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The Movies Obama Used To Explain The World (And Himself)

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When asked to name his favorite movies in a 2008 interview, then-presidential candidate Barack Obama was unabashed in expressing his love for the big screen. 


“I’m a movie guy,” Obama said. “I can rattle off a bunch of movies.”


As a candidate, Obama stuck to the classics: “The Godfather” Parts I and II (”III, not so much,” he correctly noted), “Lawrence of Arabia” and “Casablanca” because, “you know.”





As president, Obama’s breadth of pop culture consumption and his role as pop culture tastemaker and influencer did not go unnoticed. He embraced the big and the small, highbrow and lowbrow, old and new. 


For pop culture junkies, it was fun to see the president of the United States dive into all forms of popular culture, voraciously consuming it, talking about it and engaging with it ― but, above all, showing an acute awareness of how it both influences and reflects American society and provides a common language.


Throughout his presidency, Obama often used movies and movie references to explain the world, to the pleasure of movie buffs (this reporter among them).


In a 2016 profile in The Atlantic, advisers recalled that he compared the fight against the Islamic State (also called ISIL) terrorist group to Heath Ledger’s towering, monstrous performance as the Joker in “The Dark Knight.”



“There’s a scene in the beginning in which the gang leaders of Gotham are meeting,” the president would say. “These are men who had the city divided up. They were thugs, but there was a kind of order. Everyone had his turf. And then the Joker comes in and lights the whole city on fire. ISIL is the Joker. It has the capacity to set the whole region on fire. That’s why we have to fight it.”



Honoring the work of political journalists last year, he encouraged them to keep pressing for answers when he cited the year’s Oscar winner for best picture, “Spotlight,” which chronicles a team of Boston Globe reporters who systematically exposed the Roman Catholic Church’s sex abuse scandal.


Sometimes it was in more lighthearted contexts, to relate a good anecdote or show that he was in the know.


When visiting Lake Tahoe last August, he again went back to “The Godfather: Part II,” “maybe my favorite movie,” he said, recalling a climactic scene that takes place there.


“As I was flying over the lake, I was thinking about Fredo,” he said. “It’s tough.”



At a White House climate change panel in October, Obama referred jokingly to a scene in moderator Leonardo DiCaprio’s film “The Revenant” when discussing the importance of preserving public lands, drawing laughter from both the audience and DiCaprio.


As president, Obama also championed films that corresponded with his own interests through hosting screenings at the White House. Reflecting his deep study of and appreciation for history, he screened Steven Spielberg’s “Lincoln” and Ava DuVernay’s “Selma.”


Just last month, first lady Michelle Obama hosted the cast of “Hidden Figures,” which tells the story of three pioneering black women at NASA who were integral to the success of the early space missions. The film is about black history, female empowerment, and science and math fields, all areas that the Obamas have promoted in the White House.



The eclectic panoply of movies that Obama seems to enjoy has been fascinating to parse. He has embraced anything from big blockbusters, like “The Martian,” in which Matt Damon learns how to grow potatoes on Mars, which Obama named his favorite film of 2015; to small independent movies, like “Little Men,” a coming-of-age story set against the effects of gentrification in Brooklyn, which the Obamas reportedly watched on their most recent summer vacation.



I’m a movie guy. I can rattle off a bunch of movies.
President Barack Obama


Appropriately (but perhaps prematurely), Obama’s life has already gotten the cinematic treatment. The last year of his presidency brought two movies about his formative years: “Barry,” depicting his time as a soul-searching student at Columbia, and “Southside With You,” about his first date with Michelle (which included — fittingly — seeing Spike Lee’s monumental 1989 film, “Do the Right Thing,” which had just opened). There will surely be more film examinations of Obama’s presidency in the years to come.


It is unclear what President-elect Donald Trump’s cultural tastes are or what kind of cultural legacy he might forge. In terms of his movie preferences, he recently singled out the Billy Wilder 1950 classic, “Sunset Boulevard,” about a washed-up actress consumed with self-image and trying to return to a more glorious past.


Most notably, Trump’s favorite movie is 1941’s “Citizen Kane,” which depicts a egotistical business mogul turned demagogue.


“The wealth, the sorrow, the unhappiness, the happiness just struck lots of different notes,” Trump told documentarian Errol Morris in 2002, noting that Kane’s wealth in the movie was “not necessarily all positive. Not positive.” When asked if he had any advice for Kane, he said: “Get yourself a different woman.”


 

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Artist Actually Knits With Ramen Noodles. And No, We're Not Fabricating This.

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This ramen art has cooked up quite a bit of curiosity. 


Cynthia Suwito, an artist based in Singapore, knits instant ramen as part of a performance art project appropriately named “Knitting Noodles.” And while the project is a fun, quirky take on our favorite hangover food, there’s a poignant message behind it. 





The 23-year-old artist explained that the work is a statement on our need for instant gratification. By taking a material that cooks quickly and using it for an activity that takes time, Suwito “aims to slow viewers down,” she wrote on her website. 


Though the project started back in 2014, it recently stirred up attention after Suwito was featured in the 2016 Untapped Discovery, an exhibition put on by the Visual Arts Development Association Singapore. 



because its almost as tall as me ~~ #knittingnoodles #knitting #art #crazyperson #whattodowiththis

A photo posted by Cynthia Delaney Suwito (@cynthiadsuwito) on




To produce her now famous ramen works, Suwito cooks and cools the noodles before carefully knitting them, she demonstrated in a BBC News video. It takes about three hours for her to create a 20 centimeter (7 inch) piece. The artist explained that working with instant ramen has actually made the whole process of knitting much slower.


While Suwito, who’s created other ramen art, says knitting noodles is therapeutic, it’s definitely not as easy as cooking them. The “yarn” is delicate and there’s always a possibility it’ll break. In fact, it took her months to be able to knit with the food and only recently has she figured out how to make long pieces, she told Channel NewsAsia.  





But it seems like the effort is worth it as the art has received quite a bit of praise. Wong Binghao, the exhibition’s designer and curator, told Channel NewsAsia that Suwito’s piece is an excellent reflection of life in Singapore. 


“For her, it is indicative of how people cope with velocity and pressure,” he said. By combining this index of speediness with the activity of knitting, which is slow, craft-based and gendered, she’s providing a unique contrast.”


Though we love slurping down some instant noodles, we have to say ― watching this mesmerizing performance piece might actually beat that!  

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Paris Wax Museum Finishes Trump Wax Dummy Just In Time

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A Paris wax museum unveiled a Donald Trump effigy with real human hair on Thursday, having being caught off guard with a half-ready figure of Hillary Clinton when he won the U.S. presidential election in November.


The Grevin museum went into overdrive to produce its wax lookalike of Trump for an appearance on the eve of Friday’s White House handover.


Unlike the Trump dummy who has just taken up residence at London’s Madame Tussauds, the Parisian version uses human rather than yak hair to reproduce his distinctive coiffure.


“It was hard to get the right color,” Grevin spokeswoman Veronique Berecz said. “It had to be put in one by one but it’s natural. It allows us to wash his hair.”

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Alec Baldwin Mimics Donald Trump Once More At New York City Rally

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Alec Baldwin couldn’t help himself.


The Hollywood star channeled Donald Trump once again in front of 25,000 protesters at the anti-Trump “We Stand United” rally near Trump Tower in New York City on Thursday night.


Although Baldwin wasn’t wearing the suit or wig that he’s used in his portrayal of the president-elect on “Saturday Night Live” in recent months, he still managed to throw effective shade at Trump by repeatedly referencing his alleged ties to Russia.






“I just want to say, I’ve been standing out here in the freezing cold for a long time,” Baldwin said, as Trump. “I have to go to the bathroom. I have to pee. But I’m holding it in, I’m holding it in, I’m not gonna pee. I’m going to a function at the Russian consulate tonight, I’m gonna hold it in ‘till I get there.”


“And then when I get to the Russian consulate, I’m going to have a really, really long pee,” he continued. “Like the biggest pee I’ve ever had in my lifetime.”



This land is your land. This land is my land. Thanks to all who came out. #WeStandUnited

A photo posted by Mark Ruffalo (@markruffalo) on




Baldwin later turned serious and urged the crowd to “never lay down” in resisting Trump and his administration. He also encouraged demonstrators to tell their children what was happening.


They’re never too young for you to teach them about what’s going on here,” Baldwin said. “They’re never too young for you to teach them what a real American is.”






Singer Cher and actors Robert De Niro, Julianne Moore and Marisa Tomei also appeared at the event, which filmmaker Michael Moore and actor Mark Ruffalo helped organize.


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Harry Potter Was The Undisputed Star Of Woody Harrelson's Live Film

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“Lost in London Live,” Woody Harrelson’s first directorial effort, successfully captured an hour-and-a-half or so of scripted comedy in one take that was streamed onto theater screens across the U.S. on Thursday.


It was a marvel of technology and coordination that required 14 filming locations around London and hundreds of crew members to pull off production during the wee hours of Friday morning, local time. Narratively, it was bizarre, culminating with everyone clamoring to meet “Harry Potter” star Daniel Radcliffe. (As you would.)


The film presents a late-night misadventure based on what Harrelson claims are the mostly true events from 2002. When news of an alleged marital indiscretion by the actor hits tabloids, Harrelson is compelled to prevent his wife from seeing it and, unsurprisingly, fails. His wife becomes quite naturally upset, inspiring the actor to join some friends (including a prince whose Arabic name he never seems to remember) for a drink instead of patching things up.


When trouble starts finding Harrelson, he remembers a commitment he made to his family: At 7:30 a.m. sharp, they were meant to visit the set of “Harry Potter” and meet star Daniel Radcliffe. The kids really want to meet Harry Potter. (As you would.)



Eventually, after running into Owen Wilson, puking into a stranger’s mouth, breaking an ashtray in a cab and fleeing from police, Harrelson ends up in a jail cell. Desperate to break out in time to keep his word, the actor plays his strongest card ― he’s a celebrity who knows other celebrities. Would the officer arresting him like to speak to Bono? Would he like to take his disabled son to see Harry Potter and “Bumbledore”? (Answer: Yes. As you would.)


After soliciting some genuine laughs from the theater, the actor’s live experiment culminates in what is clearly meant to be a moving declaration of love for his wife, but strays into territory of rom-com clichés.


“I want you to go in that van and leave me here,” says Harrelson. “I think if I’m going to be really selfless about this, I don’t want to see you saddled with me.” 


“I don’t want to see the person I love with the person I hate.”


One clunky man-lets-woman-walk-away-before-dramatically-chasing-after-her-and-heroically-winning-her-back sequence later, everyone is headed to “Harry Potter.”


“Whenever famous people came out to the set, it was very exciting,” Radcliffe recalled in a pre-taped segment after the film’s conclusion. The actor was “about 12 or 13” at the time, and remembered the occasion as a “lovely” one, until news of Harrelson’s eventful night reached the set.


“The genuine reaction around the set was, ‘Did Woody Harrelson just come and use the ‘Harry Potter’ set for a safe house for a day, and was he just coming here to hide out?’ Which, it turns out, wasn’t the case, but if it had been, a pretty cool thing to do,” Radcliffe said, amused. “So yeah, that was the first time I met Woody.”

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Michael Moore Just Laid Out His Blueprint For Resisting Donald Trump

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Michael Moore was prescient in correctly forecasting Donald Trump’s win. He understood before so many others the forces that would propel Trump to this nation’s highest office.


Since the election, the Academy Award-winning filmmaker has been relentless in sounding the alarm about what he believes Trump’s presidency portends for the rights of Muslims, the wall and the future of democracy in this country. (Hint: not good things.)


But Moore, a longtime progressive activist, is not planning to sit still and watch Trump’s agenda reshape America. And at Watch Us Run, HuffPost Women’s inauguration day event, he spelled out his own personal plans for surviving a Trump presidency.


“I want every one of us to commit ― starting today if you can, but certainly starting on Monday ― that you make a part of your daily routine to call Congress,” Moore urged. You don’t even have to look up your legislator’s information, he added; you can simply call (202) 225-3121 and ask for them to connect you to your representative. 





Moore also urged people to “join the army of comedy,” using humor and satire to push back against Trump, and of course to vote ― always. 


“What I worry about, especially with young people ... is that the takeaway from this election is, ‘Why bother? Why vote? Don’t tell me my vote counts. Don’t preach that Civics 101 thing to me,’” Moore said, but he believes people who voted against Trump should be heartened that they’re in a majority.


“Individually you all have to take a stand... We are now in the Trump era,” he said. “You’re going to have to put some serious thought into putting yourself on the line.”


Want more content from Watch Us Run, an inauguration day event presented by HuffPost and Bustle in partnership with Bold? Read here

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No, 'Harry Potter And The Cursed Child' Will Not Be A Movie Trilogy

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We know you’re all excited about anything involving the “Harry Potter” universe, but don’t believe everything you hear.


Rumors are swirling that a trilogy of movies based on the “Harry Potter” play, “Harry Potter And The Cursed Child,” was forthcoming by Warner Bros. ― even though J.K. Rowling indicated that the play would remain stage and page-bound.


Well, the rumor has been officially debunked.






Rowling made the announcement amid the inauguration festivities for Donald Trump, leaving some fans despondent. To one fan who questioned why she didn’t wait to tell them the rumors were false, Rowling said she values truth and sent virtual hugs. 






At least we can always count on Rowling to respond to the rumor mill.

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‘Carnage’ Is The Top Dictionary Search On Trump's Inauguration Day

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A word cloud of Donald Trump’s inaugural address would likely feature phrases like “the people” and “unite.”


The subtext of his speech is another story. Trump’s promise to put “America first,” for example, is a fraught one. Historically, the phrase has been used by Nazi sympathizers. And his avowal to protect the interests of the police is brimming with racist undercurrents


While the address ostensibly rings of promise and change, the words that were most searched on dictionary sites are alarmingly opposite in tone.


According to Dictionary.com, the top look-ups during the speech were “carnage,” “radical” and “pugnacious.” On Merriam Webster, “carnage” saw a spike in searches, too.










Merriam Webster defines “carnage” as “the flesh of slain animals or humans.” Dictionary.com defines it as “the slaughter of a great number of people, as in battle; butchery; massacre.”


In the past year, both sites have kept close tabs on what users searched for during political events. During election season, “glass ceiling,” “trumpery,” “demagogue” and “cavalier” all saw an increase in look-ups.


With “carnage,” the connotation of searches on these sites has gone from wary to flat-out bleak. 

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Shepard Fairey's 'We The People' Gets Full-Page Ad In Major Newspapers

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Open the Jan. 20 editions of The Washington Post or The New York Times, and you’ll find a stunning full-page ad staring back at you. 


“We the people,” it reads, above an image of a woman in a red, white and blue headscarf, “are greater than fear.” 


The defiant image comes courtesy of Shepard Fairey, the street artist behind the iconic “Hope” poster that circulated widely during former President Obama’s campaign in 2008. Commissioned by the Amplifier Foundation, the “We the People” ad is part of a grassroots campaign originating on Kickstarter that raised over $1 million to place Fairey’s art in major newspapers on the day of President Donald Trump’s inauguration.






Fairey, along with artists Jessica Sabogal and Ernesto Yerena, submitted work to the Amplifier Foundation in an effort to provide protest art for those marching on Washington, D.C., this weekend. In order to sidestep “restrictions on signs and banners” in some parts of the district ― and guarantee that the “We the People” images could be distributed in a short amount of time ― the foundation decided to pay for six newspaper ads that can be ripped out and taken to the streets.


You can see one of the NYT ads, reportedly also appearing in USA Today, courtesy of a photo from Brooklyn Street Art’s Jaime Rojo and Steve Harrington, above. 


According to the Amplifier Foundation, the poster art aims to visualize the non-partisan principles that always characterized the true spirit of America ― diversity, democracy and shared humanity.  


“We felt the phrase ‘We the People’ is pretty important. It means everyone,” Fairey explained to the LA Times, adding that he and the Amplifier Foundation wanted the posters to communicate “the idea of the melting pot and inclusion.”


Read more about the creative protest art here.

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Sexual Assault Survivors Share Powerful Message With President Trump

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On the eve of President Donald Trump’s inauguration, survivors of sexual violence took to the streets of Oakland, Ca. and Washington D.C. to protest his incoming administration.


The survivors and their allies projected powerful messages on city buildings ―the Convention Center D.C. and the Oakland Police Department ― of how Trump reminds them of their own abusers. 


“In this man’s face, I see the ex-boyfriend who chased me through the streets,” one message said in D.C. Another in Oakland said, “This man has the same disgusting smile of my abusive ex-husband when we were in public pretending he was a nice person.”


In a statement on Friday morning, Jadelynn Stahl, president of the Oakland-based activist group DISCLOSE told The Huffington Post: “Survivors of rape and abuse, along with our supporters, are coming together to use our collective voice to name what is happening: a rapist is becoming president... We, as survivors of gender-based violence, came together to assert that our collective vision for a world without gender-based violence persists in the face of the impending administration.”


(Story continues below.)







DISCLOSE partnered with Washington D.C.-based activist group FORCE: Upsetting Rape Culture for both the protests and the proceeding tweet storm.


Survivors were encouraged to use the hashtag #WeWillNotBeSilent during Trump’s swearing-in ceremony to share their experiences with gender-based violence: 






















As FORCE co-director Rebecca Nagle said on Friday, “as survivors of violence, we know best the tactics that Trump uses to maintain power because we have lived it.” 


Need help? Visit RAINN’s National Sexual Assault Online Hotline or the National Sexual Violence Resource Center’s website.

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This Anti-Trump PSA Is Unapologetically Reaffirming

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In an accurate portrayal of the collective frustrations over President Donald Trump’s election, comedian and activist Kerry Coddett created an anti-Trump PSA in a parody of The Weeknd’s hit song “Starboy.”


“Starboy: The PSA” is a response to the president’s hateful rhetoric. The timely track begins by citing the 900 hate crimes that took place throughout a period of ten days following President Trump’s election and features a voice for everyone who’s feels threatened by President Trump’s political reign.


“This song is about loving the skin you’re in, no matter who tells you otherwise,” Coddett said in the song’s press release. “This is a clapback track; a song that articulates my grievances and communicates the ideas I wish I could express to the people who really need to hear them.” 


Lyrics in the song include lines like, “I’ma marry whoever wanna marry me/ Wear a scarf on my head if I please” and “Hate my color? Miss me with your shade.” 


And, of course, the parody isn’t without a direct message to America’s new president.



Real talk, shoulda never gone this far boy/ Took it for a joke, took it for another con boy/ Now my city spending millies daily on your convoy/You wanna block us out, you wanna lock us in/Worry about your own, your wife ain’t even moving in.



But aside from the witty commentary, there’s an underlying theme of empowerment in the Brooklyn comedian’s choice to use “Starboy” to get her message across.


“We are stars,” Coddett said in the release. “And stars shine in their darkest hours.”


Check out Coddett’s full parody in the video above. 

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Go See '20th Century Women' This Weekend To Support Planned Parenthood

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If you watch “20th Century Women” this weekend, you’ll be making Planned Parenthood’s coffers a bit fuller.


Production house A24 will make a donation to the women’s health organization “in honor of all the women (and men) who see the film this weekend,” the company announced Friday.


“20th Century Women” follows single mother Dorothea, played by Annette Bening, along with her free-spirited friends and tenants Julie and Abbie, played by Elle Fanning and Greta Gerwig, as she raises her son in ‘70s California. 


Planned Parenthood provided consultation on the film, sharing information on its health centers ― which crop up in the story ― at the time, including the language used by employees.


“It was very important to me that we capture this moment in women’s reproductive rights accurately and they were so generous and helpful to me,” director Mike Mills said of his collaboration with the group in a statement.


The Huffington Post has already dubbed “20th Century Women” one of 2016’s best movies, and it expands to theaters nationwide on Friday.


Watch as Fanning, Gerwig and Planned Parenthood president Cecile Richards reflect on the strides made by women in the 20th century below:





CORRECTION: A previous version of this post misidentified the actress who plays Julie. 

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Black Twitter Says No To Trump And Yes To 'The Wiz' In #InaugurationBlackout

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In anticipation of the gloom President Donald Trump’s inauguration would cast over minority communities on Friday, Interactive News One’s Jamiliah Lemieux encouraged black Twitter users to partake in an #InaugurationBlackout that consisted of live-tweeting “The Wiz” on Netflix during the event. 






Lemieux partnered with media site Hello Beautiful, activist group Blackout For Human Rights and film company Array Now to encourage users to watch the 1978 black-led musical on Netflix promptly at 11 AM, moments before the inauguration kicked off.


As users watched, timelines were flooded with #InaugurationBlackout tweets that reflected collective expressions of black joy, nostalgia, observations of the musical’s eerie foreboding and calls for solidarity. Take a look at some of the tweets below:



















































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Trump's Inaugural Words Turned Into A Chilling Poem

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President Donald Trump’s inaugural address, delivered after his swearing-in on Friday, struck almost apocalyptic notes about the current state of our country. 


The tone of the speech is underscored by the list of words said for the first time in an American inaugural address, which The Washington Post reported in a graphic:






Bleed, carnage, tombstones, ripped, rusted, stolen ― many of the words on the list are uncharacteristically dark and even violent in nature for a speech to the nation at the dawn of a president’s term. 


They’re also remarkably evocative, so it was only a matter of time before artists began to repurpose the cluster of words for their own uses. Author Randa Jarrar tweeted a poem she’d written using the Trumpian terms ― supplemented with some common words such as “a” and “my” ― that transforms the muscular language of the inaugural address into a haunting elegy of “solidarity in depletion” and a “wind-swept, stolen landscape.” 


Jarrar’s poem is a far more poignant and eloquent marker of this historic occasion than the purported inaugural poem by Joseph Charles MacKenzie circulated earlier this week, and a subversive way of injecting poetry into an occasion where it wasn’t invited. (Unlike former President Barack Obama at his two inaugurations, Trump had no inaugural poet.) 


Read the full poem, posted by Jarrar on her Twitter, above.

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The 20 Funniest Tweets From Women This Week

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The ladies of Twitter never fail to brighten our days with their brilliant ― but succinct ― wisdom. Each week, HuffPost Women rounds up hilarious 140-character musings. For this week’s great tweets from women, scroll through the list below. Then visit our Funniest Tweets From Women page for our past collections.       

















































































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Get Janet Mock's And Issa Rae's Books For Free In Honor Of Women's Marches

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Attention, everyone in the continental U.S.!


Atria Books announced on Friday that it would be offering seven eBooks as free downloads during the weekend of President Donald Trump’s inauguration. No, the free books are not meant as a tribute to our new leader. They are meant to celebrate the various Women’s Marches taking places across the country.


“The seven titles are a collection of books that will inspire and empower women,” Atria, about to celebrate its 15th anniversary, explained in a press release. “All are stories of strong women overcoming adversity, taking second chances, and figuring out their place in the world.”


The free eBooks include:




  • Britt-Marie Was Here by Fredrik Backman




  • House of the Spirits by Isabel Allende




  • Misadventures of Awkward Black Girl by Issa Rae




  • Girl Who Escaped ISIS by Farida Khalaf




  • Things I Should Have Told My Daughter by Pearl Cleage




  • Niña Alemana (The German Girl Spanish Edition) by Armando Lucas Correa




  • Redefining Realness by Janet Mock.








Judith Curr, president and publisher of Atria Publishing Group, explained that the free downloads will “honor everyone marching and those who can’t participate.” She added: 



“[W]e’re giving these ebooks away as a gift because we feel they embody the spirit of the weekend. For those who might be taking public transportation any one of these titles is a reward and a wonderful way to spend some time with strong women in the fiction and non-fiction world.”



The above titles will be available to download ― one title per customer in the continental U.S., while supplies last ― from Friday, Jan. 20, through Saturday, Jan. 21. 


Oregon bookstore Broadway Books also opted for solidarity on Jan. 20 by handing out free copies of Chimamanda Ngozi Adichie’s We Should All Be Feminists. For those in Washington, D.C., Sankofa Bookstore and Cafe has its own literary event planned, too.




Atria is an imprint of Simon & Schuster, the same publishing house that’s found itself at the center of a book world controversy due to its decision to ink a $250,000 deal with “alt-right” icon Milo Yiannopoulos


If this news makes you queasy, you’re not alone. But know that titles like Redefining Realness and Misadventures of Awkward Black Girl are certainly worth reading.





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Amber Tamblyn Wants You To Hold Onto Your Anger Right Now

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Amber Tamblyn, the actor, activist and author, volunteered for both of Hillary Clinton’s presidential bids, helping lead Clinton’s youth outreach program and traveling with her campaign for long stretches across many states. 


Along the way, Tamblyn ― a long-time and very involved feminist ― said she was shocked at how women are perceived and the limits placed on them.


“I feel like I’ve been in a decade-long heartbreak when it comes to the way women are treated in this country,” Tamblyn told the audience at HuffPost Women’s Watch Us Run inauguration day event in Washington D.C. “In the way women are seen [and] are valued ― and that’s from the top to the bottom.”


Tamblyn, who spoke on a panel about the role of artists under the Trump administration, urged women to push back against the idea that there’s any one way women “should” be, particularly because that “should” often means more like a man.


“There’s really only one definition that’s available and allowed for women in order to be in positions of power. And they’re compared to men,” Tamblyn said. “And they’re not compared to themselves. Because there is nothing comparable.”


Right now, the best answer is for people ― and for women in particular ― to latch onto any anger they’re feeling in this present moment and to try and channel it productively.


“The anger that people feel, especially women, is so important to grasp that and hold onto it and to not let anyone tell you to shut the f*ck up, truly,” she said.


Which, well... preach.


Want more content from Watch Us Run, an inauguration day event presented by HuffPost and Bustle in partnership with Bold? Read Michael Moore’s blueprint for resisting Trump here and learn more about how to run for office here 

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Woman Who Gave Trump The Finger Has Given The Internet Strength

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The interwebs has deemed one woman a beacon of hope on Inauguration Day. 


Buzzfeed Reporter Mary Georgantopoulos shared a photo from the U.S. Navy Memorial of a woman wearing a purple parka, who threw up the bird during Trump’s first speech as president on Friday. 






And the “woman in purple” ― as some on social media lovingly called her ― quickly became very popular. The photo generated thousands of retweets in just a few hours as well as a whole lot of feelings. 


Some thought the unidentified woman would make a better president than Trump, and others have already declared their love for her. A few just really wanted parka-wearing lady to be their grandma.


But ultimately, most of the reactions were just plain hilarious. 








































The woman at the Navy Memorial, where the group ANSWER Coalition was protesting, wasn’t the only one who chucked up the middle finger at our new president. It seems as though several social media users have also taken part in employing the, um, bold gesture. 










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Watching Al Gore’s New Climate Change Doc Before Trump's Inauguration Was Eerie

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When I first realized Donald Trump’s inauguration would occur on the second day of the Sundance Film Festival, I felt relief. Instead of being glued to the inevitable Twitter meltdown as our nation plunges into an alarming new era, I could embrace toasty theaters at an event where art prevails. Phew. 


Upon arriving in snowy Park City on Thursday, the rose-color glasses I’d donned felt a bit more pallid. Reality had sunk in, and suddenly I wondered whether it was even appropriate to spend the weekend seeing movies while a new political order emerges in real time. Then I sat down for my first screening, “An Inconvenient Sequel: Truth to Power,” and those glasses lost their focus altogether. 


“An Inconvenient Sequel” is Al Gore’s follow-up to “An Inconvenient Truth,” the Oscar-winning documentary that in 2006 electrified the debate surrounding climate change. “Truth,” a showcase for Gore’s PowerPoint lectures about the horrors of global warming, was an exercise in apprehension. “Fix this now, or we are doomed,” the movie screamed. Many, thankfully, listened. So many, in fact, that “An Inconvenient Sequel” is brimming with hope, sort of.


Now, listen. I’m a movie journalist. I can’t pretend to write this as a climate-change sage of any kind. But, as science-y as these documentaries are, they are surprisingly easy to understand, especially in tone. (Credit this time around is owed to directors Bonni Cohen and Jon Shenk, whose film reveals more about Gore than Davis Guggenheim managed in “An Inconvenient Truth.”) Yes, weather-related catastrophes have continued at frightening rates; just look at the recent floodings in Florida and Louisiana, or the shrinking Manhattan coastline predicted in “Truth.” But the sequel praises the world’s remarkable strides over the past 11 years, chiefly 2015’s United Nations conference in Paris, which resulted in a wide-ranging agreement to reduce greenhouse-gas emissions and prevent Earth’s temperatures from continuing to rise.


A sense of achievement pervades the movie ― and then, right as promise for the health of our planet swells, Trump gets elected. In the final scene, Gore sits at his laptop, watching the president-elect call climate change an “expensive hoax” and vow to withdraw from the Paris accord


When I checked my phone after “An Inconvenient Sequel” ended, another New York Times push notification about Trump’s links to Russian president Vladimir Putin had come though. More of the same. The next morning, after the former reality TV star was inaugurated, Twitter informed me that the Obama administration’s climate-change page had been removed from the White House website.






Suddenly the outcomes Gore and his allies had effected seemed lost to what we call the “transition of power.” What a way to begin Sundance, usually a joyful occasion about celebrating creativity.


At Thursday night’s premiere of the aptly titled Netflix dark comedy “I Don’t Feel at Home in This World Anymore,” Park City mayor Jack Thomas spoke of his town’s own efforts to combat climate change. Watching Thomas speak, it was hard to believe so much of the world beyond this little festival bubble would aggressively protest. 


On Friday morning, as journalists poured out of a press screening of “The Incredible Jessica James,” talk turned to Trump. I congregated outside the theater with a cabal of journalists, many of whom adored the movie (myself included), particularly because it offered comforting counter-programming to the inaugural speech we’d just avoided.


Starring Jessica Williams, “Jessica James” borrows familiar post-breakup romantic-comedy beats, but its voice is distinctly modern. Fictional Jessica is an aspiring New York playwright with a progressive worldview that implicitly opposes much of Trump’s rhetoric. At her younger sister’s baby shower, for example, the titular marriage-averse millennial gifts a self-illustrated picture book called Subverting the ABCs of the Patriarchal Paradigm.


The movie provided a charming 85-minute reminder of the inclusive landscape we assume Hillary Clinton’s presidency would have fostered. And then, as we stragglers went our separate ways, it was back to reality. The bubble had burst. Trump was our president. (Jessica Williams 2020.)


Less than 24 hours after the festival’s start, Sundance is in a weird mood. Yet, just like most of this fearful country, those of us in Park City must decide how to move forward. In “An Inconvenient Sequel,” Gore recalls having to do the same when the Supreme Court decided George W. Bush would be our president, and look how much progress Gore encouraged in the years since. If there’s relief from the chaos in these Utah mountains, maybe that’s OK. 


“An Inconvenient Sequel: Truth to Power” opens in theaters June 28. “I Don’t Feel at Home in This World Anymore” hits Netflix on Feb. 24. “The Incredible Jessica James” is hoping to secure theatrical distribution at Sundance.






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Ian McKellen's Women's March Sign Said More Than Words Ever Could

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Of course we’d expect Sir Ian McKellen’s sign at the Women’s March to be amazing, but few could have predicted how truly perfect it ended up being.






McKellen, who reportedly attended a London event held in solidarity with the Women’s March on Washington, brought a sign that included no words ― only an image of Sir Patrick Stewart, in the role of Star Trek’s Captain Picard, face-palming.


McKellen’s sign clearly references the hilarious, inspiring and well-documented friendship the two legendary actors share. This specific image has become a popular meme that people use to express total exasperation and disbelief with the idiocy of a person or a situation.


We can’t think of a better reaction to the status quo.


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