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15 Images Of Mothers And Daughters Around The World Show That Daughterhood Is Universal

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The relationship between a mother and daughter is unlike any other.

With Mother's Day coming up, we've rounded up 15 images of women with their mothers from around the world. Each photo captures the bond the two women share. While all the women and their surroundings look different, the mother-daughter connection never changes.

From India to the United States, Japan to Indonesia, Australia to Uganda, here are 15 beautiful photographs of mothers and daughters from around the globe:


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39 Candid Photos That Capture The Beauty Of Midwifery

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Cinco de Mayo is not the only celebration that takes place on May 5. Today is also the International Day of the Midwife, an occasion to recognize and honor midwives and the important work they do.

To celebrate International Day of the Midwife, birth and breastfeeding photographer Leilani Rogers put together a compilation photos she and her colleagues have captured that feature midwives at work. "Midwives are some of the most sincere and giving people on earth," Rogers told The Huffington Post. "They interact not only with their clients but with the whole family. They take time to talk to mothers about their birth wishes, dispel worries and fear, encourage them to trust in their bodies, and follow up with reassurance and support before, during and after the birth."

Speaking to HuffPost, Rogers and the other birth photographers who contributed to the series all praised the important qualities they see as universal in the midwives they've met -- that they give specialized care tailored to each specific mom they aid, that they are intensely dedicated to their clients, that they champion mothers' rights and desires, that they create a healthy, peaceful birth environment and that the powerful relationships they form with families are palpable in photos.

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"Midwife literally means 'with woman,'" photographer Brooke Walsh said, adding, "These skilled professionals bring more than just a medical mindset to the births they attend -- they bring a kind of patience and love."

Michelle Garey, another birth photographer featured in the series, summed up her goal in showcasing midwives. "I hope that through witnessing these midwives' dedication and diligence, their passion for the families they serve and how they truly have their clients' interests at heart as a priority, more women will find midwifery care to be the perfect option for their births," she said. Rogers added, "I feel like these images will show women the kind of care they deserve to receive. I know many wonderful OBs, but not many women realize that they aren't the end all standard of care."

Contributing photographer Jaydene Freund ultimately spoke for all of the artists involved in the project when she concluded, "We love working with midwives and wanted to honor them with this beautiful collection of images so others can see how amazing midwifery care is."

Keep scrolling to see a sample of the photographers' tribute to midwives.





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The Epic Selfie Guy Is Back To Give You Major Summer Wanderlust

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If you didn’t take a selfie, did it really happen? Just ask this guy.

Alex Chacon, worldwide traveler, videographer and professional selfie artist, has released the second installment of his video “3 Year Epic Selfie - Around the World in 360 Degrees.” The film features Chacon holding a GoPro camera out in front of him as he spins in circles in various places around the globe. Chacon then splices these widespread shots together to create the “Epic Selfie.”

The video takes place in 41 countries over 650 days, according to his blog, The Modern Motorcycle Diaries. Some of the countries he visited and selfie-d in over the past year include Italy, Greece, Turkey, Spain, Portugal, Morocco and Nepal. While in the U.S., Chacon made trips to New York and San Francisco. Chacon uses the project and the people he meets during his travels to support different charities.

"It's really great now to finally have this platform and have millions of (viewers) to make a difference with," Chacon told the Daily News. "People can all contribute or they can take the time and travel to help others."

Hopefully Chacon will continue these epic travels. But first, let him take a selfie.

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Vance Joy's Version Of 'I Know Places' Is Taylor Swift's Favorite '1989' Cover Ever

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Vance Joy has earned the highest honor in all the land. Taylor Swift named his version of "I Know Places" as her favorite cover of "1989" songs. "I'm going to be bold enough to say this one is my favorite," she tweeted on Tuesday.

It's a softer, acoustic rendition of the track, sweet and somber, without any of Swift's pop production. Vance Joy, known mostly for his smash hit "Riptide," will be one of the openers on her "1989" tour this year, and shared the song on Facebook in preparation. "Feel lucky indeed," he wrote about the next few months. We bet he does after this endorsement.

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Austin International Drag Festival Brings Hundreds Of Drag Queens To Texas

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Hundreds of drag queens from around the world descended upon Austin, Texas on the first weekend in May for the first installment of a new festival celebrating the long, rich and nuanced history of drag and performance art.

Festivals have been integral to the narrative of drag culture from the days of Lady Bunny's Wigstock to Brooklyn's Bushwig, founded by Horrorchata and Babes Trust. Not only do they provide a platform to expose audiences to the spectrum of drag performance, but festivals offer opportunities and spaces for new practices in queer community culture unlike any other.

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Curated by Jamie Steward Bancroft, the Austin International Drag Festival lived up to its predecessors. The three-day event brought together an interesting mix of legends like Jackie Beat and Lady Bunny, "RuPaul's Drag Race" girls like Adore Delano and Pandora Boxx, and queens that are staples in their local queer communities.

"The festival exceeded all my expectations and it was wonderful to see my dream come to life," Bancroft told The Huffington Post. "Our mission was successful. I heard many drag artists say they were able to make valuable connections and book more gigs outside of their hometowns. Just knowing that I helped them with their drag careers warms my heart. I am so thankful to everyone involved for helping make what started out as a twinkle in my eye a year ago a reality."

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New York was well represented at the festival, with Brooklyn artists Merrie Cherry, Horrorchata, Goldie Peacock, Chris of Hur, Charlene, Crimson Kitty, Louvel, Untitled Queen and Heidi Glum giving shows all weekend.

We also met some new queens that we're definitely going to keep our eyes on, including Austin's PooPoo Platter drag collective, Louisianna Purchase and Cupcake, as well as Portland, Oregon's Pepper Pepper and Carla Rossi.

Check out photos from the first Austin International Drag Festival below, as well as photos from Brooklyn's pre-festival party Razor 5000, courtesy of Santiago Felipe.

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Snorkeler Finds Skeleton Tea Party 40 Feet Beneath The Surface

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CIENEGA SPRINGS, Ariz. (AP) — A man snorkeling in the Colorado River near the Arizona and California border was terrified — and later embarrassed — when he came across two fake skeletons sitting in lawn chairs about 40 feet underwater.

The man reported the skeletons to the La Paz County Sheriff's Office on Monday, launching a hunt for what authorities believed could be real bodies.

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It turned out the skeletons were fake and had been strategically placed to appear as if they were sitting together, their lawn chairs bound to large rocks. A diver from the Buckskin Fire Department captured the scene on a video camera attached to his head. The sheriff's office called the scene a tea party.

The skeletons are wearing sunglasses, and one is holding a sign that includes the words "Bernie" and "dream in the river," although the entire sign is not legible. The sign also has the date of Aug. 16, 2014, which is possibly when the skeletons were placed there.

"I don't think they were trying to set up anything to scare anyone. I think they were gonna try to be funny," Lt. Curtis Bagby said.

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The sign could be a reference to the movie "Weekend at Bernie's," in which the two main characters lug around their dead boss for days, losing and recovering his body several times, Bagby said. At one point in the film, Bernie's corpse falls off a boat and into water.

The sheriff's office won't launch an investigation into who left the skeletons there, Bagby said.

"Things happen. We go all the time to false alarms. That's just a first-responder's life. We're trying not to be overly concerned about it, not make too big a deal out of it," Bagby said.

Instead, the sheriff's office wants to have a little fun with the situation. Bagby said divers will recover the skeletons sometime this week and that he is considering placing them outside the sheriff's office as a joke.

"We like to show some things that are fun, some levity too. But in the meantime, don't think it's OK to go put something there," he said.

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10 Science Fiction Writers Predict How Our World Will Change In The Next 10 Years

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In the epilogue to his book on data, privacy, copyright and what the changing tides of these big ideas mean for writers and other creative types, prolific sci-fi behemoth and tech blogger Cory Doctorow tries to guess what the future will hold. He begins with a disclaimer: “Science-fiction writers are terrible at predicting the future. But that’s okay. Everyone is terrible at predicting the future. Every significant fact about the future is unguessably weird. Only the trivial is subject to exploration.”

Scores of speculative authors have backed this claim, including Margaret Atwood and Ursula K. Le Guin. But that doesn’t stop us from relying on their imaginative minds, and the careful forethought they’ve given to constructing worlds different from our own, to inform our conception of what’s to come.

As a whimsical thought experiment, The Huffington Post asked 10 science-fiction, speculative fiction, urban fantasy and dystopian authors to answer a single question: What will the next 10 years bring? Will drones become omnipresent? Will the already dissipating line between our gadgets and ourselves fade further? Or, will things remain, more or less, the same? Read what Edan Lepucki, Jo Walton and others had to say:

David Walton author of Superposition:
"In the next 10 years, the earliest adopter of new technology might just be your grandmother.

Of all the fields in which dramatic changes might be seen in the next decade, the field of home automation is the one poised to explode. For most of us, the ability to turn on our ovens from our phones or watch a robot clean our floors is little more than a novelty to impress our neighbors and friends. To the elderly or infirm, however, it could mean the difference between disability and independence.

In the next decade, we’re going to see a revolution in automated assisted living. Imagine a simple rolling robot that comes when you call, presenting you with a video screen that reminds you of your daily schedule. Totally voice-activated, it can control your lights and door locks, oven and water temperature. It keeps track of the food in the house and can order more when necessary. It can connect you with family and friends through video conferencing, or simply read you a book. It gives you your medicine when you need it, keeps track of where you left your glasses, and -- through wearable health monitors -- can call your family or your doctor if you need urgent medical help.

The technology is nearly ready, and immense government investment will be inevitable in the coming years, as baby boomers age and live longer than ever before. Those hesitant to try new things will be won over when it gives them the power to maintain their independence. Ten years from now, when you visit your parents or grandparents, they may very well have better technology than you do!"



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Elizabeth Bear, author of Karen Memory:
"I think one of the biggest trends of the next decade -- and beyond -- is also one of our greatest hopes for a post-scarcity economy. As technology makes sharing the use of physical as well as virtual objects more feasible, we'll be seeing less need for people to own individual "stuff" and more opportunities to amortize costs across groups. Essentially, it amounts to more sharing through rentals, co-ops, and so forth. If you need to use a lawnmower for three hours a week, basically, it really doesn't make a lot of sense to own your own lawnmower when you can go in with your neighbors and buy several to share -- or when a business can set up something like a tool club, where you subscribe and then borrow what you need.

We're already seeing a good deal of this in urban centers, with bike- and car-sharing programs. There are even wardrobe-sharing programs one can subscribe to. As the technology for tracking and sharing useful objects improves, I expect it to infiltrate less densely populated areas, as well."

Robert Charles Wilson, author of The Affinities:
"I’m tempted to repeat the old adage that science fiction doesn’t predict, it speculates. But science fiction does make one prediction that always comes true, and it’s the deep Heraclitian truth at the heart of the genre: change happens. Change is inevitable. It devours everything familiar and builds strange new structures on the quicksand of contingency. Step in the same river twice? Kid, we don’t even have that river anymore. We paved it over back when the rain stopped falling.

So what might be new and different in the next 10 years? We can start by asking what’s already beginning to feel old. And what feels old (to me) is our political and economic discourse. Here we stand, on the brink of a global climate catastrophe and embedded in an emerging oligarchy armed with a surveillance apparatus of unprecedented reach and power, discussing politics in terms Victorian philosophers would have recognized. There is a tinderbox of unmet expectations and frustrated idealism out there, and a genuinely captivating new political or economic idea -- good or bad -- could start a global conflagration.

How might such an idea arise? I would point at recent progress in cognitive science. We’re standing on the verge of a profound new understanding of the one subject Enlightenment philosophy could never really get a grip on: human nature. As we come to know ourselves better, we’ll begin to understand our political and social behavior differently -- and, inevitably, we’ll find ways of manipulating and modifying that behavior. And how will that play out? Beats me. I’m just a science-fiction writer. But it invites some interesting speculation."



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Jeffrey Rotter, author of The Only Words That Are Worth Remembering:
"Ten years ago, Adam Sandler shot a movie in my neighborhood. Much of the film, as far as I could judge, involved an aerial shot taken from a helicopter that hovered for several hours five or six feet above my apartment. After calls to 911 and Gracie Mansion yielded no results, I climbed through my roof hatch, hoping to persuade Mr. Sandler’s helicopter to fly away. As I flailed my arms, dressed seductively in boxer briefs and baby spit-up, I thought to myself: 'Maybe one day I’ll be able to control air traffic with my mind.'

A decade on, I’ve added many more nuisances to the list of things I wish I could control telepathically. Today, that same scene could be filmed using a drone. Adam Sandler could sit in a posh Burbank suite, eating a Green Monster smoothie sandwich while watching me hop around a Brooklyn rooftop in my underpants. The future is now.

What further improvements could 2025 possibly bring? I’m hoping for more drones, more half-dressed rooftop outrage, more auteurs compiling shame into box-office gold. We’ll all get a chance to stand on the roof as the drones circle, capturing our useless pleas for privacy from only the sexiest angles. This will be the entertainment of the near future, and an Adam Sandler movie I’d like to see."

Brenda Cooper, author of Edge of Dark:
"Connected health care will occur at a whole new level. When I wake up, I’ll feed the dog special food designed for her. While it’s hydrating, I’ll check my own readouts from my wrist or from a small screen on the fridge. That will tell me which supplements to take that morning, and in what dosages. I’ll measure that out and have it with a tall glass of cool water before my morning coffee. After I wake up, the dogs and I will run, and I’ll be able to use my connected sunglasses to keep track of both of our heart rates. When we arrive at the park, I’ll turn everything off and enjoy some long moments of mindfulness while I throw a Frisbee for the dog, and then we’ll turn back on and check in for advice about whether to run or walk back home.

Later that morning, I’ll get an alert that a cancer marker has shown back up in my bloodstream, and a special test will be ordered right there. I’ll feel a light prick in my wrist. An hour later the results will go into a machine and queue up for an analytics run. The line will be a few hours long, so I’ll try and ignore my fear, but fail hard enough that I fall down the last stair to my office, and have to catch myself. After standing still for a moment and catching my breath, I’ll be told I’m okay, and so I’ll go to work. By lunch, my analytic results will be available and I’ll learn that there is no statistical reason for worry, but a note had been sent to my personal diagnostics machinery to add a more refined test and that two foods have been removed from my recommended diet."



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Genevieve Valentine, author of Persona:
"New York's the same as ever, mostly. The water level's up another two feet, but since they've moved the polar bears to Roosevelt Island, it just means more tourist money for the Tramways. (The network in Brooklyn is going to look like a spiderweb, but the hipsters want what they want.) The president's newest movie just premiered here, and she scored so well on the red carpet that we probably won't have to hold elections this year. (If that exoplanet radio signal checks out, she'll be a lock for the full four.) The Upstate Exodus Initiative is as big a mess now as it was when it was introduced; seven grand for a studio on high ground, and still nobody's leaving. They're starting to eye the end of Brooklyn again, something about solar panels and ways to avoid electrocution. You're not going to get anybody down there. That water's too rough to live in. No one's managed the swim out to the Wonder in two years; the waves suck you in and you never come out. Still, the cars that are visible above the water line are holding up. Seagulls nest in them now. It's nice; it brings the tourists."

Ken Liu, author of The Grace of Kings:
"It is not necessary for AI to pass the Turing Test to have a significant impact on the labor market. News organizations are already benefitting from automated analysis and story generation. Since many office jobs involve not much more than recasting numbers and charts in formulaic prose, it’s not hard to imagine that in 10 years automation will make more inroads in content generation and replace much of the basic writing and analysis we rely on humans to do today.

Similarly, automation will transform the transportation industry. Even if most car owners prefer to continue to drive their own vehicles for psychological reasons, the trucking industry will adopt automated vehicles to improve safety, increase efficiency (automated cars don’t have drivers who need to sleep), and reduce costs.

Even domains requiring human expertise like law and finance will be affected. First, computers will begin to do things that humans simply can’t do. Algorithmic trading, data-driven analysis, and electronic discovery will lead to insights that cannot be derived by human analysts and lawyers. Second, automation will make it possible to build robust infrastructure and processes that allow clients to tap into human expertise globally. It makes no sense for clients to pay the kind of hourly rates they do right now to first-year law firm associates for basic research when such research can be done cheaper on the other side of the globe.

The biggest obstacles standing in the way of many of these oncoming revolutions are not technical, but legal. Laws and regulations have so far inhibited the more wide spread adoption of automation, but the trajectory is clear. Interest groups standing to benefit from the use of automation will push for the necessary changes, and I suspect that the next 10 years will see many of these conflicts played out in our legislative bodies and courts. But the long term transformation of the labor market due to machines replacing brains will only become clear in another generation."



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Edan Lepucki, author of California:
"In the next 10 years, we will see, unfortunately, a return to a baggier fashion silhouette for men, and a renaissance of early-1990s thin eyebrows for women. Thankfully, the male top-knot, a popular hairstyle among certain hipsters, will go woefully out-of-style, and beards will only remain on those with weak chins. With the end of 'Mad Men,' we'll let go of our obsession with mid-century modern furniture and some of us will even gravitate toward the shabby-chic look again.

Over the next 10 years, we will see a deeper bifurcation when it comes to technology. One segment of the society will become more and more reliant on computers and such, going so far as to embed microchips in their children and phones in their own eyeballs; others will eschew technology altogether and will advocate for no-phone-use zones in public areas, a la non-smoking sections at restaurants. By the end of the decade, someone will try to marry a robot. Marijuana will be legal in most states. It will be harder and harder to get an abortion, especially in the conservative states. George Clooney will run for office. Websites will be forced to find a sustainable revenue model for paying their writers. My son will be a teenager. I will need reading glasses to read all the terrific novels that are sure to be published. Don’t even ask me about the California drought or police brutality... my crystal ball is cloudy and cracking."

John Birmingham, author of Emergence:
"Over the long arc, as Yeats observed, things fall apart. If you’re looking for a hedge bet on the big narrative moves of the next 10 years, put your money on the end of the world as we know it. The apocalypse has always sold books and tickets, from the very first Bible to the 'Independence Day' reboot.

Genre fiction is a junkie, mainlining the anxieties and obsessions of its time. Soviets beat you into space? Spend the 1950s making movies about the threats from the stars. Society devolving into a mindless and insatiable consumergeddon? It’s zombie time! And at the core of modern anxiety? The loss of control. Over ourselves, and over the world. I think as we feel even less certain of everything, we’ll look even more to superheroes for the vicarious thrills of extreme coping strategies.

It’s interesting that they haven’t made the leap from big screen to printed page in any notable way. Batman would make great literary fiction -- all that dark and broody introspection… with punching! And if Hollywood refuses to respect the legit claims of female superheroes -- seriously Marvel, no Black Widow merch? For shame! -- inevitably someone like Gillian Flynn or some old school book-writing maven will show them how it’s done. Margaret Atwood could update Wonder Woman!

The next 10 years? Things fall apart. Only the greatest heroes can hold them together. And female heroes will still be paid at least twenty-five percent less for doing so. They should unionize. That’d make a great Marvel story arc."



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Jo Walton, author of The Just City:
Tomorrow's trends swirl in a pixel glow
Shaken and stirred and tipped in cups to go:
Drink deep, peer close, guess what we cannot know.

Ten years is long, and yet, not long enough,
Changes sift down unseen, or fast and rough,
In politics, in tech, in fights, in fluff.

Upon this planet shall be constant war,
Cod will come swarming back to Iceland's shore,
Today's new fads become a facile bore.

Nations will borrow all the banks will lend.
We will print perfect statues, and this trend
Will fill our houses with them, and then end.

With oracles reopening in Greece,
One war will end in unexpected peace,
Others go on and on with no surcease.

The unheard find a voice and have their say.
China and Spain declare free marriage day.
Democracy comes to the USA.

Fast and ubiquitous and very neat,
The word "computer" becomes obsolete.
As screens you cannot touch seem incomplete.

One thing you'd never guess will catch on here.
Mummies and Termites cause box office fear.
Cold fusion will be very very near,

Old age will keep receding as we age.
Books become beautiful on every page.
The net will bring us friendship, hope, and rage.

Doctors do miracles, but people die,
We'll get no closer to a reason why.
We send more robots up to search the sky.

But I'll still write in Protext '91,
And you'll get famous and have lots of fun,
And all the best of life be just begun.

Thus incrementally, as lives unfold,
We'll change unnoticing until we hold
Our different world the same, its tale untold.

Bad mixed with good, safe, scary, normal, strange,
Ten years of human choice and human range,
The only certainty in life is change.

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A Bunch Of Famous Men Debate If Amy Schumer Is Hot Enough For TV On 'Inside'

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If Amy Schumer isn't talking about sex on her Comedy Central show, she's poking fun at her body. Tuesday night's entire episode of "Inside Amy Schumer" was dedicated to both, as she rounded up an all-star cast of male actors to debate her "f--kability," which she often discusses on the show.

The episode, "12 Angry Men Inside Amy Schumer," is exactly what you think it is: a full on remake of Sidney Lumet's 1957 classic film. John Hawkes, Paul Giamatti, Jeff Goldblum, Vincent Kartheiser, Kumail Nanjiani, Henry Zebrowski and Adrian Martinez, among others, debate whether or not Schumer is hot enough for TV in a spot-on, hilarious parody.

“It’s just another example of an average looking chick who watched too much 'Top Model' and now thinks she belongs on the cover of F--kable magazine,” one juror says. "I definitely don't think she's protagonist hot," another argues. The 12 men then continue debating as more and more begin to find Schumer attractive enough for TV, but some still insist they'd rather watch a Megan Fox talk show.

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Image via Tumblr


Last month at the Tribeca Film Festival, Schumer, who also co-directed the episode, said she's more proud of it than anything she's done before, and we don't blame her. The episode is brilliant and especially hilarious when two men get into a screaming match with dildos in hand. Also, Kartheiser plays the perfect arrogant jerk and Dennis Quaid shows up to insult Schumer even further. But what's their verdict? Watch to find out (it's worth every minute).

"Inside Amy Schumer" airs on Tuesdays at 10:30 p.m. ET on Comedy Central.

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The Dictionary Is So 'Basic'

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Hold onto your slouchy sweaters -- basic has just been added to the dictionary. If you’ve been drinking pumpkin spice lattes in private shame since the proliferation of the word as an insult, your habit may have just been validated.

Along with a bevy of other words that have seen recent spikes in use online and beyond, new definitions of basic have been inducted into Dictionary.com to clarify its use as a put-down. The new entry reads:

a. (especially of a female) characterized by predictable or unoriginal style, interests, or behavior:
b. those basic girls who follow trends.
c. (of things) boringly predictable or unoriginal:
d. His lyrics are just so basic.

The site has also added a definition for basic as a noun, as in, “a person, especially a female, who is boringly predictable or unoriginal.” Though the word been used in hip hop for years, it has since gone the way of so many other fantastically rich words appropriated by white people (think: bae). The rise of basic was catalyzed in particular by Kreayshawn’s “Gucci Gucci,” which mocks people who follow mainstream trends, especially brand-related ones.



“We noticed that these new senses are being used exclusively as slang in casual contexts," Dictionary.com lexicographer Jane Solomon told The Huffington Post when asked about the addition. "These particular senses of basic started out as African-American slang. In this context, the adjective was originally used as a way to call someone out (usually a woman) on immature or obtuse behavior. As the term achieved widespread usage, people began to use it in reference to material displays (drinking pumpkin lattes, wearing Uggs, caring about brand names) that they believed to be indicative of shallow behavior.”

Essentially, the “new” definition of basic doesn’t differ much from its original usage, which is synonymous with “simple" (It’s worth noting that simple also has a derogatory connotation; Dictionary.com defines it as, “an ignorant, foolish, or gullible person"). That widespread use of the word as relatively recent means it’s still very much in flux, and might be subject to change in the near future -- something the online dictionary is prepared for.

Solomon notes that a movement to “take back basic” is already underway: “You can now see basic written proudly across sweatshirts.” The site adds supplemental notes to its definitions to account for such complex and even contradictory meanings. So, should basic begin to be used more overtly as a means of disparaging certain social classes, as BuzzFeed writer Anne Helen Peterson says it will, further updates will be made.

So how does a word get officially added to the lexicon? Obviously, different dictionaries have different rules for admission, and some are stricter than others. Because it has no print edition and thus no space limit, Dictionary.com is free to explore the use of popular slang words, regardless of whether they end up being passing trends. The site doesn't remove words from its virtual pages, and when it considers what to add, its team of lexicographers considers a well of media sources.

Among the many thoughtful pieces analyzing the use of basic, Solomon references Noreen Malone's take for The Cut and Madeleine Davies's quippy and accurate assertion on Jezebel that white people are "ruining" the word. Solomon also notes that the site is able to track which words are searched for frequently, and considers this information when adding new definitions -- recently, basic has seen a big spike, as has microaggression, "a subtle but offensive comment or action directed at a minority or other nondominant group that is often unintentional or unconsciously reinforces a stereotype.”

While Adam Levine, performing with his totally basic band Maroon 5, might croon that "nothing lasts forever," basic is probably here to stay.

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The LOLcats Of Japanese Print Art Have Officially Taken Over

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Utagawa Kunitoshi (1847–1899), Newly Published All Cats, 1884. Color woodblock print; 22 ½ x 16 inches. Courtesy of Hiraki Ukiyo-e Foundation.




For those following the wonderful world of cat art (aren't we all?), we have news for you.

Earlier this year we reported on the exhibition "Life of Cats: Selections from the Hiraki Ukiyo-e Collection," a show highlighting the very real history of felines infiltrating the woodblock prints of the Japanese Edo Period. Yes, from roughly 1615 to 1868 more than a few four-legged friends wound their way into the frames of at least 120 artworks. In the vivid color prints, the cats lounged, they frolicked, they unabashedly ignored human commands.

As we mentioned before, this all happened in an age that predated the Internet's fixation with perma-kittens, cats with eyebrows, and Colonel Meow. Now that the exhibition has passed its halfway point, the Japan Society is rotating out the 45 original artworks on view, and replacing them with 45 fresh ones, on view for the meme-obsessed ever hungry for another anthropomorphized pet. And we have a preview.

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Keisai Eisen (1790–1848), Chrysanthemum from the series Comparison between Beauties and Flowers, around 1838–1844. Color woodblock print. 22 ½ x 16 inches. Courtesy of Hiraki Ukiyo-e Foundation.


On display are the fur balls artists like Utagawa Kuniyoshi and Kawanabe Kyōsai just couldn't leave outside their frames. While 17th, 18th and 19th century ukiyo-e tended toward the elegant and erotic -- from kabuki actors to geisha to never-ending floral patterns -- the Tokyo-based Hiraki collection takes that triple threat and adds whiskers. Cats are fighting infants for a bite of rice, toying with arbitrary pieces of string, and, in more absurd cases, acting as though they are self-sustaining beings living in a feline version of a Smurf village.

This round of "Life of Cats" prints will particularly focus on omocha-e, or toy pictures; those images used to teach children both academic and moral lessons. While the omocha-e were essentially the flash cards of their era, cheaply produced and rarely preserved, the Hiraki Ukiyo-e Collection has managed to save 12 of these rarely seen bits of ephemera.

Beyond the art, the Japan Society has introduced an impressive array of programming aimed at attracting the contemporary fans of cat cafes and Lil Bub videos. The gallery's calendar is filled with an Internet Cat Video Festival screening, an Edo Period cat-themed party, a book club centered on I Am a Cat by Natsume Sōseki, and a Caturday Craft Day aimed at adults who want to make their own Maneki neko -- Japan’s “beckoning cat” figurine. Oh, and we can't forget the Puribooth, Japan's version of a standard American booth, plus "high-tech wizardry and super high-quality photo processing."

Clear your schedules, there's a lot to do.

"Life of Cats: Selections from the Hiraki Ukiyo-e Collection" will be on view at Japan Society Gallery from Friday, March 13 to Sunday, June 7, 2015. The Japan Society has partnered with the ASPCA to donate five percent of all catalogue sales to the organization.





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About That Period Photo That Broke The Internet

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instagram period photo
One in a series of menstruation-themed photographs by Rupi Kaur, the Canadian university student who challenged an Instagram ban and won.




On Monday, March 23, the poet Rupi Kaur posted a photograph on Instagram. The portrait is of a young woman -- Kaur herself -- taken from behind by her sister Prabh. She is lying on a bed. The colors are mostly white and gray, in the washed-out vein of a Scandinavian design blog, or a vintage Calvin Klein ad. Two jolts of color anchor the vignette: blood-like stains in telltale spots, at the crotch of Kaur's sweatpants and a contact point on the sheet.

A photo posted by Rupi Kaur (@rupikaur_) on






Every artist dreams of a defining moment, but Kaur did not intend to incite the wrath of the Instagram gods by tackling the taboo of menstruation. She is Indian-Canadian, and sensitive to the Hindu concept that a menstruating woman is ritually unclean. An undergraduate student at the University of Waterloo, she was executing a school project by testing out a theory inspired by a Susan Sontag essay on how context influences art consumption. She hoped to compare reactions on different social media platforms to a single work.

rupi kaur
An excerpt from Kaur's Facebook post criticizing Instagram for removing her portrait of a menstruating woman. The post attracted three million views in less than a day, according to Kaur.


Kaur's "period photo" subsequently went viral, and not for the reasons she expected. For a week, she sparred with Instagram as the social media site attempted multiple times to remove her image. The incident dovetailed with the celeb-backed backlash against the site's censoring of breastfeeding photographs, making Kaur an accidental icon of a feminist movement.

Instagram has since clarified its guidelines so photos like Kaur's presumably won't go missing. For Kaur, who lives at home with her parents and two siblings, the whole affair has been mind-boggling in its scale. She's gotten death threats, alongside interview requests from the world's biggest media organizations. Needless to say, her professor loved the project.

The Huffington Post chated with the 22-year-old about overnight fame and what she really meant to say:

What was the inspiration for the shoot?
It's something that I've been mulling over in my mind for the past year. My periods personally are so crazy and painful. [They] eliminate my entire existence for a week.

Why are they so awful?
I have [a condition called] endometriosis, and it causes so much pain. Ovarian cysts rupturing, a lot of that, and it increases with stress. There was a time last summer where I was in the hospital a lot and I was growing to hate my [body]. A darkness came over me. I started to think, I don't want to feel this way.

In my last term of school I took a visual rhetoric course. My professor was talking about us doing a project that creates a conversation without words and with imagery that would battle societal norms. This was the perfect time for me to execute this project I'd been thinking about for so long. Because I was coming at it from such an educational point of view I didn't think that I was going to cause such a ruckus. These are ideas that are normal for me and normal for the people that I surround myself with. I guess I was naive.


instagram period photo




What inspired you to post the series to Tumblr and Instagram?
We were supposed to use a lot of theories to back up our process. There was a reading I did by Susan Sontag. It was about the idea that if you're looking at the Mona Lisa, for example, and see it in person, you'll feel one way about it. When you see it on a stamp, you look at it in a different way. I thought it would be cool to place my series on different platforms to see what response it got. Instagram is the place where you don't really see things that are going to start a conversation. You upload things that are pretty: good food, travel shots. You want to curate the best version of yourself.

Your post rubbed people the wrong way.
The first reactions I got were so splendid and so positive. And then about twelve hours in or even less than that a couple of folks from my hometown ganged up and started bashing it, people I knew from high school. The moment this group of guys created an environment for negativity it began to foster that. Everything after that was negative. Eventually women took part in it too.

What sorts of things were they saying?
"You ugly feminist this and you ugly that," and like, "In a few years we won't even need women anymore because we'll just breed our babies in labs." The women were like, "I get it's natural but I hate my period. I don't like it so you shouldn't either. Why are you celebrating it?"

Other women were like, "I totally see you celebrating your period but I don't see the need to." That's because they grew up as white women. They didn't have this thing that women of color feel.

instagram period photo
Kaur and her sister shot the series in four hours over two days, using fake blood they made in their parents' kitchen.


You're referring to the notion that a period is defiling. It's a common idea among Hindus, but then, your family is Sikh.
In Sikhism, [menstruation is] totally accepted, yes. But growing up there was still that cultural idea. When I was on my period I remember I wanted to go for a bike ride once and my mom was like, "You can't because you're sick." I didn't understand it. Or jumping on the trampoline, I wasn't allowed to do that. I've always have to whisper the fact that I'm on my period or hide my pads so my dad doesn't see them.

My dad's actually an open-minded guy but my mom's been groomed to think that these things are taboo. We're working on changing that mindset, creating an environment at home where it's okay, we can talk about this. It's normal, she doesn't have to worry.

What response did your series get in the Indian community?
"You shouldn't talk about this. It's dirty, it's taboo." I was at an art show last week and [some Indians in their 30s compared what I did to] uploading a dick pic.


A vlogger and friend of Kaur's, Kiran Rai, recalls the difficulty of having her period during a trip to India.


How did your parents feel about the project?
My mum knew that I was shooting it with my sister. I don't purposely go out of my way to keep it a secret when I'm creating. I don't want to explain anything later. [After the backlash] I was so scared. I was like, the world is so angry. Naturally my parents will be too. When I told them, they didn't understand why it was such a big deal. They were like, "That's cool. Good job!" My mom was laughing after she heard people talking about it on Punjabi radio locally in Toronto.

Being Indian, their pride makes total sense to me. The fact that you're being talked about almost supersedes the reason why.
[Laughs] Yeah, exactly!

So how did the work perform, in the Sontagian sense?
It's harder to tell on Tumblr because of the Notes system, but I knew that the photo set was doing well. It was getting a lot of traction. It seemed more positive, more in line with how my classmates reacted. On Instagram, it was obviously mixed. I eventually stopped reading comments. At one point it was around 11,000 comments. Now they've put the photo back, it's at 71,000 Likes. Basically, I'm never going to get a photo as popular as that.

Instagram actually removed it twice, is that correct?
I posted it on the 23rd of March around 11 p.m. By the next day, 24 hours later, they took it down. Two hours after they took it down I reposted it. They took it down again in less than 12 hours.

What happens when they remove a photograph?
You hit your Instagram app and then it gives you this screenshot saying that they've removed whatever. Whatever didn't follow community guidelines. Help keep Instagram safe. I didn't put it up a third time because I was scared they might take my account away. Instead I thought I'd post a screenshot of what they wrote. I tagged Instagram in my captions when I posted the screenshot. I asked folks to raise an issue about it, so they were tagging Instagram in criticisms. I tagged Instagram in any pornographic pictures that I could find.

So you found truly explicit posts?
Oh, my God, like guys jerking off. Videos. People having sex. I never knew this existed until this whole fiasco started. People were sending me links. Search the hashtag #girls and you'll see a ton of crazy stuff. The ones with folks actually having sex or people jerking off are not popular accounts, but there were other accounts not as extreme but super popular advertising porn sites and so on and so forth. One popular account is just this guy who wears women as scarves around his neck. They're naked women and they look they're dead. It's really creepy.

:trophy::snowboarder::trophy::snowboarder::trophy::snowboarder:

A photo posted by Trophy Scarves (@trophyscarves) on



The bio for one of Kaur's finds -- the Instagram account @TrophyScarves -- is representative of the double standard she feels guides the platform's censorship shakedowns: "I wear white women for status and power."


How did the photograph eventually get reinstated?
I was in a state of feeling super passionate and appalled. I made this post on Facebook at 12:30 in the afternoon on Wednesday and then I completely logged out. I went to the museum with my friends. By the time I came home at 9 or 10 p.m., the post had reached 3 million views. I guess it had gone viral. I woke up at 11 o' clock on Thursday -- Thursday was the day of my presentation for this project, and I was so exhausted. I went on Instagram and my photos were back up. I was really happy

Did you get an A?
Oh, of course. Yeah!

What an unbelievable undergraduate presentation to give.
The media picked it up on Friday morning, so I presented before the media went crazy. At school I'm a totally different person. I don't advertise the fact that I write. It would feel very self promote-y. But before I presented there were a lot of folks who knew. People were hooting and hollering.

What happened after the photograph reverted?
I assumed it was over but it wasn't. I woke up on Friday and my inbox had blown up. Radio interviews, this and that. I was dealing with so much I couldn't feel anything for two or three days. All I did was interviews. When I went back to class on Tuesday, I was still getting emails. My TA was like, "You're on the front page of Reddit." People from all of my classes were emailing me: "You're on Buzzfeed." I was like, "Oh, true. Crap."

The same guys from high school that worked very hard to make sure the photo was down now obviously felt really silly so they started to make fake [Instagram] accounts. I know it was them because they were following themselves. They'd take my own personal photos and cut and paste them, making them like, pornified. Putting dick pics over my face, and random labels of porn sites across my breasts. Really silly things.

Was that where the criticism ended?
I was getting a lot of death threats. My professor insisted the university help and now I've been working with school police. I don't think anyone's actually going to do anything, but still.

i am power. #InternationalWomensDay

A photo posted by Rupi Kaur (@rupikaur_) on



Kaur's poetry -- some of which she self-published as a collection last fall -- tackles issues of femininity and self-love.


Do you feel pressure to come up with something provocative for your next project?
I understand that anything I create after this might not cause such a stir, but I feel good about the fact that I've gotten so much attention and I've grown an audience and I can share my work.

Many people may not realize that you had a sizable Internet presence even before all this, because of your poetry. [This January, HuffPost blogger Erin Spencer deemed Kaur "the poet every woman needs to read."] To quantify the difference, how has your Instagram follower count changed?
Before March 23, I'd say I was at 35,000. And then within the course of like two or three days I went to 185-ish [as of publication, that number is 189,000]. So it was intense. That scared me a little. It's always been organic growth for me. Those supporters are there because they value the work. Now my audience has grown so much and I just hope it's for the right reasons.


instagram period photo




For me, the Instagram photo really captures the shame and anxiety that comes with your very first period. Of course, the whole series balances muted colors with the stains in a way that brings this out, but this one feels particularly resonant. How did you choose it to represent the series?
I love the photographic perspective and the composition of the body. It's almost like you're looking into this woman's world and she's doesn't know you're watching. I imagined most people could relate to it. If I'd used the one with the toilet I would just be trolling. This was a good balance.

Where did the blood come from?
Food coloring, ketchup, soy sauce, brown sugar. I Googled it. I think it was an About.com article that gave me ten different recipes to make ten different types of fake blood. I used a conglomerate. I asked for everybody's opinions on how it looked, my brother, my mom.

Have you spoken to anyone at Instagram?
Thursday night [after the photo went up] around 2 a.m. I got an email from them, basically apologizing. It seemed like a very automatic canned email so I didn't respond. They have given statements to different papers and stuff like that. I hear that they have changed their community guidelines now so it's a lot more open.

[The new guidelines, which differentiate between nudity in artwork or active breastfeeding and forms not allowed on the site, was in the works since before the dustup with Kaur, according to an Instagram rep.]

instagram period photo

In the Facebook post that went viral, you wrote that Instagram proved your point of a societal misogyny that encourages the objectification of women but won't tolerate "a leak," as you call it. Was your purpose to uncover hypocrisy?
I like letting people into my world. That's why I'm a writer. This was a way to start a conversation about something that really affects me. I always see women complaining -- I'm one of them -- about how much our periods suck. But they're also so beautiful. They gives rise to life. If I have to live with mine the next 40 years, I want to make peace with it.

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Lyft Driver Collects Beautifully Inspiring Messages From His Passengers

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A Lyft driver is telling the fascinating stories behind his passengers.

Zia Ahmed, a driver in San Francisco, encourages his customers to write a message to other passengers in a project called Lyft Me Up San Francisco. He's collected countless thought-provoking notes, and is now publishing them in a book which he expects to be out later this month.

note
A note left by a passenger.

The driver says he hopes that by showing others the notes, people can get a true sense of his city.

"I wanted to capture the culture of San Francisco -- the culture of the people," he explained to The Huffington Post. "I get plenty of really deep, profound messages from these people.

I'm surprised it took 7 months to get my first #harrypotter message. I don't know what it means, but there are plenty of things I don't get... :)

Posted by Lyft Me Up San Francisco on Wednesday, March 25, 2015




Ahmed says he's always been intrigued by the conversations he has with his passengers. Along the way, he found that many of them lead exciting lives or offer interesting nuggets of wisdom. Last September, he began asking his customers to leave notes in a leather-bound notebook for others after them. Sometimes he gets restaurant tips or funny jokes. Other times, he gets drawings or words of wisdom. Ahmed told HuffPost that about once a day, he gets a message that truly makes him reflect, ponder or smile in delight.

note
Note from a passenger.

"Dear Next Passenger," one of Ahmed's favorite messages reads. "It is 11:34 pm on Sept. 29th. You will presumably read this tomorrow, Sept. 30th. That is the 14th anniversary of my first date w/my wife, which means I will be happy tomorrow. Hopefully reading this will make you happy as well!"

Another message he finds striking says, "Empathy is a muscle. Work it out and make it strong."

note
Note from a passenger.

While the driver is fascinated by the words he receives, he says that the passengers also get a kick out of one anothers' words.

The Poet has left you a message

Posted by Lyft Me Up San Francisco on Tuesday, May 5, 2015




"They love it," Ahmed told HuffPost, recalling the reactions of passengers as they read the messages. "There's an incredible enthusiasm and energy. They're literally bouncing off of their seats."

Ahmed hopes to continue the project in the future and perhaps inspire other drivers to participate as well.

Remember humanitarianism is vital.

Posted by Lyft Me Up San Francisco on Monday, February 23, 2015




"I want to scale this project to other drivers in other cities in America," he said. "There are a lot of interesting thoughts and concepts that emerge from such a project."

doodle
Note from a passenger.

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Artist Crafts Delicate Feathers Made From Thousands Of Interwoven Nude Bodies

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feather
Can you spot the nude?




Artist Angelo Musco creates digital images of feathers floating in midair -- weightless, delicate, airy and otherworldly. However, look a little bit closer and you'll see these strange specimens were not plucked from any bird of this planet. Rather, the alien plumes are made from thousands of nude bodies, tangled and woven in ever-intricate configurations.

The series, titled "The Aves," is made up of nine feathers, symbolizing the nine months of pregnancy. The feathers are simply the latest manifestation of what Musco calls his "human landscapes inspired by nature’s intricate architecture" -- a previous project involved nests.

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Regardless of the shape the viewer first processes, a closer look reveals the myriad serpentine figures knotted and naked before your eyes. "I call it the 'Paradox of Lightness' because there is this strength and power that comes from this community of thousands of interwoven bodies, yet it is a feather," said Musco. "Ironically it looks effortless and elegant but it is the result of a coordinated and painstakingly long process."

For each image, Musco uses hundreds of volunteer models (if you're interested, you can register on his website). He then choreographs the individuals into pre-planned poses that will later be digitally compiled into a single dazzling image. "The models are mostly strangers to one another yet they come together and work very hard for an afternoon in what becomes this magical choreography that evolves organically." So far, he's photographed his subjects in places including Buenos Aires, Berlin, Naples, New York and London, and is on the lookout for more diverse cultures to include in future projects.

little


Musco's mind-bending images could make your eyeballs spin for days. They speak to the unexpected complexities and latent beauty lurking where you least expect it -- in art, in nature, and beyond. "The image seems so light and effortlessly floating in the air," he said. "It is a quiet, suspended moment you first see, but as you get closer and go into the piece you find a complex and completely unexpected world."





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9 Things We Learned From The Kurt Cobain Doc 'Montage of Heck'

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The following article is provided by Rolling Stone.

By BY DAVID FEAR and JASON NEWMAN

You would have thought that, 21 years after Kurt Cobain took his own life, there would be precious few facts left to unearth about the Nirvana frontman. Endless articles, several biographies and a few films of vastly varying quality have already walked us through his childhood in Aberdeen, Washington; told us how his parents' divorce profoundly affected him; examined how punk rock helped him find an outlet for his pain; and reminded us that he started a band, became famous and then had a hard time dealing with the fallout. What does Brett Morgen's years-in-the-making look at Kurt's world have to tell us that we don't already know, you might ask.

As anyone who saw "Montage of Heck" on HBO last night can attest, the answer is: plenty. Using the musician's own home movies, journal entries, personal recordings, notebook scrawlings and drawings (not to mention the usual assortment of vintage concert clips and TV interview footage), this left-of-center attempt to understand Cobain via his own words and works could not offer a more intimate look at the iconic figure. Put it this way: Whereas most folks would have tried to make the "Smells Like Teen Spirit" version of a rock documentary, Morgen goes the "Endless, Nameless" route — jagged, discordant, uncomfortably raw — and the result ends up being way more revelatory than your standard portrait of an artist. Here are nine things we learned from watching the film.

Frances Bean Cobain on Life After Kurt's Death: An Exclusive Q&A

His slacker image was a myth.
"He didn’t want to just be in a bar band and play music that way. He wanted to be a success," says ex-girlfriend Tracy Marander. Throughout the film, Morgen shows various notes Cobain wrote outlining the technical and logistical steps needed for his band to get off the ground, including instrument costs and record label addresses and phone numbers. Morgen also includes a list Cobain wrote of "Things the band needs to do," including "Send some fuckin' demo tapes." Marander details a period when Cobain would ostensibly spend entire days watching TV while strumming his guitar, a process that would lead to some of Nirvana's earliest riffs.

He tried to commit suicide after being taunted in high school.
Cobain and his friends used to visit the home of a developmentally challenged high school classmate to steal her father's alcohol. It was a particularly troubled period for the musician, who considered suicide for the first time. "I wasn't going out of this world without actually knowing what it was like to get laid," Cobain says in recorded audio. After he attempted to have sex with the girl, his classmates began insulting and shaming him. "A rumor started and by the next day, everyone was waiting for me to yell and cuss and spit at me, calling me 'The retard fucker.' I couldn't handle the ridicule." Cobain would later lay down on train tracks with the intention of ending his life, but the locomotive traveled on a different railway. "I just thought it was such an important part of the story," Morgen admitted, "and something that had amazingly just sat there from 1988 on."

No Apologies: All 102 Nirvana Songs Ranked

He considered the band's first "gigs" to be playing for "two locals who hated our guts."
According to Cobain, Nirvana's first "shows" consisted of playing for a few friends and random passerbys at local house parties — something footage of the singer, Novoselic and drummer Chad Channing bashing through an early version of "Mr. Moustache" for couple of lucky slam-dancing people in a living room confirms. "Just the fact that we were actually playing music live in a room was amazing," Cobain says. "If we played in a house for a couple of hours and two people stopped by, we considered that a gig...a show. That was good enough, even if it was locals who hated our guts and thought it was terrible music."



Nirvana was almost called "The Reaganites."
Morgen includes numerous shots of the notebook where Cobain would scrawl various potential names for the band — including the oh-so-Eighties-hardcore moniker "The Reaganites." Other potential handles: "Elvis Cooper," "Boy in Heat," "The Mandibles," "Window Pain," "Fecal Matter" (which blessed one of their early demos), "Erectum," "Bliss" and "Nagging Rash." Finally, we see a full page dominated by a written-out announcement: "Our final name is...Nirvana."

40 Greatest Rock Documentaries

He was devastated by the band's first review.
The band's first review came after they released their debut single "Love Buzz" in 1988. "It was in this hip magazine out of Michigan these scenesters were doing," Novoselic said. "They said it was like Lynyrd Skynyrd without the flares. Kurt was really hurt by that. He hated being humiliated. If he ever thought he was humiliated, then you'd see the rage come out." Novoselic said this fear and anxiety would influence and impact how Cobain's art would be presented to the world.

When Wendy O'Connor first heard "Nevermind," she almost burst into tears — out of fear.
Recalling the first time that Kurt ("padding down the stairs in his whitey-tighties") played her the master tape for what would become Nirvana's breakthrough album, his mother says she started muttering "Oh my god!" and nearly starting weeping. "Not from happiness," she clarifies for the camera. "It was fear." She could tell from that initial listen that "this is going to change everything. And I said 'You'd better buckle up...because you are not ready for this.'"

Kurt Cobain: Rare Images, Artwork, and Journal Entries

An unlikely cameraman shot the film's most personal footage.
At a discussion following the film's Tribeca Film Festival screening, Courtney Love told the crowd that Hole guitarist Eric Erlandson filmed much of the footage of Cobain and Love at home. "This is weird. I used to date Eric and then he'd come over to our house and he would shoot really intimate stuff of me and Kurt," Love said. "When you realize it's Eric shooting that, it's kinda…" Morgen interjected: "Creepy."

"That freaked me out because he came over and said, 'I have this tape, but I don’t know what's on it,'" Morgen added. "There was part of me that had to downplay how excited I was to see the tape because I didn’t want to get jacked. At one point I stopped when it was [Love and Cobain] in the bathroom and said, 'I'm sorry, what's your relationship to them? I'm a little confused.' He's like, 'I used to go out with Courtney.' I was like, 'Oh that's fuckin' weird.'"

Kurt's mother confronted him about his heroin use.
Detailing one of her son's frequent visits back home, where he'd hide from the pressures of being in the spotlight, Wendy O'Connor remembers seeing Kurt "getting sores...he was losing weight, and nodding out. I was pretty sure he knew I knew." She decided to confront him about his addiction, and — having educated herself on the effects of heroin and shooting up — asked him "if he was at the stage where he was addicted to also the needle prick. And he burst into tears. He was just...ashamed."

Brett Morgen on His Astonishing Cobain Film: 'Kurt Isn't Performing for Anyone'

Courtney Love claims her near-infidelity led to Cobain's Rome overdose.
Six weeks before his death, Cobain ingested dozens of Rohypnol pills and overdosed while in Rome, Italy. Love said that while she never cheated on Cobain, "I certainly thought about it one time in London," says the singer. "The response to it was he took 67 Rohypnols and ended up in a coma because I thought about cheating on him." Love said Cobain overdosed because he viewed the thought as "severe betrayal.”

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'Vincent Van Gogh' Is A Brooklyn Hipster Who Takes Public Transportation

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Turns out Vincent van Gogh takes public transportation. Or at least his doppelganger does.

Redditor XacBranch spotted the famous painter a man who looks strikingly like the famous painter while riding the New York City subway and snapped a picture. He shared the photo last week alongside a painting of the actual artist on the social media site, where it understandably went viral with almost 2 million views on Imgur.

View post on imgur.com



The photo that was uploaded to Reddit.




The man, who is actually Brooklyn-based actor Robert Reynolds, revealed himself on the social media site, and told PIX11 that his overnight fame took him by surprise.

“One of my friends texted me and was like ‘Dude, you’re famous!’”

van gogh
Photo Credit: treborsdlonyer/Instagram, Bequest of Miss Adelaide Milton de Groot, 1967/Van Gogh via Metropolitan Museum of Art
Reynolds on left, and van Gogh self-portrait painting, "Self–Portrait with a Straw Hat," on right.

Reynolds wasn't entirely surprised by the comparison to the iconic artist, however. He's heard it all before.

"Van Gogh is definitely the first thing that people see," Reynolds told ABC News. "I would say I've heard it for about five years -- pretty much ever since the first time I grew a beard.

The resemblance is so strong that, Reynolds says, his parents even get confused.

van gogh
Reynolds.

“My parents had an argument on whether or not the painting was of me,” he told PIX11 of a van Gogh portrait his parents saw.

The actor says that he's not bothered by the attention he gets for looking like the artist. In fact, he says he wants to use his resemblance to van Gogh as a career advantage.

"Vincent van Gogh is a fascinating character and there aren't enough pieces on him, as far as movies or plays go," Reynolds told ABC News. "I've had a couple of people propose a few things, but we’ll see what happens."

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Actors, Musicians, Educators To Talk VH1 Save the Music

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What's all the talk about getting the arts back into school curriculums?

Find out 7 p.m. Thursday, May 7 as a VH1 Save The Music Foundation town-hall discussion will be live-streamed from the Paley Center in New York City via live.vh1savethemusic.org.

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Dear Artists: Putting Food Coloring In A Beloved Natural Geyser Is A Crime

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We've said it before and we'll say it again -- but hopefully, not too many more times -- artists: please don't make Mother Nature your canvas. Just don't do it.

Let Chilean, Copenhagen-based artist Marco Evaristti be a lesson for you. For his 2015 installation entitled "The Rauður Thermal Project," Evaristti introduced five liters of red fruit dye into Iceland's beloved Strokkur Geysir, without permission. When the burbling hot springs began to boil, steam and liquid the color of cotton candy erupted into the sky.

"The beauty of the Nature keeps overwhelming me," Evaristti explains in a statement online. "When I decorate the Nature -- when I make landscape paintings in and on the landscape -- I can't think of a more beautiful motive and canvas in one."

A photo posted by (@engstrom_elin) on






Not too surprisingly, some people were outraged by Evaristti's stunt. "This is not art, it's vandalism," Garðar Eiríks­son, the spokesper­son for the landowners of the geyser territory, told an online Icelandic newspaper. He continued: "If he had asked permission we would have told him that it's illegal and that we would never agree to this kind of art performance. This man is incredibly arrogant and his actions and words reveal his ignorance."

Evaristti had a unique method of reasoning behind his unauthorized artistic technique: "I do not ask for permission because nature belongs to no one." Unfortunately, laws aimed at protecting Iceland's delicate landscape were not on his side. The artist has since been sentenced to 15 days in jail. Additionally, Eiríks­son hopes for an apology.

While the results of Evaristti's act are pretty, altering natural landscapes in any way should be done with caution. As Eiríks­son further explained, the residue from the food coloring has not radically altered the geyser itself, but it has spread to the ground surrounding Strokkur. The nearby ice and water could retain the red color for an extended period of time.

This isn't the first time Evaristti has given Mother Nature a makeover with his artwork. He called this current project "The 5th Pink State," as it's the fifth time the artist has accomplished such a feat. His previous works include "The Ice Cube Project" (2004), "The Mont Rouge Project" (2007), "The Arido Rosso Project" (2008) and "The Red Crack Project" (2013).

"I love Mother Na­ture," the artist has said. "If I love a woman I give her a diamond ring. That's why I decorate na­ture, be­cause I love it." We highly recommend Evaristti rethink the way he approaches both natural wonders (and women) in the future.

The Rauður Thermal Project from Evaristti on Vimeo.



H/T Hyperallergic

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Water Tank Mural In The Desert Is An Oasis Of Feminine Power

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Christina Angelina transformed an abandoned water tank in the Southern California desert into a haunting work of art.

Her mural "Kinetoscope" (in collaboration with artist Ease One) features two panels of female faces that partially circle the inner walls.

"Each individual face embodies a specific emotion tied to a meaningful moment when Angelina trusted her intuition, an inherent sense often ignored by society," her website notes.



Angelina told The Huffington Post she chose a tank in the Coachella Valley's "Slab City" area near the Salton Sea because, "I love painting in remote locations where you can find beautiful structures that are in disrepair. I find walls in that state to be breathtaking, so I love adding to them, especially in a unique landscape."

Angelina used spray paint for the faces and latex as background. The project took four days, she said.

Time well-spent.

H/T Laughing Squid

-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

At Met Gala, 'HONY' Photographer Shoots Pics Of Catering Staff And Others Who Don't Get A Spotlight

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Brandon Stanton, the photographer behind the immensely popular Humans of New York site, has a special talent for getting strangers to open up to him. And while he usually prefers to shoot and interview ordinary people he encounters on the streets of the city -- so far, he’s photographed more than 5,000 New Yorkers -- last night, he focused his lens on one of the most extraordinary events in Manhattan: the Met Gala. Unsurprisingly, while there was no shortage of star power at the ball, Stanton’s interest remained in those whose faces and names you don’t know off the top of your head.

-- This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Putting Homes In Parking Spaces Could Help Solve San Francisco's Housing Crisis

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There’s just too much space reserved for cars in San Francisco, according to activist Steve Dombek, and it’s not helping everyday residents who want to live in housing they can afford.

In his reimagined street diagrams seen below, Dombek reduced the amount of space allocated for parking and driving, and used it instead to provide additional homes and businesses for San Franciscans.

The mock-ups, he argues, would help ease financial burdens in a city that has, in the past year alone, experienced a 15 percent hike in home rental costs -- up to $3,129 a month in March -- the Associated Press reported.

“Remember that San Francisco is suffering through an affordability crisis caused in large part by a massive housing deficit,” Dombek, who based the designs off of the street he lives on, noted on his website, Narrow Streets SF. “We need space for a lot more units than we have, and no one wants to build up.”

narrow streets sf

narrow streets sf

Images: Steve Dombek, Narrow Streets SF




In Dombek’s diagrams, there’s still space for smaller vehicles to travel slowly amongst pedestrians, but parking would only be made available through the private market -- not on public streets -- Vox reported.

Dombek brought the “after” design to life in the image below: “Not too bad, is it? The drab concrete sidewalk gets upgraded to brick or stone. Telephone poles and utility boxes are placed underground to clear the space for people and the occasional car.”




narrow streets sf
Image: Steve Dombek, Narrow Streets SF

While Dombek’s designs highlight San Francisco’s housing affordability problem, there are plenty of U.S. cities that could use the help in combating sky-high housing costs -- particularly when it comes to renters.

As CNN Money reported, nationwide rental costs increased by 15 percent between 2009 and 2014, while household income rose by just 11 percent, a report from the National Association of Realtors released in March found. Rents have increased faster than incomes throughout the past five years in all but four of the 70 American cities considered for the study.

As helpful as Dombek’s designs could be in providing affordable housing to San Franciscans, they'd face an uphill battle in becoming a reality. As Vox pointed out, political roadblocks alone would make implementing Dombek’s designs a difficult feat to pull off.

To seem more of Dombek’s work, visit Narrow Streets SF.

To take action on pressing poverty issues, check out the Global Citizen's widget below.



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