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Let This Genius Stop-Motion Karate Video Inspire Your Inner Bruce Lee

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Sam Gorski and Niko Pueringer don't exactly have skills rivaling those of Bruce Lee -- but thanks to the magic of stop-motion animation, they don't have to!

The duo find themselves in an incredible, superhuman battle of inventive karate to win over a woman they see in a park.

Thanks to a creative shift in perspective, gravity is an afterthought for the YouTubers-turned-ninjas, who pull off some pretty impressive moves worthy of "Street Fighter":

View post on imgur.com


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Hot Dudes Parody 'Stacy's Mom' In The Hillary Tribute You Never Saw Coming

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The hunky stars of “Well-Strung: The Singing String Quartet” are back and getting into a presidential swing with their new video.

The group -- comprised of first violinist Edmund Bagnell, second violinist Chris Marchant, violist Trevor Wadleigh and cellist Daniel Shevlin -- puts a topical spin on Fountains of Wayne's 2003 smash, “Stacy's Mom.” Titled “Chelsea's Mom,” the whimsically revised version is an ode to 2016 Democratic presidential candidate, Hillary Clinton.

“Now she's much more than the FLOTUS that she used to be,” the guys croon as they roam about a 2016 Clinton campaign office. “The nation needs a champion, it's time for Hillary!”

Pairing a classical sound with a contemporary pop hit, “Chelsea's Mom” should please fans of Well-Strung's earlier tunes, and is the first single off the group's sophomore album, “POPSsical.” Promising new renditions of Mozart, Miley Cyrus and Britney Spears, the guys are raising funds for the release of “POPSsical,” which is slated for an October release, via a Kickstarter campaign, which you can check out here.

Well-Strung will also support the album with a brand-new live show, “Summer Lovin,'” which opens in Provincetown, Massachusetts on July 1.






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Beautiful Pampers Ad Shows How Babies Bring Out The Good In People

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Babies bring out the best in us.

That's the message of this new commercial from Pampers. Featuring a rewrite of the classic lullaby "Hush Little Baby," the ad shows a mom singing to her little one about all the good things people do for babies -- from everyday acts of kindness to major life changes.

Examples include a grandmother learning to read so that she that can help with bedtime stories, an uncle vowing to quit smoking for his new niece or nephew and a stranger helping a mom carry her stroller down some stairs.

The commercial is part of Pampers' #BetterForBaby campaign, and in just two days, it has reached over 1.5 million views on YouTube.

"There’s nothing we wouldn’t do to make life #BetterForBaby."



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This Version Of 'Oh, The Places You'll Go' Captures The Sad Reality Of Adulthood

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Well here's one story we hope to never actually see in bookstores.

Recently, anonymous Imgur user RunOnSentence spoke to the souls of adults everywhere by uploading a rewritten version of Dr. Seuss' coming-of-age tale Oh, the Places You'll Go! The remake, Oh, The Places You'll Go! (As An Adult), paints a different picture of adulthood than Seuss' rainbow-colored paths leading the way to goals and dreams. Think more work, less, well, anything else.

The book sadly nails an all-too-familiar reality for a lot adults -- one that consists mainly of spending time in the office. A reality that, quite honestly, is terrible for happiness and well-being.

Reports suggest that stress may be a significant cause of employee sick leave and is also a major source of lost productivity in the workplace. Not to mention the fact that approximately 42 percent of Americans didn't take any vacation days in 2014, according to a Skift consumer survey. Now that's something Dr. Seuss never warned us about as kids.

The truth is, taking space from the workplace is actually beneficial for our health because it helps our brains unwind. Managing stress can help reduce our risk for heart disease, high blood pressure, mental health issues and more. Research also suggests that planning a vacation may increase our happiness levels.

Check out the adult-ified version of Oh, the Places You'll Go below -- then schedule some time to relax, stat.

Oh, The Places You'll Go! (As An Adult)





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Baby Steals The Show In 'Daddy Daughter Beatbox'

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Vlogger dad La Guardia Cross and his baby daughter Amalah may have a musical hit on their hands with this "Daddy Daughter Beatbox" video.

The beatboxing collaboration is only eight seconds long, but it's packed with impressive talent and cuteness. "The 7 month old and I are working on new music together (I think)," Cross wrote on YouTube. "We call ourselves Drool & Spit."

Coming soon to nurseries near you.



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Dear God, Hollywood Reporter, 'Stromo' Is Not Going To Be A Thing

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On Thursday, The Hollywood Reporter tried to make "stromo" happen, with an article about "straight white male stars going gay (ish)." After chucking their laptops into the sea, HuffPost Entertainment editors Matthew Jacobs and Lauren Duca got new laptops so that they could discuss what this means for society.

Lauren: Hey, Matt! I just wanted to pass along a quick congrats to you and all gay men. According to The Hollywood Reporter, we are the lucky witnesses to the rise of the stromo -- a(n offensive) term referring to straight actors catering to gay audiences (which sounds a lot like something a lax bro would make up in the late '90s). Apparently, the evidence of the stromo is that the vagina-appreciating likes of Channing Tatum and Chris Hemsworth are totally cool with gay men liking them. Isn't that great? Y'all used to be stuck with Barbara Streisand and, I don't know, Liza Minnelli, but now it is totally fine to like straight men, too! Are you writing a thank-you note to THR as we speak or ... ?

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Matt: Since THR's New York offices are in the same building as HuffPost's, I've already hand-delivered flowers. I wanted to express gratitude for validating all the deep V-necks I own (thanks for making that okay, Adam Levine!) and for reminding us that Robert Pattinson could have filed a lawsuit all those times the media made him the subject of a "bromance." THR knows those guys are the true trendsetters, paving the way for us gays to feel comfortable in our own skin.

Lauren, I'm not sure if you and I should continue debating the merits of this trend piece, if one is generous enough to give it such a label, or if we should just rank the most clueless quotes about what its sources claim as progress. (My favorite: "Straight men now want to be sex objects -- and what better way to get objectified than by other penised human beings?") In truth, the idea that straight men in Hollywood are now embracing gay audiences isn't offensive, and there are thoughtful arguments to be made about how that's evolved in recent years. But Nick Jonas taking his shirt off at a gay bar and James Franco being sexually fluid "up to the point of intercourse" does not give them some amalgam of hetero- and homosexuality. That's not how that works, but I'm not sure the author of this piece understands that. Welcome to 2015, where the "stromo" is the true freedom fighter!

Lauren: "Penised human beings" is just how I refer to all men all the time anyway, so that didn't really stand out to me. But what did is this insistence on a microscopically stereotypical understanding of gay men including, but not limited to, the phrase "butts, gym-molded or otherwise." As if choosing to go to SoulCycle and, according to this piece, the nail salon is some metric of sexuality. There are scenes featuring Stanford Blatch in "Sex and the City" that are less mind-numbingly ignorant than that.

The idea that we would need to coin a phrase, and that that phrase would combine the words "straight" and "homo" (unless it stands for straight FOMO, which, I guess, also works?), is gross. It's totally missing any conception of gender fluidity and assuming that being gay requires a small arsenal of V-necks. (Also, LOL, does Merle Ginsberg think it's chill for her to write this because she was a judge on "Drag Race"?)

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Matt: Right, and the only straight allies worth mentioning are white, well-sculpted men anyway. Thank goodness we have someone to highlight the bravery of pretending to be gay on a movie set for a few months or riding on a float at a pride parade or, you know, just generally being willing to associate with the LGBT population. But what about the "young" moviegoers? Channing Tatum better put in overtime on "harder workouts" to catch their attention, or I'm afraid they'll send America right back to the '50s with their homophobia. Praise be to straight men in Hollywood for advancing LGBT rights!

In case the Internet commenters want to attack me for implicating Chan-Man and Mr. Jonas in my vitriol, just take a step back. I'm not criticizing any of the celebrities mentioned in the article -- their open-mindedness is nothing if not a step forward, even if there's an element of slight pandering at times. But the media must be held responsible for how we see celebrities, and employing a crass portmanteau like "stromo" misplaces the progress that both Hollywood and larger society have made. Tatum does not need a round of applause for being polite to his gay fans, and we do not need trend pieces that imply there is profitability in being an LGBT ally. If that is considered progress, then it is a phony, reductive version of it. But what do I know? I'll just keep sending photos of my chiseled eyebrows to Ryan Gosling's fan-mail address in hopes he'll switch teams. This article makes all my dreams seem more plausible!

Lauren: Yeah, no shade to all the beautiful, famous white men and their eight-packs mentioned here, but it's insulting to discuss these shifting images as though they are solely geared at taking advantage of an LGBT audience for profit. As if the only reason to be an ally is limited to selling tickets specifically to those gay men that shave their chests. Acceptance is great, but what THR is describing here is more like "non-homophobic pandering."

Maybe, if we decide not to burn this article to the ground and then scatter the ashes in the sewer, there's a tiny nugget of something good buried under the trash attempt to make "stromo" happen? Straight cis gods like Channing Tatum definitely don't need praise for their trailblazing "gayish" (also Ginsberg's word) appeal, but maybe this kind of marketing, however cynical, is a sign we're moving away from heteronormative standards.

Matt: It surely is, for better or worse, and there's no doubt that celebrities can do wonders for steering cultural discussions in progressive directions. I want to see someone think through that transition carefully and not rely on formulaic ideas of gay men's bodies to emphasize its relevance. Also, can we stop with the Twitter-hopeful buzzwords? The "dadbod" moment was cute, but "stromo" is a bit desperate, even before we weigh its tactfulness. The next time someone wants to discuss this, let's remember that a cute new word does not expand the spectrum of sexual identity, just as "big-lipped" Eddie Redmayne's willingness to play a transgender character is not a substitute for the actual advancements needed within that community. But hey, this is just a one-off article, and we can at least give it credit for attempting to celebrate the strides we've made. Now, off to yoga!

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'Harry Potter And The Cursed Child' To Hit London Stage In 2016; Play Tells 'Untold' Story, J.K. Rowling Says

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Harry Potter fans, hold onto your broomsticks. An “untold part” of the boy wizard’s story will soon be revealed.

Author J.K. Rowling confirmed on Twitter Friday that a play, entitled “Harry Potter and the Cursed Child,” will be opening in London next year.

“It will tell a new story,” Rowling wrote, later adding: “I don’t want to say too much more, because I don’t want to spoil what I know will be real treat for fans.”

Rowling stressed, however, that the play will not be a “prequel.”

























According to The Daily Mail, “Harry Potter and the Cursed Child” may detail the lives of Harry’s parents, James and Lily, before they were killed by Lord Voldemort.

“The play may also look at the complicated relationship between siblings Lily and Petunia,” the news outlet wrote. Petunia, and her husband Vernon, were the muggles (non-magical people) who raised Harry after he was orphaned.

The play is slated to open in the summer of 2016 at the Palace Theatre on London’s West End, Entertainment Weekly writes. Tickets will reportedly go on sale in the fall.

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This Comic Book Is The Geeky, Feminist Answer To Bad Dating Advice

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"I think there are always such silly ideas out there of women being mysterious creatures when it's usually quite the opposite,” comic book publisher Hope Nicholson says. “Most of us are quite open and willing to chat and share our stories.”

It’s this belief that propelled Nicholson to collect a comic anthology of female writers -- The Secret Loves of Geek Girls -- who will use the medium to tell their personal dating stories. It’s fairly common for female writers and illustrators to abandon the strictures and world-building of fantasy to tell more straightforward stories in comic publishing today. Of course, Allison Bechdel’s Fun Home was adapted into a Tony-winning play, but there are scores of others who’ve followed suit, including Anya Ulinich’s Lena Finkle’s Magic Barrel, a New York Times notable book that tackles the hurdles of online dating as an adult.

"I think female creators have always gravitated towards non-genre types of storytelling," Nicholson told The Huffington Post. "There's a need to tell the personal, to interact in a real way that you can't do as easily with genre storytelling."

The problem, Nicholson says, is that these sorts of personal reflections, along with the dating advice provided to women in popular magazines, can be reductive. They often focus narrowly on a single sort of woman, providing no alternative for other female personalities. Her anthology provides a solution by offering perspectives from women who identify with a single, particular culture: the typically male-dominated world of geekiness. On the project's Kickstarter page, Nicholson writes:

"There is a desert of information geared towards the women in fandom. Yet when I get together with my friends at events or over drinks, one of our major topics is how we handle relationships and crushes, rejections, unwanted advances, and general romantic and sexual entanglements."

One such nerd-centric dating topic: fictional crushes, and how we reconcile them with the realities of dating. One of the book's essays, by YA author Adrienne Kress, addresses a tendency to transfer the same fangirl attitude applied to celebrities or constructed characters to our real-life romances. While it's fun and healthy to obsess over ideal-seeming caricatures like Thor or Sherlock, putting actual relationship prospects on such a pedestal can lead to the kind of fixation that undermines your own values and desires.

"It makes it difficult for us to see them as human, they become bigger than anything. And yet no one wins when you look at someone as infallible," Nicholson says.

Another contributor to the collection, Jen Aprahamian, penned a story titled, "Read 1:19 AM," which addresses the anxieties of impatience and anticipation that come with interacting with potential dates through texting and other relatively new modes of communication.

"I think dating advice is usually pretty up to date on how we interact with technology, but there's a very real anxiety in technology at large, especially around dating and communication, that is hard to resolve," Nicholson says. "We're so used to quick responses and instant feedback that anything less than that feels like an affront."

You can see excerpts from The Secret Loves of Geek Girls below, and donate to the project on Kickstarter.





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Stunning Airport Terminals To Inspire Your Summer Travels

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The next time you’re at an airport, scrambling to catch a red-eye or stretching your legs after a sleepless seven hours in a cramped coach seat, forget your travel stresses for a moment and look around you. Airports are rarely celebrated for their beauty, but you might be surprised by how much aesthetic appeal you miss during a hunt for your boarding pass in your carry-on.

airport

We challenged photographers around the world to send us photos of airports that open our eyes to the underappreciated charm of terminals and runways. The photos they sent us captured the subtle elegance of modern airport architecture, the thrill of the moment before a plane takes off, and the saturated blues of the sky it’s taking off into. Even those who most hate air travel might find themselves itching to book a flight after seeing these wanderlust-sparking images.

See our favorite airport photos below and check out the EyEm Blog for more.

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Enigmatic Found And Staged Photos Create Haunting Depiction Of Female Identity

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Two dead trouts shoved into frozen cups. A bound acrobat suspended in darkness. A disco ball disrupting a woman's face. These are some of the bizarre and loaded images found in photographer Birthe Piontek's beguiling series, "Lying Still."

Piontek's project began as a visual diary, capturing the intimate details of her daily life during a particularly rough period. Over the course of five years though, the personal project expanded its scope, becoming an unlikely investigation of the self through found photography too.

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"The images -– that may at first appear as delicate disruptions of the everyday -– address themes of intimacy and mortality, exposing the desires, urges and fears that exist latently in our subconscious," Piontek explained to The Huffington Post. "They refer to our dreams, to something unknown, an inner landscape of our minds that is hard to point out and put the finger on."

The unsettling images couple art historical references with intimate confessions, sly puns with bleeding wounds. Piontek positions her own staged photos next to found black-and-white images from the 1950s and '60s, depicting everything from natural disasters to vintage pin-up photos. Together, the past and present form a complex puzzle that resists a solution, hinting in all its convoluted wonder to the beauty and suffering of the female body, both in the history of art and in real life.

See if you can piece together the puzzle with the images below.





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Caitlyn Jenner Says 'We're Going To Do Some Good' In New 'I Am Cait' Promo

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Caitlyn Jenner is living her life and giving the world front-row access as she tells her story on her upcoming docuseries "I Am Cait."

"Why did I decide to do a series? I am telling my story. People don't understand looking into the mirror and nothing seems right. Putting on clothes that you just really don't identify with. This is about getting to be who you really are," the 65-year-old said in a new promo for the series that was released on Friday.

i am cait

Jenner assures viewers they'll be in for quite the ride, literally. "We're going to talk about everything. We're going to do a lot of fun things for the first time. We're going to go shopping for the first time. Maybe even some boy stuff, like ride a motorcycle -- because girls do that too."

She added, "It's going to be quite a journey. We're going to do some good."

The clip shows Jenner living her life from her Malibu home surrounded by family and friends.

i am cait

Jenner, who joined Twitter, Facebook and Instagram after she introduced herself to the world with a remarkable 22-page Vanity Fair cover story, earlier this month, has been sharing moments with fans via social media. This past weekend, she spent Father's Day in the company of many of her children, stepchildren and even a grandchild in the mix.

"I Am Cait" is now set to premiere on Sunday, July 26, at 8:00 p.m. ET on E!

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Artists And Writers Around The Country Pledge Support For Gay Marriage

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"Let me not to the marriage of true minds admit impediments," William Shakespeare famously wrote. We were reminded of the wonderfully relevant words Friday morning, when a playful Twitter account dedicated to the Bard quoted "Sonnet 116" shortly after the U.S. Supreme Court ruled that it is legal for all Americans, no matter their gender or sexual orientation, to marry the people they love.

The historic decision to legalize gay marriage nationwide came down to a 5-4 vote, in which Justice Anthony Kennedy delivered the majority opinion, joined by Justices Ruth Bader Ginsburg, Elena Kagan, Stephen G. Breyer and Sonia Sotomayor. When the news broke, more than a few artists, writers and museums took to social media to declare their support for the ruling, posting rainbow-hued declarations of excitement across Twitter and Instagram.

Echoing the sentiment of President Obama, who tweeted out the hashtag #LoveWins, here is what love looks in the art and book worlds today:





























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#LoveWins ❤️

A photo posted by Whitney Museum of American Art (@whitneymuseum) on







#HellYes! The Supreme Court rules that same-sex marriage is a nationwide right. Bravo!

A photo posted by New Museum (@newmuseum) on


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I Asked A Linguist To Analyze OKCupid Usernames. This Is What She Found.

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hello my name is



I’m an online dating evangelist. I’ve swiped, I’ve messaged, I’ve boldly gone where no right-thinking relationship-seeker has gone before (to see a vampire movie on a first date), all in the name of finding love, or at least a cool guy to hang out with. To this end I’ve been more successful, or perhaps luckier, than my friends. On my fourth or fifth date arranged through OKCupid I met my current boyfriend, who happens to be the most communicative, fun, and kind person I’ve met, online or off. I’ll spare you the gush-fest; suffice it to say we’re an awesome match.

I don’t attribute this to an alignment of stars, to the mercy of the web gods and goddesses, or even to OKC’s algorithm, which supposedly uses questions such as “What’s worse, book burning or flag burning?” to determine how suited you are for other users. Instead, I chalk up my positive online dating experiences -- which, with the exception of a brazen date who rudely shushed fellow theatergoers (referred to amongst my friends henceforth as “the shusher”), has been without horror stories -- to my careful evaluation of a potential match’s username before arranging a date. Puns and hyper-masculine references were mostly no-gos. They were, to me, the pseudonym equivalent of a cheesy pickup line. Much more appealing were earnest self-depictions or vague, consciously nonsensical noun mish-mashes. They represented a dry humor than aligns with my own.

Admittedly, my personal history of username selection isn’t without blemishes. My first, chosen for a dial-up CompuServe account, was PoolPrincess6030, a blatant ripoff of my BFF's moniker, sport2040. But I’ve since become a more deliberate person (read: adult human) and tend to think my usernames align with my personality. For OKC, I chose my initials punctuated by underscores, and tended to prefer equally minimalistic, cryptic self-representations, as opposed to, say, song lyrics or anything with “Brooklyn” affixed to it.

I was curious about whether my tendency to critique usernames more harshly than photos was universal, and decided to speak with a linguist about whether or not the language of our online dating avatars says something about who we are.

I began with Christian Rudder, OKCupid’s founder and the author of Dataclysm: Who We Are (When We Think No One’s Looking), a book that uses data from the dating site to draw conclusions about message language, message length, depressing discrepancies between male and female age preferences, and more. But he concluded that from a data standpoint, usernames are too unique to draw specific conclusions.

“There’s too much variety in the names to really get a sense of whether one particular one affects incoming messages,” he told me in an email. “There are certainly trends -- people append the word 'taco' a lot, but that’s because we suggest it, kind of as a joke. And of course there is the birth year suffix -- cuteguy1975, for example.”

Rudder is right. Username trends are difficult to map. Unlike gender or income level, there are limitless options and combinations of traits. But, another data-driven researcher I spoke with, Susan Herring, a Professor of Information Studies and Linguistics at University of Indiana, found the question intriguing. She conducted a small study to determine whether there are trends in username choice, and whether the way we choose usernames has changed since Internet’s nascent days. She surveyed over 300 usernames on OKCupid, coding them for information relating to the following categories: gendered, real name, numbers, trying to be funny, geographical reference, hobby/interest, profession, sex/love, physical attributes, nonphysical attributes, sentential, “random” words, meaning unclear.

Based on these tags, she was able to draw a few conclusions about usernames, how men and women differ in choosing them, and how choosing usernames has changed since the advent of the Internet. Because it draws on a smallish sample size, the study is neither comprehensive nor definitive. It does, however, illuminate broader trends about how our online language use has changed over time.

Women are more likely to use descriptive adjectives such as “cuddly.”

“Females tend to include more personal attributes in their usernames,” Herring says. “Moreover, the kinds of attributes they mention differ from those mentioned by men.” While "cuddly," "silly," "sweet," and "faithful" were all used in the women’s profiles she surveyed, men gravitated towards "sexy," "cool," "mellow," and "great."

Usernames have gotten longer and include more information than in the past.

According to Herring's survey, usernames on OKCupid are an average of 10.5 characters. She compared this with the number of characters in usernames from Internet Relay Chat logs she's saved from 1999 -- names on that site were an average of 6.6 characters. This can of course be explained by the sheer number of users on OKCupid, but also the fact that, as opposed to IRC, the site is transparent, and allows users to see names, photos, ages, and other information by scrolling through a profile. This frees up users to get inventive; names now include "profession, interests, personal attributes and attitudes, and what the user is seeking or promising," according to Herring.

A lot of OKCupid users are totally unimaginative, and just stick with using their real names.

A whopping 42 percent of the usernames surveyed by Herring included users' real names, be it first names, last names, or initials. "My impression is that many of the real names on these platforms are used out of a lack of imagination, since real names aren’t required or expected," Herring said. Harsh.

Dudes still use 1337speak -- women stick with more conventional grammar.

"Several male names and one female name incorporated nonstandard orthography characteristic of casual Internet communication," Herring said. This includes subbing in "1"s for "i"s, but also riffs on the AOL chatroom trope of suffixing a username with "4u".

People don’t love listing their birth years, or the cities they live in.

Although 53 percent of usernames in Herring's survey included a number, very few of the numbers seemed to have personal meaning. "Five of 71 men and six of 93 women included their birth year, and two men and two women included the current year, 2015," Herring said. Age, after all, is just a number -- a number that's listed prominently on OKC user pages, so displaying it in a username is a little redundant. "Most numbers seemed to have been included to differentiate the username from other similar usernames in the system," Herring said.

Only five percent of usernames surveyed included geographic information, and zero percent included pop culture references such as band names.

People do love listing their genders.

Fourteen percent of users surveyed by Herring included gender identifiers in their avatars. Among men, "son," "mrman," and "hulk" were used; among women, "girl," "queen," "gal," "goddess," and "woman" were popular. Compared with the IRC data, trends among OKCupid users were generally similar across genders. In the 1999 survey, women were more likely to identify with their genders, and men were more likely to use humorous or random names or words to represent themselves.

Herring's findings are especially enlightening when compared with data on the other means of making a first impression online; the wording of the nerve-wracking first message. An analysis done on Rudder's blog surveyed 500,000 first contacts, and revealed that netspeak as well as physical compliments are big turn-offs, whereas specificity and literacy are valued.

So, using usernames are an opportunity to succinctly present who you are among an endless scroll of options. Some, according to Herring's survey, seem to use the chance to indicate how squarely they fall into traditionally valued gender roles. But most, perhaps hoping to make the experience of online dating more personal, start it off by telling you their name.


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Embroidered Paintings Conjure Fantasy Mashup Of 'The Bachelor' And 'OITNB'

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"I was a contestant on The Bachelor. When I arrived at the mansion I was numb and depressed. The first night I didn’t shower or brush my hair. I think I was wearing sweatpants."

So begins a description for a series of embroidered paintings on view in artist Sophia Narrett's new show, which introduces us to an intriguing love story initiated on, yes, the set of the uber-popular reality show "The Bachelor." But there's a catch.

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"A few days after I met her I was walking outside near the pool house and all of a sudden the air smelled like her. I looked around for her and when I didn’t see her I was confused but I knew I should just enjoy the moment. It was the best air I had ever smelled. A few seconds later I walked up the steps and when I opened the door to the pool house she was standing inside, leaning against the wall. I knew I wouldn’t ignore this feeling. She was my chance to be alive." (The Rose Ceremony, 2014, Embroidery Thread and Fabric, 19 x 16 in)


"I was at the first cocktail party when I caught sight of this woman," the text continues. "I was completely shocked by the sight of her, and immediately embarrassed by my appearance. I forgot about the Bachelor, and I spent the entire night looking out of the corner of my eye to see where she was and what she was doing. I was obsessed with her."

A Chris Harrison-approved love saga this is not. The two women journey from crush to resignation to heartbreak in Narrett's intricate tapestries, works that literally weave high and low cultures together in a series titled "This Meant Nothing." To complicate matters though, the pop culture-inspired story stars the very real faces of Lauren Morelli and Samira Wiley, one a writer on the Netflix original series “Orange is the New Black," the other an actress on the show. The two non-fictional people -- neither of whom have been to a televised rose ceremony -- famously began a relationship after Morelli left her husband and came out as gay. In a strange twist of threaded fate, they become the stars of Narrett's hybrid tale.

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"For a few sweet days I thought I had a chance. Kendrick Lamar sang for us in the garden, 'I’ll take your girlfriend and put that pussy on a pedestal.' I memorized almost everything she said. It seemed like maybe if she loved me I could find a way to believe in god. She was becoming my friend. I knew she was the only person I would ever love this much." (Stars Align, 2014, detail, Embroidery Thread and Fabric, 53 x 33 in)


How did these two segments of TV fandom fuse into a collection of gallery-ready art? Narrett watches about 50 to 70 hours of television a week, she explained to The Huffington Post. "I embroider looking directly at Photoshop collages, so while I sew I usually have another window with a TV show on next to or behind the image," she said. "I have a conflicted relationship to most of the shows. On some level I truly enjoy the narratives, I cry during proposals on 'The Bachelor,' and I’m sometimes embarrassed to notice myself actually smiling when someone says something sweet or funny. I also sit there and gag over the racist, homophobic and sexist subtexts of most of the dialogue and scenarios."

The week she began sourcing collages for "This Meant Nothing," she read about Morelli and Wiley's relationship. "Their story, which itself blends fiction and reality, seemed like a perfect way to both illustrate and expand the narrative I had designed [for the exhibition]," she added. So the two women take center stage in a whirlwind of creatures and landscapes reminiscent of the hedonistic scenes of Hieronymus Bosch. The supporting cast of images is similarly inspired by things Narrett sees in tabloids, softcore porn, fashion photography, or on social media.

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Things quickly got out of control and we fought a lot. I was desperate and I always said the wrong thing. One day we went backstage and accidentally intruded on a crew member massaging a dead contestant on top of an aquarium. The dead contestant’s girlfriend was crying at her feet and trying to shoot him. I didn’t know what was going on, or how to react, and I stared too long, so she left. I regret almost everything I did, and I wonder if there was anything I could have done to make her to stay." (Something Went Wrong, 2014-15, Embroidery Thread and Fabric, 35 x 53 in)


The barrage of both cryptic and familiar characters is purposeful. "I think every viewer will bring their own relationship to pop culture to the work," Narrett said. "If they recognize Kendrick Lamar, Katy Perry, a Valentino dress, Lauren Cohan, Lauren Morelli or Samira Wiley, those associations will inform the way they read the narrative. But I’m also interested in what happens when these figures are not recognized." Like Bosch's tryptic, "The Garden of Earthly Delights," the paintings encourage viewers to decipher Narrett's own hidden code, or merely revel in an allegory all their own.

As for the love story, fans might be saddened to hear that Narrett's fictionalized version of Morelli and Wiley's relationship fails to achieve a happy ending, hence the series' title. But the artificial drama is part and parcel of the show. "My work is fueled by fantasy, and a desire for love and beauty. In two senses this collapses. The simplest of which happens when there is a sad ending."

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(Something Went Wrong, 2014-15, detail, Embroidery Thread and Fabric, 59 x 35 in)


Take a look at Narrett's paintings, created from embroidered thread and fabric and on view at New York's Art + Leisure until June 28. We'll leave you with the artist's stunning words on the significance of a reality TV staple:

"As cheesy as it may be, the artificial nature of ['The Bachelor'] expresses something real. Melodrama or exaggeration can sometimes be the most accurate way to convey emotions that seem too big to express. The girl crying on her way home in the limo may be sobbing hysterically about a man she knew for three days, but that’s how it feels to have a crush.

"Also, on a deeper level she’s really mourning the fact that she lost her chance to break away from whatever life she left behind for this summer camp/tv set/sorority house/temporary polygamous performance endeavor. Falling in love might have been a way to access meaning, and losing a possibility like that is devastating. The narrative of 'This Meant Nothing' is about searching for this kind of escape, although the women it follows are (eventually unsuccessfully) chasing this with each other instead of with the bachelor."

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"When she disappeared, I slit my wrists. This is a sad ending. Everything continued on and the Bachelor proposed to someone else in front of me while I choked on my tears and felt like an idiot for being so melodramatic. My only grasp on reality was the chance that my feelings had a slight tone of sarcasm, like the cringe-worthy beauty of Lana del Rey, or the simplified exaggeration of an Instagram hashtag. This has all become ridiculous. The original dream doesn’t even seem that great anymore, but I got here through a genuine surrender. The loss is real." (Along the Vein, Sophia Narrett, 2015, Embroidery Thread and Fabric)


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Foodies And Fashionistas Will Love Gretchen Röehrs' Deliciously Stylish Instagram Account

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Vegetables have never looked so chic.

Creative director and fashion designer Gretchen Röehrs has an Instagram account that combines a love for food and style, making us lust for both high fashion and a snack.




From using a banana as legs, below, to celebrating the Supreme Court's ruling on same-sex marriage with a variety of fruits and veggies above ("#lovewins," she typed), Röehrs' Instagrams will leave you in a happy mood.

Go through the rest of the photos below to see her incredible work, and be sure to follow her on Instagram:

























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The Revolution Will Be Televised, And These Syrians Are Making It Happen

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faces and places

NIZIP, Turkey -- On the Turkey-Syria border, a group of Syrians are trying to do something revolutionary. Some have traveled here from Damascus in secret and others have been summoned from their places of exile with a great sense of purpose.

They're here to do what is seemingly impossible back home: film a television series.

Five years into the revolution-turned-civil war that is tearing Syria apart, there is no room for dissent against Bashar Assad's regime. In areas still held by the government, the Syrian state controls every aspect of life, down to what soap operas and shows are aired in people's homes.

But in this dusty Turkish border town of Nizip, just a stone's throw from Syria, the cast and crew of the show "Faces and Places" have sought artistic refuge. Here, Syrians have come together to produce part three of a series that tells the fictional stories of everyday Syrians leading up to the 2011 revolution. It will air around the Middle East -- but not in Syria.

"Some may say, 'If your house is burnt down, what do you need decorations for?'" leading Syrian director Haytham Haqqi told The WorldPost on set in Nizip. "And drama can be considered a form of decoration. But I think there is an urgent need for drama, because it is related to how you allow people to see, to create perspectives."

faces and places
Leading Syrian director Haytham Haqqi on set of "Faces and Places."


The first season, called "Time Out" and written by Haqqi himself, is set in Damascus and follows the lives of the upper-class, intellectual elite. The second, "City of Gold" by Ghassan Zakaria, is set on the coast, portraying the "average Syrian family," according to Haqqi. And the last, "The Castle" written by Khaled Khalifa, is set in a village near the Euphrates River (but really filmed here in Nizip) and details the trials and tribulations of an ultra-conservative family.

The three stories -- each 10 episodes long -- show drastically different geographic, political and socioeconomic faces of the country.

The peaceful demonstrations of 2011 seem a long way away now, as civil war rages among regime forces, Sunni rebel groups -- both moderate and extremist, like the so-called Islamic State -- Kurdish fighters and a myriad of other groups, all of which include both foreign and local firepower.

War has displaced at least 7.6 million Syrians inside their own country and left roughly 4 million -- but likely many more who are unregistered -- seeking refuge in neighboring countries and around the world.

Haqqi insists the television drama isn't just about politics, but instead, a testament to the Syrian people and their lives on the cusp of the revolution, complete with the human dynamics that make a television drama so watchable: lust, love, honor and betrayal.

"This work is an attempt to present our perspective on Syria," Haqqi said during a break between scenes. "I don't think my point of view is the right one. But I have a point of view, and I'll share it."

faces and places
The television crew filming "Faces and Places"


Despite this country's own issues with censorship, not to mention high production and travel costs, Turkey offers a safe space for Haqqi and his team to produce work that would be ripped apart by government censorship in Syria, and likely would land cast and crew members in jail. But even here, Haqqi feels the intense pressure from back home.

"I'm receiving threats, especially after the release of the first story of this series," he explained. "They're telling the story of Syria through their perspective. Why don't they let me tell the story through mine?"

Most of the show's filmmakers and actors are discretely working under the radar of the regime, keeping their involvement in the series a secret -- out of fear of detention, expulsion or worse -- or have already been forced out of Syria because of their outspokenness.

One crew member told The WorldPost that several people on their team had already been banned from traveling after returning home to Syria on a filming break. This includes one of the actresses from the first season, who will now have to be replaced with a new face and a bold message that informs the viewer why she couldn't play her part: because of the Syrian regime.

faces and places

Other filmmakers have been blacklisted by the industry so they can't find work whey they return to Syria.

"As if this is our punishment for working outside [of Syria]," cried one crew member who asked to remain anonymous because they planned to return to Damascus. "You have to beg [for work]. All the remaining production companies in Syria are affiliated with the regime. It's not like anyone from outside can open a production company."

Actor Mazen al Natour, who plays a man stuck between his role as a father and his role in society, said the television show is one of the few not subjected to harsh censorship. Back in Syria, a script would regularly be cut apart by security forces who deemed it unsuitable for society. But "Faces and Places" doesn't hold back, its cast and crew member say.

faces and places
Syrian actor Mazen al Natour poses for a photograph in his hotel room in Nizip, Turkey.


There is no "poison inserted into the honey," al Natour quipped. But his dissent, both in this television show and in other theatrical performances abroad, has cost him.

"Since the revolution, I haven't been able to return," the Dubai resident of 22 years lamented, explaining that he now receives "all kinds of threats."

Azza al Bahra, a leading Syrian actress who plays the matriarch and al Natour's wife in Season 3, also found herself exiled for her public criticism of the Syrian state.

In July 2012, she fled to Turkey -- like the 2 million other Syrians who live here now -- and has since relocated to Sweden, where she filed for asylum.

"[The regime] gave me permission to leave just once," she explained. Unlike many Syrians who have simply disappeared, likely locked away in one of the Syrian state's infamous torture prisons, al Bahra had a safe way out, probably due to her high place in Damascus society.

faces and places
Syrian actress Azza al Bahra in character as the matriarch of the family in Season 3.


She took her chance, leaving behind her grown children, including her son who up until recently did stand-up comedy in the Syrian capital. She stopped publicizing her views, for their safety. This week, the rest of her family fled to Istanbul.

As she sat in her hotel room, tears streamed down her face remembering the home she left behind.

"There's no room to express myself," she said, wiping away tears. "If it's not the pro-regime people attacking me, it's the Islamists."

But when she talks about her role in "Faces and Places," she lights up.

In a world of hurt, her character gets to advocate for love, fighting for her daughter's choice in marriage.

"It's the voice of the matriarch being heard," she said, beaming. "It's another phase of the revolution."

Hiba Dlewati contributed reporting from Nizip.

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Artist Finds Possible Picasso From His Estranged Father In The Attic

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This article originally appeared on artnet News.
by Amah-Rose Abrams

picasso
Could Dominic Currie be holding a genuine Picasso?
Photo: via the Scotsman


Scottish pop artist Dominic Currie may have discovered a Pablo Picasso rolled up in a suitcase given to his mother by his father, a Russian soldier, in the 1950s.

Currie never took his mother seriously when she claimed that she had a painting rolled up in a suitcase in the attic. When clearing out her house, he was about to throw a suitcase away when he thought he should open it to have a look at what was inside.

“It was a bombshell," he told the Scotsman. “We had thought ‘Let's just get this to the skip, let's do it'. […] we unrolled it and it was sack cloth with German writing on it. Inside it there was this old oil cloth underneath and newspapers from the Soviet Union in the 50s."

In 1998 Currie discovered that his biological father was a Russian soldier, Nicolai Vladimirovich, that his mother had met on holiday in Poland in 1955 when she was nineteen. The lovers had met up following the birth of their lovechild with Currie's mother Annette making trips behind the iron curtain.

picasso
Is the painting genuine?
Photo: via the Scotsman


Vladimirovich gave her the painting knowing that, as a single mother, she would struggle financially. It seems she put it in the attic for a rainy day and left it there forgotten, until now.

The painting has now been sent to Christie's London to undergo a process of authentication. If the painting turns out to be real, Currie intends to sell the Cubist work in accordance with his parents wishes.

“It's a wonderful gift. It's like a message from both of them to me," said Currie of the find. “That's how it feels. It's like, “Here son, we're going to look after you. It's taken a wee while but we've got there."

picasso
Pablo Picasso handling Gary Cooper's gun (1958).
Photo: André Villers.


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'Queercore' Rockers Pansy Division Return To New York For Pride

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Pioneering "queercore" band Pansy Division is back in New York and ready to party.

Although their June 26 performance was booked weeks ahead of the history-making U.S. Supreme Court ruling on same-sex marriage, members of the punk rock group were already planning for a victorious performance.

"It's about time we win this one," Jon Ginoli, the band's lead singer and founder, told The Huffington Post in an email. "Our bassist, Chris, who lives in Los Angeles, got married to his partner last September, so our position is pretty obvious."

When Ginoli takes the stage alongside bandmates Chris Freeman, Luis Illades and Joel Reader at New York's Bowery Electric, it will also mark the start of a new musical era. Days after the performance, the band will return to the studio to begin recording a new album, their first since 2009's "That's So Gay." New tunes will feature prominently in their Pride Weekend set.

Ginoli looked back on Pansy Division's history and opened up about the band's future with The Huffington Post ahead of the big show. Here's what he had to say.

You're returning to NYC on the eve of LGBT Pride Weekend. What does Pride mean to you?
Pride brings all sorts of people together. Though I think it can be easy to get jaded about the commercial aspects of it (let's slap a rainbow on everything!), it's still useful politically as well as fun. It's less political in some ways than before, but visibility and a showing of numbers is important. What we do in places like New York and San Francisco resonates in certain other parts of the country where acceptance is a bigger issue.

As far as out entertainers are concerned, you and your bandmates were pioneers in the music industry. Where do you see yourselves in the music business, which has since embraced openly gay entertainers like Adam Lambert and Sam Smith, at present?
We're on the margins of the music business! We had a great run in the '90s when we toured all the time and sold some records and actually made a living off of it for five years. Now we reconvene every so often, usually once or twice a year, because none of us wants to live in a van anymore, and we all have non-music jobs. A couple of us went back to school; our lives no longer revolve around playing music. I am glad for people like Smith and Lambert to be successfully out, but part of our approach was to queerify rock and roll, and take on the hoary connotations of the typical rock star. It's still harder to be a gay rocker than a gay pop star, but all those distinctions are blurring. This is partly cause rock is slowly dying, but it's what we do, and commercial trends don't apply.

What surprises do you have in store for your NYC audience?
New material! We're about to begin recording a new album next week; the last time we were in a studio was 2008. I think the surprise might be the audience. We have a number of younger under-30 fans who were too young to see us in our touring days, but word of mouth about us has spread as we've been away. We're an underground band now, once again. You probably won't hear us unless you make an effort to seek us out.

What's special or unique about a New York crowd?
We have always had great shows here. I bet most performers will tell you that, but it's true. It's always exciting to visit, even if all the parking lots we used to use park our van in have now been developed. I still live in San Francisco, where our band began; I was thinking this week that every city where punk rock was a factor in 1976-77 -- New York, London, Manchester and San Francisco -- has been gentrified to the extent that something equivalent now would never spring from those places. Punk rock yesterday, luxury condos tomorrow! Somehow this was not the script, but we persist.

Pansy Division plays New York's Bowery Electric on June 26. Head here for details.

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Gay Men's Chorus Of Washington Offers Rousing Performance At Supreme Court

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The Gay Men's Chorus of Washington, D.C. celebrated the Supreme Court's historic ruling on same-sex marriage this morning with an emotional performance. 


Dressed in matching blue T-shirts, the men crooned a rousing version of "The Star-Spangled Banner" on the steps of the Supreme Court itself.


On Friday afternoon, celebrations were going on around the country, including in New York and San Francisco, often cited as the respective birthplaces of the lesbian, gay, bisexual and transgender (LGBT) rights movement.  


 


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You Know That Waxy Turquoise And Purple Cup That's So '90s? Meet Its Genius Designer

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You may not know its name, but we know you've seen the classic squiggly design that's most recognizable from paper cups.

Yeah, you know what we're talking about -- that purple and turquoise pattern that hits you with giant pangs of nostalgia. The "Jazz" design began showing up on paper cups about 23 years ago. Recently, an AMA request came in from a Reddit user who wanted to know who the designer was. That pushed reporter Thomas Gounley of Missouri's Springfield News-Leader to do some digging.

cup
The iconic design.

After much investigation, Gounley was successful and last week he discovered that 50-year-old Gina Ekiss, who lives in Aurora, Mississippi, is the iconic design's creator, according to his piece in the News-Leader. Ekiss, who's now a custom frame shop manager at a Hobby Lobby, was met with Internet acclaim as the discovery spread across social media outlets.

“I’m just still pretty stunned about the whole deal,” Ekiss told ABC News in reaction to her Internet stardom. “I’m thrilled that it’s still popular.”

http://solojazz.tumblr.com/post/121874087614/meet-gina-the-designer-of-the-solo-jazz-cup


The path to finding Ekiss wasn't an easy one. The reporter only knew the designer's first name as well as the fact that she had worked for the Sweetheart Cup Company, which was later bought by Solo Cup Company. He eventually found a tweet from a person claiming to be the creator's daughter, according to his article. After looking through public records and coming across Ekiss' name and address, Gounley drove to her house and confirmed his suspicions.

Turns out, Ekiss had created Jazz as part of an internal cup design contest at the Sweetheart Cup Company in 1989, after outside design firms had came up with unsatisfying results. Ekiss said that Jazz was among three or four different designs she had submitted, and its colors are just ones she felt meshed well.

“I just did turquoise, or teal, because that’s one of my favorite colors,” she told ABC News. “I wanted another overlapping color that would work well together. I just liked the purple with it and everybody seemed pleased with that.”

The 50-year-old still keeps a few products with the Jazz design in her house, and says it's "insane" that her artwork has become such a memorable part of '90s culture.

Phew! We can all breathe easy now that this pressing mystery's finally been solved.

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