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'Game Of Thrones' Gets An Erotic Makeover (NSFW)

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"Game of Thrones" fans: contain yourselves. The hit show rife with sex, violence and drama has inspired a stage show also rife with sex, violence and drama.

Dubbed "Game of Thrones Live," the vaudeville show is a creation of Oakland performance art troupe Tourettes Without Regrets. The show combines burlesque, fire dancing, glass walking, stand-up comedy, audience participation, music and "plenty of mayhem" in an homage to the HBO series.

"Our rule when we got started was to make sure that everyone involved in the show was a fan," said creator Jamie DeWolf to The Huffington Post. "These are basically nerdy fans armed with pyrotechnics and a deranged sense of humor."

Notable acts include Littlefinger seducing Sansa (complete with George Michael's "Father Figure" on the soundtrack), Joffrey demanding that a court prostitute walk across broken glass and George RR Martin being forced to finish his novels at sword-point. But our favorite scene is undoubtedly the Melisandre's hula hoop fire dance:



While the troop has completed its first tour, a second show is in the making following the HBO hit's fourth season.

Check out photos of the madness, courtesy of Gabriel Hurley, Zero Coordinate Inc. and Wolf & Holmes Studio, below:

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Gwendoline Christie Replaces Lily Rabe In 'Hunger Games'

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Natalie Dormer isn't the only "Game of Thrones" star set to appear in "The Hunger Games: Mockingjay." According to Deadline.com, series star Gwendoline Christie has joined the cast of the two-part "Hunger Games" finale as Commander Lyme, replacing Lily Rabe who had previously been hired for the part. (Rabe exited because of a scheduling conflict.) Lyme, a past Hunger Games winner, is a key member of the resistance against the Captiol. Per THR, the character will only appear in the second half of "Mockingjay," which is set for release in 2015.

Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Donald Sutherland, Sam Claflin, Jena Malone, Philip Seymour Hoffman and Julianne Moore all star in "The Hunger Games: Mockingjay." Dormer is in the cast as Cressida, a Captiol resident director who also joins the rebellion.

Christie plays Brienne of Tarth on "Game of Thrones." That show returns to HBO with new episodes starting on Sunday.

[via Deadline.com]

This Is What Happens When Art Meets Social Media

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A Ukrainian artist has given the pieces of the great Edward Hopper a 21st-century touch-up. Nastya Nudnik, of Kiev, decided to insert social media symbols and emojis into the artist's paintings. "I realized that some of his characters deserve the right to be more active and dynamic," Nudnik told The Huffington Post.

The Metropolitan Museum of Art writes that the works of Hopper, who died in 1967, are "pervaded by a sense of silence and estrangement." After viewing Nudnik's "emoji-nation. part 2," we doubt Hopper's subjects would feel any happier tweeting or sharing.



(h/t AdWeek)

Rough Day? Here's A Slow-Mo Video Of Kids Eating Lemons

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Photographers David Wile and April Maciborka collaborated on "Pucker," a photo series of kids eating lemons for the first time, in August of last year.

Yesterday, they released a video from the project. And while it may not be as life-affirming as footage of kids tasting ice cream for the first time, it sure is entertaining.

The clip features a several toddlers getting their first taste of some seriously sour lemons. As they react, often recoiling from the tart fruit, Edvard Grieg's "In the Hall of the Mountain King" plays mischievously in the background.

You know what they say: When life gives you lemons, film toddlers eating them in slow-mo.

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Directors: April Maciborka + David Wile
Cinematographer: Sasha Moric
Production Management: Foad Almassi
Post Production: Brought to You By Inc. in association with Clearhead Media

Louie Schwartzberg's Nature Footage Reveals The Sound Of 1 Million Monarch Butterflies (VIDEO)

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In late August each year, monarch butterflies migrate roughly 2,000 miles from southern Canada to an isolated area in the forests of central Mexico. Their journey -- the longest of any butterfly on the planet -- typically ends in November and December, and those that make it spend the rest of the winter in the warm climate of the region.

Award-winning cinematographer Louie Schwartzberg traveled to Mexico and filmed the butterflies' time there for his 2013 documentary "Wings of Life." As Schwartzberg tells Oprah on an interview for "Super Soul Sunday," the experience goes beyond the visual beauty of the butterflies.

"What's a miracle about the monarch story [is] their great-grandchildren come back to the same spot," he explains. "So, they'll leave, like, in March, travel all the way to Canada, reproduce along the way, and their great-grandchildren will come back."

As Oprah marvels at time-lapse footage Schwartzberg shot of a caterpillar transforming to a butterfly in its cocoon, the filmmaker explains the spiritual side of what he captures. "Metamorphosis has always been the greatest symbol of change for poets and artists," he says. "Imagine that you could be a caterpillar one moment and a butterfly the next."

"What's it like to be in the midst of all that?" Oprah asks, as she sees behind-the-scenes video of Schwartzberg completely surrounded by the monarchs.

"The sound of a million butterflies flapping their wings is undescribable," he says. "It's very heavenly."

More of Louie Schwartzberg's interview airs on "Super Soul Sunday" this Sunday, April 6, at 11 a.m. ET on OWN. The episode also live streams on Oprah.com and Facebook.com/supersoulsunday.

Keep in touch! Check out HuffPost OWN on Facebook and Twitter .

Nude Portrait Series Reveals The Beauty And Strength Of Breast Cancer Survivors

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Photographer Charise Isis is turning the female nude trope on its head, transforming imagery we associate with masterpieces of yore into visual tributes to the strength and beauty of breast cancer survivors.

Her series "Grace" places nude women who've undergone mastectomies into poses ripped straight from the "Venus di Milo" and "Nike of Samothrace," using pieces of art history to illuminate both the pain and resilience of her subjects.

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The Empress


The project started in New York City, when Isis began seeking out participants who'd experienced mastectomy surgery. She captured portraits of the women, mostly unclothed, exposing a range bodies and identities. From survivors who've opted for reconstruction to those who have not, the series celebrates women of all ages, challenging the beauty of the naked form in the context of art and contemporary photography.

The connection between the relics her images are based on -- existing today in varies altered states -- and the transformed women of her frames, is not lost on Isis. "I loosely use Hellenic sculpture as a visual reference for the portraits," the photographer writes on her website. "These dismembered artifacts have survived the trauma of history and are still valued as objects of beauty within our culture."

Isis has also embarked on a cross-country tour, traveling throughout the United States over a two-year period to photograph women outside of New York. In the end, she hopes to turn what's become an exhibition into a book, showcasing the brave subjects who bared their bodies for the camera, in the name of survivor solidarity.

Scroll through a preview of the portraits below and let us know your thoughts on the images in the comments. To get involved with the "Grace" project or donate to the series, check out Isis' website here.

Surrealism Is Alive And Well In Roberto Gil de Montes' Dreamy Depictions

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Roberto Gil de Montes' paintings exist in a hazy terrain somewhere between Mexico and Los Angeles, art history and folklore, a memory and a dream.

His works are tapestries of life as it exists around us and as it lives in our minds, weaved together into two-dimensional fields. His colors are as buttery and sharp as morning, rendered with the soft edges of a legend partly forgotten. "Hecho en México," a new series of neo-surrealist artworks, are the perfect antidote to gallery trends and their clever emptiness.

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"I paint as a way of discovering stories hidden within myself, peeling away layers, digging deeper each time, revealing images of forgotten stories," Gil de Montes says in the gallery statement. Gazing upon his artworks feels like traveling through time, unearthing Pre-Columbian symbols and painted allusions without a singular guide to navigate the journey.

"Rather than merely depicting the world, Gil de Montes invites viewers to physically experience it," the L.A. Times wrote in 1996. "His painting's stark, jarring contrasts and highly animated patterns stimulate your retinas, causing your body to respond well before your brain has a chance to intervene."

In his works you'll recognize reincarnations of Paul Gauguin's "Spirit of the Dead Watching" and Henri Rousseau's "The Sleeping Gypsy." Yet scroll further and you'll see a delicate rendering of a shirtless selfie of two men entitled "Facebook Photo." Despite the thematic leap from mythical badlands to social media uploads, the sense of mystical possibility lingers. The electric potential lies in every colored mark, each one drawing the viewer deeper into a vibrant land where enchanted tigers and computer screens can coexist.

"Hecho en México" runs from April 5 until May 10 at Lora Schlesinger Gallery in Los Angeles. See a preview of the work below.

'BUTCH,' Meg Allen Photo Project, Explores Female Identity And Presentation

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Meg Allen is a San Francisco Bay Area photographer whose work explores the butch aesthetic, identity and the presentation of female masculinity.

What began as Allen taking portraits of her friends has stemmed into a full-fledged project called "BUTCH," and has caught the attention of major media outlets across the web.

When Allen was 18 she discovered Nothing But The Girl, a monograph published by Susie Bright and Jill Posener thats features "dykes, manly women, bulldaggers, androgeny and butches." This body of work served as a source of inspiration for Allen, who views "BUTCH" as an update 15 years later to what female masculinity looks like in the modern age -- how it differs from the Nothing But The Girl era.

In the words of Allen, "BUTCH is an adjective. And like all adjectives, it is fluid and subjective. Just as there are many types of hot women, there are many types of butches."

In order to better understand Allen's work and the forms of butch identity documented in these photographs, The Huffington Post chatted with the photographer about what inspired her to create this body of work, the individuals featured in these photographs, and her own perceptions about butch identity and presentation.

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What is the concept behind BUTCH?
Meg Allen: The concept behind butch is to get an inside look into the private worlds of butches. It examines how they dress, what their bodies are like, what their day to day environments look like and just gives the observer a chance to stare and take it all in. It is celebration of beauty and admiration for the butch mystique.

How did it begin?
I started this project in the spring of 2013, working on my portraiture skills. I loved photography as a hobby but never thought an art career was in my grasp. I had just been laid off from a construction job and figured at that point that I had nothing to lose! I'd make my housemates sit for me while I adjusted the lighting and camera settings and realized I had a gold mine of subjects at my fingertips. I was extremely influenced by the portraits of dykes before me and decided that would be my first big project.

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Who are the individuals featured in these photographs?
These individuals are my friends and community. Most of them I've known for years, most of them are my closest friends. Some of the next set will be friends of friends or people I've met since showing the work, but they are all local San Francisco Bay Area residents. One lives in Boston now, but she's one my best friends and there was no way I was leaving her out.

Why did you decide to create BUTCH?
I wanted see a gallery of people who looked like me in attractive portraits! Basically it came down to wanting to know what it would look like to have a magazine of butches, what would that feel like? I love Vogue and GQ and W magazines for what they are, but there's never any articles that highlight the butch aesthetic. I wanted to see Butch glamorized and I just hadn't seen that done in any huge way in the last decade or so. In the 90's, Susie Bright and Jill Posener put out this great book called Nothing But the Girl and it had a huge impact on me personally and artistically. I felt seen and proud and validated! Same thing with Catherine Opie's series "Being and Having."

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Why is this work important?
This work is a proud depiction of an underrepresented community. It allows access to everyone to take a closer look before dismissing someone because they don't fit the mold of "women should be feminine." Not all women are feminine and not all men are masculine, but one wouldn't always glean that connection based on mainstream media. Nor do most people have a tolerance for anything outside of the mainstream. These portraits are attractive, proud, inviting, and almost unspecific in their purpose except to say, "Here we are. We exist."

What are you trying to accomplish?
Well, now I am definitely set on being an artist. There's nothing else in the world that's made me as happy as creating this. As soon as I have 117 portraits, I'm putting out a monograph. Then, it's on to the next project.

Check out the slideshow below for more images from "BUTCH" and head here for more information about Allen.

'THE TENTH,' Brooklyn-Based Zine, Explores Queer Black Male Identity

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"THE TENTH" is a groundbreaking new zine from a group of Brooklyn-based artists that explores the intersections of queerness, blackness and male identity.

With the first volume slated for release on April 10, the project aims to embody an expansive range of work, including fashion photography, the written word and academia, among a number of other mediums.

In order to better understand what we can expect from "THE TENTH" and the content that will be featured in it, The Huffington post chatted with Kyle Banks, André Verdun Jones, and Khary Septh, the zine's founders, about the upcoming release of this first issue.

How did the zine begin?
The concept for "THE TENTH" was born out of boredom, really. We run a creative studio out of Brooklyn where we focus on print, identity, exhibition and interactive work with clients in fashion, film and music but found ourselves wanting to invest ourselves in a creative project that wasn’t seasonal, or trend based, as most of our commercial work is. We thought that perhaps we should start with an investigation of ourselves. Who were we? What things are important to us in our creative lives? We’ve always known that we were black and that we were gay, but the ultimate complement for many of us as commercial artists is that our work is colorless, or that we know how to play nicely with others, before we’ve even learned how to play amongst ourselves. "THE TENTH," is simply saying that’s all fine, but, we are black and we are gay, and we are exceptional, and we wanted to bring together others like us to do work that reflects our interests as black gay men when they’re free of commercial absorption and the politics of recognition.

What type of work will be featured in it?
For VOLUME ONE we assorted a loose set of ideas that we threw out to our contributors and asked them to create work for us in their preferred mediums. So you have fashion photographers (Idris & Tony) and culture writers (Zach Stafford) who considered BEAUTY along with academics (Frank Roberts, Elfred Pinkard) who dissected MASTERY. We have novice and veteran playwrights (Jireh Holder & Michael Winn) writing on AGE/WISDOM through pieces they centered around drag culture and you also have literary critic (William Johnson) proclaiming NEW CANON by introducing us to a new set of black, gay writers doing dynamic work out there (Saeed Jones, Brontez Purnell, Leon Baham). We really talk about what's happening now in our culture and have no agenda to represent an image or counter any perception. We just want to play in the sandbox with other exceptional black gay boys and be faggy and angry and smart and silly and beautiful and ugly and radical and perhaps more than anything just learn to trust each other through collaboration. It really has been an incredible experience.

Who are the artists being featured?
Well, collectively we are the creative directors, contemporary artists, actors, professors, designers, agents, activists, musicians and others living in worlds from art and design to academia. We cannot be clearly defined or categorized, but what we do know is that we are all in some way exceptional, taking risks and breaking norms. Some of our contributors for VOLUME ONE include contemporary art star Rashaad Newsome, fashion’s hand of hip Telfar Clemens, global activist Darnell Moore, film producer Stephen Winter, rapper Will Sheridan, legendary DJ Mike Q, jewelry designer Mateo Bijoux, iconic fashion merchant Terence Bogan, and many, many more brilliant contributors. 80 in total.

How is queerness explored throughout this body of work?
The work is born out of our queerness. We know that we, as black gay men will always be forced into a box. This is us coloring that box, and that is a very queer thing. Making anything beautiful, elegant, and joyous.

"THE TENTH" zine will be released on April 10 at a launch party at 355 Bowery St. in New York City from 7pm-11pm. Head here for more information and check out a slideshow of images from the project below.

Documentary 'Kurt & Courtney' Available Online Just In Time For Cobain's Death Anniversary

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Saturday, April 5, marks the 20th anniversary of Kurt Cobain's death. The Nirvana frontman, who died of an apparent suicide at age 27, has remained one of modern rock's most indelible vanguards. Now, fans can watch the documentary "Kurt & Courtney" for free thanks to SnagFilms.

Director Nick Broomfield ("Aileen Wuornos: The Selling of a Serial Killer," "Biggie & Tupac") made the documentary in 1998 as an investigation into the supposed truth behind Cobain's death and the theories it spawned. The film revolves largely on what role Courtney Love may have played in Cobain's death, with some alleging she instigated his murder.

"Kurt & Courtney" opened to a bout of controversy. The documentary was set to premiere at Sundance but was removed from the lineup after Love threatened to sue the festival's organizers. With details about Cobain's death continuing to trickle out, it's a given that we'll never know exactly what happened in the leadup to the rocker's demise. Watch this illuminating film and weigh in with your thoughts on one of music's biggest losses.

This Man's Photos Of Random Stuff In His Hair Are Wacky And Delightful

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One man's curly locks -- and the objects he puts in them -- are bringing smiles to thousands of people across the internet.

Ahmad El-Abi, an Egyptian photographer, started the #StuffedHair project after a photo he posted of himself with rubber ducks in his hair got a positive reaction online, Instagram's blog reported. Since then it has taken off, with people all over the world checking Instagram to see what he'll put in his hair next.

"I hope to inspire others to open their eyes, to do what they love and to discover more about what they can do, because when I started photography three years ago, I didn’t know I would be doing conceptual/creative photography," El-Abi told the Instagram blog. "I really love it when someone says my photos cheer them up because they are colorful and funny."

The whimsical project involves pictures of the Instagrammer with all kinds of colorful and interesting items in his hair -- from Lego blocks to lollipops to kitchen utensils -- and it's sure to amuse you. Enjoy!






































Check out El-Abi's #StuffedHair project, as well as his other photography, on his Instagram account.

'Goonies 2' Is Happening According To Richard Donner

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Goonies never say die, and neither do sequel rumors. While discussing the state of Hollywood superhero movies with a paparazzo from TMZ, director Richard Donner let slip that he was making a sequel to "Goonies," the 1985 adventure film produced by Steven Spielberg.

"We're doing a sequel," Donner said while signing autographs for some lucky fans. According to the director, discussions are ongoing with the film's original cast, which included Josh Brolin, Martha Plimpton, Corey Feldman and Sean Astin.

This isn't the first time a "Goonies" sequel has been mentioned by Donner. Back in 2010, he told Collider that it was difficult to find a storyline for the second film, which is why he had planned to turn the beloved feature into a musical.

"I don't think there'd be a sequel. I wouldn’t remake it. If anything it’d be something new and fresh. Hopefully we’re doing this as a musical on Broadway," Donner said.

In 2011, Donner discussed that Broadway musical in an interview with Movieline. "We're really trying extraordinarily hard to get it made. It's a tough road -- Broadway is another world totally -- and hopefully, probably around September, we'll be talking a lot more positively," he said. "We have Tim Long doing the book, and it's quite good. The process on Broadway is another world. But if we're going there with 'Goonies' -- which has such a great following, a great life -- it has got to be the right thing. Hopefully we'll be presenting it to you in the spring of the following year."

Donner never did get to present the "Goonies" musical, but that didn't stop the cast from speculating about future "Goonies" installments.

"It will happen," Astin said in 2012 when asked about a possible "Goonies" sequel by IGN. "I'm 1000 percent certain there will be a sequel. I will bet my children on it."

[via TMZ]

Peter Matthiessen Dead: Writer And Environmentalist Dies At 86

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NEW YORK (AP) — Peter Matthiessen, a rich man's son who spurned a life of leisure and embarked on extraordinary physical and spiritual quests while producing such acclaimed books as "The Snow Leopard" and "At Play in the Fields of the Lord," died Saturday. He was 86.


His publisher Geoff Kloske of Riverhead Books said Matthiessen, who had been diagnosed with leukemia, was ill "for some months." He died at a hospital near his home on Long Island.


"Peter was a force of nature, relentlessly curious, persistent, demanding — of himself and others," his literary agent, Neil Olson, said in a statement. "But he was also funny, deeply wise and compassionate."


Few authors could claim such a wide range of achievements. Matthiessen helped found The Paris Review, one of the most influential literary magazines, and won National Book Awards for "The Snow Leopard," his spiritual account of the Himalayas, and for the novel "Shadow Country." A leading environmentalist and wilderness writer, he embraced the best and worst that nature could bring him, whether trekking across the Himalayas, parrying sharks in Australia or enduring a hurricane in Antarctica.


He also was a longtime liberal who befriended Cesar Chavez and wrote a defense of Indian activist Leonard Peltier, "In the Spirit of Crazy Horse," that led to a highly publicized, and unsuccessful, lawsuit by an FBI agent who claimed Matthiessen had defamed him.


"In Paradise," which he had expected to be his last novel, will be published next week. The book was inspired by a visit in the 1990s he made to Auschwitz.


"The gas chambers were all blown up at the end of the war, so they are simply these grim-looking pale ruins out in the distance," he told NPR during a recent interview. "It's a very grim scene. And so it's the enormity of it that just stuns you the first time."


Matthiessen became a Zen Buddhist in the 1960s, and was later a Zen priest who met daily with a fellow group of practitioners in a meditation hut that he converted from an old stable. The granite-faced author, rugged and athletic into his 80s, seemed to live out a modern version of the Buddhist legend, a child of privilege transformed by the discovery of suffering.


Matthiessen was born in New York in 1927, the son of Erard A. Matthiessen, a wealthy architect and conservationist. "The Depression had no serious effect on our well-insulated family," the author would later write.


While at Yale, he wrote the short story "Sadie," which appeared in the Atlantic Monthly, and he soon acquired an agent. After graduation he moved to Paris and, along with fellow writer-adventurer George Plimpton, helped found The Paris Review. (Matthiessen would later acknowledge he was a CIA recruit at the time and used his work with the Review as a cover).


The magazine caught on, but Paris only reminded Matthiessen that he was an American writer. In the mid-1950s he returned to the United States, moved to Long Island's Sag Harbor (where he eventually lived on a six-acre estate), socialized with Jackson Pollock, Willem de Kooning and other painters, operated a deep-sea fishing charter boat — and wrote.


Matthiessen's early novels were short, tentative efforts: "Race Rock," ''Raditzer" and "Partisans," which features a wealthy young man who confides "his ignorance of human misery." In need of money, Matthiessen also wrote for such magazines as Holiday and Sports Illustrated.


In 1961, Matthiessen became a major novelist with "At Play in the Fields of the Lord," his tale of missionaries under siege from both natives and mercenaries in the jungles of Brazil. Its detailed account of a man's hallucinations brought him a letter of praise from LSD guru Timothy Leary. The book was later adapted into a film of the same name, starring John Lithgow and Daryl Hannah.


He wrote many other books, including "Far Tortuga," a novel told largely in dialect about a doomed crew of sailors on the Caribbean; "The Tree Where Man Was Born," a highly regarded chronicle of his travels in East Africa.


In the 1980s and '90s, Matthiessen published a trio of novels — "Killing Mr. Watson," ''Lost Man's River" and "Bone by Bone" — about a community in Florida's Everglades at the turn of the 20th century and a predatory planter. Unhappy, especially with "Lost Man's River," he spent years revising and condensing all three books into "Shadow Country," published in 2008 and a surprise National Book Award winner.


Although an explorer in the Hemingway tradition, Matthiessen didn't seek to conquer nature, but to preserve it. In 1959, he published his first nonfiction book, "Wildlife in America," in which he labels man "the highest predator" and one uniquely prone to self-destruction.


Much of his fiction, from "At Play in the Fields of the Lord" to "Bone by Bone," bestowed a lion-like aura upon nature — grand when respected, dangerous when provoked, tragic when exploited.


"There's an elegiac quality in watching (American wilderness) go, because it's our own myth, the American frontier, that's deteriorating before our eyes," he once wrote. "I feel a deep sorrow that my kids will never get to see what I've seen, and their kids will see nothing; there's a deep sadness whenever I look at nature now."


Matthiessen was married three times, most recently to Maria Eckhart, whom he wed in 1980. He had four children, two each from his first two marriages, and two stepchildren from his third marriage.

How I Found My Gender Through Being A Queer Porn Star

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(Note: This is an excerpt of an essay titled "Finding Gender Through Porn Performance" that originally appeared in the "Porn Studies" journal. The full essay is available here and the entire journal is available for free here until the end of May.

Some of the language below may not be appropriate for work or other sensitive environments.)


Queer porn means different things to different people –- but to me, it means porn that is out of the box, out of the closet, and shamelessly sex-positive. Queer porn's endless combinations of genders and sexualities allow its performers and its audience to expand and affirm their own identities and desires. It is porn you end up thinking about long after you watch it, occasionally leaving you wondering whether you are more like the performers you saw than you had previously thought. Queer porn is humanizing and connective.

In my words
I am genderqueer. I could say ‘gender variant,’ but I know what I am: Queer. I do not vary slightly from the standard form – I fuck it all up. I knew I was not a boy or a girl when I was a child, but I did not have the words to explain what that meant to my family and friends. Trans did not fit, but neither did cisgender (self-perception of one's gender matches the sex they were assigned at birth).

While I knew I was queer before I made porn, producing and performing in porn helped me find my gender. Ten years of watching people strap, tuck, shave, paint, bind, glue, and glitter themselves to express their gender in a visual, textural, sexual, and public way has shown me that I did not have to pick something off the rack – I could be, and am, a multifaceted creature that lives in a liminal space.

For me, documenting the sex in my life and my community revealed a personal identity built of seemingly opposite elements having a symbiotic relationship.

I see this body, and this mind, in its truest form – a femmasculine creature that lives in a grey room (literally and metaphorically) full of tits, cock, scars, softness, pain, and pleasure. The words ‘bisexual’ and ‘switch’ never felt like home to me – but the words ‘both’ or ‘all’ encompass my identity in ways that make my sex life and my fantasies complicated beyond the general understanding of sexual identity.

My exposure to so many versions of gender and sex through making porn has been therapy for me. Without it, I would not be so aware of my genderqueerness. My understanding of my own gender identity evolved while engaging in public and private sex with dozens of people of multiple genders, all of them experimenting, exploring, or evolving – just as I was.

Queer porn gave me words to explain the way I have felt my entire life, by giving me the opportunities to have experimental or explorative queer sex as an embodied, queerly gendered person. In other words, by being allowed to ‘be myself,’ I found myself.

In my performances
I can see, in recent performances, epiphanies of my own gender queerness evolving on screen. The following are a few of those moments.

In a scene with April Flores for the film "Hard Femme," we begin kissing on a bed. As lesbian porn goes, I take out her breasts and start kissing them. Then she kisses mine. I can see an alarm go off in my head when I watch the footage; something switches. I do not like having my breasts played with in a ‘womanly way,’ and suddenly I am grabbing my tit and thrusting it into her mouth. I whisper, ‘Suck my tit like a cock,’ and within seconds I am more present. Finding a way to embody a phallus using my assumed ‘female’ body made the scene work for me.

I have joked and called it ‘psychic dick’ before, and without explanation it seems funny – but ‘psychic dick’ is literally the feeling that a part of my body (my tit, clit, fingers, strap on) have become my actual dick and I am able to embody a more masculine gender within sex.

I have performed as butch for a few scenes in my career. Once, with trans man Charlie Spats, I got to be a cruising leather daddy. I used a strap-on, and while that felt authentic to me and quite satisfying to fuck a boy as a boy myself, the butch presentation itself did not feel at all authentic to me.

Another butch performance was for the film "Valencia: The Movie" (based on Michelle Tea's legendary memoir about being a dyke in the 1990s San Francisco Mission District) in which I play a butch dyke who teaches Michelle how to fist her. Because I was performing a role, my authenticity did not matter so much, but my butchness felt like a bad impression, a comedic role.
These two scenes revealed to me that my physical need for phallus embodiment during sex is not related to a masculine presentation or a male gender identity. I am not a man, but I do have a dick.

Through the trial and error inherent in porn performance, I have found that my feminine presentation and masculine sexuality are connected, and that this is reflected in my non-pornographic identity as well. Were it not for the opportunities granted to me through porn to play different roles, I would not have the understanding that I have now.

In their words: James Darling
James Darling started performing porn early into his physical transition, and throughout his career has unintentionally documented not only the changes in his body, but the changes in his sexuality as well – providing a clear glimpse into the sexuality of one trans man.

“Performing in porn has really made me take a much more critical look at the way I present myself to the world and be more intentional about the gender I present on and off screen. My masculinity is different than most other male performers in porn and I'm very critical of the kind of man my audience and fans perceive me to be. I've watched my body change over the years through porn and it's incredibly validating to see my transition reflected back to me through an erotic lens. Queer porn has allowed me to express more feminine and queer parts of myself that I can't imagine would be possible in more mainstream porn, and I'm truly grateful for that.”

In their words: Jiz Lee
Jiz Lee is becoming one of the most well-known genderqueer people of our time due mostly to their wide-ranging performances in queer, indie, and corporate pornography. They have brought the word ‘they’ into many people's understanding of gender and have become a role-model for young trans* folks and those who are seeking to create more affirming corporate porn workplaces.

“Making porn had the effect of bringing me out of my shell, and helping me to define – and more importantly, articulate – myself to the world at large. It was through porn that I created my website, and found a voice for writing. Later, it was through porn that I swallowed my fear of public speaking and improved my skills talking in front of other people. I would likely be the same person, in many ways, had I not had the opportunities I've had through being a public figure. The documentation and amplification of my gender expression, however, has certainly had a profound impact on my ability to articulate myself, in addition to building a better understanding of how others see me.

One example of such is coming to use the pronouns they/them. When I first started out, I simply asked that whatever description or biography made public of my gender not use feminine pronouns. However it quickly became apparent that the absence of these pronouns did little to assert my androgynous gender – others needed a more visible marker of my gender status, and thus, I came to use they/them. (It turns out that singular they is the original gender-neutral pronoun, coined in early English. So it also happens to be grammatically correct.)”

In their words: Papi Coxx
Papi Coxx's first porn performance was with their real-life partner Wil for a documentary about their lives as ‘trans entities.’ Papi has been outspoken about genderqueer identity and sexuality long before they started making porn, but has found porn to be a useful platform for creating visibility.

“Porn, specifically queer porn, absolutely re-affirmed my gender identity and expression. Queer, DIY and Feminist porn have created a space for porn to exist within and outside of the ‘sex.’ It's delved deeper into identity, endless sexualities, and politics. Queer porn gave me a public and educative avenue to express my gender and have it be visible in the most vulnerable of ways. For many trans people/GNC people, the body is a source of struggle. I've always said that my nudity negated my trans identity because I had not had surgery or taken testosterone. When I am viewed in the nude, I am identified by others as a woman. Queer porn broke that ideology and allowed for dialogue, new desires and visibility to shape a forward era in porn.”

Conclusion
It is clear that the intentions behind and implications of queer porn go beyond the generic understanding of pornography. There is a clear political, personal, and creative drive in queer porn that is not common in other genres or subsections of the larger industry. Many of us do other kinds of work that is much more financially rewarding or career-making, but queer porn is our preferred process, and through it we are able to search for something beyond financial gain: knowledge, power, acceptance, visibility, desire, justice, love, to name a few. Each scene is a new opportunity to challenge our own perceptions of self, or to help you challenge yours.

Queer porn transcends the tendency to put our sex in binary boxes, and uses desire as a catalyst to create change within the queer community and the porn industry.

We must wonder what porn could accomplish for society if every adult industry set provided that freedom to question, pervert, personalize, or politicize the individualistic sex positive powers of those making it, and those watching it.

Courtney Trouble
California, USA

This is an excerpt of an essay titled "Finding Gender Through Porn Performance" that originally appeared in the "Porn Studies" journal. The full essay is available here and the entire journal is available for free here until the end of May.

Angela Merkel Stops By 'SNL' Weekend Update To Talk Obama, Putin And Boob Touches

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Angela Merkel is sick of cleaning up everyone else's messes. After confirming that Vladimir Putin had begun a partial withdrawal of troops from the Ukrainian border, Merkel (Kate McKinnon) stopped by "Saturday Night Live" for a quick chat with "Weekend Update" anchor Colin Jost.

Jost's first question was about Merkel's interactions with Putin, to which she explained, "Working with Putin is like being cornered at a party by a guy who just started CrossFit."

Sounds exhausting. No wonder she needs a vacation. Watch the clip above to see what the hardest working woman in global politics has been up to, and how she would finally like to let her hair down.

'Heels On Wheels,' Queer Femme Art Group, Launches Tour

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Heels on Wheels is a New York City-based queer femme art extravaganza that will be taking their work on the road later this month.

It is an intersectional and collaborative body of work produced by a group of queer artists and performers who embody the mentality that art can change the world. The tour is a combination of multi-media, literary and performing arts, music, participatory art that seek to complicate the question: what and who are queer femmes?

heels on wheels

"I had a vision in which queer folks anywhere on the feminine spectrum -- fey fags, high femmes, hard femmes, dandy genderqueers and more -- could present high-quality interdisciplinary artwork that people would listen to and be inspired by that was not writing or burlesque, which have their own tours and niches," Damien Luxe, co-producer Heels on Wheels, said in a blog post. "As working-class folks we knew we’d have to find a way to get this work into the world on our own, so like punks we started independently booking and touring the US in 2010."

The six performers touring with Heels On Wheels are Damien Luxe, Heather Ács, Shomi Noise, Sabina Ibarrola, Angel Nafis, Alvis Parsley, Lizxnn Disaster.

For ticketing and information about the Heels On Wheels tour head here.

'SNL' French Dance With Anna Kendrick Features Some Cups, Naturally

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If there was one sketch on Anna Kendrick's episode of "Saturday Night Live" that was worth nerding-out on, it was the "French Dance."

The recurring sketch is always an exercise in ridiculous exuberance and French stereotypes, but this one also featured a nod to Kendrick's "Cup Song" performance from "Pitch Perfect," as well as an appearance by Jay Pharoah as Chris Tucker's over-the-top character from "The Fifth Element."

Extended 'Godzilla' Trailer Proves That We Have 'No Idea What's Coming'

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The new extended trailer for "Godzilla" packs a wallop, providing a lot more action and insight than those that preceded it. More of the plot is revealed, as a nuclear power plants collapse separates Bryan Cranston's character Joe Brody from his wife. Whatever happened at the plant seems connected to Godzilla's awakening, and Brody demands some answers. From there on out, it's all tsunami, military destruction and the best look at the beast yet. Watch the extended look at the "Godzilla" reboot below. The movie hits theaters on May 16.

Childhood Sweethearts With Down Syndrome To Finally Tie The Knot 30 Years After They Met

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Austin Wayne Underwood and Jessica Smith, from Fort Worth, Texas, are both in their mid-30s and both have Down syndrome -- in fact, that's what brought them together in the first place.

Underwood's mom, Jan, has spent much of her life advocating for fair treatment to children with Down syndrome. She became a resource for other moms who have kids with Down syndrome to turn to for advice, Fort Worth Texas Magazine reported.

When Underwood and Smith were 3 years old, Smith's mom reached out to Jan and they've been close friends ever since. According to the outlet, the families have spent every Christmas together for the past 30 years, but in 2012, Underwood decided to break the tradition.

Fortunately, he had a legitimate excuse.

Underwood took Smith, who he has loved since childhood, for a drive in a limo to look at the Christmas lights. When he stepped out of the car, he got down on one knee and proposed.

Read the entire story at Fort Worth Texas Magazine.

The childhood sweethearts, who've decided they wanted a Western-themed wedding, are set to marry this summer.

"For me, it is about being a part of Jessica’s life and always being together," Underwood told Fort Worth Texas Magazine about their upcoming nuptials.



Apollo 15 Artifacts Featured In NYC Space Auction

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NEW YORK (AP) — Everything from American and Russian spacesuits to a moon dust-covered strap from the Apollo 12 mission will be available to space history buffs at auction in New York City next week.

Among the highlights at Bonhams on Tuesday is a motion picture sight ring, a small polarizing filter put on a camera that was used by astronaut James Irwin on Apollo 15. "It was used in the module when it landed on the moon and also on takeoff," said Cassandra Hatton, Bonham's space history specialist. "It's extremely rare, probably the only one in private hands." The sight ring is being sold by Irwin's estate and is estimated at $20,000 to $30,000.

Another fascinating item is an Apollo 12 shoulder strap embedded with lunar dust. It was used when astronauts Charles Conrad and Alan Bean conducted two extensive surface explorations during which they accumulated a large amount of lunar dust on their suits, gloves and flight equipment. The strap has a pre-sale estimate of $25,000 to $35,000.

The sale is significant because "we have items that came directly from astronauts, items that they carried into lunar orbit with them, items that went to the lunar surface and items that have lunar dust on them," Hatton said.

Other highlights include Apollo 11's lunar surface checklist sheet with annotations by astronaut Buzz Aldrin. The data enabled Aldrin and Neil Armstrong to return to earth.

The auction house said it is one of the most extensive sets of notations ever made on the lunar surface. It has a pre-sale estimate of $35,000 to $45,000.

Other items include a Mercury era spacesuit estimated at $8,000 to $12,000. It is an example of the cover layer for the famous silver spacesuit of the Mercury program. The one being offered is not attributed to any astronaut and was never flown.

A Soviet-era Strizh spacesuit designed to protect cosmonauts from ejection is estimated at $15,000 to $20,000. Bonhams said it is one of only 27 created for test and training purposes between 1981 and 1991.

American flags flown on various expeditions also are in the sale, including a silk version carried to the moon by Aldrin on Apollo 11. It's estimated at $20,000 to $30,000.
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