Payne's "Nebraska," which received an Oscar bid, but was denied a DGA nod.

This year marks the first DGA nomination for McQueen and if he wins for "12 Years a Slave," he would become the first black director to earn the guild's feature film accolade.

Cuaron and Greengrass are also first-time DGA nominees.

Other than the Writer's Guild Awards on Feb. 1, there are no major awards before the Oscars. Hollywood's high season goes quiet for a few weeks as several thousand members of the motion picture academy have the last word with their balloting.

Saturday night's untelevised DGA awards will be hosted by Jane Lynch. Presenters will include Affleck, Sandra Bullock, Tom Hanks, Don Cheadle, Kerry Washington, Anna Kendrick, Steve Coogan and Bill Hader.

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Online: http://www.dga.org/awards/annual.aspx

Madonna To Perform 'Same Love' Alongside Macklemore & Ryan Lewis At Grammys

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Madonna's newly confirmed performance at Sunday's Grammy Awards will find the singer teaming with Macklemore and Ryan Lewis on the duo's 2012 anthem "Same Love," sources reportedly tell Us Weekly.

Word spread last weekend that Madonna would likely provide supporting vocals during a performance of one of the nominated songs, and now it appears she'll take her same-sex activism to the Grammy stage. Us Weekly does not address how Madonna's portion of the performance will complement that of featured artist Mary Lambert, who tweeted on Friday that she was in rehearsals for the telecast.




Madonna posted two photos to Instagram on Friday that noted she'd be at the Grammys, including one that announced her need for a good pair of heels to wear.





"Same Love" is up for Song of the Year. The Grammys air Sunday, Jan. 26, at 8 p.m. EST on CBS.

These Are The Faces Of Animals That Almost Didn't Make It

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We've all read the stories of plucky animals escaping the slaughterhouse to wind up in the arms of a loving new owner. Now, one photographer is casting her lens on the faces of these animals not to showcase their incomparable determination, but to let people know what the faces of those who almost didn't make it look like.

(story continues below)

Aries, Resident of Catskill Animal Sanctuary
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DeeDee, Resident of Star Gazing Farm
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Sharon Lee Hart spent time at ten farm animal rescues around the country as part of her "Sanctuary" project, visiting abused and neglected creatures that had been given a new opportunity at life. She would wait for these animals to approach her before taking their portraits, watching first-hand "how wrong the stereotypes about farm animals are," according to a personal statement about the project.

The few farm animals I encountered growing up always struck me as similar to our beloved dogs and cats. But I noticed that they were not treated with the same love and respect. In fact, I later learned that farm animals are among the most mistreated animals on the planet. What is even more heartbreaking is that these sentient creatures are acutely aware of their horrific plight. [...]

While spending time with the animals, I confirmed what I knew in my heart to be true: they are unique individuals, with emotions and characteristics as diverse as any human. I chose to make portraits of the animals to show their personalities and to depict them in the dignified manner they deserve. The animals you see within these pages are the fortunate ones. They have been rescued from misery and torture, but startlingly, an estimated ten billion others each year will not escape.


Lacey, Resident of Grateful Acres Farm Animal Sanctuary
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MaryJane, Resident of Grateful Acres Farm Animal Sanctuary
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The sanctuary enables the animals to grow old and live out their full natural life span, not afforded to animals that are typically raised to slaughtered at a very young age. Every single survivor in this series represents a “lottery winner” that now lives in a safe, loving environment. This stands in contrast to the billions of their species that will never make it to a sanctuary. In those ways, each portrait is a plea to help those who are still suffering.


Take a look more stunning portraits below, and read through some of these animals' stories in the slideshow at the bottom of the post. You can pick up a copy of Lee Hart's book, "Sanctuary: Portraits of Rescued Farm Animals," online.

MataHari, Resident of SASHA Farm
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Norman, Resident of Poplar Spring Animal Sanctuary
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Russell, Resident of Poplar Spring Animal Sanctuary
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Victor, Resident of Poplar Spring Animal Sanctuary
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Mickey And Jo, Resident of Woodstock Farm Animal Sanctuary
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Newman, Resident of Star Gazing Farm
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The Complete Roster Of 2014 Grammy Performers

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Sunday's Grammy Awards will provide an impressive slate of performers that spans every genre. (Even a classical artist will make an appearance.) Whether we're in store for anything as wild as last year's LL Cool J-fronted Adam Yauch tribute or as rousing as Justin Timberlake and Jay Z's collaboration is yet to be seen, but you can start placing your bets for this year's watercooler moment based on the roster below.

SARA BAREILLES AND CAROLE KING
Bareilles received a surprise nod for Album of the Year ("The Blessed Unrest") and cracked Best Pop Solo Performance ("Brave"). King is the 2014 MusiCares Person of the Year, and she's already been saluted once this weekend with an all-star tribute concert.

BEYONCE AND JAY Z
"Beyonce" wasn't released within the eligibility period, but Jay Z has nine nods: Best Pop Duo/Group Performance ("Suit & Tie," with Justin Timberlake), Best Rap Performance ("Tom Ford"), Best Rap/Sung Collaboration ("Part II" with Beyonce, and "Holy Grail" with Justin Timberlake), Best Rap Song ("Holy Grail"), Best Rap Album ("Magna Carta...Holy Grail"), Best Music Video ("Picasso Baby: A Performance Art Film" and "Suit & Tie") and Best Recording Package ("Magna Carta...Holy Grail").

beyonce jay z

GARY CLARK JR.
Clark is up for Best Rock Song ("Ain't Messin' Around") and Best Traditional R&B Performance ("Please Come Home").

DAFT PUNK, NILE RODGERS, PHARRELL WILLIAMS AND STEVIE WONDER
Daft Punk, Williams and Rodgers scored two nods together for "Get Lucky" -- Record of the Year and Best Pop Duo/Group Performance. Daft Punk's "Random Access Memories" is up for Album of the Year, Best Dance/Electronica Album and Best Engineered Album (Non-Classical). Williams has an additional nod for Producer of the Year (Non-Classical), and he can count the two shoutouts "Blurred Lines" received as well. Wonder is nominated for Best R&B Song as a featured artist on PJ Morton's "Only One."

HUNTER HAYES
Hayes, 22, received his fourth Grammy nomination this year, for Best Country Solo Performance ("I Want Crazy").

hunter hayes

KENDRICK LAMAR AND IMAGINE DRAGONS
Lamar is one of the awards show most feted artists. He's up for Album of the Year and Best Rap Album ("Good Kid, M.A.A.D City"), Best New Artist, Best R&B Performance ("How Many Drinks?" with Miguel), Best Rap Performance ("Swimming Pools (Drank)"), Best Rap/Sung Collaboration ("Now or Never" featuring Mary J. Blige) and Best Rap Song ("F--kin' Problems" with ASAP Rocky, Drake and 2 Chainz). In an unlikely move, Imagine Dragons will join the celebrated rapper onstage. They'll collaborate on the alternative band's hit "Radioactive" and Lamar's "m.A.A.d city." "Radioactive" is up for Record of the Year and Best Rock Performance.

JOHN LEGEND
Legend could take home Best R&B Album for "Love in the Future."

LORDE
Lorde was snubbed for Best New Artist, but "Royals" made away with slots in Record of the Year, Song of the Year and Best Pop Solo Performance. Her debut album, "Pure Heroine," is up for Best Pop Vocal Album.

lorde

MACKLEMORE AND RYAN LEWIS WITH MADONNA
"The Heist" is up for Album of the Year and Best Rap Album, "Can't Hold Us" has a Best Music Video nod, "Same Love" landed in Song of the Year, and "Thrift Shop" could take home Best Rap Song and Best Rap Performance. Madonna, who is not a nominee this year, will join the rapper-producer duo for "Same Love."

METALLICA AND LANG LANG
"Metallica Through The Never" has a nod for Best Recording Package. Celebrated concert pianist Lang Lang is the Grammys' cultural ambassador to China. What's in store for these unlikely bedfellows is anyone's guess.

PAUL McCARTNEY
Both McCartney and fellow Beatles bandmate Ringo Starr are scheduled to perform at the awards, where they'll receive a Lifetime Achievement Award on behalf of The Beatles. It's not confirmed that the two will appear together, though, so for now we're forced to assume they're doing the solo thing during their performances. "Cut Me Some Slack," McCartney's collaboration with the surviving members of Nirvana, is up for Best Rock Song, and "Little Kisses" is up for Best Music Film.

RINGO STARR
Starr will receive a Lifetime Achievement Award as well and, if our hopes hold steady, take the stage alongside McCartney for a reunion.

paul mccartney ringo starr

KACEY MUSGRAVES
Musgraves emerged as a surprise favorite among Grammy voters, landing spots in Best New Artist and Best Country Album ("Same Trailer, Different Park"). She also has two opportunities to win Best Country Song, one for her hit "Merry Go 'Round" and another for co-writing Miranda Lambert's "Mama's Broken Heart."

kacey musgraves

KATY PERRY
Perry's "Prism" narrowly missed the cutoff for the album categories, so the singer will have to settle for nominations for Song of the Year and Best Pop Solo Performance ("Roar").

PINK AND NATE RUESS
The duo's "Just Give Me a Reason" is up for Song of the Year and Best Pop Duo/Group Performance.

ROBIN THICKE AND CHICAGO
1970s rock band Chicago will join Robin Thicke, who's in contention for three awards. "Blurred Lines" could nab Record of the Year or Best Pop Duo/Group Performance, and the album of the same name is up for Best Pop Vocal Album.

TAYLOR SWIFT
To no one's surprise, Swift is one of the night's most-nominated artists. "Red" could win Album of the Year or Best Country Album, while "Begin Again" is a contender for Best Country Song and "Highway Don't Care," her collaboration with Tim McGraw and Keith Urban, is among the Best Country Duo/Group Performance finalists.

taylor swift

KEITH URBAN
Urban is up for just one award: Best Country Duo/Group Performance, for "Highway Don't Care."

MERLE HAGGARD, KRIS KRISTOFFERSON, WILLIE NELSON AND BLAKE SHELTON
Country fans will lap up this all-star performance that finds the quartet reportedly performing "The Highwayman," "Mammas, Don't Let Your Babies Grow Up To Be Cowboys" and "Okie From Muskogee." Kristofferson is the recipient of the 2014 Recording Academy Lifetime Achievement Award, and Shelton is up for Best Country Album ("Based on a True Story...") and Best Country Solo Performance ("Mine Would Be You").

NINE INCH NAILS, QUEENS OF THE STONE AGE, DAVE GROHL AND LINDSEY BUCKINGHAM
This impressive rock ensemble, who've all collaborated on one another's projects over the years, will close out the show. Queens of the Stone Age's "My God Is the Sun" is up for Best Rock Performance, and "...Like Clockwork" is one of the Best Rock Album contenders. Nine Inch Nails' "Hesitation Marks" could win Best Alternative Music Album, and "Cut Me Some Slack" could net Grohl (along with McCartney and the other surviving members of Nirvana) the trophy for Best Rock Song. The album for Grohl's "Sound City," a 2013 documentary that features all of the aforementioned performers, is nominated for Best Compilation Soundtrack for Visual Media.

Kris Kristofferson, Willie Nelson And Merle Haggard Reunite Before Grammy Awards

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LOS ANGELES (AP) — Kris Kristofferson is being given a lifetime achievement award during the Grammy Awards celebration, but he doesn't think that will be the highlight of the weekend.

Kristofferson will be joined by Willie Nelson, Merle Haggard and Blake Shelton for a performance during Sunday's Grammy Awards telecast, and any excuse the 77-year-old singer-songwriter and actor can find to get together with his lifelong friends is a good one. "It's so much of a pleasure to be with these guys," Kristofferson said Friday afternoon following Grammy rehearsals at the Staples Center in Los Angeles. "One of the best parts of my life has been the guys who are my real heroes are my closest friends. Willie is the closest friend I have. And Merle, the first time I met him in Nashville, people told me to stay away from him because I had a beard and the hair. I was supposed to be one of them long-haired hippies, and we were friends from the moment that we met."

While Haggard says the recognition is "overdue," Kristofferson admits to being a little embarrassed about his award. He'll be saluted Saturday at a special gathering that will include Paul McCartney and Ringo Starr of the Beatles. Kristofferson humbly wonders why he's being honored at the same time.

"Can you believe that?" he asked. "Listen, I was in the Army when they were big stars. I had five years of janitor work and pick-and-shovel jobs before I'd ever get to be a singer and a songwriter. ... The Beatles and Bob Dylan are the ones who are the superheroes that changed music in my lifetime. Remember what pop music was like before them?"

Kristofferson's peers think he had a similar impact on country music, one that continues to reverberate as the genre becomes more cosmopolitan.

"Well, he upgraded it," Haggard said. "He made it a little more sophisticated. He took it to New York."

As for Shelton, who bolted back to a taping of "The Voice" after rehearsals, Haggard thinks he fits right in with the group: "He's the big dog right now."

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Online:

http://grammy.com

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Follow AP Music Writer Chris Talbott: http://twitter.com/Chris_Talbott.

John Lithgow And Alfred Molina Bring Long Friendship To Sundance Romance 'Love Is Strange'

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PARK CITY, Utah (AP) — After being friends for more than 20 years, John Lithgow and Alfred Molina are finally sharing the screen, and a bed.

The two actors play longtime lovers in "Love Is Strange," a film directed and co-written by Ira Sachs that premiered at the Sundance Film Festival. Molina, 60, called the pairing "brilliant." Lithgow, 68, said it was "sensational."

"You don't usually put two combustible chemical elements together like that, and that's what's so exciting about this," Lithgow said. "We're brothers in arms when it comes to acting."

Both are veterans of the stage and screen. In "Love Is Strange," they portray a couple who marry after 39 years together. The two are shown in all the intimate settings befitting a longtime pair.

"Somehow, us embracing and cuddling in a bed and kissing each other — it was far more, in a curious way, we were less self-conscious doing that than I would have been playing the part with a woman, perhaps," Lithgow said. "It just has so much to do with the friendship and the ease, for some reason, that we have with each other. And I think with the enormous backlog of work that we've done. We've been acting and acting and acting and acting — both of us — for decades. And usually there's only room in a film or a play for one of us. We're both larger than life character men."

Molina described them as "scenery chewers," adding that working with his good friend "made the job so much more joyful."

"Because when we started working on the film, we were already linked and together and involved," he said. "We had some investment in each other, not just as colleagues, but as friends."

Molina had already begun filming when Lithgow arrived on set. Molina stopped what he was doing and ran to embrace his old friend.

"Our friendship and just the fact that he makes me laugh, it all feeds into the work," he said. "It all makes the work so much more lovely and fun."

Sachs knew Molina and Lithgow were friends, but he couldn't have anticipated their on-screen chemistry.

"You try to set up an environment in which there's a certain kind of performance and you hope that the other actors raise the bar for everyone around them," Sachs said. "And (they) really did."

The two men so enjoyed working together that they joked about a possible romantic future.

"We've decided to leave our two wives and run off and make a life together," Lithgow said.

Added Molina: "When this interview is over, we're going shopping for furniture."

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Follow AP Entertainment Writer Sandy Cohen at www.twitter.com/APSandy .

'The Case Against 8' Prompted By Gay Marriage Attorneys At Sundance

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PARK CITY, Utah (AP) — Attorneys Ted Olson and David Boies once argued the Bush v. Gore case in front of the U.S. Supreme Court, but they say fighting California's law prohibiting same-sex marriage is the most significant thing they've done.

The two courtroom veterans fought on opposite sides of the case that determined the 2000 presidential election, yet they joined forces to defeat California's 2008 gay-marriage ban, Proposition 8. Their five-year effort is documented in "The Case Against 8," which premiered at the Sundance Film Festival. The film follows the attorneys and plaintiffs in the lawsuit that resulted in the marriage ban being overturned last year.

Olson said the case was the most important thing he's done "as an attorney or as a person."

The film will air on HBO in June.

29 Best Vines Of The Week In 1 Video: Jan. 17 - Jan. 24, 2013 (VIDEO)

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Vine, Twitter’s micro-video social network, recently celebrated its 1st anniversary. With a limit of six seconds per video, it has quickly become one of the best forms of entertainment for Generation Distraction. Vine provides a steady supply of hilarious, surprising and inventive mini-movies showcasing users art, comedy, pets and general Internet weirdness.

To celebrate this relatively new medium, we'll be doing a weekly compilation of our favorite Vines. This week, we offer everything from a how to make ‘Jesus Toast’ to a optical illusions with art, and of course, an exhibitionist dog. If you see something you like, we encourage you to follow its creator on Vine. If there’s something you don’t like, well, just wait a few seconds and it will be over.


Video produced by Oliver Noble

A Ballet For The Children, With Enough Joy For The Whole Family

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The New York Theatre Ballet knows the value of exposing children to the arts, but its Once Upon a Ballet series doesn't simply create a safe space for youngsters who might not make it through a multi-hour performance in silence. Instead, at events such as its Saturday showing of "The Alice-in-Wonderland Follies," staff bring children into the fun.

Before Alice (Christina Paolucci) burst out of her dollhouse, kids in the audience were encouraged to work through a series of pliés and sautés, jumping their way to 16 counts in front of their seats. Children (and their parents) were not alienated by overbearing shushing, and exclamations of "there's Humpty Dumpty!" only enriched the audience's overall experience.

alice in wonderland

The NYTB's take on the Lewis Carroll tale is bereft of sadness, as Alice appears to have no concerns with having fallen through the looking-glass and gets along quite well with the White Rabbit, Cheshire Cat and Mad Hatter. Even the Queen of Hearts proves mostly unthreatening, save for a singular "off with their heads." The show is presented as a vaudeville ballet, set in the New York of the early 20th century and comprised of many forms of dance. At one point, an extended presentation of "Jabberwocky" offers a hambone break, and bits of step dancing interrupt the otherwise classical ballet.

alice in wonderland

An intensely kinetic staging of the scene with Carroll's Duchess, Cook and Pig Baby is among the show's finest moments, and highlights the joys of a ballet that not only includes but foregrounds its young cast members. Later in the show, the famed tea party vignette stars a chorus of young ballerinas, costumed as both teapots and tables.

"The Alice-in-Wonderland Follies" is choreographed by Keith Michael, with sets by Gillian Bradshaw-Smith and costumes by Sylvia Taalshon Nolan. The hour-long performance makes for a great midday activity for the family. The NYTB's next installment of the Once Upon a Ballet series is "Cinderella," on March 1 & 2 at Florence Gould Hall, followed by "Carnival of the Animals" and "Sleeping Beauty's Wedding," on May 3 and 4.

alice in wonderland

Grammy Winners List 2014: Macklemore, Daft Punk, Lorde & More (LIVE UPDATES)

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Music's biggest night has arrived with the 56th annual Grammy awards. Winners in 82 categories will be announced throughout the evening in categories ranging from Record of the Year, where Daft Punk, Lorde and Bruno Mars are among the nominees, to Best Chamber Music/Small Ensemble Performance ("Roomful Of Teeth," by Brad Wells & Roomful Of Teeth won that honor).

Macklemore and Ryan Lewis took home awards for Best New Artist, Best Rap Album ("The Heist), Best Rap Song (for "Thrift Shop") and Best Rap Performance (for "Thrift Shop"). Lorde (Best Pop Solo Performance for "Royals"), Daft Punk (Best Pop Duo/Group Performance for "Get Lucky" and two other awards), Imagine Dragons, Kacey Musgraves and Led Zeppelin were also award Grammys by The Recording Industry in 2014.

This year, Jay Z led all artists with nine Grammy nominations, including nods for Best Rap Song, Best Rap Album and two Best Rap/Sung Collaboration citations (with wife Beyonce, and also Justin Timberlake). Jay Z was followed by Macklemore & Ryan Lewis, Kendrick Lamar, Pharrell Williams and Timberlake, all of whom had seven nominations.

Nominees in the four most high-profile Grammy categories are below, along with live updates from the event. (A complete list of Grammy winners is underneath the live blog.) LL Cool J hosts the 56th annual Grammy Awards, which air on CBS starting at 8 p.m.

RECORD OF THE YEAR
"Get Lucky" - Daft Punk & Pharrell Williams
"Royals" - Lorde
"Locked Out Of Heaven" - Bruno Mars
"Radioactive" - Imagine Dragons
"Blurred Lines" - Robin Thicke Featuring T.I. & Pharrell

ALBUM OF THE YEAR
"The Blessed Unrest" - Sara Bareilles
"Random Access Memories" - Daft Punk
"Good Kid, M.A.A.D City" - Kendrick Lamar
"The Heist" - Macklemore & Ryan Lewis
"Red" - Taylor Swift

SONG OF THE YEAR
"Just Give Me A Reason" - Jeff Bhasker, Pink & Nate Ruess, songwriters
(Pink Featuring Nate Ruess)
"Locked Out Of Heaven" - Philip Lawrence, Ari Levine & Bruno Mars,
songwriters (Bruno Mars)
"Roar" - Lukasz Gottwald, Max Martin, Bonnie McKee, Katy Perry & Henry
Walter, songwriters (Katy Perry)
"Royals" - Joel Little & Ella Yelich O'Connor, songwriters (Lorde)
"Same Love" - Ben Haggerty, Mary Lambert & Ryan Lewis, songwriters
(Macklemore & Ryan Lewis Featuring Mary Lambert)

BEST NEW ARTIST
Macklemore & Ryan Lewis



GRAMMY WINNERS

daft punk

Best New Artist: Macklemore & Ryan Lewis
Best Pop Solo Performance: "Royals," Lorde
Best Pop Duo/Group Performance: "Get Lucky," Daft Punk Featuring Pharrell Williams & Nile Rodgers
Best Pop Instrumental Album: "Steppin' Out," Herb Alpert
Best Dance Recording: "Clarity," Zedd Featuring Foxes
Best Dance/Electronica Album: "Random Access Memories," Daft Punk
Best Traditional Pop Vocal Album: "To Be Loved," Michael Buble
Best Rock Performance: "Radioactive," Imagine Dragons
Best Metal Performance: "God Is Dead?" Black Sabbath
Best Rock Song: "Cut Me Some Slack," Dave Grohl, Paul McCartney, Krist Novoselic & Pat Smear, songwriters (Paul McCartney, Dave Grohl, Krist Novoselic, Pat Smear)
Best Rock Album: "Celebration Day," Led Zeppelin
Best Alternative Music Album: "Modern Vampires Of The City," Vampire Weekend
Best R&B Performance: "Something," Snarky Puppy With Lalah Hathaway
Best Traditional R&B Performance: "Please Come Home," Gary Clark Jr.
Best R&B Song: "Pusher Love Girl," James Fauntleroy, Jerome Harmon, Timothy Mosley & Justin Timberlake, songwriters (Justin Timberlake)
Best Urban Contemporary Album: "Unapologetic," Rihanna
Best R&B Album: "Girl On Fire," Alicia Keys
Best Rap Performance: "Thrift Shop," Macklemore & Ryan Lewis Featuring Wanz
Best Rap/Sung Collaboration: "Holy Grail," Jay Z feat. Justin Timberlake
Best Rap Song: "Thrift Shop," Ben Haggerty & Ryan Lewis, songwriters (Macklemore & Ryan Lewis Featuring Wanz)
Best Rap Album: "The Heist," Macklemore & Ryan Lewis
Best Country Solo Performance: "Wagon Wheel," Darius Rucker
Best Country Duo/Group Performance: "From This Valley," The Civil Wars
Best Country Song: "Merry Go 'Round," Shane McAnally, Kacey Musgraves & Josh Osborne, songwriters (Kacey Musgraves)
Best New Age Album: "Love's River," Laura Sullivan
Best Improvised Jazz Solo: "Orbits," Wayne Shorter, soloist
Best Jazz Vocal Album: "Liquid Spirit," Gregory Porter
Best Jazz Instrumental Album: "Money Jungle: Provocative In Blue," Terri Lyne Carrington
Best Large Jazz Ensemble: "Night In Calisia," Randy Brecker, Włodek Pawlik Trio & Kalisz Philharmonic
Best Latin Jazz Album: "Song For Maura," Paquito D'Rivera And Trio Corrente
Best Gospel/Contemporary Christian Music Performance: "Break Every Chain [Live]," Tasha Cobbs
Best Gospel Song: "If He Did It Before... Same God [Live]," Tye Tribbett, songwriter (Tye Tribbett)
Best Contemporary Christian Music Song: "Overcomer," David Garcia, Ben Glover & Christopher Stevens, songwriters (Mandisa)
Best Gospel Album: "Greater Than [Live]," Tye Tribbett
Best Contemporary Christian Music Album: "Overcomer," Mandisa
Best Latin Pop Album: "Vida," Draco Rosa
Best Latin Rock, Urban or Alternative Album: "Treinta Días," La Santa Cecilia
Best Regional Mexican Music Album: "A Mi Manera," Mariachi Divas De Cindy Shea
Best Tropical Latin Album: "Pacific Mambo Orchestra," Pacific Mambo Orchestra
Best American Roots Song: "Love Has Come For You," Edie Brickell & Steve Martin, songwriters (Steve Martin & Edie Brickell)
Best Americana Album: "Old Yellow Moon," Emmylou Harris & Rodney Crowell
Best Bluegrass Album: "The Streets Of Baltimore," Del McCoury Band
Best Blues Album: "Get Up!" Ben Harper With Charlie Musselwhite
Best Folk Album: "My Favorite Picture Of You," Guy Clark
Best Regional Roots Music Album: "Dockside Sessions," Terrance Simien & The Zydeco Experience
Best Reggae Album: "Ziggy Marley In Concert," Ziggy Marley
Best Children's Album: "Throw A Penny In The Wishing Well," Jennifer Gasoi
Best Spoken-Word Album: "America Again: Re-becoming The Greatness We Never Weren't," Stephen Colbert
Best Comedy Album: "Calm Down Gurrl," Kathy Griffin
Best Musical Theater Album: "Kinky Boots"
Best Compilation Soundtrack For Visual Media: "Sound City: Real To Reel," Butch Vig, compilation producer
Best Score Soundtrack For Visual Media: "Skyfall," Thomas Newman, composer
Best Song Written For Visual Media: "Skyfall," Adele Adkins & Paul Epworth, songwriters (Adele)
Best Instrumental Composition: "Pensamientos For Solo Alto Saxophone And Chamber Orchestra," Clare Fischer, composer (The Clare Fischer Orchestra)
Best Instrumental Arrangement: "On Green Dolphin Street," Gordon Goodwin, arranger (Gordon Goodwin's Big Phat Band)
Best Instrumental Arrangement Accompanying Vocalist(s): "Swing Low," Gil Goldstein, arranger (Bobby McFerrin & Esperanza Spalding)
Best Recording Package: "Long Night Moon," Sarah Dodds & Shauna Dodds, art directors (Reckless Kelly)
Best Boxed or Special Limited Edition Package: "Wings Over America (Deluxe Edition)," Simon Earith & James Musgrave, art directors (Paul McCartney And Wings)
Best Album Notes: "Afro Blue Impressions (Remastered & Expanded)," Neil Tesser, album notes writer (John Coltrane)
Best Engineered Album: "Random Access Memories," Peter Franco, Mick Guzauski, Florian Lagatta & Daniel Lerner, engineers; Antoine "Chab" Chabert, Bob Ludwig, mastering engineers (Daft Punk)
Producer of the Year, Non-Classical: Pharrell
Best Remixed Recording, Non-Classical: "Summertime Sadness (Cedric Gervais Remix)," Cedric Gervais, remixer (Lana Del Rey)
Best Surround Sound Album: "Live Kisses," Al Schmitt, surround mix engineer; Tommy LiPuma, surround producer (Paul McCartney)
Best Engineered Album, Classical: "Winter Morning Walks," David Frost, Brian Losch & Tim Martyn, engineers; Tim Martyn, mastering engineer (Dawn Upshaw, Maria Schneider, Australian Chamber Orchestra & St. Paul Chamber Orchestra)
Producer of the Year, Classical: David Frost
Best Orchestral Performance: "Sibelius: Symphonies Nos. 1 & 4," Osmo Vänskä, conductor (Minnesota Orchestra)
Best Opera Recording: "Adès: The Tempest," Thomas Adès, conductor; Simon Keenlyside, Isabel Leonard, Audrey Luna & Alan Oke; Jay David Saks, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
Best Choral Performance: "Pärt: Adam's Lament," Tõnu Kaljuste, conductor (Tui Hirv & Rainer Vilu; Estonian Philharmonic Chamber Choir; Sinfonietta Riga & Tallinn Chamber Orchestra; Latvian Radio Choir & Vox Clamantis)
Best Chamber Music/Small Ensemble Performance: "Roomful Of Teeth," Brad Wells & Roomful Of Teeth
Best Classical Instrumental Solo: "Corigliano: Conjurer - Concerto For Percussionist & String Orchestra," Evelyn Glennie; David Alan Miller, conductor (Albany Symphony)
Best Classical Vocal Solo: "Winter Morning Walks," Dawn Upshaw (Maria Schneider; Jay Anderson, Frank Kimbrough & Scott Robinson; Australian Chamber Orchestra & St. Paul Chamber Orchestra)
Best Classical Compendium: "Hindemith: Violinkonzert; Symphonic Metamorphosis; Konzertmusik," Christoph Eschenbach, conductor
Best Contemporary Classical Composition: "Schneider, Maria: Winter Morning Walks," Maria Schneider, composer (Dawn Upshaw, Jay Anderson, Frank Kimbrough, Scott Robinson & Australian Chamber Orchestra)
Best Music Video: "Suit & Tie," Justin Timberlake Featuring Jay Z
Best Music Film: "Live Kisses," Paul McCartney
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