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'Charlie And The Chocolate Factory' Gets A Pogo Remix And It's Cer-azy Sweet

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The 1971 classic, "Willy Wonka & the Chocolate Factory" might have gotten a Tim Burton remake, but it was still due for a Pogo remix.

Watch and listen as music producer, Nick Bertke, (aka Pogo), takes one of the yummiest films of our time, and makes it into a delicious mix of beats, sound bites and images from the movie.

The result is pretty sweet.


Shia LaBeouf Sets Up Shop At Los Angeles Gallery To Say He's Sorry: LAist

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Shia LaBeouf's plagiarized apologies have taken a high-brow turn.

LaBeouf, or someone pretending to be him, has made himself available to the masses—one at a time—at the Cohen Gallery on Beverly Boulevard from 11 a.m. until 6 p.m. today through Sunday. The exhibit is being called #IAMSORRY, a collaboration with Finnish performance artist Nastja Säde Rönkkö and "meta-modernist pioneer" Luke Turner.

'Winter's Tale' Versus 'Endless Love': Who Wins The Valentine's Day Movie Schmaltz-Off?

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This Valentine’s Day weekend, in terms of schmaltzy, over-the-top, dramatic love stories, you have the choice between watching “Endless Love” or “Winter’s Tale.”

(Or, you know, you could just have a conversation with your significant other. What are his or her dreams? What’s his or her biggest regret? Is it you? It might be if you take him or her to either of these two movies. Anyway…)

“Endless Love” is the story of David (Alex Pettyfer) and Jade (Gabriella Wilde), two teens played by two people who both look 30. They are in love, though Jade’s dad wants to keep them apart. “Winter’s Tale,” meanwhile, is the story of an early 20th century thief named Peter (Colin Farrell) who falls in love with a sickly woman named Beverly (Jessica Brown Findlay), then befriends a magical winged horse and fights supernatural demons who are led by Russell Crowe. (In both cases, we’ve all been there.)

Below, we let the two face off, in a Battle Royale Of Schmaltz, to help you decide what movie will be getting your hard-earned schmaltz money this weekend. (I know it’s cold outside, but, seriously, please consider just flying a kite instead, or something.)

Also, there are schmaltzy spoilers below so be warned because we don’t want to ruin your schmaltzy surprise.

**

In “Endless Love,” David takes a joyride in a borrowed Maserati.

In “Winter’s Tale,” Peter takes a joyride on a winged horse.

horse

Schmaltz Winner: “Winter’s Tale”

**

In “Endless Love,” Jade has led a sheltered life due to her constant studying.

In “Winter’s Tale,” Beverly has led a sheltered life due to her tuberculosis.

Schmaltz Winner: “Winter’s Tale”

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In “Winter’s Tale,” Beverly has a possessive father, played by William Hurt, who grows to like Peter after a bonding experience involving an exploding furnace.

In “Endless Love,” Jade has a possessive father, played by Bruce Greenwood, who grows to like David after a bonding experience involving an exploding house.

Schmaltz Winner: “Endless Love”

**

In “Endless Love,” David’s best friend is a fellow student named Mace.

In “Winter’s Tale,” Peter’s best friend is a magical winged horse named Athansor.

horse

Schmaltz Winner: “Winter’s Tale”

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In “Endless Love,” David’s hobby is as a mechanic who spends his free time fixing cars.

In “Winter’s Tale,” Peter’s hobby is as a mechanic who spends his free time fixing a furnace and a microfiche machine.

Schmaltz Winner: “Endless Love”

**

In “Endless Love,” Jade’s father threatens David with a baseball bat.

In “Winter’s Tale,” Russell Crowe threatens Peter with hell demons.

Schmaltz Winner: “Winter’s Tale”

**

In “Endless Love,” David has a temper and is quick to punch others in the face.

In “Winter’s Tale,” Russell Crowe literally tears off a man’s face.

Schmaltz Winner: “Endless Love”

**

In “Endless Love,” a toast is made “to love.”

In “Winter’s Tale,” Russell Crowe uses the blood of the man whose face he tore off to finger-paint a picture.

Schmaltz Winner: Tie

**

In “Endless Love,” using the dirt on a truck’s rear window, David writes “I Love U.”

In “Winter’s Tale,” using the dirt on a mirror, Peter writes his own name, “Peter Lake.”

Schmaltz Winner: “Endless Love”

**

In “Winter’s Tale,” Peter asks Beverly’s father, “But I’m a thief, as you so keenly observed, can’t I steal just one life?”

In “Endless Love,” David’s father, played by Robert Patrick, asks Jade’s father who is delivering a restraining order, “He can’t sneak into a zoo?”

Schmaltz Winner: “Winter’s Tale”

**

In “Winter’s Tale,” Beverly’s father eventually lifts his suspicions against Peter.

In “Endless Love,” Jade’s father eventually lifts the restraining order against David.

Schmaltz Winner: “Endless Love”

**

A line of dialogue in “Winter’s Tale”: “You are impossibly beautiful.”

A line of dialogue in “Endless Love”: “I won’t love anyone like I love you.”

Schmaltz Winner: “Endless Love”

**

A line of dialogue in “Endless Love”: “I’ve wanted to make out with you since the 10th grade.”

A line of dialogue in “Winter’s Tale”: “I love blood on the snow. Especially virgin blood.”

Schmaltz Winner: Tie

**

A line of dialogue in “Winter’s Tale”: “When true love is lost, life can bleed of true meaning.”

A line of dialogue in “Endless Love”: “I know that I’m not good enough for you. I’m not going to spend the rest of my life pretending that I am.”

Schmaltz Winner: “Endless Love”

**

A line of dialogue in “Winter’s Tale”: “When I think of her, I’ve never felt this way before.”

A line of dialogue in “Endless Love”: “My first love was everything all at once.”

Schmaltz Winner: “Endless Love”

**

Two lines of dialogue in “Winter’s Tale”: “What’s the best thing you’ve stolen?” “I’m starting to think I haven’t stolen it yet.”

A line of dialogue in “Endless Love”: “I don’t care if we have 10 days, one week or one day. I want you to spend it with me.”

Schmaltz Winner: “Winter’s Tale”

**

In “Winter’s Tale,” Peter is pushed off the Brooklyn Bridge.

In “Endless Love,” there’s a dance off set to Salt-n-Pepa’s “Push It.”

Schmaltz Winner: “Endless Love”

**

In “Endless Love,” right before David and Jade consummate their relationship, David says, “We should wait.” Jade responds, “I don’t want to wait, I want to feel this with you.”

In “Winter’s Tale,” right after Peter and Beverly consummate their relationship, Beverly says, “If you don’t make love to me now, no one ever will.” Peter responds, “That’s exactly what I will do then.”

Schmaltz Winner: “Endless Love”

**

In “Endless Love,” right after they consummate their relationship, David and Jade look longingly at pictures of Jade’s brother, who has been dead for three years.

In “Winter’s Tale,” right after they consummate their relationship, Peter looks at longingly at Beverly, who has been dead for three seconds.

Schmaltz Winner: “Winter’s Tale”

**

In “Endless Love,” David’s ex-girlfriend, Jenny, exhibits devilish behavior.

In “Winter’s Tale,” Will Smith plays The Devil.

Schmaltz Winner: “Winter’s Tale”

**

In “Winter’s Tale,” at one point Peter comes to the realization that 100 years have passed.

After watching both of these movies in a 24-hour period, I’m shocked that 100 years haven’t passed.

Schmaltz Winner: I give up.

**

In “Endless Love,” David And Jade fly off together on a commercial airliner.

In “Winter’s Tale,” Peter flies off into space on a winged horse.

horse

Schmaltz Winner: “Winter’s Tale”

**

The lesson of “Endless Love” is that love can conquer all, even if you have a pretty lengthy criminal record.

The lesson of “Winter’s Tale” is that after you die, a horse will take you to space and you will transform into a star, even though not near enough helium or hydrogen are present for this to ever happen.

My lesson: Next year, take this week off as vacation.

***

Final Tally: There are no winners today.

Mike Ryan is senior writer for Huffington Post Entertainment. You can contact him directly on Twitter.

Justin Sayre Of 'The Meeting' Offers His Hopes For 2014

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As part of his acclaimed variety show "The Meeting," writer-actor Justin Sayre took to the stage of New York's Joe's Pub, where he offered up his spirited queer hopes for 2014 -- and the results are hilarious.

Sayre's "International Order of Sodomites" (I.O.S.) gathers once a month for "The Meeting," honoring an artist or a cultural work that is iconic to the gay community. Previous editions have been dedicated to Cher, Karen Carpenter, Judy Garland and Stephen King's "Carrie."

This month's show will be dedicated to Broadway legend Bernadette Peters, and is scheduled to take place at Joe's Pub in New York on Feb. 16. Check here for more information.

You can view some of Sayre's previous performances on his official YouTube page here, or read more on Facebook here.

Footage appears courtesy of Martian Entertainment.

Remarkable Blind Man Raises Money To Rebuild Pianos, Reminds Us Anything Is Possible

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John Furniss is an exceptional man. The 32-year-old from Vancouver, Wash., is one of the few piano technicians who rebuild pianos, in addition to tuning them. What makes this even more remarkable is that Furniss is entirely blind.

At age 16, Furniss survived a suicide attempt, but was left sightless, according to KGW. He turned his life around -- discovering a passion for rebuilding pianos in the process.

Furniss moved to Vancouver to attend the Emil Fries School of Piano Technology for the Blind after he was unable to find employment in the woodworking industry in Utah, according to the Vancouver Vector.

"People love their pianos. When they sit down and play and when it sounds so beautiful and nice, that is like gold to me," he told KGW.

While enrolled in the School of Piano Technology for the Blind, Furniss found a mentor in Rick Patten, a piano rebuilder who designs tools specifically for blind technicians. Patten told KGW that Furniss has proven critics wrong by showing that a blind man can be a successful technician.

"I wouldn't be where I am without Rick," Furniss told KGW.

As Patten prepares to retire, Furniss hopes to fill his mentor's shoes. With his partner Anni Becker, Furniss is trying to raise $15,000 through an Indiegogo campaign in order to purchase Patten's piano repair shop from him. According to the Indiegogo video, Furniss has successfully repaired four major pianos under Patten's guidance over the last year.

Furniss belongs to an elite group of blind technicians, and despite the challenges of his profession, he remains optimistic.

"I'm totally blind," Furniss said to KGW. "But if you put your mind to something, you can do what you want to do."

You can support Furniss' cause here. Donations will help purchase both Patten's piano shop and his custom-made tools.

Star Wars Walkers Destroying Olympic Moguls Skiers With Lasers Makes A Gold Medal Video

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Here is something that could make the Olympics more interesting: laser blasts. At least, that's what YouTube user Natholdetpaatv2 thought.

Watch what happens when he combines the Star Wars series' daunting AT-AT walkers with the wildest wipeouts in moguls skiing at the Sochi Olympics.

Although we never like to see the Imperial forces winning a battle, we think this Internet video deserves a gold medal.









900-Year-Old Viking Message Decoded, Reads 'Kiss Me'

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The mystery of a 900-year-old Viking message has finally been solved. Cryptologists, put down your cipher devices, because the formerly incomprehensible code that's been haunting your dreams reads in part: "Kiss me."

viking
A runic artifact that reads: "Kiss Me". Photographer: Jonas Nordby.


The baffling Jötunvillur code, which dates back to as early as the 9th century, has popped up in over 80 different Norse inscriptions, puzzling runologists (those who study the Viking rune alphabets) for some time. That is, until Jonas Nordby, a runologist from the University of Oslo, valiantly broke the code, realizing a simple pattern amongst the writings.

"For the jötunvillur code, one would replace the original runic character with the last sound of the rune name," he explained in an interview with Forskning.no. "For example, the rune for 'f', pronounced 'fe,' would be turned into an 'e,' while the rune for 'k,' pronounced 'kaun,' became 'n.'"

viking

Sounds easy, right? Nordby sifted through all the findings of rune codes in northern Europe, mainly Scandinavia and the British Isles, to settle on his conclusion. Cryptologists previously thought the code was used to communicate secret messages, but Nordby thinks the pattern might have been instrumental in the teaching of rune instead. For instance, a means of memorizing the order of the alphabets.

"We have little reason to believe that rune codes should hide sensitive messages," Nordby claims. "People often wrote short everyday messages."

Amongst them -- "Kiss me," shown in coded rune in the first image above. Perhaps Nordby has stumbled upon a nearly millennium-old love letter? Dare we say, a Valentine? Whatever the case, runic code researchers deserve a round of applause. There's nothing like the glee felt after solving a good ol' medieval mystery.

viking
Copyright: Museum of Cultural History, University of Oslo, Norway. Photographer: Aslak Liestøl


Note: The artifacts photographed by Jonas Nordby are located at the Bode Museum in Germany and the Sigtuna Museum in Sweden

Haunting NASA Video Shows Just How Beautiful Our Sun Really Is

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In the frigid month of February, it's easy to forget about that huge ball of fire at the center of Earth's orbit.

But a trippy new NASA video shows the sun in all its superheated glory -- from stupendous sun spots and solar flares to vast swirling eruptions that reveal just how violent solar physics can be. Just check it out above.

The video contains footage from NASA's Solar Dynamics Observatory, which has been keeping a 24-hour watch on the sun since Feb. 11, 2010. It's backed by a Moby Gratis track that only amplifies the effect.

27 Sex Songs For Your Valentine's Day Activities

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As we've learned, when it comes to Valentine's Day, chocolates, flowers and a fancy dinner are great and all but the items pale in comparison to what happens in the boudoir.

Intimate acts on Valentine's Day call for redolent aromas, mood lighting and, most important, the perfect playlist. Behold, 27 songs to add to your Valentine's Day song set -- for whatever mood you're in.

"Boombastic" - Shaggy


"Falsetto" - The Dream


"One In A Million" - Aaliyah


"Too Close" - Next


"Freek'N You" - Jodeci


"Love Like Honey" - Pretty Ricky


"Seduction" - Usher


"Pour Some Sugar On Me" - Def Leppard


"Love In An Elevator" - Aerosmith


"You Shook Me All Night Long" - AC/DC


"Whole Lotta Love" - Led Zeppelin


"Pony" - Ginuwine


"Yonce" - Beyonce


"Cockiness (Love It)" - Rihanna


"Dark Horse" - Katy Perry


"Hit It From The Back" - Mobb Deep


"Hot Sex" - A Tribe Called Quest


"Lapdance" - N.E.R.D.


"Back That Azz Up" - Juvenile ft. Mannie Fresh & Lil Wayne


"Nasty Girl" - The Notorious B.I.G. ft. Diddy, Nelly, Jagged Edge & Avery Storm


"Oochie Wally" - Nas & Bravehearts


"My Neck My Back (Lick It)" - Khia


"Wait (The Whisper Song)" - Ying Yang Twins


"Play" - David Banner


"Hold On We're Going Home" - Drake


"#!*@ You Tonight" - The Notorious B.I.G. ft. R. Kelly


If none of this appeals to you, you can always play "Let's Get It On" on a 24-hour loop.

These Celebrity Men Love Their Moms, Would Totally Make Them Their Valentines

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Valentine's Day is right around the corner and we'd just like to put out the reminder that there's no shame at all in declaring your mom or dad as your valentine. In fact, it's encouraged.

It's hard not to swoon when a larger-than-life celebrity proclaims his love for his mother by walking her down the red carpet or publicly thanking her for his success.

Just look at Tom Hiddleston. He's something of a sensation lately, and for good reason. Success and dashing good-looks aside, Hiddleston's a polite young man whose comments about the strength of women (and his mother in particular) in Elle UK's March issue are making fans ask "can we be your valentine?"

And Hiddleston's not the only one. These celebrity men prove that even when a guy's in a relationship, his first valentine is his mom.

You're Probably Walking Past Some Important Spots In Black History Without Even Knowing It

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Every day, we walk in the very places where history was made years ago. Sometimes that location is marked by a plaque or a statue, but other times we walk in the very same places where the footsteps of iconic men and women changed the world without even knowing it.

In honor of Black History Month, The Huffington Post created these images of iconic locations and what they looked like then and now.

Ebbets Field






before

after





Once the home of the Brooklyn Dodgers and stomping grounds of Jackie Robinson, Ebbets Field was located at the corner of Bedford Avenue and Montgomery St. in what is now the Crown Heights neighborhood of Brooklyn. The stadium, which was built by architect Charles Ebbets, opened on April 9, 1913. The Dodgers played there for 44 years until they moved to Los Angeles after the 1957 season. Today, there is a housing complex in the place where the baseball park once stood, situated between Medgar Evers College and The Jackie Robinson School.
Credit: Ray Waters/NY Daily News Archive via Getty Images ; Wendy George

Apollo Theater
apollo theater

Credit: NY Daily News via Getty Images ; Damon Dahlen

apollo theater

Located at 253 W. 125th Street in Harlem, the Apollo Theater is a pillar of rich history in a community that has been a hub for black achievement and creativity for decades. Although it originally opened under a different name in 1914, black people were not allowed in the theater until new management took over the establishment in 1934. The theater catapulted the careers of a number of major black entertainers. Today it sits between a GameStop and a Red Lobster and continues to be the host venue for major events.
Credit: New York Daily News Archive via Getty Images ; Damon Dahlen


Cotton Club
cotton club

The famed New York City club is credited for launching the career of greats like Duke Ellington, Lena Horne, Ella Fitzgerald, Nat King Cole and Louis Armstrong. The club was originally located at the corner of Lenox Avenue and W. 142nd St. in Harlem. It hosted an audience that often included New York's high society and performances by the most prominent jazz musicians of the day. After the 1935 race riots in Harlem, the area was considered unsafe for whites -- who comprised the majority of the Cotton Club's clientele -- and the club was forced to close in February 1936. It reopened in September 1936 downtown on 200 W. 48th St. Today a community center called the MiniSink Townhouse sits on the corner where the jazz club once stood.
Credit: Hulton Archive/Getty Images ; Damon Dahlen


Langston Hughes' home
langston hughes

Located at 20 E. 127th St., the home of writer and poet Langston Hughes was listed in the National Register of Historic Places in 1982. Hughes spent the last 20 years of his life in the five-bedroom brownstone. The house reportedly went on sale in 2011, and was originally listed for $1.2 million, but the price was dropped to $1 million.
Credit: Robert W. Kelley//Time Life Pictures/Getty Images ; Marc Janks

Lenox Lounge
lenox lounge

The historic Harlem jazz club Lenox Lounge, located at 288 Lenox Ave. in New York's East Harlem neighborhood, not only hosted legendary entertainers like Miles Davis and Frank Sinatra, it was also the venue where Langston Hughes narrated "The Story of Jazz", Alex Haley interviewed Malcolm X for his biography, and where culture-shaping authors James Baldwin, Zora Neale Hurston, and Ralph Ellison became regulars. Founded in 1939, the bar passed through several different management hands and eventually closed in 2012. There have been recent disputes between present-day property owners, and restaurateur Richard Notar is scheduled to open a new jazz club on the 286 Lenox Ave. site.
Credit: Rita Barros/Liaison/Getty Images ; Damon Dahlen

Drake Slams Macklemore For Grammys Text To Kendrick Lamar

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The following article is provided by Rolling Stone.

After Macklemore and Ryan Lewis won Best New Artist and three trophies in the rap category at last month's Grammy Awards, the duo's mouthpiece tried to prove that he thought another nominee should have walked off with some golden hardware: "You got robbed," Macklemore texted Kendrick Lamar. "I wanted you to win."

LINK: Grammys 2014's 25 Best and Worst Moments

The private message — which Macklemore made very public by posting it on Instagram — didn't strike everyone as generous. And in the new issue of Rolling Stone (on stands Friday), Drake makes it very clear he thought the message was unnecessary. To put it bluntly, he thought "that shit was wack as fuck."

LINK: See Exclusive Photos of Macklemore at the Grammys

"I was like, 'You won. Why are you posting your text message? Just chill. Take your W, and if you feel you didn't deserve it, go get better — make better music,'" he tells us. "It felt cheap. It didn't feel genuine. Why do that? Why feel guilt? You think those guys would pay homage to you if they won?"

LINK: See Where 'Nothing Was the Same' Ranks on RS' List of Best Hip-Hop Albums

Drake notes that Grammy wins don't always go to the artist who made the best album. "This is how the world works: He made a brand of music that appealed to more people than me, Hov, Kanye and Kendrick. Whether people wanna say it's racial, or whether it's just the fact that he tapped into something we can't tap into. That's just how the cards fall. Own your shit."

LINK: Macklemore to Kendrick Lamar After Grammys: 'You Got Robbed'

And in the end, if Macklemore was going to start doling out apologies, he should have reached out to more nominees, Drake says. "To name just Kendrick? That shit made me feel funny. No, in that case, you robbed everybody. We all need text messages!"

LINK: Drake Talks Music, Money, and Chris Brown

5 Lessons Chelsea Handler Can Teach Women About Getting Ahead

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When asked if she's funny all the time, late night talk show host and potty-mouthed comedian Chelsea Handler answered without taking a breath, "In my opinion, I’m very funny."

At the MAKERS Conference on Tuesday, Handler spoke with Marie Claire's Anne Fulenwider about the virtues of being honest, doing one thing really well and how she fits in with the boys. She even threw in the word sagacious. When an audience member asked how she deals with being in a room with mostly men, Handler quipped, "I just act like I’m the reason everyone’s in the room."

In fact, Handler is used to being in a room only half inhabited by men. Fifty percent of the funny lady's staff are women -- and shockingly, she's the only person in late-night comedy who can make that claim.

HuffPost Women broke down the comedian's conversation into five life lessons Chelsea Handler can teach women about being successful:

1. Don’t Have Too Many Cooks In The Kitchen
"I think when you’re doing anything that’s important to you, it’s good to take advice from one sagacious person, or maybe two, who you respect. Never more than that. I don’t like any more cooks in the kitchen than that. And if there’s someone you meet who really blows your mind or says something powerful to you, then you take that with you all the way through your entire life."

2. Just Get One Person To Say Yes
"I was reading Chris Matthews’ book years ago, and he said it doesn’t matter how many people say no -- and it’s been said by many people -- you just need one person to say yes. Just keep knocking down walls until one person says yes. No one wanted to give a lady -- actually I would never call myself a lady -- no one wanted to give a female a late night talk show, and when I did get it, no one wanted to let me put a little person as my sidekick. They said that’s never been done and you don’t do that. I wanted to know why I couldn't do it. If I think it’s funny then someone else is going to think it’s funny too. Someone else has to agree with me.

And they said no, female late night shows don’t work. I had one person who said they do work. And it was a man. He said it’s going to work and she has a different point of view. I think the most important thing, whatever your profession is, is if you do something really well, people will recognize it."

3. Women Need To Take Care Of Other Women
"I think as a woman you have a responsibility to take care of other women. So yeah, I’m looking for the funniest people. And first I’m looking for the funniest women. I’m not going to not hire a guy because he’s a guy. Then we are just starting over, but the other way around. I don’t want to discriminate against men just because they can be so annoying. Tina Fey and Amy Poehler and Sarah Silverman get the same question -- 'what’s it like being a female comedian?' It’s just like being a comedian.

I think women who don’t have a lot of girlfriends are … problematic [laughs]. If you’re a girl, you should naturally be predisposed to other women. That’s just the way it is. You should be sharing your experiences with other women. It’s like women who don’t speak to their sisters or brothers -- also problematic. At some point you just have to get over it. I mean, I’m talking to my sister and there was the DUI and FBI incident [laughs]."

4. Don’t Be Another Pain-In-The-Ass Girl
"I don’t lie about anything in my past. I’m not one of those girls who covers up something in an interview or says I can’t talk about that. It’s important for people to know that you make mistakes. That we aren’t infallible. We are all embarrassed about certain things that have happened in the past, or people we’ve dated or things we’ve done or said or fights we have been in. I’m not a big proponent of pretending to be something that you’re not. I think it’s much more honorable to see somebody who is flawed. No one is perfect. What’s the point in trying to pretend that you are? That’s just another pain-in-the-ass girl."

5. Contribute, Period.
"Men are partial to men, just like I said women are partial to women. I think the most important thing, and the key ingredient for a woman, is to act like you belong there and believe that you belong there. It’s a hard thing not to sit there and say, 'Why aren’t we being treated equally?' But sometimes the argument becomes a moot point. Just fit in. Go with the flow. Contribute, contribute. And sooner or later, they’re going to go, 'Wow, we need another one of those.'"

Handler's latest book "Uganda Be Kidding Me" comes out on March 11 and chronicles her adventures while on safari in Africa.

2014 Olympics Photos: Day 7 Of The Sochi Winter Games

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Bummed you didn't get tickets to the most exciting event in winter sports this year? Can't believe you're about to miss your favorite alpine skiers? Wish you could see the bobsledding competition in real time? Don't fret. HuffPostSports and the HuffPost photo team are your eyes and ears in Sochi during the 2014 Winter Olympics in Russia.

From the most excited Canadian fan to an incredibly happy Eric Frenzel, here's a selection of the most memorable photographs of Day 7 of the Sochi Winter Olympics.

Check back tomorrow as we'll have even more more photos from the XXII Olympic Winter Games.

These Disney Princesses Are Tired Of Being Damsels In Distress

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What would it look like if Disney's classic princesses stood up and took their lives into their own hands -- with or without a prince in tow? According to YouTube duo AVByte, pretty darn fabulous.

Disney has received quite a bit of criticism over the years for its well-travelled "one day my prince will come" motif. The original Disney princesses had very little agency of their own -- both Snow White and Aurora spent the climaxes of their movies snoring -- and as the years went on, the prescriptive fairy-tale endings hardly changed. (Half a century after Charming first stumbled upon Snow White in the woods, feisty Ariel sold her life upstream for just the chance of dancing on land with a prince.)

Merida of 2012's "Brave" broke Scottish highland ground when she became the first addition to the princess line without a romantic interest. Queen Elsa of "Frozen" followed in her footsteps this year, and with the help of her little sister, Anna, the movie made a point of turning the all powerful true love's kiss trope on its head.

AVByte's latest tongue-in-cheek video is inspired by Elsa and all of the princesses that came before her. Watch above for a new take on fairy tale endings.

Nicki Minaj's NSFW 'Looking Ass N---a' Video Drops

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Nicki Minaj went all in for her new music video for Young Money, stripping down to outfits that leave little to the imagination and relying on curse words for the bulk of her lyrics. Setting the tone for the video, Minaj's track is called "Looking Ass N---a," which is echoed throughout the clip as she raps about the unacceptable men in her life while sporting a ripped bodysuit. Watch Nicki's NSFW video below.

Hawaii Considers Making It Official With The Ukulele

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HONOLULU (AP) — Its frisky four strings are the sound of Elvis's "Blue Hawaii," of Tiny Tim tiptoeing through the tulips and lately, beyond all reason, of a popular "Bohemian Rhapsody" cover.

Above all, the humble ukulele — dubbed "the underdog of all instruments" by virtuoso Jake Shimabukuro who busted out his rendition of the aforementioned Queen classic in a recent performance — sounds like Hawaii. Lawmakers here are considering a bill that would dub the ukulele the official state instrument, a designation that seems in some ways like a formal ceremony for a common-law marriage.

"Denying this bill would be like denying a significant part of who we are," Ani Martirosian Menon, a Honolulu resident by way of Los Angeles, told a House committee hearing Wednesday.

She credited the instrument with helping her, and anyone else who has ever come to Hawaii, to understand the islands. "It's a sincere melting pot," she said. "If you've never been here before, you're not going to know how to adjust. The ukulele is a really good entry point to connect with the local culture."

Bette Midler belting out "Ukulele Lady" on national television, backed by a ukulele choir, helped bring the instrument's sound to the masses. But the ukulele can seem ubiquitous on the islands themselves. Visitors hear ukuleles at Hawaiian airports. Callers to state government offices hear it paired with a soothing steel guitar as hold music — perhaps aimed at calming irate constituents.

A few states have designated state instruments, but none is so synonymous as the ukulele to Hawaii. Texas called dibs on the guitar. Louisiana put zydeco ahead of jazz in honoring the accordion. Missouri claimed to the fiddle. But so did Arkansas. And Oklahoma. And South Dakota.

The ukulele and Hawaii are a more distinct pairing. They're so intertwined that when Jim Tranquada, co-author with Jim King of "The Ukulele: A History," was told of the bill, his response was surprise — not that Hawaii was so honoring the ukulele, but that the state hadn't already.

"The ukulele has been widely regarded as an indigenous Hawaiian instrument since the late 1880s," Tranquada said. "As a visual icon the ukulele is instantly associated with Hawaii, which is why it's used so frequently in advertising."

Here, according to Tranquada, is how that came to be. Guitar-like stringed instruments were already popular in Hawaii about 130 years ago when plantation owners imported workers from Portugal. The Portuguese (Tranquada's great-great grandfather among them) brought a little four-stringed instrument called a machete. When they started making similar instruments out of an indigenous acacia tree called the koa, it became a distinctly Hawaiian creation.

Pretty soon the Hawaiian royal family became fans of ukulele music. Princess Kaiulani took it up. And as Hawaii grappled with American annexation, it became a point of pride to strum this plucky little instrument made of wood found only in Hawaii.

"If you were playing a ukulele made of koa, you were demonstrating aloha aina, or love of the land," Tranquada said. "It was a patriotic act."

Today the oldest continuous maker of ukuleles is Kamaka Ukulele, which has been in business since 1916. In a shed behind its Honolulu manufacturing shop sits a heap of koa logs, which spend years drying before Chris Kamaka, a third-generation ukulele maker, brings them inside to shape.

"It's a beautiful wood, and it's a hard wood," he said Wednesday, standing in the sawdust-scented work floor. They could heat it to speed up the drying process, but they'd rather let the wood wait. It takes about a year per inch of thickness to dry. "We've always done it that way," Kamaka said. "It seems to work well."

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Follow Sam Eifling on Twitter at http://twitter.com/sameifling

Woody Allen Heckled Over Sexual Abuse Allegations At New York Theater

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Though the statute of limitations may have run out, there are no limits when it comes to the court of public opinion.

No criminal charges can be brought against Woody Allen in the wake of Dylan Farrow's allegations that he sexually abused her in 1992, but that's not stopping anyone from expressing their thoughts on the incident. Page Six reports that while attending a matinee of the Broadway show “After Midnight,” with his wife Soon-Yi Previn and their two daughters, Allen was "heckled" by an audience member who yelled, "I think he did it!” in reference to the allegations.

Witnesses told Page Six that Previn shot the heckler a "dirty look," while Allen seemed "unfazed."

Allen's adopted daughter Dylan wrote an open letter in the New York Times on Feb. 1, revisiting allegations that the director molested her when she was seven years old. Allen denied the accusations in his own piece in the Times the following week, writing that it would be his "final word on this entire matter." Dylan responded to Allen's op-ed with an essay in The Hollywood Reporter, calling his version of the events "outright lies."

Why Dance Heavyweights Above & Beyond Went Acoustic

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Between headlining festivals and hosting their massively popular "Group Therapy" radio show, the three gents in Above & Beyond are undoubtedly among dance music's biggest stars. Over the past decade or so, they've released three studio albums, countless singles and compilations, but never a full acoustic project. That changed this year.

"It was Tony [McGuinness]' idea to do the acoustic album," A&B member Jono Grant told The Huffington Post. "Me, personally, I would have been too scared to do it." Grant, McGuiness and Paavo Siljamäki worked with composer Bob Bradley to transform their dance hits into sometimes haunting, sometimes romantic reworks that they then performed live at London's Porchester Hall and Los Angeles' Greek Theatre.

The result is an affecting 12-track LP that amplifies the intensity of some of their most seminal hits ("Sun & Moon," "Thing Called Love") by reducing them to spare arrangements and softer vocals. HuffPost Entertainment spoke to Grant about the process of making the album, what they learned by taking a break from dance music and what's currently cooking in the Anjunabeats universe.

How did this massive effort, between the album and the concert film, begin?
We knew the material could work in that style, and we had a few reference points and ideas of how we'd like it to be. We were thinking of the French band Air, for example. We had a rough idea, but we let Bob go off and do some interpretations. We went and recorded our parts in his studio in Leeds. We played our parts on the acoustic album, and then they became slightly adapted for the live version.

It was also Tony's idea to do the show -- he wanted to do it small and intimate, in a venue in London. And then of course the Greek Theatre [in Los Angeles] happened after that.

Was there any difference in the reception?
It was quite different, actually. We were filming it in London, so we actually told people to be quiet. [Laughs] They were on their best behavior, but maybe it wasn't such a good idea to tell them to keep quiet. In America, concerts are pretty loud and the venue was a lot bigger, so it's different in that regard. But in both gigs, the audience didn't really know what was going to happen -- especially in the U.K., because no one knew what we'd have on stage.

In L.A., people weren't sure if they were at a rave or a gig or what, but they knew they'd have a big time.

How did people end up dressing, more for a rave or for a classical performance?
That was really sweet and amazing. Because they saw pictures of us in suits and things, once tickets went on-sale for the American gig, they thought, "We've got to dress up for this!"

Do you think this is more of an experiment in form, or content? You're keeping the lyrics the same, mostly, but you're rebuilding the architecture around them.
Even though it was an acoustic thing, the production behind it was very important. I'm trying to think if the meaning of the songs changed much for me, but I'm so close to it that it's difficult. I know the songs so well, but I'm sure that for some people listening, that happened. For me, I'm more focused on music than lyrics anyway, so I'm probably not the best person in the band to ask.




What was the most interesting part, to you?
Playing again. When you're in the studio, you're just doing a bit and then correcting it and redoing it, but you're just trying to get through it. When you're playing live, you actually have to practice and I hadn't done that for years. That was very rewarding for me, and also going into Bob's studio and being produced as an artist. Normally, I'm the one in the chair telling a singer how to perform a vocal, so it was nice to play something and have Bob say, "Oh, I like this but can you do a little bit more of that?"

Was that hard, at all?
You know, it wasn't. Bob had a lot of ideas, so he would sort of play us a track, and we'd jam out over the top. I'm always playing piano at home anyway, so even though I'm not practicing that much, I'm always noodling or tinkling around. I didn't find that aspect challenging, but settling down on certain things was tough.

Did you re-record every vocal?
Yeah, we re-recorded everything. Even Zoe [Johnston]'s stuff. You need to sing out a bit more in dance music, so these are a little more delicate and need to be sung softer. It was essential to rerecord them.

There's a nice little analog movement in dance music now, with Daft Punk returning to old-school techniques for "Random Access Memories" and classically trained artists like Zedd releasing piano versions of their dance singles. Did those artists influence you at all, or had you been planning A&B acoustic for awhile?
No, this was just Tony's idea. We were just a little more scared than he was. In terms of timing, we've been working on this in January of last year, so it's been just over a year since we started. The idea to do it came two or three years before that. We just hadn't gotten around it, because we were doing our own album. I could see us doing it again in the future -- we only did 12 tracks on the album. We didn't do an acoustic version of "Alchemy," there are plenty of other songs that we didn't do and could do in the future, between albums. It provides you a nice break between the dance stuff, and I've been doing dance music about 13 years professionally, and you just need a break sometimes.

Do you think there were any learnings that you'll take back to dance music?
There are certain songs that work because of their simplicity in dance form, and I don't think those work in an acoustic way, because you need a full song. For example, in "Alone Tonight," Tony wrote a new verse. In the dance version, we didn't have enough lyrics to play live. So come 2013, he wrote a new verse for it. So the nature of what we did this time was very much all about songs, so maybe we'll be thinking about that in the future. But I still think that there's very much a place for simplistic dance songs, like, say, Reflekt's "Need to Feel Loved" doesn't have a lot of lyrics in it, but what is there is quite powerful.

above and beyond


Your music is special because it walks the line between being beautifully simple and campy. There's a fine line between getting at basic, universal feelings and sounding like a Hallmark card. You avoided crossing that line on the acoustic album, but I'm curious if there was anything that felt cheesier to you without the big dance production
For me, the acoustic thing is not about saying, "Look at us, our songs are better because they're acoustic." I don't view any kind of music in that way -- I think minimal techno can be extremely complicated, for example. It's not that something complex is better, and I'm not saying that our stuff is particularly complex.

What are you up to now, as A&B and at the label?
With our artist album, we're now at the stage where we have most of the tracks or songs, give or take maybe one or two. We now are starting to shape the production of those songs a bit more. That's actually one of the more challenging bits, because when we did the "Sun & Moon" mix, we caught something that was very "now" (but, then). We're trying to find some fresh sounds now and make sure we're not sounding like what's out there or like our old material. So we have written our songs

On the label side, we're getting tracks in for Anjunabeats vol. 11, the next compilation. We had an A&R meeting yesterday where we discussed those tracks, and we have some stuff from Audien and Jaytech. We're hoping to have a bit more of the Anjunabeats on there -- with one CD more progressive and the other CD more traditional Anjunabeats.

above and beyond

Bret Easton Ellis Wrote A 'Yeezus' Film For Kanye West

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Kanye West shared his love for "American Psycho" back in June when he released the film-inspired clip featuring his song "Black Skinhead." Now, West has enlisted "American Psycho" author Bret Easton Ellis to write a movie inspired by his latest album, "Yeezus." Ellis confirmed the collaboration in an interview with Vice, and when asked if he could reveal any details, this is what he had to say:

You know what, I can’t. It’s in Kanye-land and that’s subject to a whole other timeframe. He came and asked me to write the film. I didn’t want to at first. Then I listened to Yeezus. It was early summer last year and I was driving in my car. He’d given me an advance copy and I thought, regardless of whether I’m right for this project, I want to work with whoever made this. So f--k it, I said yes. And that’s how it happened. That was seven or eight months ago. We’ll see what happens.


Ellis also discussed liking West and his willingness to admit that his narcissism, wishing more people would "follow suit."

I really like him as a person. I know he comes off in this performance art way in the press, but if you’re just alone with him in a room talking for three hours, it’s kind of mind-blowing.


For more on Ellis, head to Vice.
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