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This Is What Happens When Artists Take Over An Abandoned Building In Detroit

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Imagine if a centuries-old shipwreck "crashed on the shores of a block in Detroit" and its doors opened to rooms upon rooms full of ornate details and wondrous mysteries to untangle. That's what a group of artists envisioned when they saw a historic lumber company building for sale on Craigslist several years ago, and the Seafoam Palace of Arts and Amusements was born.

"It was kind of an impulse buy," joked Julia Solis, a photographer and urban explorer who is a Seafoam Palace co-founder and Board of Directors president.

the seafoam palace
Photo courtesy Julia Solis/The Seafoam Palace.



Originally intended for studio space, the collective of artists -- who have specialties like research, engineering, sculpting, pyrotechnics, film, writing, design and more, and include the co-founder of Burning Man -- were compelled to do something more immersive and communal with the building. Connected by an interest in adventuring and exploring, they came up with the idea to create a "museum of curiosities," which will open next summer.

the seafoam palace
Photo courtesy Julia Solis/The Seafoam Palace.



They recently launched a Kickstarter campaign to restore the building's roof and fund other repairs, like electrical, plaster, floors and lighting. Friday is the last day to donate.

Solis described the museum as a "fun and playful way to engage people's curiosity" that's intended for a wide range of visitors.

"The idea is to inspire a sense of wonder about the world around you, what lies just outside of your peripheral vision, and we hope to do that with an artistic interpretation of curious objects," she told The Huffington Post.

the seafoam palace
Photo courtesy Julia Solis/The Seafoam Palace.



A museum for adults that explores curiosity and wonder might seem unlike traditional art museums, but it's an idea rooted in art history. The Seafoam Palace founders were inspired by cabinets of curiosities or wonder cabinets, collections that emerged during the European Renaissance and were the precursors to museums.

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Engraving from "Ferrante Imperato, Dell'Historia Naturale" (Naples 1599). Courtesy Wikimedia Commons.



"[They were] collections of ephemera from distant realms that people had only heard about," Solis explained. "Explorers would go out and bring back pieces of animals or plants or rocks or shells from places that people didn't even know existed. To recreate that now is a challenge because we kind of have everything at our disposal. There's not much in the natural world that we don't know about anymore. So that's one of the things that we want to play with, is what sort of things would stock a modern cabinet of curiosities. Is it something obsolete? Something that's extinct?"

the seafoam palace
Photo courtesy Julia Solis/The Seafoam Palace.



The museum will also have space for multidisciplinary workshops and events. They will occasionally host temporary exhibitions, but the multi-talented group of artists will work together to create most of the Seafoam Palace's installations.

Many exhibitions will be rooted in fields like natural history, nautical study, geography and anatomy, including a collection of found objects from the Detroit River and geographically retracing two obscure Swiss explorers' road trip to Afghanistan during World War II. But they'll also be heavily influenced by mythology and folklore, including some they've invented.

the seafoam palace
Photo courtesy Julia Solis/The Seafoam Palace.


"We're going to blend the boundaries between fact and fiction a little bit," Solis said. "We're going to create some of our connections and mythologies and play with that a little bit and that is really meant to stimulate people's imaginations. Because once you start to question what is real and what isn't, it really opens up a lot of worlds."

seafoam palace
Photo courtesy Julia Solis/The Seafoam Palace.



Fired Band Director Asks Ohio State Trustees For His Job Back

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COLUMBUS, Ohio (AP) -- The fired director of Ohio State's marching band is formally requesting his job back, citing alleged flaws in a university investigation and a positive performance review issued weeks before he was terminated.

In a letter Thursday, 38-year-old Jonathan Waters asked the university's board of trustees to act on the matter at its August 28-29 meeting.

Waters was fired July 24. A two-month investigation had concluded he knew about, and failed to stop, a "sexualized culture" that included students marching partially dressed, playing groping games on buses and bestowing sometimes sexually explicit nicknames on new members based on suggestive stunts acting out orgasms, sex toys or body parts.

Through legal counsel, Waters has called the firing a "rush to judgment."

University President Michael Drake is standing by the decision.

Photos From Ferguson And 1960s Protests Side By Side Make It Clear How Little Has Changed

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A young black man in sunglasses holds a sign with bold print in full view of the camera: "I AM A MAN."

The word "am" is underlined. He's not just stressing the word, he's insisting on it. Around him, there are others with similar signs, black ink on white paper. Some look into the camera lens, some stare ahead, defiant.

For years, this description would have fit the iconic Builder Levy photograph captured during the 1968 wildcat sanitation strike in Memphis, Tennessee, shortly after Martin Luther King Jr. was killed. But as of a few days ago, people are finding a second photograph far too similar.




Michael Brown, 18, was walking in his grandmother's neighborhood in Ferguson, Missouri, on Aug. 9 when he was fatally shot by a police officer.

A crowd gathered around the site, as did a flock of police cars. Tensions grew. The "militarized" police response to the protests that followed set armored vehicles, tear gas and rubber bullets against civilians.

For many, the scene in Ferguson looks like something out of the 1960s, when such responses were far too common.

Internet users across the country soon began uploading photos of the police response to civil rights protests and photos from Ferguson and comparing them side by side. The similarities are striking, as are the questions they raise.



Left: Police dogs attack protester in Birmingham, Alabama, in 1963. Right: A police dog in front of protesters in Ferguson.




Left: Police officers stare down civil rights activists marching to Montgomery, Alabama, in 1965. Right: Police officers stare down group of protesters.




Top: Armed National Guardsmen advance toward a little boy during the 1967 Newark Riots. Bottom: Armed police officers advance toward an unarmed protester.



Top: A sign reading "NO KILLER COPS IN OUR COMMUNITY" is held aloft by a protester. Bottom: Protester holds sign reading "KILLER COPS WILL NOT GO FREE!" during the 1964 Harlem Riots.




National Guardsmen march toward smoke from the 1965 Watt Riots' streetf ires.

Andrew Rannells Discusses Taking Over In 'Hedwig And The Angry Inch' On Broadway With Jimmy Fallon

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Andrew Rannells discussed his forthcoming stint as an "East German transgender struggling rock star" in Broadway's "Hedwig and the Angry Inch" with Jimmy Fallon this week.

The "Girls" star, who nabbed a Tony Award nomination for his role in "The Book of Mormon," is set to take over for Neil Patrick Harris, whose final performance in the musical will be Aug. 17.

Rannell's first performance in the Tony-winning production will be Wednesday, Aug. 20.

As it turns out, it isn't Rannells' first time playing the character. As he tells Fallon, he previously starred as Hedwig in a 2002 production in Austin, Texas.

Meanwhile, Harris sounded off on his impending departure from the show on Instagram:



Cooper Union's Tuition Plan Gets Taken To Court

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NEW YORK (AP) -- Students and faculty at one of the nation's few free colleges asked a judge Friday to block the school from charging undergraduate tuition.

Lawyers for the students and professors were facing off against attorneys for Cooper Union's trustees at a hearing as the school prepares to start collecting tuition for this fall's term. Bills already have been sent.

"The most fundamental change in the history of Cooper Union is being undertaken," said Richard Emery, a lawyer for the students and faculty members.

Counting about 1,000 undergraduates, the 155-year-old school is renowned for its architecture, arts and engineering programs and its own history. Abraham Lincoln gave his famous "right makes might" anti-slavery speech there in 1860, the NAACP held its first public meeting there in 1909, and it provided a platform for leaders of the labor movement.

Undergraduates paid tuition before 1902, but the school became free after a gift from industrialist Andrew Carnegie. Trustees voted last year to start charging tuition again - up to $20,000, depending on students' ability to pay - beginning with students entering this fall. The trustees cited multimillion-dollar deficits.

"Although the decision to reduce scholarship aid was very difficult given Cooper Union's tradition of providing full-tuition scholarships, under the founding documents, it was the board's decision to make," their lawyers wrote in court papers last month. Graduate students began paying tuition a couple of years ago.

But some students and professors say the financial crunch stems from mismanagement and could be solved in other ways. Cooper Union has a major, unusual source of cash: it owns the land beneath the Chrysler Building.

The two sides dispute whether the school's charter requires free tuition.

Ohio State University Marching Band Dumping Nicknames

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COLUMBUS, Ohio (AP) -- Student leaders say Ohio State's marching band won't give out nicknames this year, after the sometimes-lewd monikers played a role in the firing of its popular director.

Jonathan Waters was fired July 24 after a two-month university probe concluded he knew about, but failed to stop, a "sexualized" band culture.

Drum Major David Pettit told The Columbus Dispatch (http://bit.ly/1kGPCL0 ) on Thursday that band members are willing to give up some traditions "to have a better image and be a better band." They're also receiving training on sexual harassment and rules for student conduct.

Students generally agreed Waters was pursuing cultural reforms. He had led the band since 2012.

Waters has asked university trustees to reinstate him but school President Michael Drake has stood by the decision.

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Information from: The Columbus Dispatch, http://www.dispatch.com

This All-Female Beatbox Group's Awesome Rudimental Cover Is Anything But Basic

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You wouldn't think that contemporary dance music would work well with only voices, but, in this case, it does.

In this video, British a cappella group The Boxettes jam out to Rudimental's "Waiting All Night," using only their voices for the vocals and the beats.

Plus, the way the group intersperses bits of Destiny's Child's "Jumpin, Jumpin" is a pitch-perfect addition.

This Bjork Film Will Be Like A Bjork Concert But With More Bjork!

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Bjork fans, life has been kind to us as of late.

First there was Bjork's eighth full-length studio album, a cosmic masterpiece called "Biophilia" -- as the Jews say: Dayenu, or it would have been enough.

Then came an interactive app accompanying the album, in which a main "mother" app branched out into a network of mini-apps, one for each song, each incorporating elements of music, engineering, design, cinema and philosophy. It would have been enough.

Then Bjork went on tour and it was glorious. It would have been enough.

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Then Bjork's "Biophilia" app was transformed into an experimental school curriculum designed to draw children into the depths of their imagination. It would have been enough.

Then MoMA announced a massive retrospective of Bjork's sounds, film, visuals, instruments, objects, costumes, and performances slated for this fall. It really would have been enough!

And now, Jacqui Edenbrow and Gloria Films are releasing a documentary chronicling Bjork's multi-sensory tour. The concert film, titled "Biophilia Live" and directed by Nick Fenton and Peter Strickland, was recorded live at Bjork's show at London's Alexandra Palace last year. The film will combine Bjork's live performance with animated sequences to enhance the tripped out Bjork experience.

The Creator's Project debuted the film's trailer above. It looks, not surprisingly, totally wonderful. The film will screen at select locations around the world beginning in September. See a complete list of screenings here.

May this chain of Bjork-related happenings go on forever. Amen.

What Do We See When We Read? (IMAGES)

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What do we see when we read? Designer Peter Mendelsund, who's behind a few iconic covers you might've seen on bookshelves, poses the question in his new book, and, fittingly, answers it in an aesthetically pleasing way, alternating text-only pages with visualizations of his argument. Although we imagine the experience of reading as similar to watching a film, the goings-on in our brains are entirely more nebulous when we sit down with a book than when we sit back to watch a movie.

He begins by describing Lily Briscoe, a principle character in Virginia Woolf's To the Lighthouse, who is painting the scene that Woolf's book describes with words. We as readers are asked to visually perceive both Woolf's words and Briscoe's painting -- two related, but separate images.

What Mendelsund explicitly does is describe, with words and images, what we picture with our minds while reading words on a page. What he does more indirectly is defend the unique magic of reading, an art form that enlivens our ability to perceive creatively.

Studies show that reading is an especially effective means of stimulating the imagination, but Mendelsund isn't too concerned with studies. Instead, his book reads like a personal essay, with anecdotes about his and his friends' reading experiences.

Mendelsund recalls the first time he read Anna Karenina, and discovers that he doesn't posses a complete memory of her appearance. Although he's aware of her hair color, her attractiveness and her "thick lashes," he notes that "our mental sketches of characters are worse than police composites." The mind, then, must fill in the gaps.

In a passage all readers are likely to relate to, Mendelsund questions whether the speed at which we read influences our imagination. He portrays one type of novel -- the type we're prone to breezing through -- as a pixilated road, like a Super Nintendo driving game. The other type, he suggests, is akin to a detailed impressionistic painting.

Below is an excerpt from Peter Mendelsund's What We See When We Read:

India Celebrates 68 Years Of Independence With Spectacular Festivity (PHOTOS)

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India was ablaze with bright colors and spirited with festivity as the country celebrated its 68th Independence Day on Friday.

Recently elected Prime Minister Narendra Modi pledged to bring jobs and development to India in his Independence Day address from the historic Red Fort in New Delhi. Modi is the first Indian prime minister to be born after India became independent from British rule in 1947, the Washington Post notes.

"It is a tribute to Indian democracy that a person from a poor family, an ordinary family, is today addressing the nation from the Red Fort," Modi said, according to Indian broadcaster NDTV. "The world used to think we are a land of snake charmers and black magic -- but our youth has surprised the world with its IT skills."

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Indian Border Security Force (BSF) Inspector General Ashok Kumar (2L) and BSF officers dance during a ceremony to celebrate India's 68th Independence Day at the India-Pakistan Wagah border post on August 15, 2014. (NARINDER NANU/AFP/Getty Images)

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A Jammu and Kashmir Police motorcyclist drives his motor-bike through a fire ring during celebrations of India's 68th Independence Day at The Bakshi Stadium in Srinagar on August 15, 2014. (ROUF BHAT/AFP/Getty Images)

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An Indian school teacher feeds glucose powder to a student to give her energy during a rehearsal for the Independence Day celebrations in Bangalore, India, Wednesday, August 13, 2014. (AP Photo/Aijaz Rahi)

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An Indian artist dressed as Hindu monkey-God Hanuman waits to perform during independence Day celebrations at Golconda Fort in Hyderabad, India, Friday, August 15, 2014. (Mahesh Kumar A.)

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Indian Navy sailors return after paying homage at the landmark India Gate war memorial on Independence Day in New Delhi, India on Friday, August 15, 2014. (AP Photo /Manish Swarup)

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Children wave Indian national flags as they run in a field ahead of Independence day on August 14, 2014 in New Delhi, India. (Arun Sharma/Hindustan Times via Getty Images)

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Students with social messages and the colors of the Indian flag painted on their faces pose on the eve of India's Independence Day in Mumbai on August 14 2014. (INDRANIL MUKHERJEE/AFP/Getty Images)

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Indian Prime Minister Narendra Modi addresses the nation from the ramparts of the Red Fort monument to celebrate Independence Day in New Delhi, India, Friday, August 15, 2014. (AP Photo/Manish Swarup)

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Artists perform as police personnel and government officials from the recently formed southern Telangana state attend celebrations of India's 68th Independence Day at Golkonda Fort in Hyderabad on August 15, 2014. (NOAH SEELAM/AFP/Getty Images)

Voice Actor Performs Touching Tribute To Robin Williams, In Williams' Own Voice

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This poem honoring the late Robin Williams is beautifully touching on its own. In the hands of Jim Meskimen, the author of the poem and a talented voice actor, it's a masterpiece.

"I've been thinking about Robin Williams all week long, and ... I've had a lot of people ask me, 'Are you going to continue to do your Robin Williams impression?'" Meskimen says in the introduction, explaining the basis for the poem. "I decided to write this poem, to work it out for myself, and to answer the question."

Meskimen, who has voiced the "Genie" character in recent incarnations of "Aladdin" -- the same character Robin Williams breathed life into -- reads the poem in the late comic's voice. To call the poem touching doesn't quite do it justice.

WATCH the poem, above, or read it, below:

In Memory Of Robin Williams" by Jim Meskimen

They didn't burn all the pianos
When Fredrick Chopin died

Didn't outlaw oil paints
when Picasso took his final ride

No one put a stop to baseball
When Mickey Mantle's time was up

Or banned all Russian novels
When Tolstoy went belly up

On Shakespeare's death, nobody said
"Now hath arrived the day --

From this point hence let none dare
Put forth pen to write a play!"

We celebrate what's left
By the departed, it's our choice

Yet it does seem sacriligeous
To do Robin Williams' voice

A voice that was designed to soothe,
Soft, deep tones that resonate

And cascade gently outward
From behind a smiling face

A voice that could accelerate
To catch up with the mind

Like shifting into overdrive
To not get left behind

A voice that could change character
Like seconds on a clock

Or hijack nationalities
For a spin around the block

Shift age, shift viewpoint, shift I.Q.,
Whatever's not nailed down

Destroy, rebuild, destroy again,
A formidable clown

We'll hear this voice in future times
In reruns on TV,

It will occupy the world wide web
Live on, digitally

We'll hear its echoes come
From other mouths and other lips

In tributes and homages, and,
Like psychedelic trips

We'll think the owner's back again
With his familiar sound

But they'll all be imitations --
Just an audible rebound

New jokes aren't in the pipeline now,
Not that the well went dry --

But the jester who possessed this voice
Just chose to say goodbye

With the wealth of joy he left us
We should probably rejoice

But it's hard to grasp we lost the guy
Who used to have this voice.

(Reprinted with permission from Jim Meskimen.)

"Never Let It Die" Is The Anthem For The Creative Spark In All Of Us

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"You might think that you're ruined, you might think you're defeated / If you love what you're doing you've already succeeded."

We're all familiar with the trope of the struggling artist, down on his luck, dedicated to his work. But in George Watsky's "Never Let It Die," that artist isn't struggling -- he's defiant.

The song speaks to the creative magic in all of us, and how we should keep "pullin' rabbit from hat." Check out the hecka cool (and super catchy) video above. We'd hit replay, but are going to be too busy penning the all the concertos and designing all the skyscrapers we've been motivated to create. Never let it die.

6-Year-Old Surfing And Skateboarding Prodigy Makes Waves, Battles Genetic Disorder

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This fierce 6-year-old girl glides over all obstacles that come her way -- both on land and in the water.

Quincy Symonds only began surfing a year and a half ago, but the pint-sized Australian daredevil has already started getting sponsors and making a name for herself in the surfing community, according to ABC Open. Achievements that are not only impressive given her age, but also considering Quincy's battle with a serious condition called congenital adrenal hyperplasia.

Congenital adrenal hyperplasia is a disorder of the adrenal gland that affects one in 10,000 to 18,000 children, according to the National Library of Medicine.

In the video above, the surfing prodigy's parents explain that after suffering adrenal crisis as an infant, Quincy was diagnosed with the disorder, leaving her steroid-dependent and requiring medication three times a day. But the spunky child isn't letting it hold her back.

"Quincy is an amazing human," her surf coach, Tony, says. "She's like no other human I've met before. She has no fear."

Nicknamed "the Flying Squirrel," Quincy started surfing at 4 years old, and began skateboarding soon after. The little Aussie says she doesn't have a favorite though, according to Gold Coast Bulletin.

"Sometimes I pick one," she told the outlet. "But it's a lie, I love them both the same."

Quincy says she wants to be a pro-surfer and skater when she grows up, but it seems like she's already well on her way there.

Check out the fearless surf star catching some waves ...




... and grinding on her board.



You go, girl.

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Performance Artists Get Weird With Their Urban Environments

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Have you ever been going about your business, meandering around your urban environment of choice, when suddenly your shirt gets caught on a rogue pole or similarly treacherous doodad? Suddenly your fate becomes indeterminate, as your thrown off balance and catapulted through the air, until you catch your footing and once again order is restored to the universe.

You know that feeling? Angie Hiesl and Roland Kaiser know that feeling.

DRESSING THE CITY AND MY HEAD IS A SHIRT - city intervention by Angie Hiesl + Roland Kaiser from Angie Hiesl on Vimeo.



The two enlisted 10 fellow performance artists for their short video "Dressing The City And My Head Is A Shirt," a "city intervention" that explores the intersection of bodies, clothing and urban spaces. The piece falls somewhere between an avant-garde performance and a playful YouTube romp, as international artists bend, twist, jump and otherwise contort their bodies in ways we never predicted, all the while incorporating their garb in the act.

The video, released in 2012 but experiencing a recent online moment, explores the limits and possibilities of movement and restraint. In what ways do our clothes restrict our bodies and in what ways do they liberate them? How are we shackled to the city and how does our city set us free? The video above may dance around the questions, but we have a feeling that's the point.

Check out the urban intervention above and see some choice still shots below.

10 (More) Gorgeous Recolorized Photos That Put History In A New Light

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For the history buffs of the world, we imagine there are few experiences as fulfilling as poring over volume after volume of black-and-white photographs, hunting for that rare shot of a notable figure or iconic location.

As for the rest of us, we'll be trolling Reddit. Their ongoing thread of recolorized photos is one of the best treats ever to hit the internet. Noble net historians transform the world's most iconic monochromatic moments into vivid, colorful works of art, creating a kaleidoscopic alternate history that's impossible to look away from.

Explore the various times and places that helped make the world what it is today in the images below.

1. This classic shot of Monet in front of those dreamy waterlilies



2. This magnificent sunset over George Washington Bridge, 1936



3. These adorable boys buying flowers in Union Square, 1908



4. This beautiful shot of Sharon Tate, a few years before her tragic death



5. This 1938 snapshot of a Baltimore grocery store



6. This classic Marilyn Monroe moment



7. This 1905 portrait of Marie Curie, looking fierce



8. This eerie look at New Orleans' Bourbon Street circa 1903

New Orleans ‘Old-Absinthe House’ on Bourbon Street Circa 1903

9. This vibrant vision of an 1881 Samurai

**Samurai, 1881**

10. This near wardrobe malfunction starring Sophia Loren and Jayne Mansfield



For more recolorized wonders, see our previous series on American history.

Folklore Meets Design, Architecture And Light Deep In The Canadian Forest

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By Finn MacLeod
Read the original story on ArchDaily


Imagine yourself standing at a glowing threshold between reality and make believe, watching as mythical creatures dash across trees and into other dimensions. Imagine a world where the glimmer of fairies is reflected on a forest floor illuminated by trees of all colours; a world where a sea of stars transforms into an imaginary wolf, standing sentinel over its fairy tale universe. This enchanted world exists, thanks to the creatives at Moment Factory. In their Foresta Lumina video mapping project, they create a narrative installation set in the mysterious backwoods of Quebec, Canada. Find out how they add a little fantasy to ordinary reality after the break.

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Upon entering the forest in Coaticook Canyon, a dimly lit pathway choreographs the viewer through seven different mesmerizing outdoor spaces, each evoking a different dreamlike scenario distinctly rooted in mythology. The installation utilizes video mapping, light and architectural installation to execute an unparalleled multimedia sensory experience. “It’s always the combination between different fields of expertise – we can take a lighting designer with a graphic designer and an architect and create a symbiosis of work,” said Moment Factory‘s Creative Director Gabriel Pontbriand. The Montreal-based group are pioneers of projection, with projects shown on the façade of the Sagrada Familia in Barcelona and in the Bradley International Terminal at LAX, among others. Foresta Lumina was designed as part of The Creators Project, a partnership between Intel and VICE that aims to celebrate the creative arts across all media.



These Crafts Made By Japanese-American Prisoners Will Renew Your Faith In Human Ingenuity

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Half of the 120,000 prisoners were children. It was the start of the War Years, the turning from 1941 to 1942. Japan had bombed Pearl Harbor and President Franklin D. Roosevelt ordered 90 percent of America's ethnic Japanese from their homes in retaliation. For four years, they lived in bleak camps edged in barbed wire, deep inside deserts and swamps. Internees were allowed only what they could carry, including bedding and eating utensils. Upon arrival there were no chairs to sit on, no tables to eat at, no tools to build with or scissors with which to cut.

What do you tell someone who has lost everything? In Japan, there is actually a word for the occasion: "gaman," a quality both hard and soft. To practice gaman is to endure that which seems unendurable, with patience and grace.

To practice gaman is to make something from nothing. Interned men, for instance, used the boiler furnace to melt scrap metals -- old saws, car springs, butter knives. With this liquid, they fashioned their own tools. In a camp in Rowher, Arkansas, Akira Oye hammered out a pair of scissors so lovely they could be the mascot for scissors everywhere.

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Collection of Ron and Michiko Oye and Family. Courtesy Bellevue Arts Museum.


Oye's scissors, Homei Iseyama's teapot, carved out of slate stone Iseyama, a gardener, found near his camp in Topaz, Utah: these and other ingenious relics make up an exhibit exploring a rarely seen side of the awful internment years. Titled The Art Of Gaman, the traveling show is the brainchild of Delphine Hirasuna, a San Francisco-based curator whose parents and siblings were imprisoned in Arkansas. Going through her mother's things one day, Hirasuna found a wooden bird. The trinket, her mother explained matter-of-factly, was personal -- made by her hands. What else was out there, Hirasuna wondered? How many gems crafted in the gloom of the barracks were secreted away in attics and forgotten?

Hirasuna explains in a video for the Smithsonian Institute how her decade-long hunt to answer that question led her to the title of the resulting exhibit. As she knocked on doors, picking up objects from former internees and their family members:

"Virtually every person I borrowed an object from said that this was their way to gaman. This was their way to grin and bear it."


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Another piece by Oye, this one a cow made of pine and shellac. Collection of Ron and Michiko Oye and Family. Courtesy Bellevue Arts Museum.


The exhibit originated at the Smithsonian in 2010; it returns now to the U.S. after a stop in Japan. In a breathtaking essay inspired by the homecoming, Jen Graves at the Stranger notes the special significance of the show's current location. The Bellevue Arts Museum in Washington is "a stone's throw" from "vast tracts of strawberry farms [that] were leased and owned by Japanese Americans forced off to camps," according to Graves. The few who made it back were shunned "by the businessmen who snapped up the land where skyscrapers, the mall, and the museum itself stand today," she writes.

Along with the tools and everyday objects on display are woodcarvings, paintings, furniture and toys. While some were made by artists renowned today, like Ruth Asawa and Henry Sugimoto, most of the exhibit's items came from people simply making do, according to Hirasuna.

These shopkeepers, farmers and fisherman "did not have trained artistic skills, but they made amazing things from a variety of material," she says in the Smithsonian video. Oye, for instance, who made both the scissors and the pine cow above, was a farmer in Lodi, California before and after the war. While in Arkansas, he carved many familiar animal and birds. He never carved again after the camps closed.

Scroll down for more images from The Art Of Gaman, from a pair of elegant wooden cranes to Iseyama's slate teapot. All photos and captions provided by the Bellevue Arts Museum.

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Teapot, by Homei Iseyama. A self-taught artist, Iseyama attended Waseda University in Tokyo before coming to America in 1914 with the hope of attending art school. He was forced instead to seek full-time employment as a gardener to survive. At Topaz, in addition to making slate carvings, he demonstrated his artistic range through watercolor paintings and tanka poems. A landscape gardener in Oakland, California, before and after the war, Iseyama was also a widely respected bonsai master. Collections of Carolyn Holden, Aiko Iseyama and Family, and Martha Perdue and Family.


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Assigned to tend the boiler while interned at Minidoka, Idaho, Kametaro Matsumoto amused himself by whittling and carving things for his children. Using scrap wood, he carved this puzzle and hand-painted the blocks. The object of the game was to move the blocks without lifting them so that the fair maiden could escape the protective attention of her parents and servants and let herself be surrounded by the four eager suitors. Collection of Alice Ando and Jean Matsumoto.



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Wood carving of little birds was a prevalent art form in all of the camps. A set of Audubon bird identification cards and an old National Geographic issue that featured birds were sources of research and inspiration for many carvers. To create them, artists sketched an outline on flat wood, carved and sanded it into a three-dimensional form, then painted it with realistic colors. The biggest challenge was the bird’s legs and feet, which had to look spindly, yet be sturdy enough to hang onto a “limb.” Many artists solved the problem by snipping the surplus off wire-mesh screens that had been slapped over barrack windows. The wire proved to be just the right thickness and strength to resemble bird legs. The final touch was to glue a safety pin onto the back of the carving so it could be worn as a brooch. These animal pins were crafted out of scrap wood by Himeko Fukuhara, Kazuko Matsumoto, Sadao Oka, and other unidentified artists interned at Amache, Colorado; Gila River, Arizona, and Poston, Arizona. Collection of Jewel Nishi Okawachi, Japanese American Citizens League, San Francisco, Collection of Sadao Oka Family.



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While interned at Heart Mountain, Wyoming, Kameichi Yamaichi made his own tools to carve this classical Noh mask panel. By heating worn triangular files -- which were sought after material for their durability -- in the coal-burning potbellied stove in his barrack quarters, he was able to pound out the metal to form a chisel. He then used a stone to sharpen it. Collection of the Japanese American Museum of San Jose.


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Before the war, Kinoe Adachi and her husband owned a Chinese restaurant in Oakland, which they lost during the internment. A creative person, she had always sewn clothes and made quilts. This exquisite samurai is one of several pieces that she made at Topaz, Utah, out of shells. When she left camp, she took her jars of sorted shells with her. She and her husband bought a home in Berkeley upon their return, where she took care of him after he suffered a stroke. Collection of Dennis Katayama and Family.


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Jitsuro Hiramoto, a farmer in Lodi, California, was 55 years old when he was arrested by the FBI the day after Pearl Harbor and sent to the Santa Fe Detention Center in New Mexico. He was later transferred to Rohwer, Arkansas, to join his family. He made this pair of cranes while in Santa Fe, out of mesquite and scrap lumber. During the war, Hiramoto's son served overseas in the U.S. Army. Collection of Edward Hiramoto and Family.




Statue Selfies Are The Newest Internet Meme For Art Nerds

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Is anyone anything safe from the omnipotent desire to place a camera at arm's length from one's own face and click? The answer appears to be no.

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On a recent visit to Crawford Art Gallery, an evil genius of a Reddit user cleverly captured a series that makes Greco-Roman statues look like even they are snapping their own selfies, from their best angles no doubt.

Choosing sculptures with outstretched arms and placing the camera right beyond the hand, Redditor Jazus_ur_lookin_well yielded a top notch selfie resemblance. The meme is already being hailed as "the next great internet art trend," which means Beast Jesus can finally rest in peace.

The best/worst part of this burgeoning art trend is that almost anyone can do it. Just find a statue with an outstretched arm and will it to make its best pouty face. But as ArtNet so kindly reminded us: Please don't accidentally touch the centuries-old statues in an attempt to snap a faux selfie. That's embarrassing.

Take a look at the original #statueselfies below and let us know your thoughts in the comments.

J. Cole Mourns For Michael Brown In Tribute Song (LISTEN)

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A week after 18-year-old Michael Brown was fatally shot by Ferguson, Missouri, police officer Darren Wilson, people across the country are demanding justice, including a multitude of entertainers and other public figures. Roc Nation artist J. Cole is the latest to add his voice with a new track titled, "Be Free."

Backed by a news report with a sound bite from Dorian Johnson, Brown's friend and eyewitness to the shooting, the piano-driven ballad demands peace and calls for an end to gun violence.

In a statement, the 29-year-old Cole said he is "tired of being desensitized to the murder of black men."

There was a time in my life when I gave a fuck. Every chance I got I was screaming about it. I was younger. It's so easy to try to save the world when you're in college. You got nothing but time and no responsibility. But soon life hits you. No more dorms, no more meal plan, no more refund check. Nigga need a job. Nigga got rent. Got car note. Cable bill. Girlfriend moves in and becomes wife. Baby on the way. Career advances. Instagram is poppin. Lebron leaves Miami. LIFE HITS. We become distracted. We become numb. I became numb. But not anymore. That coulda been me, easily. It could have been my best friend. I'm tired of being desensitized to the murder of black men. I don't give a fuck if it's by police or peers. This shit is not normal. I made a song. This is how we feel.

Rest in Peace to Michael Brown and to every young black man murdered in America, whether by the hands of white or black. I pray that one day the world will be filled with peace and rid of injustice. Only then will we all Be Free.


Check out J. Cole's tribute to Michael Brown below.

Paramore's Tribute To Robin Williams Is A Powerful Message About Hope

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Paramore's Hayley Williams took a moment during the band's Tuesday night show in Denver to recognize Robin Williams, who died on Monday. In a moving speech about sadness and fear, she spoke of overwhelming depression and the way out of a dark period.

"There was a point right before we released the new record, actually when we were writing it, that this song sort of spilled out of us," Williams said. "I realized how sad we had been. We had been in this place where we weren't content or fulfilled anymore."

Williams continued the intro to "Last Hope," saying, "It was very scary. It was very depressing, then this song happened, and a light came on. It was amazing how much I realized that I was a part of something... that we, the three of us, were a part of something," she said, sitting down at the keyboard. "I want you to know before you leave tonight that you, being here tonight, listening to any of your favorite bands, writing songs yourself, writing poems, reading books, any of that: you're a part of something. It goes on way longer than any of us will be alive. You are a part of something. Please know that. This song goes out to Robin Williams."

Watch her moving speech and the live version of "Last Hope" below.

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