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Israeli Actors Sit Out Show At West Bank Settlement Theater

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JERUSALEM (AP) — A trio of Israeli stage actors is refusing to perform in an acclaimed play before a theater in a West Bank Jewish settlement, part of a burgeoning domestic movement against the government's settlement policies.

The protest mirrors a global movement against the settlements that has put Israel's government in an increasingly difficult situation as the current round of peace talks with the Palestinians continues. The international community, including the U.S., has long considered Israeli construction of homes for Jews in the West Bank, captured territory claimed by the Palestinians, as an obstacle to peace.

This sentiment, long held also by Israel's dovish left, now appears to be gaining steam at home following a string of harsh global condemnations of settlement construction in recent months. Some on Israel's left fear the scale of the settlements soon will pass the tipping point where a pullout may become too difficult, and Israel will be forced to essentially absorb the West Bank and its millions of Palestinians.

In a joint statement, the Cameri and Beit Lessin theaters said that three cast members in their production of "Best Friends" had asked to be excused from performing at the cultural center in Ariel, a settlement built deep inside the West Bank. It said they were granted exemptions and will be replaced by alternates, allowing the show to go on.

One of the actresses, Sarit Vino-Elad, said she could not bring herself to step foot in a theater built on occupied land and which posed an obstacle to peace with Palestinians.

"This is not a boycott. It's my own little protest against a government policy that continues to build settlements," she told The Associated Press. "They are trying to make Ariel part of the consensus, but as far as I am concerned it is not legitimate. You want me to perform there? Solve the problem."

Israel is particularly sensitive to such sentiments as it is constantly battling against international efforts to impose economic, cultural and academic boycotts upon it over the settlements. Defenders of Israel say it is a victim of orchestrated campaigns to delegitimize it and hold it to a double standard over its policies.

But such arguments seem to be facing an uphill struggle. Last week, the American Studies Association, a 3,800-member group of American scholars, endorsed a boycott of Israeli universities.

Previously, the Dutch water company Vitens, the largest supplier of drinking water in the Netherlands, decided to cut ties with Israel's national water carrier over its operations in West Bank settlements. The European Union recently forced Israel to make guarantees that special European research funds would not be spent in the settlements. The EU is also considering measures to clearly label products made in the settlements, a move that could harm sales.

Lately, Israeli settlements are also coming under increasing scrutiny at home.

Israelis who once considered the West Bank inseparable from the rest of the country, or at least shrugged off the settlements as insignificant, have begun to protest the large government budgets promoting West Bank construction instead of solving a dire housing crisis plaguing the rest of the country. Others refuse to purchase settlement goods or perform reserve military guard duty in the West Bank.

For years, the Palestinians refused to negotiate with Israel while settlement construction continued, saying it was a sign of bad faith. Under heavy U.S. pressure, the Palestinians reluctantly resumed negotiations last summer, under U.S. mediation, with an April target date for agreement.

The Palestinians seek the West Bank, Gaza Strip and east Jerusalem, all captured by Israel in 1967, for their state. Israel pulled troops and settlers out of Gaza in 2005 and it is now ruled by the Islamic militant Hamas. East Jerusalem, with its sites holy to Muslims, Christians and Jews, has been annexed by Israel. The West Bank, despite the fact that Israel builds towns there, has not.

More than 550,000 Israelis now live in areas captured in 1967, amid roughly 2.5 million Palestinians. The Palestinians complain that the growing settler population makes it ever more difficult to partition the land.

The settlement of Ariel is a particular stumbling block. An enclave of nearly 20,000 people is one of the largest settlements, and its defenders say most Israelis want the settlement to be annexed to Israel in any future peace deal. But it is located well inside the West Bank, meaning no minor border adjustment as part of a peace deal could leave it on the Israeli side. Hawkish Cabinet ministers angrily have denounced the protesters and threatened to strip their government subsidies.

In 2010, Ariel inaugurated a glitzy $11 million performing arts center that immediately sparked an artists' boycott.

Vino-Elad said her colleagues have preferred to stay quiet with their stance for fear of political backlash — but she could not. "We don't want to create world wars here, we want to make theater," she said.

The Cameri theater said it was committed to staging the show in Ariel but that it would respect the political positions of its artists.

"The theater does not force its actors to perform in Ariel. Those who are not interested are replaced by their colleagues," it said in the statement. "The Cameri theater chose to allow its actors to exercise their freedom of expression and follow their conscience."

Culture Minister Limor Livnat criticized those artists that "boycott Israeli citizens because of where they live."

Ariel Turjeman, the director of the Ariel theater, played down the protest, saying the actors who refused to perform in the West Bank were a tiny number compared to the thousands who did. He said the theater purchased a play, not an actor, and that the move is little more than a publicity stunt.

"Those who don't want to come don't have to," he said. "If Ariel makes them uncomfortable, they can stay home. And to be honest, we don't want those who don't want to come here."

Beyonce's 'Self-Titled' Part 3 Looks At The Making Of 'Drunk In Love'

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Even Beyonce has a Christmas gift for us. The singer released the third behind-the-scenes look at the making of her self-titled surprise album on Wednesday while you were stuffing yourself with turkey and new toys. In the five-minute video, titled "Run 'N Gun," Beyonce zeros in on the Jay Z collaboration "Drunk in Love" before touching on the filming of "No Angel," "Yoncé" and "XO" -- which she reveals were among 80 songs recorded for the new album. Along the way, the singer talks about "trying to rebel against perfection" by not planning out every aspect of the accompanying music videos. Terry Richardson and Coney Island make appearances, and Beyonce continues her musings on "fun and art and creativity" and not wanting to obtain permits to film her videos. Watch below.

'American Hustle' Costumes Offer A Portrait Of Swanky '70s Fashion

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LOS ANGELES (AP) — From Christian Bale's burgundy velour blazer to Amy Adams' plunging sequin halter dress, "American Hustle" is a cinematic romp through the over-the-top styles of the 1970s.

Set in New York and New Jersey in 1978, the film tells the story of a pair of con artists (Bale and Adams) forced to work for a cocky FBI agent (Bradley Cooper) bent on bringing down powerbrokers and politicians. This decadent world of power, crime and big money comes to life through ostentatious fashions and outrageous hairdos. All the characters are reinventing themselves, and it shows in their clothes. "They had ideas, they lived large and they took risks," costume designer Michael Wilkinson said of the '70s styles that inspired his designs. "Clothes were less structured, had less underpinnings — it was like people didn't give a damn."

Though the Australian-born Wilkinson said his childhood was drenched in American pop culture, "I approached this as a research project, just like you would study about the Greek ruins or outer galaxy."

He scoured Cosmopolitan magazine, along with advertisements, movies and TV shows of the era. "Goodfellas" and "Atlantic City" were particularly influential films.

"And 'Saturday Night Fever' from 1977," Wilkinson added. "(That) had the most pertinence to Bradley Cooper's character. He's a guy from the Bronx, and he lived life as a black-and-white moral shooter working for the FBI, and wears a cheap polyester suit that doesn't fit him so well."

The character ups his fashion game after meeting the dapper con-couple.

"He ends up in a silk shirt and silk scarf, which are pop-culture references," Wilkinson said. "And then he wears a leather jacket to the FBI."

The designer relished in Halston's vintage vault, to which he was granted access for the film, and he dressed Adams in authentic pieces from the '70s.

"The lines (of clothing silhouettes) of the late '70s, with designers like Halston, were reinventing the wardrobe of women," he said. "It was about being comfortable in your skin and walking tall."

Hair is so prominent in "American Hustle," it's practically another character. Lead hairstylist Kathrine Gordon studied old issues of Playboy and high-school yearbooks from the '70s for inspiration.

She and Bale worked together to create his character's elaborate comb-over, complete with fuzzy, glue-on hairpiece. The film opens with a scene of its careful construction.

"I came up with this idea to stuff it," Gordon said of the comb-over she cut into Bale's real hair. "And then (director) David (O'Russell) rewrote the script, and I taught Christian how to do it on camera."

Adams wears styles reminiscent of disco parties, Studio 54 and "the Breck girl" ads of the era. Jeremy Renner, who plays a New Jersey politician, has a fluffy bouffant. Jennifer Lawrence, an unhappy wife in the film, wears bouncy, sex-kitten updos whether she's going out or not. And Cooper rocks a tight perm: He's shown wearing curling rods in one scene.

Wilkinson, whose film credits include "Man of Steel," ''Tron: Legacy" and "The Twilight Saga: Breaking Dawn, Part II," said he especially loved playing with fabrics, colors and prints for Bale's charming con-man.

"I'm really proud of Christian Bale," the designer said. "It shows the possibility of an expression of personality in menswear. He explores his character in his clothes and he's a man of the world. He mixes prints!"

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Follow AP Entertainment Writer Sandy Cohen at www.twitter.com/APSandy .

Chicago Civil Rights Film Gets National Film Registry Recognition

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The year 2013 is ending on a high note for Chicago film. Cicero March, a short film documenting a historic local civil rights march, was selected by the Library of Congress for its National Film Registry.

The library selects 25 films each year for the registry, and most tend to be significant theatrical productions. This year is no different, as the big, popular films on the list include Gilda, Pulp Fiction, The Magnificent Seven, and Judgement at Nuremberg.

Artist Proves X-Rays Of Dead Animals Are Absolutely Gorgeous

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Arie van 't Riet doesn't simply photograph his artistic subjects. He X-rays them.

With a PhD from Utrecht University, the medical physicist was inspired by the image quality of X-rays he had seen in hospitals. Then, after a friend asked him to X-ray a painting, Riet was struck with the idea to try a flower as well. He began with tulips and insects before moving on to turtles, cats and even monkeys.

"I prefer X-ray objects of ordinary scenes," Riet says on his website. "A butterfly nearby a flower, a fish in the ocean, a mouse in the field, a haron along the riverside, a bird in a tree and so on."

Recently, GeoBeats News covered the artist and put together this awesome video.

Mississippi Children Learn With Blues Curriculum

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TUNICA, Miss. (AP) — In cotton country a couple miles east of the Mississippi River, just off a road known as the blues highway, fourth graders at Tunica Elementary School are exploring the Delta's homegrown music to learn about rhythm, rhyme and chord progression.

Their teacher is also using the new Mississippi Blues Trail Curriculum to help the children absorb information in unexpected ways. Chevonne Dixon is one of the first teachers in the state to incorporate the blues into science, math, social studies and English lessons. So far this school year, the 9- and 10-year-olds in her class have written blues songs about the weather. They've composed short ditties about the travails of being a kid. And they've read classic blues lyrics to learn the challenges of growing cotton.

"It makes them recall information, especially with that slow, melodic sound," said Dixon, who leads her classroom with a calm demeanor that brings out a quiet, respectful manner in the children.

Tunica Elementary sits near a milo field just off of U.S. Highway 61, the blues highway that meanders south out of Memphis, Tenn., and down through the cotton and soybeans fields of the flat Mississippi Delta. Tunica County used to be one of the poorest places in the United States, but about 20 years ago the local economy started to perk up with the arrival of casinos on the Mississippi River. Still, Dixon says more than 90 percent of the students in the school qualify for free or reduced lunches — an indication of lingering poverty in a region where many of the children's parents and grandparents are unemployed or work part-time agriculture jobs.

In 2006, scholars and tourism promoters started working together on the Mississippi Blues Trail, a series of highway markers that provide information about people, places and events significant in developing the hardscrabble music that influenced rock 'n' roll. The trail is a magnet for music aficionados, especially European and Asian travelers seeking an off-the-beaten-path experience of American culture — something other than theme parks and big cities.

The Blues Trail Curriculum draws on research that was done for the highway markers. Mark Malone, a music professor at William Carey University, designed the curriculum with help from Scott Barretta, a blues scholar at the University of Mississippi.

The Mississippi Arts Commission made the Blues Trail Curriculum available this school year. It's aimed at fourth graders who are learning state history, but it can be altered for younger and older students. Its lessons focus on six main areas: music, meaning, cotton, transportation, civil rights and media. And while some traditional blues music has distinctly adult-themed lyrics about drinking, carousing or working for the man, the curriculum presents age-appropriate themes.

On a crisp December morning, Dixon's classroom is toasty warm. The 16 students wear uniforms of khaki pants with blue, red or yellow knit shirts. They quickly go from wiggly to quiet as Dixon clicks on a recording of Malone singing "Homework Blues," accompanied by simple piano notes. It is call and response — he sings a phrase, the children echo it:

"I have lots of homework now... Social studies, science and math, oh wow."

When the song is over, Dixon tells the students to work in groups of four and think about problems they face as fourth graders: "We're going to see if you can come up with your own blues song."

One group writes about reading. Another writes about art. Two write about math. After five minutes, they sing what they've written, in call-and-response with their classmates:

"Comparing fractions is so hard... It's easier to put it on a math chart."

The children read lyrics of "Cotton Crop Blues" by James Cotton, a blues harmonica player born in 1935 in Tunica County. Each group of four students creates a tableau, standing like statues to depict what the song is saying: "Well, raising a good cotton crop... Just like a lucky man shootin' dice... Work all the summer... To make your cotton... When fall comes... It still ain't no price."

Jimmarious Frazier, one of Dixon's students, said he found it interesting to learn about boll weevils, the bugs that can ruin cotton crops.

"My daddy chops cotton and plants seeds. He gets paid for it," Jimmarious said.

Tom Pearson, executive director of the Mississippi Arts Commission, said the Blues Curriculum gives children a sense of place.

"I think it's important that they understand their local history first — understand it and how it relates to the world," Pearson said.

During fall semester, one boy in Dixon's class produced a short video about legendary bluesman Howlin' Wolf, a Mississippi native. Come January, Dixon will use the blues to teach the youngsters about civil rights.

Tunica Elementary Principal Eva McCool-O'Neil said she hopes to expand the Blues Trail Curriculum to other classrooms next year.

"I see student engagement really, really, really high," she said. "Students love to do things other than just the traditional."

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Online:

Mississippi Blues Trail Curriculum: http://bit.ly/1dOwL8H

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Follow Emily Wagster Pettus on Twitter: http://twitter.com/EWagsterPettus

Maria Maksakova, Russian MP And Opera Star, Speaks Out Against Country's 'Gay Propaganda' Law

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A member of Russia's parliament is speaking out against the nation's controversial "gay propaganda" legislation.

As both the Wall Street Journal and Buzzfeed are reporting, Maria Maksakova is also a prominent opera star, and pointed specifically to the law's impact on Russian performers and artists who are hoping to take their work abroad.

"We are seeing extremely negative consequences as a result of this law, with the growth of hate crimes,” Maksakova said during a recent meeting of the liberal wing of President Vladimir Putin’s United Russia party, which was captured in a video posted by a Moscow newspaper. “Now we have a horrible problem, including with our investment climate, because for our artists it has become more and more difficult to work abroad.”

A mezzo soprano soloist with St. Petersburg’s Mariinsky Theater, Maksakova added: “I am very sad to see that the Olympic Games in Sochi for which we have so long and anxiously prepared will come to pass with less brilliance and passion because of this unfortunate initiative that was so hastily -- and I believe without thoughtful discussion -- adopted by parliament.”

The Wall Street Journal confirmed the authenticity of the Russian language video, which can be viewed above, with both a spokesman for Maksakova and a participant in the meeting.

According to a HuffPost translation, Maksakova added, "I’m not against our family values, but couldn’t we take 'non-traditional' out of this law through amendments? And expand the law, so that any harmful propaganda of a sexual character to minors became inadmissible ... foreigners don't see anything past the word 'Non-traditional' and the Russian artists trying to work abroad can't just explain that this is not discrimination, but instead the public's attempt to protect the children. Once they see this first line of the law, they are not all curious to see what the law is really intending to convey."

A host of international celebrities including Madonna, Lady Gaga and Elton John have all criticized the law, but Maksakova is one of the few people in the Russian government to take a public stance on the legislation, which reportedly imposes fines for those who "spread information about non-traditional sexual behavior" to minors.

Earlier this month, Putin defended his government's anti-gay policies in his state of the nation address. According to the Associated Press, he stated that the traditional family values he supports defend against "so-called tolerance — genderless and infertile."

Meanwhile, President Barack Obama announced that he would be sending two openly gay delegates to the 2014 Winter Olympic Games in Sochi, Russia. The move, which Obama announced last week, was widely considered a possible jab at Putin's policies against gay rights.

HuffPost translation provided by Irina Dvalidze.

'The Exorcist' Celebrates Its 40th Anniversary As One Of The Most Terrifying Movies

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"What an excellent day for an exorcism." Forty years ago, the movie that is often still hailed as the scariest of all time hit theaters. "The Exorcist" received mixed reviews upon its Dec. 26, 1973, release, but it made a huge impact on audiences, raking in cash at the box office and garnering a word-of-mouth reputation that's only escalated over time. The movie's lore has become one of Hollywood's most fascinating yarns, and even if today's audiences might find its special effects outdated, the legacy lives on. Celebrate "The Exorcist" with these facts about the film.

"The Exorcist" -- based on William Peter Blatty's novel of the same name -- is inspired by true events that took place in Cottage City, Md., in 1949. Director William Friedkin has remained cagey about the movie's factual details over the years, but he was made privy to the diaries kept by priests, doctors and nurses affiliated with the exorcism.
the exorcist 1973

Ellen Burstyn's role was first offered to Audrey Hepburn, who would only accept if the movie was shot in Rome, where she was living at the time. Next up was Anne Bancroft, who declined because she was pregnant. Friedkin then offered the part to Jane Fonda, who he said called the movie "capitalist rip-off bulls--t." Blatty suggested Shirley MacLaine, but Friedkin made a different decision after Burstyn called him to express interest. She went on to earn an Oscar nomination for the performance.
ellen burstyn

The movie set was famously said to be cursed, inspiring a 2004 episode of "E! True Hollywood Story" that chronicled the oddities. A studio fire burned down all of the set except Regan's bedroom, and Burstyn and Linda Blair (Regan) both sustained injuries during demonic-possession scenes. Two other actors (Jack MacGowran and Vasiliki Maliaros, who play the movie director and Father Damien Karras' mother, respectively) died before the film's release.
the exorcist 1973

Max von Sydow was 44 when he played 74-year-old Father Lankester Merrin. He's said to have worn more makeup than Blair did during the possession scenes.
max von sydow 1973

Even though Blatty felt it should stay, the now-famous "spider-walk" scene was cut just before the movie's release because the wires suspending contortionist Linda Hager were visible. Friedkin remastered the scene for "The Exorcist: The Version You've Never Seen," released theatrically in 2000.
spider walk

Linda Blair, who won a Golden Globe and was nominated for an Oscar, received death threats due to the movie's satanic content. She reportedly had a bodyguard with her for six months following its release.
linda blair 1973

The movie's graphic nature had viewers fainting in the theater, and "'Exorcist' barf bags" were distributed at screenings.
the exorcist

"The Exorcist" is among the rare crop of horror movies to receive a Best Picture nomination. Others include "Jaws," "The Silence of the Lambs" and "The Sixth Sense."
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(Friedkin attends a screening of the extended director's cut in 2010.)

With re-releases included and grosses adjusted for inflation, "The Exorcist" remains the highest-grossing R-rated movie of all time.
the exorcist 1973
(Jason Miller, who played Father Damien Karras, and Burstyn onset with Blatty.)

"The Exorcist" sits at No. 3 on AFI's list of 100 Years...100 Thrills, behind "Psycho" and "Jaws." In 2010, it was added to the National Film Registry.
william friedkin the exorcist
(Friedkin, Blair, Burstyn and Blatty attend the re-release's 2000 premiere.)

Jeffrey Ian Pollack Dead: 'Fresh Prince Of Bel-Air' Producer Dies At 54

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HERMOSA BEACH, Calif. (AP) — A producer of TV's "The Fresh Prince of Bel-Air" and writer-director of "Above the Rim" has died.

Police say Jeffrey Ian Pollack was found collapsed early Monday morning in the Greenbelt jogging area of Hermosa Beach, about 20 miles southwest of Los Angeles. Pollack was 54. Authorities said Thursday they do not suspect foul play. Pollack was wearing jogging clothes and carrying an iPod when a passer-by discovered him and contacted police.

Pollack produced several seasons of "The Fresh Prince of Bel-Air," as well as a Jennifer Lopez concert documentary. Besides "Above the Rim," Pollack directed the films "Booty Call" and "Lost & Found."

Pussy Riot Member Nadezhda Tolokonnikova Slams Putin, Calls For Olympics Boycott

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MOSCOW, Dec 27 (Reuters) - One of two freed members of punk protest band Pussy Riot, Nadezhda Tolokonnikova, said on Friday their release was aimed solely at improving Russia's image before it hosts the Winter Olympic Games and was not a humanitarian gesture.
Tolokonnikova, 24, and Maria Alyokhina, 25, walked free under a Kremlin amnesty on Monday after serving more than 21 months of a two-year prison term for performing a profanity-laced "punk prayer" protest against President Vladimir Putin in Moscow's main Russian Orthodox cathedral.
Tolokonnikova said the Winter Olympics, due to be held in February in Russia's Black Sea resort of Sochi, were Putin's pet project and that anybody attending them would be supporting him.
"With the Olympics approaching, Vladimir Vladimirovich (Putin) does not want his favorite project ruined," Tolokonnikova said.
Last week, Putin also pardoned former oil tycoon Mikhail Khodorkovsky, viewed by Kremlin foes as a political prisoner, after he spent more than 10 years in jail.
"The thaw has nothing to do with humanism. The authorities only did this under pressure from both Russian and Western society," Tolokonnikova told a news conference with Alyokhina at her side, adding she feared "there could be more repression after the Olympics".
"Whether one likes it or not, going to the Olympics in Russia is an acceptance of the internal political situation in Russia, an acceptance of the course taken by a person who is interested in the Olympics above all else - Vladimir Putin," Tolokonnikova said.
Alyokhina said the Russian Orthodox Church, whose leader has cast their February 2012 protest in Christ the Saviour Cathedral as part of a concerted attack on Russia's main faith, had played a role in the jailing of three band members. The third jailed woman was released last year.
Both amnestied women said they would remain in Russia and would shift their focus to efforts to improve prison conditions in Russia. (Reporting by Alexei Anishchuk; Writing by Steve Gutterman; Editing by Alissa de Carbonnel and Gareth Jones)

Beautiful Black And White Photos Of Turin Will Transport You To Italia

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With so many famous cities in Italy, sometimes Turin gets lost in the mix.

It's not Rome or Florence or Venice, but Turin has a lot to offer. The capital of the Piedmont region, Turin offers art galleries, churches, stunning diverse architecture and delicious northern Italian cuisine. Turin is also home to Gianduiotto chocolate -- so prepare your sweet tooth.

These stunning black and white photos of Turin are the perfect reminder that it's a city definitely worth a visit.

Check out the photos below!

The Most Breathtaking Photos From Around The World This Week

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Welcome to "Moving Image," our roundup of the best photos from around the world this week.

The following images tell the story of the past seven days' most compelling events, capturing happenstance moments and monumental occurrences all over the globe.



Our picks for this week are:

1. This Santa Claus diving in Singapore.

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A diver dressed as Santa Claus surfaces after swimming in the Coral Garden tank, Tuesday, Dec. 24, 2013 at the South East Asia Aquarium of Resorts World Sentosa, a popular tourist attraction in Singapore. This is part of the attraction's Christmas celebrations.



2. This raft race in England.

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Participants take part in the Matlock raft race on December 26, 2013 in Matlock, England. The Derbyshire Association of Sub-Aqua Clubs organise the Matlock Raft Race in aid of the RNLI (lifeboats). It has been running for over 47 years and has raised more than £200,000. The race starts on the River Derwent in Matlock and finishes at Cromford Meadows two miles downstream.



3. This incredible view of snow-covered Cloud Gate.

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People enjoy a snow-covered Cloud Gate at Millennium Park in Chicago, which becomes a great photo opportunity for visitors, Wednesday, Dec. 25, 2013. Two bursts of light snow are likely to total 1 to 2 inches area-wide, making this the snowiest Christmas in the Chicago area since 2002 when 2 inches fell.



4. This heartfelt burial in Israel.

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Bedouins gather around the grave of Salah Abu Latif during his funeral in the Bedouin city of Rahat, southern Israel, Wednesday, Dec. 25, 2013. Latif was killed by a Palestinian sniper as he was working on the fence between Israel and Gaza. Israeli air and ground forces launched a series of attacks Tuesday on targets across the Gaza Strip, killing a young girl and wounding several in response to the deadly shooting of the Israeli civilian yesterday.



5. This mind-blowing array of Christmas lights in Tokyo.

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Visitors take a picture of a Christmas illumination, lit by 280,000 LED lights, at Tokyo Midtown business and commercial complex in Tokyo, Saturday, Dec. 21, 2013.



6. This epic camel walk outside Abu Dhabi.

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Camels walk along sand dunes in the Liwa desert, 220 kms west of Abu Dhabi, as the Mazayin Dhafra Camel Festival takes place on December 22, 2013. The festival, which attracts participants from around the Gulf region, includes a camel beauty contest, a display of UAE handcrafts and other activities aimed at promoting the country's folklore.



7. This explosive view of anti-missile flares in the Negev desert.

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An Israeli AH-64 Apache longbow helicopter launches anti-missile flares during an air show at the graduation ceremony of Israeli air force pilots at the Hatzerim base in the Negev desert, near the southern Israeli city of Beersheva on December 26, 2013.



8. This impromptu bath amidst a biting Indian winter.

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An Indian resident bathes on a roadside in New Delhi on December 22, 2013. Biting cold sweeping across northern India has intensified, with high altitude areas experiencing fresh snowfall and strong icy winds.



9. This image of sunshine hitting the temple of Karnak.

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A tourist makes a sunrise visit to the temple of Karnak on the day of the winter solstice in Luxor, 510 kilometers (320 miles) south of Cairo, Egypt, Saturday, Dec. 21, 2013. Tourism, which accounts for nearly 20 percent of Egypt's foreign currency revenues, has been hard hit by the past three years of turmoil. Government officials have been campaigning to regain some of the European, American and Asian tourism that was suspended following violence this summer.



10. This young boy playing on a church terrace in Jordan.

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A Syrian Orthodox Christian boy plays on the terrace of the Saint Afram Syrian Orthodox church, in Amman, Jordan, Wednesday, Dec. 25, 2013. Over 70 Syrian Orthodox Christian families from different cities and areas in Syria, live in the hall and rooms of the church after they fled the country's civil war.



11. Women baring their chests in protest in the Central African Republic.

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Women bare their chests in a traditional sign of placing a curse, after at least two people were injured by passing Chadian troops, during a protest outside Mpoko Airport in Bangui, Central African Republic, Monday, Dec. 23, 2013. Hundreds of demonstrators gathered at the entrance to the airport Monday morning carrying signs protesting Chadian forces and expressing support for French troops and other regional African forces. At least two people were wounded as pickups of Chadian soldiers sped through the gathered crowd firing off several rounds.



12. This shot of a traditional Christmas swimming competition in 4.5 C weather.

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A participant attends the traditional Christmas winter swimming competition named in memory of Alfred Nikodem, in the Vltava river on December 26, 2013 in Prague, Czech Republic. This year 285 swimmers took part in temperatures of 4.5C.



13. This squirrel escaping from a championship soccer match.

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David Nugent of Leiester City chases a squirrel off the pitch after play was delayed during the Sky Bet Championship match between Queens Park Rangers and Leicester City at Loftus Road on December 21, 2013 in London, England.

Jennifer Holliday, 'Dreamgirls' Star, Is Back With 'The Song Is You' Album And New Show

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Jennifer Holliday has a few, very simple resolutions in mind as she prepares for the new year.

“I want to laugh more; I want to live more,” the 53-year-old Tony and Grammy Award winner says. “I’d like to take a few more risks.”

Fortunately, 2014 is already shaping up to be a banner year for Holliday, who is best known for originating the role of Effie White in the 1981 Broadway musical “Dreamgirls.” The veteran performer is gearing up to release “The Song is You,” her first full-length album of brand-new material in 22 years, on Jan. 21. But New York audiences won’t have to wait until next month to hear “The Song Is You,” as Holliday will showcase many of the album's jazz and R&B standards when she hitsNew York’s 54 Below for five intimate performances through Dec. 29.


Jennifer Holliday's legendary 1982 Tony Awards performance


Holliday’s lack of musical output over the past two decades might come as a surprise to some fans, a point which the artist herself acknowledges. Her signature ballad, “And I Am Telling You I’m Not Going,” has had a cultural resurgence over the past few years, thanks to Jennifer Hudson’s Oscar-winning performance as Effie in the 2006 film of “Dreamgirls” as well as “American Idol" runner-up Jessica Sanchez’s memorable duet with Holliday on the Fox reality series in 2012.

Of course, “Dreamgirls” was a seminal moment for the African-American community in musical theater, one that Holliday feels that Broadway has yet to replicate: “I still think [African-American performers] don’t have enough presence. We’ve made a few strides on the play end, but in terms of the big, mass musical, we haven’t had a good opportunity since ‘Dreamgirls’ to make that kind of an impact.”

In regard to her own absence from the stage, Holliday has also had her fair share of struggles, battling weight gain and clinical depression and even a suicide attempt during her years out of the spotlight after her “Dreamgirls” run wrapped. She hopes the new album also stands as a testament to those well-honed survival skills.


Holliday performs on "American Idol" with Jessica Sanchez in 2012


“People just discounted it as, ‘Oh, she’s a diva, and all artists go through these mood swings.’ So I do think I suffered for many years before getting any kind of help,” she recalls. “When I look back at it now, I’m just so grateful that I didn’t die … I didn’t realize I could make this kind of a return, that I still had something to contribute as an artist.”

Her 2007 performance alongside Sanchez landed her back in the blogosphere headlines, even if some of the buzz wasn’t entirely positive. But Holliday says she couldn’t be any more grateful.

“I owe a lot of this album to the young people who’ve searched me out and who’ve performed my songs on reality shows and who have made me a part of their era,” she says. “I’m very grateful for that. I’m still here and I still have my instrument intact, so it’s kind of like the teacher stepping out from behind with something new for audiences to hear.”

Jennifer Holliday plays New York's 54 Below through Dec. 29. Check here for more information.

The Best Comments About The Terror Of Seeing 'The Exorcist'

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On Thursday, we celebrated 40 terrifying years of "The Exorcist." The iconic horror movie opened on Dec. 26, 1973, frightening legions of moviegoers who were rendered unable to sleep with their lights off. The comments section on our retrospective lit up with memories of cowering in dark movie theaters and worrying about the presence of lingering demonic forces. We've compiled some of the best reminiscences about the classic movie and the visceral responses it provoked.

the exorcist

I saw the movie at the Cinerama Dome on Sunset Blvd. (don't think its there anymore) stood in line with my cousin, and we each dropped a tab of orange sunshine while we waited and then when in to watch the movie. It was so scary that we stayed up all night watching each others backs LOL those were the days. -- Rod P.

Saw it in February of 1974 at the Paris Theater in NYC ... extremely scary for the times ... people got up and left crying ... someone fainted ... great book to read too -- Doug S.

We were around 14 years old when this came out. My friend started swearing his bed was lifting up in the night after we saw this.... It messed us up for months! -- Larry K.

I saw The Exorcist at a late night screening and when I got home and finally fell asleep, one of the bed springs shot up through the mattress and scratched me. I slept on the couch the rest of the night after first jumping several feet into the air. -- Emma B.

Shortly after "The Exorcist" was released, William Friedkin came to WVU (where I was a student) for a talk and showed a few scenes from the movie and explained how the effects were created. The next day, I saw the film in a theatre for the first time. And even though I knew the "secrets" behind some of the effects, the movie still scared the living bejeebus out of me! Repeatedly! Then I didn't see the movie again until the director's cut (with the "spider walk" scene) -- and the movie scared the crap out of me again! It really is the scariest movie I've ever seen. -- Hank T.

To me, it's still the scariest movie of all time. It was one of those movies that stayed with you when you left the theater. I remember seeing it and having my eyes closed through much of it. After seeing it, whenever I heard that song on the radio, I think it was called Tubular Bells, it gave me chills. -- Debra Moreland

I recall watching this for the first time when I was about 12 years old. My mother seriously sat me down and warned me that it would be disturbing. I thought she was overreacting. Boy was I wrong. -- Shane C.

I saw it first in The Rialto Theater in Peoria, Illinois in 1974. 40 years later, I've seen them all and nothing else comes close to Exorcist in sheer terror. The only time I got a major shock again (after Exorcist) was in 'Alien' years later at the exact moment actor John Hurt gives bloody birth to the alien creature through his chest (the girl in the next seat jumped into my lap screaming!) Even the final scene in Stephen King's 'Carrie' where a bloody hand jerks out of a grave to snatch flowers from a kneeling mourner, and everybody in the theater was screaming -- all these take a back seat to the creeping horror visited on us by Bill Friedkin and Peter Blatty. They got everything right, and it still resounds to this day. -- Frank Okolo

My Mother took my brother and I to see it in a Manhattan theatre. We took the No# 2 subway train from the Bronx into Manhattan. I was terrorifed going home after seeing that subway line was featured in the movie. The scene when "the homeless man asked The Priest for a handout because he was an old alter boy"! One for the record books as the scarest movie of all times. -- Ronald C.

I remember seeing that movie I had my ears plugged and my eyes closed I think I was 10 my brother took me he was laughing I was terrified and crying to this day I can't watch it. -- Sherry V.

As a horror movie buff all my long life, I have seen them all, and I don't scare easily. Nothing scared me as much as the Exorcist when I saw it the night it was released. I was 22, and went home after the movie and closed all the drapes in the house--convinced that something might be on the other side looking in. The Exorcist was, and is, a terrific movie and will still scare the hell out of you. -- Aodhan R.

When my 25 year old mother and her infinite wisdom decided it was good idea to take her seven year old catholic son to see this movie she couldn't sleep for weeks because he would let her... After that, he was never the same and kept referring to himself in the third person... -- Sean T.

What are your memories of first seeing "The Exorcist"? Share your story in the comments below.

5 Homes With Views So Amazing, You'll Question All Your Life Choices (PHOTOS)

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On any given day, we come across dozens of gorgeous homes. Because we see so many, our bar is set pretty high when it comes to truly spectacular properties. Today, that bar was met ... and surpassed. Five times.

That's because we were introduced to the website Love Home Swap, which offers a house exchange (and sometimes vacation rental) service for well-heeled homeowners. While browsing, we came across the following homes, which are so incredibly luxe that we're questioning our life decisions. Why the hell did we go into the liberal arts? Why didn't we marry into tech money? Why aren't we living part-time in Amsterdam? Why don't we have any Parisian friends? How can we 'Freaky Friday' ourselves into the lives of these homeowners?

Take a look through the slideshow below and you'll see what we mean. (The Williamsburg property is especially envy-inducing.)


Woman Arrested For Defacing Legendary Austin Mural

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AUSTIN, Texas (AP) — A woman has been arrested after police saw her defacing a well-known Austin mural painted by Texas singer-songwriter Daniel Johnston.

According to an arrest affidavit, 32-year-old Rebecca Guest was arrested Christmas Eve and charged with a Class A misdemeanor for the act of graffiti. An obscene word was spray-painted several times on the mural, which depicts a frog-like creature saying "Hi, How Are You." Guest told police that she believed the mural was offensive and meant to personally insult her.

She was out of custody by Wednesday afternoon. An Austin phone number could not be found.

Johnston painted the mural in 1993 on the exterior wall of what was then a record store. The image was printed on a T-shirt, which Nirvana frontman Kurt Cobain once wore.

The Meanings Of The Selfie - NYTimes.com

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Selfies are something new to me, but as I have become increasingly addicted to Instagram, I have been accused of posting too many of them. I was called out on the “Today” show, and have even been called the selfie king.

'Glee' Actor Dances It Out (VIDEO)

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Like the character he plays on the television show "Glee," actor Harry Shum Jr. is no stranger to feeling alienated or left out.

When he moved to the United States from his native Costa Rica at six years old, Shum, who was already facing an uphill battle communicating in a new language, faced a second battle with his peers. According to the video he made and uploaded with video blogger Ze Frank, he was "slapped in the face and called names designed to isolate him, designed to deliver maximum damage." As a result, he became almost painfully shy. According to Ze Frank, Shum learned to camouflage, to be unassuming and still.

Shum found release through theater and dance in middle school. Powered by pent up energy from his "still" years, he learned, first, to express himself through characters, and then through choreography.

Frank finishes the video with thoughtful advice: "If you, right now, are in a shell, you should know that you're not alone [and that] you'll find a way out... You might have to find a passion or a friend, but you will find it. And when you do, it will be so good to see you."

1970s Commercial For Detroit's Art Museum Is Cheesy Perfection

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Bad lip-syncing, cheesy poses and costumes, clumsily choreographed dancing and a silly jingle: this 1976 video for the Detroit Institute of Arts has all the makings of a terrible commercial.

But the video, shared on YouTube by user Keith Norman, has recirculated at a moment when the museum faces an uncertain future, and suddenly all the cheesiness feels warranted. As Detroit hammers out details of a plan to settle its debts to creditors after bankruptcy, some have discussed selling works owned by the city in the DIA's collection. Last week, Christie's auction house released their assessment of the 2,800 city-owned pieces, putting their collective value between $454 million and $867 million. A Van Gogh self-portrait alone was determined to be worth between $80 million and $150 million.

Though options exist beyond selling off work piece-by-piece, including "renting" it to other museums or raising funds from foundations and individuals to save it, many of the DIA's supporters are concerned about what could happen in the future.

WIth that in mind, we can't help but love this ode to the wonders of the DIA and the power of art to transform the ordinary. Here are our favoritest, cheesiest moments:




And anyone who wonders what's so important about a museum, just take a listen to the ad's sing-songy jingle:

You've gotta have art, all you really need is art. When those little things in life make you frown, come and down and get a start. First you gotta have art.

Hollywood North Still Draws Films From Down South

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In the old days, filmmakers flocked to Hollywood for its abundant sunshine, beautiful people and sandy beaches. But today a new filmmaking diaspora is spreading across the globe to places like Vancouver, London and Wellington, New Zealand.

Fueled by politicians doling out generous tax breaks, filmmaking talent is migrating to where the money is. The result is an incentives arms race that pits California against governments around the world and allows powerful studios -- with hundreds of millions of dollars at their disposal -- to cherry-pick the best deals.

The most recent iteration of the phenomenon came earlier this month when James Cameron announced plans to shoot and produce the next three "Avatar" sequels largely in New Zealand. What Cameron gets out of the deal is a 25 per cent rebate on production costs, as long as his company spends at least $413 million on the three films.

"There's no place in the world that we could make these sequels more cost effectively,'" says producer Jon Landau. It is neither the archipelago's volcanoes nor its glaciers that are attractive, because the "Avatar'' movies will be shot indoors. Sure, Peter Jackson's award-winning special effects infrastructure is there, but the deciding factor was the money. "We looked at other places,'' says Landau. But in the end, "it was this rebate.''

In exchange, the local economy will benefit hugely, Landau says, comparing the ripple effect to the boost that comes from new home construction. "We're doing lumber, we're catering for hundreds of people a day. We're housing people in hotels. We're going to a stationery store and tripling their business in a year.''

The deal was "the best Christmas present we could have possibly hoped for,'' says Alex Lee, an Auckland, New Zealand-based entertainment lawyer. The news is especially welcome because the local screen industry is facing a potential drought: The Starz pay TV series "Spartacus'' finished this year and Peter Jackson's "The Hobbit'' trilogy is set to wrap next year. Thanks to the "Avatar'' sequels, the 1,100 workers at Weta Digital Ltd., the ground-breaking digital effects house Jackson co-founded in 1993, can keep plugging away through 2018.

"It would have been a real shame if we had lost any of that talent and they had to move to follow the films,'' says Wellington Mayor Celia Wade-Brown.

Driving the trend are powerful global forces squeezing the entertainment industry. Falling DVD sales are putting pressure on movie-making budgets, while the demand for ever-more-amazing special effects grows. The spread of technology and skills around the world is creating a huge number of special effects suppliers some using cheaper labour than can be found in Hollywood.

Government largesse has helped create mini-moguldoms in Vancouver, Montreal, London, New York and Wellington, all of which are aggressively one-upping each other to become the next new hotbed of activity. As the work spreads, branch offices of visual effects companies have opened up in new locations. Even though digital work is borderless, workers must live and be paid locally to generate the income taxes and spending that governments seek.

The tax incentives race is destined to accelerate next year. State incentives in California -- home to ``Star Wars'' pioneer Industrial Light & Magic -- are too small to accommodate big-budget movies. Democratic Assembly member Raul Bocanegra is preparing a bill to expand their scope, but it could take months to get through committees, says his chief of staff, Ben Golombek.

And the U.S. federal incentive, an arguably difficult-to-use tax deduction of up to $20 million per film or TV episode, is set to expire at the end of 2013.

"Once our federal incentive ends in two weeks, you're going to have a lot of people who are going to go elsewhere,'' says Hal "Corky'' Kessler, a tax incentives lawyer with Chicago-based Deutsch, Levy & Engel.

Industry business leaders say they're simply following the money.

"This is no different than any other multinational business,'' says Sir William Sargent, co-founder and CEO of Framestore, a London-based special effects business that worked on likely Oscar-contender, "Gravity,'' and has offices in Montreal, New York and Los Angeles. "We're just going to where our customers are.''

Even if the U.S. moves to counteract growing incentives overseas, the efforts won't prevent another jurisdiction from offering a bigger break.

Joseph Chianese, executive vice-president at consulting company EP Financial Solutions, says the competition to offer attractive incentives is intense. More than 30 countries and 44 U.S. states now offer tax breaks to filmmakers.

The mix "changes daily, but it's not going away,'' Chianese says. "We have now trained a generation of filmmakers and TV makers that production doesn't have to happen here anymore.''

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