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'I Am Not Your Negro' Trailer Shows The Lasting Power Of James Baldwin's Words

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“The story of the Negro in America is the story of America,” intones Samuel L. Jackson early in the trailer for “I Am Not Your Negro.”


“It is not a pretty story.”


The words are James Baldwin’s; the documentary, by Raoul Peck, is based on the author’s final, unfinished bookRemember This House. The manuscript was meant to explore the interwoven lives and shocking deaths of Medgar Evers, Malcolm X and Martin Luther King, Jr. ― three Civil Rights–era leaders who were assassinated in the 1960s.


Though the book did not come close to being finished prior to Baldwin’s death, Peck mined the pages of notes left behind as a jumping-off point for “I Am Not Your Negro.” The documentary, which received rave reviews after premiering at the Toronto International Film Festival, combines clips of Baldwin speaking in forceful, fiery terms on racism in America with Jackson’s solemn, rumbling delivery of lines from his famous and never-published writings alike.


Few have matched the author of The Fire Next Time and Go Tell It on the Mountain for insight and searingly eloquent prose on the subject of black American oppression. Peck leans into this advantage by featuring only Baldwin’s words in the film. In the Village Voice, Odie Henderson applauded the documentary for “masterfully syncing Baldwin’s words to a series of images that bind past and present.”


As this chilling trailer reveals, just a handful of Baldwin’s words and few shocking images from the civil rights struggle can speak volumes ― and, sadly, the message has never been more relevant.


“I Am Not Your Negro” is finally coming to theaters on Feb. 3. Watch the trailer above.


H/T Flavorwire


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9 People Shed Their Clothes To Show The Beauty Of Body Diversity

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What if the cliché “new year, new you” was less about changing your body and more about accepting it?


It’s a message that Now Toronto, an alternative weekly in Toronto, Canada, has been trying to spread with its “Love Your Body” issue. The annual issue, which is currently in its third year, features nude photos of local Torontonians who shed their clothes to show that the best New Year’s resolution is to love who you are at this very moment.


It’s also the magazine’s first issue of each new year.


“We felt that the first week of January is so oversaturated with messages about how dieting is the key to happiness,” Tanja Tiziana, the photographer who snapped the issue’s gorgeous shots, told The Huffington Post. “Everyone is suddenly on this social pressure to lose weight or change themselves in order to be ‘better.’ But most people fail because these resolutions aren’t founded in love or acceptance of their life, body, age and personal challenges. We’re just pushed to compare ourselves to some airbrushed model in a magazine.” 


The idea of this issue, Tiziana explained, is that change and growth are both good things, but they need to “come from a place of love for ourselves and each other in order to last and be fulfilling.”


Michelle Da Silva, an online news writer for the magazine, also thinks the issue is about how beauty and strength come in all shapes and sizes.


“All bodies deserve to be celebrated,” she told HuffPost. “I want people to see that our bodies tell stories about our past, but also, who we are isn’t limited to the skin we’re in.”


Each year Now Toronto puts out a call for volunteers who would be interested in posing nude and talking about their relationship with their body. Then the magazine’s editorial staff tries to come up with a diverse group of people with different things to share.


Tiziana told HuffPost that this year’s group left her with a “renewed sense of gratitude” after working with each one. Here are this year’s models:  


Heidi Hawkins



Hawkins, a mother and voice-over actor, used her photo shoot to explore how pregnancy changed her body and how she views that change.


“My body is completely different. I don’t have time to work out or shave my legs. I don’t really have time to take care of myself, but I think I’m like 90 percent of women who had babies in the last couple of years. I now have cellulite, a stretchy belly and lopsided breasts from breastfeeding, but I’m proud of it in a strange way.”


Catherine Hernandez



Hernandez, an author, was diagnosed with two chronic illnesses last year. She used her photo shoot to speak about learning to love and listen to her body.


“During the height of my sickness, I would write love letters to my body and post them up. Like, ‘Dear Body. My beautiful Body. I am so sorry that I starved you. I’m so sorry that I made you work when you didn’t want to work. I’m sorry that I pushed you hard when I shouldn’t have. I should have just listened to you. And I’m listening to you now.’”


Prince Amponsah



Amponsah, an actor, social worker and student at Ryerson University, was severely burned in a fire four years ago. At first, he had some reservations about jumping back into acting after the incident, but decided to chuck his fears in order to do what he loves.


“I couldn’t see myself going back to acting because I didn’t feel I had a place there,” he told the magazine. “You don’t see a lot of people who look like me on the stage or on the screen, and sometimes you need those kinds of role models — to see yourself, to feel like you can be a part of it.” 


Jewelz Mazzei



Mazzei, a body activist and model, spoke to the magazine about how the body-positivity community on Instagram has changed her life.


“I never see people like me in the media, and I know that if I had seen models who looked like me growing up, it may have been a bit easier to accept myself. I felt like it wasn’t fair for me to love myself and not help other people, because I know what it feels like to wake up everyday and not feel okay.”


She then added:


“There are still so many people out there who believe they don’t deserve to love themselves unless they look a certain way. I want to keep fighting for them and keep spreading the message of self-love.” 


Ted Hallett



Hallett, an improviser and writer, was diagnosed with kidney cancer a year ago. He received a large scar from the center of his rib cage to his right thigh due to surgery. He talked to the magazine about how facing death has allowed him to not sweat the small stuff.


“I yield to the stuff I have no control over. As I get older, I give less of a shit about what people think. That includes what I look like. My body is my body, and I’m cool with that.” 


Jasbina Justice



Justice, an activist, yoga teacher, coordinator and performer with feminist porn company Spit, used the photo shoot to expose what she sees as her true self.


“When I’ve done other things where I’ve been nude, it’s more about performance ― performing sexuality, looking desirable ― or I’ve been shown alongside other people. Here, I wanted to hold myself accountable to the work I’ve done, taking a step toward embracing my body, sharing my story, holding myself up in a really vulnerable way.”


Paul Lancaric



Lancaric, a voice-over artist, talked to the magazine about how visiting and frequenting nude beaches made him more confident about his body and work.


“There have been times when my voice-over work has had me sitting in a closet recording audiobooks of erotic novels, and I didn’t feel comfortable taking on those jobs until after my experiences with nude beaches and naturism,” he said. “It definitely connected to feeling confident enough to sit in a closet and read lurid passages about various body parts without laughing or giggling. Those books would have taken forever to record if that happened.”


Monique Mojica



Mojica, an actor, playwright and artistic director at the Chocolate Woman Collective, is also of Kuna and Rappahannock descent. The 68-year-old decided to tie her photo shoot experience into her culture and anger over Standing Rock.


“This shoot allowed me to take a big gulp and ask, ‘Where is the celebration? Where is the reclamation?’ I thought about the women who were dancing and singing and praying in the face of volleys of tear gas,” she told the magazine.


She then added:


“So, for the shoot, I made it sacred to honor those women who are standing with their arms up. I thought, ‘I am going to sing and dance and pray.’” 


Acacia Christensen



Christensen, a female wrestler, talks about how her body gives her all kinds of strength.


“When I’m wrestling, that’s a good [self-esteem] day. I look the least conventionally attractive when I wrestle, but I’m like, ‘This fits. I’m dressed like a cartoon character and nobody can say anything about it,’” she said. “I found out about the League of Lady Wrestlers and was asked to join, and somehow I’ve become one of the draws. I decided to be the big, fat monster character. Making people boo you is weirdly powerful, and almost more gratifying than trying to get them to like you.”


She also added:


“I was training in Texas and went to pick up this guy for a power slam. He was like, ‘You’re throwing me effortlessly!’ A dude might be twice my size and ripped, but I can knock him down because of my build. I’m short and have a low center of gravity and I’m really hard to move.”


 


To see all the models, check out Now Toronto’s full story here.

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J.K. Rowling Says Criticizing Donald Trump Is Both A 'Pleasure' And A 'Duty'

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Meryl Streep made headlines Sunday night when she went after President-elect Donald Trump during a speech at the Golden Globes. The award-winning actress called out Trump for his bullying of a disabled reporter, saying “disrespect invites disrespect” and “violence incites violence.” The address made many Hollywood heavyweights proud, with several tweeting their support and admiration for Streep.


Across the pond, “Harry Potter” author J.K. Rowling was also inspired. In response to a tweet that referenced the speech, Rowling made clear that she intended to follow Streep’s lead in vocally criticizing Trump, which she said was not only “a pleasure,” but “a duty.”










Rowling was a vocal critic of Trump during his candidacy, once comparing him to the Harry Potter series’ most sinister character, Lord Voldemort. “Voldemort was nowhere near as bad” as Trump, she tweeted.


After the Golden Globes, the president-elect took to Twitter to call Streep “one of the most over-rated actresses in Hollywood.”


When a Twitter user pointed out to Rowling that Trump might come after her next, she had the perfect response. 






Just like Streep, it doesn’t appear that Rowling will be clamoring for Trump’s approval anytime soon.

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Trump Loved 'Excellent Actress And Fine Person' Meryl Streep In 2015

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What a difference a Golden Globes appearance makes. President-elect Donald Trump lashed Meryl Streep as “over-rated” after she sharply criticized his “bullying” as she accepted an award Sunday. But as recently as 2015 he named her as one of his favorite actresses.


Asked in a Hollywood Reporter interview in August 2015 if there were any actresses he “loved,” Trump named Julia Roberts and Streep. “Meryl Streep is excellent; she’s a fine person, too,” Trump said. 


That regard dissolved into a vicious Twitter tirade against the star after Streep took him to task for his anti-immigrant stance and his apparent mocking of a disabled New York Times reporter at a campaign rally. He blasted Streep as a “Hillary flunky” and “one of the most over-rated actresses of her time.” Trump also insisted he didn’t mock the reporter (”would never do that,” he tweeted), but only showed the journalist “groveling.”


Streep was honored at the 2017 Golden Globes with a Cecil B. DeMille lifetime achievement award. She has been nominated over her career for 19 Academy Awards, more than any other actress, winning three. Streep has also won two British Academy of Film and Television Arts Awards and eight competitive Golden Globes honors, among several other honors.






Trump also slammed hit Broadway musical “Hamilton” as “overrated” in November after cast members made a case to audience member Vice President-elect Mike Pence for protecting American diversity. The musical won 11 Tony Awards in 2016, the second most ever won by a single play in the history of American theater.


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James Corden Battles Neil Patrick Harris In Aca-Mazing Broadway Riff-Off

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Actor Neil Patrick Harris challenged James Corden to a Broadway riff-off on Monday night, and things got real soulful real quick.


With backing from the Filharmonic, “The Late Late Show’s” regular a capella group, the two Broadway stars wowed the audience with a host of stage classics. They ended the battle with a rousing duet of “My Shot” from the musical “Hamilton.” 





Get these guys another Tony Award each.


Check it out in the clip above.


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Wayne Brady To Join 'Hamilton' Cast As Aaron Burr (Sir)

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Whose line is it, anyway, after Chicago “Hamilton” star Joshua Henry bows out to join the show’s national tour? 


That’d be Wayne Brady, who will be filling in as Aaron Burr in the Windy City production later this month. And if you don’t know, now you know. 


The news was made official on Monday, as Brady and “Hamilton” creator Lin-Manuel Miranda posted enthusiastically over Twitter. 


“I’ve been dying to tell you guys!!” Brady wrote, and Miranda concurred in all caps. As if we didn’t believe him already, the new Burr shared photos of his “Hamilton” garb before gearing up for rehearsals.






The Broadway smash hit introduced Chicago performances to the city’s PrivateBank Theatre back in September. According to the Chicago Tribune, Brady’s appearance will be tragically short ― he will join the cast only from Jan. 17 through April 9.






This isn’t his first time in a musical, though. Brady also starred in “Kinky Boots” in a run that ended in 2016. His TV credits include beloved improv comedy “Whose Line Is It Anyway?,” short-lived variety series “The Wayne Brady Show” and the “Let’s Make a Deal” reboot.


It was on “Make a Deal” that Brady made a public show of his love for “Hamilton,” during a November episode where he improvised a rap about the Mayflower with a contestant. 


“Lin-Manuel, are you watching this?” Brady asked. 


Evidently, yes.

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One Year Later, A Look At David Bowie's 'Lazarus' Video Goodbye

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David Bowie left us with a heartbreaking parting gift prior to his death one year ago Tuesday, and it came in the form of a music video.


Bowie died Jan. 10, 2016 after a battle with cancer.


Just days before the music icon left this world, he unveiled the powerful clip for “Lazarus,” a track off his 2016 “Blackstar” album. The video finds a fragile-looking Bowie in a hospital bed, at points blindfolded. The accompanying lyrics hint at his cancer battle: “Look up here, I’m in heaven / I’ve got scars that can’t be seen.” 


In the ending shot, Bowie retreats into a wooden wardrobe and closes the door, making this more than just a music video.


This was Bowie’s goodbye. 


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'La La Land,' 'Arrival' And 'Nocturnal Animals' Lead Britain's BAFTA Award Nominations

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Fresh from its success at Hollywood’s Golden Globes, romance musical “La La Land” leads the field for next month’s British Academy of Film and Television Arts (BAFTA) awards after securing 11 nominations on Tuesday.


Sci-fi film “Arrival” and fashion designer Tom Ford’s drama “Nocturnal Animals” each received nine nominations, while “Manchester by the Sea”, about a family dealing with tragedy, got six.


“La La Land” stars Ryan Gosling and Emma Stone were nominated in the Leading Actor and Leading Actress categories. The movie about a pianist and struggling actress in Hollywood is also in the running for Best Film, Original Music, Editing, Cinematography, Sound, Production Design and Costume Design.


Damien Chazelle was nominated in the Director and Original Screenplay categories. On Sunday night, the musical won seven Golden Globes.


“Arrival” will compete for Best Film, Adapted Screenplay, Original Music, Editing, Cinematography, Special Visual Effects and Sound. Amy Adams is nominated as leading actress and Denis Villeneuve as best director.


Ford is in the running for Director and Adapted Screenplay for “Nocturnal Animals” while Jake Gyllenhaal is nominated for Leading Actor and Aaron Taylor-Johnson as Supporting Actor. The movie also received nods for Original Music, Cinematography, Production Design, Editing and Make Up and Hair.


Below are some of the key nominations for the EE British Academy Film Awards, which will be held on Feb. 12:


BEST FILM:


“Arrival”


“I, Daniel Blake”


“La La Land”


“Manchester By The Sea”


“Moonlight”



OUTSTANDING BRITISH FILM:


“American Honey”


“Denial”


“Fantastic Beasts and Where to Find Them”


“I, Daniel Blake”


“Notes on Blindness”


“Under The Shadow”



DIRECTOR:


Denis Villeneuve, “Arrival”


Ken Loach, “I, Daniel Blake”


Damien Chazelle, “La La Land”


Kenneth Lonergan, “Manchester by the Sea”


Tom Ford, “Nocturnal Animals”



LEADING ACTOR:


Andrew Garfield, “Hacksaw Ridge”


Casey Affleck, “Manchester by the Sea”


Jake Gyllenhaal, “Nocturnal Animals”


Ryan Gosling, “La La Land”


Viggo Mortensen, “Captain Fantastic”



LEADING ACTRESS:


Amy Adams, “Arrival”


Emily Blunt, “The Girl on the Train”


Emma Stone, “La La Land”


Meryl Streep, “Florence Foster Jenkins”


Natalie Portman, “Jackie”



SUPPORTING ACTOR:


Aaron Taylor-Johnson, “Nocturnal Animals”


Dev Patel, “Lion”


Hugh Grant, “Florence Foster Jenkins”


Jeff Bridges, “Hell or High Water”


Mahershala Ali, “Moonlight”



SUPPORTING ACTRESS:


Hayley Squires, “I, Daniel Blake”


Michelle Williams, “Manchester by the Sea”


Naomie Harris, “Moonlight”


Nicole Kidman, “Lion”


Viola Davis, “Fences”



ORIGINAL SCREENPLAY:


“Hell or High Water”, Taylor Sheridan


“I, Daniel Blake”, Paul Laverty


“La La Land”, Damien Chazelle


“Manchester By The Sea”, Kenneth Lonergan


“Moonlight”, Barry Jenkins



ADAPTED SCREENPLAY:


“Arrival”, Eric Heisserer


“Hacksaw Ridge”, Robert Schenkkan, Andrew Knight


“Hidden Figures”, Theodore Melfi, Allison Schroeder


“Lion”, Luke Davies


“Nocturnal Animals”, Tom Ford



(Reporting by Marie-Louise Gumuchian; Editing by Mark Trevelyan)

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Chilling Book About Parental Love Is A Ghost Story For The Modern Age

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Imagine: You’re on vacation. A retreat to a small town. You’re hoping to lounge around, and maybe go swimming with your daughter, an energetic young girl, Lily.


Suddenly, after a few odd run-ins with the locals, you’re not feeling so hot. You’re feverish, in fact; weak. Lily complains of feeling wobbly, too, a nightmare when your support system of family and doctors is out of reach. You decide to wait ― a mistake. You pass out, and when you wake up, you’re in a clinic, paralyzed.


Lily’s nowhere in sight. There’s no one around but a boy named David, who’s urgently asking you details about the past few days, what you remember, when the illness started.


The distressing setup of Samanta Schweblin’s Fever Dream ― her first novel, originally written in Spanish ― is only the beginning of an elliptical mystery that grows darker and hazier with each page. It’s a quick read that’ll leave you in a sweat, if not a panic. If you like your endings happy, or at least conclusive, the journey will be futile. But Fever Dream is worth reading for its inventiveness alone. Schweblin gives us memorable characters and a haunting parable, all in fewer than 200 short pages.


We learn, entirely through dialogue between Amanda, the bedridden mother, and David, the boy at her bedside, about the origin of the strange sickness. At the start of her vacation, Amanda met a harried woman, Carla, who tells her the story of her son. Years ago, when Carla’s husband bred horses, she was caring for both a rented stud and her son, David, then a toddler. At once, both David and the horse venture to drink from murky water on their land, and in trying to rescue them both, she fails to save either from contamination.


Both the horse and the boy get deathly ill, and Carla takes her son to visit the green house, a sort of alternative medicine center. There, a woman advises Carla to undergo a procedure that would split her son’s soul in two; he would never be wholly himself again, but he’d survive the infection. She agrees, although reluctantly, and afterward, she’s haunted by her son’s new appearance and demeanor. He’s covered in light spots. He’s found burying dead ducks in their backyard. To most questions, he issues the same droll response, “That’s not important.”


Whether David’s transformation is the result of a half-body transplant, or something more earthly, like post-traumatic stress, is left open for interpretation. So, too, is the otherworldly nature of the contaminant both David and Amanda are exposed to. “They’re like worms,” David explains in the book’s opening lines. But are they actual parasites, or is the wriggling bodily sensation a psychological one?


Schweblin never clarifies. The effect is that in her slim first novel, she taps into primal fears without ever naming them. The uncertainly is chilling, which is exactly the point.


One detail that is expanded on is Amanda’s treasured concept of the parental “rescue distance,” a metaphorical rope she imagines between herself and Lily, one she never wants to let slack. She keeps the distance between them taut, and when she feels it loosen, she positions herself closer to her daughter as she plays and wanders. In her conversation with David, he dwells on the idea. He indicates that rare moments of imperfect motherly care are what put both of them in this sickly condition. Or, is an obsession with safety ― helicopter parenting, essentially ― the true risk?


In the end, David takes measures to control his surroundings, while Schweblin does the opposite. She loosens the threads of her story, letting something strange and unsettling unravel.


The bottom line:


Fans of “Black Mirror” or “The Twilight Zone” might be drawn to the fantastical setup of Fever Dream, but may be dissatisfied with the book’s quiet, abstract ending. Otherwise, Schweblin’s quick, feverish story is worth reading for her intoxicating style alone. 


Who wrote it:


Schweblin’s stories have earned her plenty of accolades, including recognition from Granta as one of the best writers in Spanish under 35. This is her first novel, translated by Megan McDowell, whose also translated Alejandro Zambra’s work.


Who will read it:


Readers interested in the surreal, the otherworldly.


What other reviewers are saying:


Washington Post: “Schweblin, though, is an artist of remarkable restraint, only dabbing on the atmospherics, while focusing her crystalline prose on the interior lives of the two mothers, Amanda and Carla, as well as the vagaries of memory.”


The New Yorker: “I picked up ‘Fever Dream’ in the wee hours, and a low, sick thrill took hold of me as I read it. I was checking the locks in my apartment by page thirty. By the time I finished the book, I couldn’t bring myself to look out the windows.”


Opening lines:


“They’re like worms


What kind of worms?


Like worms, all over.”


Notable passage:


“The thing is, I think over and over how strange my fear is, and it seems ridiculous to be already loading things into the car, with Nina still in her room, asleep.


You’re trying to get away.


Yes. But in the end I don’t, do I?


No.


Why not, David?


That’s what we’re trying to find out.”


Fever Dream
by Samanta Schweblin
Riverhead Books, $25.00
Published Jan. 10, 2017


The Bottom Line is a weekly review combining plot description and analysis with fun tidbits about the book.



Every Friday, HuffPost’s Culture Shift newsletter helps you figure out which books you should read, art you should check out, movies you should watch and music should listen to. Sign up here.

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D.C. Museum's 'Nasty Women' Tour Celebrates Art History's Feminist Heroes

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During the third presidential debate, Hillary Clinton was responding to a question about social security when Donald Trump notoriously interrupted her, muttering the phrase “Such a nasty woman,” not so under his breath.


What Trump meant by those words was immediately and abundantly clear to women watching throughout the country, many of whom had been called similar slurs throughout their lives. It took approximately four seconds in Twitter-time for what the president-elect intended as an insult to become something of a feminist battle cry. 


“A nasty woman is someone who refuses to be bound by the place society defined for her, someone who blazes her own trail,” Deborah Gaston, director of education at the National Museum of Women in the Arts, explained to The Huffington Post. 


Although Clinton is the nasty woman that made the term go viral, ladies have been subverting restrictive gendered stereotypes and limitations for centuries. “Going back to the Renaissance,” Gaston continued, “women have been doing things they ‘shouldn’t.’ Well, they did it anyway, and they were successful.” 



Since it was founded in 1987, the National Museum of Women in the Arts has worked to preserve and share the legacies of such subversive heroines, specifically those engaged in creative work. The only major museum in the world dedicated to celebrating the history of women-identified artists, the NMWA works to derail the longstanding habit of overlooking, undermining and erasing the work of women from the canon. 


Located just three blocks from the White House, the museum often orchestrates programming that coincides with and addresses major political events. In light of the alarming amounts of misogyny that characterized the entirety of his campaign, addressing Trump’s upcoming presidential inauguration felt especially crucial.


On Jan. 21 and 22, in honor of those participating in the Women’s March on Washington, admission to the NMWA will be free of cost. And on Sunday, Jan. 22, at 1 p.m., the museum will lead an hourlong “Nasty Women” tour, paying tribute to women in the NMWA’s permanent collection who thrived outside of societal norms and gendered expectations.  


“It wasn’t just that these historical women were trying to do things they shouldn’t,” Gaston said. “There were literal restrictions on them; they had to negotiate social structures.” She identified 17th century scientific illustrator Maria Sibylla Merian as one of her favorite examples. 



Merian, born in 1647 in Frankfurt, Germany, grew up in a time when butterflies were presumed to have demonic qualities. Nonetheless, she fell in love with the winged creatures and devoted her life to understanding their physical composition and life cycles through intensive observation. She chronicled her findings in scientific illustrations, staggering works of art that revealed previously unknown biological processes. 


“She was someone who got married, had daughters, and then turned a corner at some point and pursued her passion for science and art,” Gaston expressed. “She made choices that were anathema to how women were supposed to lead their lives at the time. Maria left her marriage and, at 52, she brought her daughter to Suriname, a Dutch Colony in South America, for scientific research. As a single woman, alone without a male chaperone, a journey like that was unheard of. It was OK for women to paint flowers in their homes, but they didn’t just go into the rainforest unaccompanied.”


At the time, scientists inspected the physical composition of bugs by examining preserved insect collections. Merian was the first to observe the living insects in their natural environments, discovering that bugs were not, in fact, born of the “spontaneous generation of rotting mud.” She archived her findings through delicate and scientifically accurate renderings that exist just at the nexus of art and science. 


Despite her immense contributions to the realms of art and science, Merian is often overlooked by mainstream scholars, perhaps because of her lack of traditional training and, likely, her XX chromosomes. “Her intrepid spirit I found really fascinating,” Gaston gushed. “She never fully got credit for her work because she was a woman.”



Merian’s work is joined by a variety of feminist artists from a wide array of eras, origins, and disciplines ― from Lavinia Fontana’s 16th century “Portrait of a Noblewoman” to Faith Ringgold’s 1997 quilt, immortalizing Josephine Baker’s 1920s banana dance. Oftentimes, the nastiness on view is twofold, in that both the artists and their chosen subjects are unorthodox, brazen and groundbreaking.


“If you’re going to do a one-hour tour, there are only so many works you can fit in,” Gaston said. “We want to show that there have always been women in the arts pushing these boundaries this way.” 


As inauguration weekend draws near, many in the art world and beyond are struggling with the appropriate way to react to and resist a Trump presidency. Many artists and critics are encouraging cultural institutions to go on strike for the day, and use the opportunity to re-imagine the roles theaters, museums, galleries and creative individuals will play in the coming years. 


Yet, given the threat Trump poses to women’s rights around the nation, spending the weekend paying homage to nasty artists past and present, those who defied expectations and overcame obstacles to inscribe their singular visions onto the halls of history, seems appropriate.


“Now it is even more necessary to have a place like the NMWA a few blocks from the White House,” Gaston said. “We’ve always fought to champion women through the arts. The idea of potentially being part of the nation’s conversation in a real way is something we’re really excited about.” 


If you won’t be in Washington, D.C., for the Women’s March, don’t fret. The best part about the NMWA is that, in essence, every tour is a “Nasty Women” tour.


As Gaston put it: “In a way, this tour is special, but in a way it’s what we always do. Here, it’s Women’s History Month every month. This is a perfect time for people to notice what we are doing here, but we’re doing it all the time.”


The “Nasty Women” tour will take place Sunday, Jan. 22, at the National Museum of Women in the Arts, from 1–2 p.m. Museum admission will be free all weekend. Check out the NMWA website for additional programming related to the Women’s March. 




Every Friday, HuffPost’s Culture Shift newsletter helps you figure out which books you should read, art you should check out, movies you should watch and music should listen to. Sign up here.


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President Obama Writes Note Praising The 'Diverse Tales' Honored At Sunday's Golden Globes

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Barack Obama has joined the chorus of praise for the ongoing awards season’s diverse films and television series.


The president printed a note in Sunday’s Golden Globes program espousing the importance of stories that reflect all spectrums of the human experience. 


Here’s what Obama wrote, as first obtained by The Hollywood Reporter:



Michelle and I send greetings to all those attending the 74th annual Golden Globe Awards.


Film and television have captured audiences for generations — transforming the art of storytelling and challenging our understanding of society. Using the big and small screens to bring diverse tales to life, actors and actresses and creative visionaries behind the scenes have inspired us to find deeper meaning in our shared humanity.


Tonight’s nominees have devoted their talents to helping us celebrate our triumphs and illustrate our flaws. By enabling us to see ourselves in each other and creating a space for the many narratives that reflect our rich and collective history, they remind us of the power of our voices and ideas and the ways they can shape our world for the better.


As you gather to recognize this year’s nominees, I wish you all the best for a memorable evening.



Obama’s final Golden Globes as president recognized such movies as “Moonlight,” “Lion,” “Fences,” and “Hidden Figures.” (Or “Hidden Fences,” if you’re Jenna Bush Hager or Michael Keaton.) While Hollywood’s diversity problems are far from cured, this year’s slate offers a reprieve after two consecutive rosters of all-white Oscar nominees. 


We know Obama is a Meryl Streep fan too, so we have a feeling he was cheering during her Cecil B. DeMille speech denouncing Donald Trump.




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The Folk Art Paintings Keeping Obama’s Legacy Alive In Urban Neighborhoods

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In black neighborhoods around the country, it’s easy to see what President Barack Obama means to residents: just look for the nearest mural, where he often appears, painted alongside figures such as Martin Luther King Jr. or Jesus.


Photographer Camilo José Vergara spent Obama’s two terms seeking out and documenting folk art paintings of the president in urban neighborhoods ― usually in areas that were poor, suffering from disinvestment and typically majority African-American. He found countless murals depicting Obama alongside civil rights icons, local heroes and other powerful figures. The art graces the sides of liquor stores, auto repair shops, barbershops, community centers, storefront churches and abandoned buildings.



To Vergara, the paintings show hope, patriotism and “the feeling that Obama is the product of the African-American experience and African-American history,” sentiments he said have endured over the years.


“There’s also a little bit of fear mixed with it. He’s out there, he’s vulnerable,” Vergara said, explaining that Obama is often painted alongside protective figures.  



Vergara, a recipient of the National Humanities Medal and a MacArthur fellowship, has spent four decades taking photographs in neighborhoods grappling with decline. He’s returned to the same sites over and over to see how areas ― in cities including New York, Chicago, Detroit, Los Angeles and Newark, New Jersey ― have changed.


Along the way, the Chilean-born photographer has paid particular attention to the local art that rarely makes it into museums. 



Vergara has managed to track down the artists who painted some of the Obama murals, but other times their names aren’t known. Some pieces are painted over or demolished. Still, he sees himself as an “evangelist” for the work, documenting the individual pieces and showing their significance as part of the larger, ongoing collection. 


“You don’t think of all of the stuff that was ephemeral, that came out on the walls and then disappeared, but it’s testimony to the way people saw the world,” he said. “This stuff gets left out of the picture, and that’s what I’m proud of, calling attention to it over and over and over again.”


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Camila Cabello Has Fans Buzzing About New Music After This Tweet

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Camila Cabello has officially gone solo after almost five years as a member of Fifth Harmony, with whom she gave her final performance on New Year’s Eve.


While this career move caused quite a bit of controversy among Harmonizers, Cabello has found previous solo success with hit collaborations including “I Know What You Did Last Summer” and “Bad Things.” 


Now, fans are buzzing about more new solo music possibly coming their way ― thanks to a tweet the singer posted Monday.






And fans on the internet are certainly here for new music.






















Is Cabello just getting poetic on Twitter or is this a musical hint? As far as we’re concerned, it sure sounds catchy. 





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Marlon James' New Fantasy Trilogy Is Inspired By 'LOTR' And African Epics

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Fantasy and sci-fi stories take place in faraway lands or alternate universes, but they still suffer from the same failures of representation as many 21st-century Hollywood films. Whether the setting is Middle Earth or Winterfell, almost everyone is white.


An upcoming trilogy by author Marlon James will bring some much-needed diversity to the fantasy genre.


 The Dark Star Trilogy by James, winner of the 2015 Man Booker Prize for his novel A Brief History of Seven Killings, is billed as the “African ‘Game of Thrones.’” The books will follow three characters ― the Tracker, the Moon Witch and the Boy ― as they decipher what went wrong in a search for a missing child.


The main characters are three of eight mercenaries who were hired by a slave trader to track down a kidnapped kid. The book takes place nine years after that fact, when five of the mercenaries as well as the missing child are dead ― and seeks to put together the missing pieces using not-quite-reliable witness testimony. Expect mer-creatures, underworld darkness, magical techniques, a mysterious dwarf race and far more unadulterated geekery.


In an interview with Entertainment Weekly, James explained how his frustration with the lack of characters of color in existing fantasy books led him to create his own.


“Originally it came from a fight that I had with somebody. I think it was when they announced the casting for ‘The Hobbit,’” James recalled. “I remember saying, ‘You know, if an Asian or a black hobbit came out of the Shire, nobody would have cared. We would have just moved on.’ And my friend said, ‘Well, Lord of the Rings is all this British and Celtic mythology.’ And I said, ‘Well, you know ... Lord of the Rings isn’t real.’ It just turned into one of these arguments we have about diversity and inclusion.”


The writer summed up his stance in Man of the World magazine: “I realized how sick and tired I was of arguing about whether there should be a black hobbit in Lord of the Rings.”


The works that helped shaped James’ trilogy are a multifarious spread, ranging from Angela Carter’s The Bloody Chamber to Marvel’s “Luke Cage,” Ursula K. Le Guin’s Earthsea to the paintings of Salvador DalíYet James was particularly influenced by African epics like The Epic of Son-Jara and The Epic of Askia Mohammed, created around the same time as Beowulf.


“It made me start to think about the fantastic African epic traditions — some of the stories I grew up with, like ‘Anansi the Spider,’” James told EW.


“I just realized that there’s this huge pool of fantastic stories to draw from. It’s sort of like my being a scholar of African history and mythology, and my being a total sci-fi/fantasy geek who rereads things like The Mists of Avalon, they just sort of came together.”


James is aiming to finish the books by the end of 2017, in time for a Fall 2018 release. At that point, 12-year-old sci-fi-heads and avid literature fans can finally join together and “geek the fuck out.”

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Billy Eichner Goes Off On Fox News Host In Defense Of Meryl Streep

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Billy Eichner got into a bit of a virtual sparring match with Fox News host Meghan McCain about Meryl Streep’s now infamous Golden Globes speech, which called for empathy and responsibility in the age of Trump.


On Sunday night, McCain implied that rhetoric like Streep’s is what helped Trump get elected in the first place.






Billy Eichner was not having it, and he didn’t mince words.






































Eichner’s comments didn’t change McCain’s mind, as she tweeted:






Other celebrities tweeted their love and support for Streep following her speech, including Ellen DeGeneres, Gina Rodriguez, John Legend and others. But the backlash was also swift, as others like Sean Hannity and Trump himself responded with negativity.

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Monica Crowley Book No Longer For Sale So She Can 'Source' Material

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Usually when a book is published and sold globally, it’s been well-sourced and revised many times.


But Monica Crowley’s 2012 book may have missed a few steps, Andrew Kaczynski of CNN KFile suggested in a tweet Tuesday.






Crowley’s book, What The (Bleep) Just Happened, has come under fire recently, accused by CNN KFile of nearly “50 examples of plagiarism from numerous sources, including the copying with minor changes of news articles, other columnists, think tanks, and Wikipedia.”


That’s not good for any author, but the conservative pundit faces greater scrutiny because President-elect Donald Trump has picked her to serve as senior director of strategic communications for the National Security Council.


HarperCollins is taking Crowley’s book down until adjustments can be made, CNN reports. The publisher told the news outlet:



“The book, which has reached the end of its natural sales cycle, will no longer be offered for purchase until such time as the author has the opportunity to source and revise the material.”



Crowley has also been accused of plagiarizing parts of her 2000 Ph.D. dissertation called “Clearer Than Truth: Determining and Preserving Grand Strategy: The Evolution of American Policy Toward the People’s Republic of China Under Truman and Nixon,” according to reports from Politico and CNN. 


Politico wrote that “in some instances, Crowley footnoted her source but did not identify with quotation marks the text she was copying directly. In other instances, she copied text or heavily paraphrased with no attribution at all.”


But Trump’s team has defended Crowley, saying in a statement to CNN that “any attempt to discredit Monica is nothing more than a politically motivated attack that seeks to distract from the real issues facing this country.”


HuffPost has reached out to HarperCollins for more information and will update this piece accordingly.

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We Could Watch Cynthia Erivo's Final 'The Color Purple' Performance All Day

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Cynthia Erivo’s final performance during “The Color Purple’s” last curtain call on Sunday is worth reliving again and again and again.


The Tony award-winner, who plays the lead as Celie, a young black girl who faces many internal and external trials and tribulations living in Georgia, poured her heart and soul into a powerful performance of “I’m Here” and brought the Bernard B. Jacobs Theater down in an extraordinary way. During her performance, coincidentally on the night of her 30th birthday, Erivo begins to choke up but finishes her performance strong as the audience cheered her on.


Attendees including Hillary Clinton, Bill Clinton, Phylicia Rashad, Gayle King and other musical goers were lucky enough to hear Erivo’s finale in person. Fortunately, the rest of us can watch the magical moment captured via Facebook Live.





During Erivo’s “CBS This Morning” interview, the actress even received a special message from Oprah, who starred in the film adaptation and served as the play’s executive producer. Oprah said she “stand[s] in amazement” at Erivo’s talent and she called the actress “transcendent” in the musical.  


Erivo told the hosts of just days prior to her final show that her role in the musical has changed her life. 


“I didn’t know that it held so much gifting in it,” Erivo said. “Whether it be discovering what kind of actress I can be or discovering the kind of depth that I could find on stage or just being able to have doors open that I didn’t think would be open to me. It’s been a wonderful experience to be able to play this character in this role on Broadway for the first time.”


Though a phenomenal production is leaving Broadway, we can’t wait to see Erivo’s next move.

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Here's What The Oscar Nominations Should Look Like

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“People like to believe in fairy tales,” Natalie Portman says in “Jackie.” I have a fairy tale: “Jackie” getting the Oscar nominations it deserves. The latest setback? No nod from the Producers Guild of America, a reliable precursor for the Academy Awards’ top prize. (”Deadpool” is on the PGA’s list instead. Yikes.) 


But there’s still time. Oscar voting is now underway, so maybe we can help to steer the ballot in the right direction. Academy members have until Friday to submit their selections. So allow me to speak to the voters out there: Please, I beg of you, do what’s right. Skip “Hacksaw Ridge.”


This is our final for-your-consideration plea in 11 categories. 


BEST PICTURE


“20th Century Women”
”American Honey”
”Arrival”
”Hidden Figures”
”Jackie”
”La La Land”
”Loving”
”Manchester by the Sea”
”Moonlight”
”The Witch”


I’m maxing out my Best Picture roster with a full 10 slots, knowing good and well that “American Honey” and “The Witch” do not align with the Academy’s tastes, “20th Century Women” has been cruelly under-recognized throughout awards season, and “Jackie” may prove too arty and divisive.


BEST DIRECTOR


Andrea Arnold, “American Honey”
Damien Chazelle, “La La Land”
Barry Jenkins, “Moonlight”
Pablo Larraín, “Jackie”
Denis Villeneuve, “Arrival”


Anything to keep Mel Gibson at bay, really. Hell, I’d rather see Garry Marshall get a posthumous nomination for “Mother’s Day.” 



BEST ACTRESS


Annette Bening, “20th Century Women”
Rebecca Hall, “Christine”
Isabelle Huppert, “Elle”
Ruth Negga, “Loving”
Natalie Portman, “Jackie”


This year’s Best Actress lineup is stacked. The trophy already seems to belong to Emma Stone. She’s wonderful in “La La Land,” but it’s still painful to toss aside the gravitas that so many other leading contenders displayed last year. Hovering just outside my shortlist are Amy Adams (”Arrival”), who will probably get her sixth nomination, as well as Kate Beckinsale (”Love & Friendship”), Anya Taylor-Joy (”The Witch”), Hailee Steinfeld (”The Edge of Seventeen”) and Krisha Fairchild (”Krisha”).


BEST ACTOR


Adam Driver, “Paterson”
Joel Edgerton, “Loving”
Colin Farrell, “The Lobster”
Viggo Mortensen, “Captain Fantastic”
Daniel Radcliffe, “Swiss Army Man”


Apparently I prefer my men smooth and quiet. Presumed favorite Casey Affleck is plenty good in ”Manchester by the Sea,” but he’s no Adam Driver. He’s not even a farting corpse! (That’s Daniel Radcliffe.)


BEST SUPPORTING ACTRESS


Viola Davis, “Fences”
Greta Gerwig, “20th Century Women”
Naomie Harris, “Moonlight”
Molly Shannon, “Other People”
Michelle Williams, “Manchester by the Sea”


There’s no stopping showstopper Viola Davis, though I’d be just as happy to see Molly Shannon turn up for her delicate work as a mother succumbing to cancer.



BEST SUPPORTING ACTOR


Mahershala Ali, “Moonlight”
Lucas Hedges, “Manchester by the Sea”
Shia LaBeouf, “American Honey”
Trevante Rhodes, “Moonlight”
Issei Ogata, “Silence”


Mahershala Ali had won nearly every precursor prize before his recent Golden Globe loss. Hopefully that won’t dampen his momentum. It would be nice to recognize other “Moonlight” stars too, particularly Trevante Rhodes, whose subtlety betters with each viewing.


BEST DOCUMENTARY FEATURE


“13th”
”Cameraperson”
”I Am Not Your Negro”
”O.J.: Made in America”
”Weiner”


It feels unfair to pit a 7.5-hour behemoth like”O.J.: Made in America” against the rest of these. They are all tour de forces. 


BEST ORIGINAL SCREENPLAY


Efthimis Filippou and Yorgos Lanthimos, “The Lobster”
Kelly Fremon Craig, “The Edge of Seventeen”
Kenneth Lonergan, “Manchester by the Sea”
Mike Mills, “20th Century Women”
Noah Oppenheim, “Jackie”


Hang tight, I have to be earnest for a minute. The breadth on this list of screenplays is astonishing. Coupled with the adapted works below, it’s amazing to think we got of all these layered stories in the same calendar year. I’m having fits about nixing Ira Sachs and Mauricio Zacharias’ “Little Men” script.



BEST ADAPTED SCREENPLAY


Park Chan-wook and Chung Seo-kyung, “The Handmaiden”
Eric Heisserer, “Arrival”
Barry Jenkins, “Moonlight”
Jeff Nichols, “Loving”
Whit Stillman, “Love & Friendship”


I hate to cut “Hidden Figures,” which has a nice shot at a nomination ― unless the Academy opts for goddamn “Deadpool,” which seems increasingly likely.


BEST ORIGINAL SCORE


Nicholas Britell, “Moonlight”
Andy Hull and Robert McDowell, “Swiss Army Man”
Justin Hurwitz, “La La Land”
Mark Korven, “The Witch”
Mica Levi, “Jackie”


I will drink on Mica Levi’s behalf when she is snubbed. 



BEST ORIGINAL SONG


“Audition (The Fools Who Dream),” from “La La Land”
”Drive It Like You Stole It,” from “Sing Street”
”How Far I’ll Go,” from “Moana”
”I’m Still Here,” from “Miss Sharon Jones!”
“Montage” from “Swiss Army Man”


Justin Timberlake will get a nomination for that “Trolls” earworm manufactured in a pop lab. Please make the feeling stop.


BEST CINEMATOGRAPHY


Drew Daniels, “Krisha”
Stéphane Fontaine, “Jackie”
James Laxton, “Moonlight”
Linus Sandgren, “La La Land”
Bradford Young, “Arrival”


It’s hard to argue against the technical mastery of “La La Land,” which takes cues from “Singin’ in the Rain” and “The Umbrellas of Cherbourg,” but I think the work that went into “Moonlight” and “Arrival” was more novel.




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Astronaut Shares Breathtaking Photo Of The Rocky Mountains From Space

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If for some inexplicable reason you thought the Rocky Mountains weren’t incredible enough, check them out from space.



NASA shared this photo on Tuesday, taken by European Space Agency astronaut Thomas Pesquet, the flight engineer on Expedition 50.


“The Rocky mountains are a step too high – even for the clouds to cross,” Pesquet wrote on Twitter, proving he’s not only an astronaut, but also pretty poetic.






Pesquet has been at the International Space Station — a satellite orbiting Earth — since November, joined by NASA astronaut Peggy Whitsen and Russian cosmonaut Oleg Novitskiy. If you’re into cool photos from space, it’s definitely worth taking a look at his Flickr account.

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43 Perfect Tweets About The Most Cringeworthy Episode Of 'The Bachelor'

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The second episode of the 21st season of “The Bachelor” was.... painful? Distressing? Cringe-inducing? Dominated by boobs? All of the above?


Nick Viall got to take wedding photos with at least five different brides, cupped some breasts, and had a real breakup conversation after a fake breakup conversation. All in a night’s work for the Bachelor. 


Below are 43 tweets that nail the joy and pain that is watching “The Bachelor”:



For more on “The Bachelor,” check out HuffPost’s Here To Make Friends podcast below:


 





Do people love “The Bachelor,” “The Bachelorette” and “Bachelor in Paradise,” or do they love to hate these shows? It’s unclear. But here at “Here to Make Friends,” we both love and love to hate them — and we love to snarkily dissect each episode in vivid detail. Podcast edited by Nick Offenberg.


Want more “Bachelor” stories in your life? Sign up for HuffPost’s Entertainment email for extra hot goss about The Bachelor, his 30 bachelorettes, and the most dramatic rose ceremonies ever. The newsletter will also serve you up some juicy celeb news, hilarious late-night bits, awards coverage and more. Sign up for the newsletter here.

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