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31 Dads Pictured In Those Indescribable First Moments With Their Babies

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The first time a dad holds his newborn is a moment that changes everything. Joyful, emotional, overwhelming and indescribable are just some of the words that fathers have used to sum up the feeling.

In honor of Father's Day, we asked the dads of the HuffPost Parents Facebook community to send us their first photos with their babies and share exactly what thoughts were going through their heads at that moment.

Here are 31 dads' memories from that incredible time.

Captions have been edited and condensed.





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12 Songs With Moving Lyrics That Beautifully Explain Fatherhood

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The emotional rollercoaster of parenthood could provide enough creative inspiration for an anthology of albums. In fact, many musicians' popular songs are tributes to their children.

In honor of Father's Day, we put together a list of 12 heartwarming songs about fatherhood by famous dad musicians:

1. "Isn’t She Lovely" by Stevie Wonder



Stevie Wonder wrote this hit song to celebrate the birth of his daughter Aisha.

2. "You’re Gonna Miss This" by Trace Adkins



This song is the product of an interaction between songwriter Ashley Gorley and a repairman who was working on his house while his children were home wreaking toddler havoc. As a dad to five daughters, country star Trace Adkins felt the song resonated with him, and his recording of "You're Gonna Miss This" zoomed up the Billboard charts.

3. "Beautiful Boy (Darling Boy)" by John Lennon



John Lennon wrote this song in honor of his second son Sean. There have been many cover versions of the 1980 song, most notably those by Ben Harper and Celine Dion.

4. "Daughter" by Loudon Wainwright



Many recognize "Daughter" as the song that plays during the end credits of the movie "Knocked Up." Though folk singer Loudon Wainwright has written many songs about parenthood, this particular tune is a cover -- originally by his friend and fellow musician Peter Blegvad.

5. "I’m Already There" by Lonestar



This tear-jerking song is from the perspective of a dad on the road talking to his family on the phone. The chorus addresses his children after they ask him when he's coming home.

6. "Gracie" by Ben Folds



Ben Folds composed this song in honor of his young daughter Gracie. His hit single "Still Fighting It" is dedicated to his son Louis.

7. "Glory" by Jay-Z



Jay-Z released "Glory" two days after his wife Beyoncé gave birth to their daughter Blue Ivy. With lyrics about the emotional experience of becoming a father, the song begins with the sound of the baby's heartbeat and features a sample of Blue Ivy crying.

8. "Lullabye (Goodnight, My Angel)" by Billy Joel



This famous lullaby honors Alexa Ray Joel, the singer's daughter with Christie Brinkley.

9. "Kooks" by David Bowie



David Bowie wrote "Kooks" in 1971 to honor his newborn son Duncan Jones. The title is a nod to his "kooky" middle name "Zowie."

10. "Sail to the Moon (Brush the Cobwebs Out of the Sky)" by Radiohead



Thom Yorke wrote this slow piano ballad for his baby son Noah.

11. "It Won’t Be Like This For Long" by Darius Rucker



The former Hootie & the Blowfish frontman was one of the writers behind his 2008 single "It Won't Be Like This for Long" -- a sweet country song about a dad watching his child grow up.

12. "Cecilia And The Satellite" by Andrew McMahon



"Cecilia And The Satellite", the lead single off Andrew McMahon's debut solo album, is a sweet, upbeat tribute to his daughter.



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Dance Recital For Ballerinas With Disabilities Is So On Pointe

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There's a place for everyone on center stage.

Young students at the Children’s Therapy Center in New Jersey gathered Tuesday for the school’s ninth annual ballet recital. The dancers, who face physical, medical and developmental challenges, celebrated their big night after a full year of rehearsals, PIX 11 News reported.







The dance recital was originally launched by Lynn Barral, a pediatric physical therapist and assistant director at the center. The school, which provides services and programs for children with special needs, uses ballet to help students develop their motor skills and a greater sense of focus -- as well as enjoy a spirit of camaraderie.

“No matter what their ability is, the children know that there is something special and exciting happening for them,” Barral told PIX11 News. “I think that is so thrilling.”









According to northjersey.com, each student in the ballet program is paired with an aide who helps them learn routines. Because many of the young dancers cannot walk or speak, music and dance prove to be a universal language.

"We have one little girl who never indicated any acknowledgement of anything that people were saying, but every time we say 'Here's a dance for your legs,' she kicks her leg," physical therapy assistant Margaret Nogaki told the news site. “It just makes you realize how much is in some of these children, but they can't communicate it."









Tuesday’s performance took place at the therapy center’s Fair Lawn, New Jersey, campus, with all the ballerinas dressed in gowns, floral headbands and pink tutus.

“It really is a dream come true to see her participate in something that I see so many other children participate in,” one of the dancer’s parents, Elana Lefkovitz, told PIX 11 News. “And it really wouldn’t have been able to happen except here.”

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Emotional Dove Men+Care Ad Shows Unsuspecting Men Finding Out They're Going To Be Dads

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The moment a dad-to-be learns he's going to become a parent typically involves an overwhelming rush of emotions.

Dove Men+Care celebrates this powerful time in a dad's life with a new Father's Day-themed ad. Titled "First Fatherhood Moments," the video features personal clips from 13 real dads, as they share "their authentic authentic and unfiltered reactions" to this life-changing news.

As part of Dove Men+Care's #RealStrength campaign, the ad showcases masculinity in relation to caregiving and features the caption, "Real strength means showing you care even from the very first moment."

Happy Father's Day!



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13 Photos That Will Make You Beam With Puerto Rican Pride

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Legendary star Rita Moreno, best known as Anita from "West Side Story," led Sunday's Puerto Rican Day Parade down Fifth Avenue.

As the event's grand marshal, the 83-year-old actress and singer waved at the thousands of attendees and even did a little dancing with Roman Catholic Cardinal Timothy Dolan, according to The Associated Press.

#RitaMoreno #Respect Shoutout to my Puerto Rican family and friends @kiara_rojas_lewis @gjesenia @prettynyddy @king_jess @overdosed_onmike

A photo posted by ️️️️️️️️⤴️ ⭕️♑️ (@jotaraul) on





If you missed the event or just want to relive it, here's your chance to view some of the highlights of the 2015 Puerto Rican Day Parade in photos:


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Rachel Dolezal's Artwork Is Not Only Problematic, It Might Be Plagiarized

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Rachel Dolezal, the former president of the NAACP chapter in Spokane, Washington, who was "outed as white" last week after allegedly pretending to be black for nearly a decade, is also an "an award-winning Mixed Media Artist," according to her art blog.

Dolezal received an MFA from Howard University in 2002, where, according to her blog bio, she majored in "experimental studio" and minored in sculpture. (Note: On Howard's Art Department website, there is no evidence of an experimental studio major.) Dolezal received a scholarship to the university and, although there was no option on the application to identify herself as black, her mother has claimed that she may have insinuated that identity "because her portfolio of art was all African-American portraiture."

Judging from her art blog, Dolezal appears to work primarily with acrylic paint, charcoal and collage. Her paintings, frequently depicting black subjects, feature titles including "Afrika," "Reconstruction," and "The Great Escape," which a family member of her dubbed "The KKK Stuck in the Brown Space."

In the credit information for "Afrika," Dolezal writes: "I used pieces from clothing, sports, national geo, & other magazines to bring together different 'pieces' of the earth & the human experience, in this face of our mother as a tribute to the Motherland." Needless to say, the images are problematic considering Dolezal's recently revealed circumstances.




Aside from the glaring issues of cultural appropriation and deceit rooted in the images, there also appears to be some plagiarism involved. Twitter user Jolie Adams recently juxtaposed one of Dolezal's acrylic paintings titled "The Shape of Our Kind" with J.M.W. Turner's 1840 work "The Slave Ship." As you can see, the works are nearly identical.

Dolezal's version of the image constitutes the middle panel of a triptych, accompanied by the poetry of her biological brother and published writer Josh Dolezal. She makes no mention of Turner's work, although commenters on her blog certainly do. The first comment, posted by user isabelleduvall, reads: "No shoutouts to JMW Turner?" and others quickly follow suit.

As of publication of this post, over 2,000 Twitter users have accused Dolezal of plagiarism.

man
Image via eBay


If Dolezal's cocktail of copyright infringement and artistic "blackface" appeals to your aesthetic tastes, lucky for you: Two of her works are available for purchase on eBay. The two charcoal on elk hide portraits depict an older black man and a young black child.

The caption for the drawing above reads: "A hand-drawn charcoal depiction of a black man adorns elk-hide leather -- bridging Rachel's youth spent hunting elk in Montana with her deep involvement in the black civil rights movement."

If you're interested, bidding starts at $5,000, and for just $50,000, you can own the charcoal immediately.

So far, no bids.

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Listen Up, TV Academy: Here's What The Emmy Nominations Should Look Like

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emmys 2015

And we're off, marching to the Emmy finish line so the Television Academy can inform us whether it thinks "Modern Family" is the best comedy for a sixth consecutive year. Imagine an alternate universe where the Pritchetts and Dunphys are dumped on the curbs of their increasingly one-dimensional homes. Picture a world where "Broad City" replaces "The Big Bang Theory" and "The Americans" sends "Downton Abbey" back to refinement school. Here at The Huffington Post, we have dreams: big dreams for a better Emmy world, and, in all our optimism, the idea that perhaps they could come true. (This year's rule changes might help.)

In all likelihood, "Broad City" won't dislodge "The Big Bang Theory." But! We do think this year's Emmy race will be one of the most interesting in years. The Golden Globes, for example, ate up "Transparent," "Jane the Virgin" and "The Affair," and there's a good chance the big-boy TV awards will do the same. We have faith in you, TV Academy. But just in case you've lost your way in the sea of small-screen offerings, and because voting is underway as of Monday, entertainment editors Erin Whitney and Matthew Jacobs are here to help. Below, we've concocted the dreamiest Emmy lineups we can muster. Don't muck this up, voters! Television was too good this year to get these awards wrong come July 16, when nominations are announced.

broad city

Outstanding Comedy Series

Matt:
"Broad City"
“The Comeback”
“Getting On”
“Silicon Valley”
“Transparent”
“Unbreakable Kimmy Schmidt”
“Veep”

With the exception of "Veep," "Silicon Valley" and "Transparent," my favorite comedies will have to fight to wrestle spots away from "Modern Family," "The Big Bang Theory" and "Louie." And there's a host of worthy second-tier contenders: "Parks and Recreation," "Black-ish," "Jane the Virgin," "Brooklyn Nine-Nine," "Mom," "Fresh Off the Boat," "Looking," the list goes on. On the bright side, let's recognize that comedy on television hasn't been this collectively good in years.

Erin:
"Broad City"
"The Comeback"
"Jane the Virgin"
"Transparent"
"Parks and Recreation"
"Unbreakable Kimmy Schmidt"
"Veep"

It's unfortunate "Orange Is the Black" was deemed ineligible in the comedy categories this year, a bad move in my opinion since it definitely won't stand a chance for Outstanding Drama. Still, there were some fantastic sitcoms this year, “Transparent” and "Unbreakable Kimmy Schmidt" being my favorite newcomers. I would love to see awards-season underdog ”Broad City" get some recognition. The final season of ”Parks and Rec” also deserves some serious love for its fantastic use of the season-long time-jump. Channel 4's horribly titled but clever "Scrotal Recall" also deserves a shout-out.

game of thrones

Outstanding Drama Series

Matt:
“The Americans”
“Game of Thrones”
“The Good Wife”
“The Knick”
“The Leftovers”
“Mad Men”
“Orange Is the New Black”

What should fill the "Breaking Bad" void? (Answer: nothing.) "Mad Men" and "The Good Wife" were wobbly, so I lean toward "OITNB" and "Game of Thrones."

Erin:
"Better Call Saul"
"Empire"
"Game of Thrones"
"House of Cards"
"The Leftovers"
"Mad Men"
"Orange Is the New Black"

This is my favorite category this year. We not only just finished one of the (if not the) best seasons of "Game of Thrones" yet, but "Mad Men" had a fantastic (if somewhat problematic) send-off. We also got some incredible newcomers with the ultra-depressing but beautiful "Leftovers," surprise hit "Empire" and Vince Gilligan's new addiction after "Breaking Bad," "Better Call Saul."

lisa kudrow

Outstanding Lead Actress in a Comedy Series

Matt:
Ellie Kemper, "Unbreakable Kimmy Schmidt"
Lisa Kudrow, "The Comeback"
Julia Louis-Dreyfus, "Veep"
Laurie Metcalf, "Getting On"
Gina Rodriguez, "Jane the Virgin"
Constance Wu, "Fresh Off the Boat"

This category will leave so many talented women empty-handed -- my list alone snubs Amy Poehler, Anna Faris, Edie Falco, Lily Tomlin, Tracee Ellis Ross and Kristen Schaal -- but there is no contest as to whom should prevail. This award begins and ends with Kudrow, who turned in what is probably the decade's best television performance on "The Comeback."

Erin:
Abbi Jacobson, "Broad City"
Ellie Kemper, "Unbreakable Kimmy Schmidt"
Lisa Kudrow, "The Comeback"
Julia Louis-Dreyfus, "Veep"
Amy Poehler, "Parks and Recreation"
Amy Schumer, "Inside Amy Schumer"

There are far too many funny women in comedy right now to properly give all of them the deserved credit. While Louis-Dreyfus is a sure fit, I would also love to see Poehler honored for her final episodes as Leslie Knope, Schumer for her brilliant and bold third season of “Inside,” Kemper for refreshingly leading a series and Jacobson for stealing the spotlight on “Broad City" this year. As Matt said, though, there are a lot of worthy names I’m leaving out, as well.

transparent

Outstanding Lead Actor in a Comedy Series

Matt:
Louis C.K., "Louie"
Will Forte, "The Last Man on Earth"
Thomas Middleditch, "Silicon Valley"
Jim Parsons, "The Big Bang Theory"
Adam Scott, "Parks and Recreation"
Jeffrey Tambor, "Transparent"

There isn't a trace of Hank Kingsley or George Bluth Sr. in Tambor's portrayal of Maura Pfefferman. His performance is the most vulnerable of the group, tapping into a story that's needed telling for years. But it's hard to pass up the chance to recognize Middleditch, whose every tic as nervous tech geek Richard Hendricks is nuanced.

Erin:
Anthony Anderson, "Black-ish"
Louis C.K., "Louie"
Will Forte, "The Last Man on Earth"
Jim Parsons, "The Big Bang Theory"
Adam Scott, "Parks and Recreation"
Jeffrey Tambor, "Transparent"

While Parsons is a shoo-in, this year in comedy also has a surplus of solid actors in new series. Tambor, of course, deserves all the praise, in addition to Forte proving he can successfully lead a show and Anderson heading up "Black-ish." I would also love to see Scott recognized for his always endearing and hilarious Ben Wyatt.

taraji p henson


Outstanding Lead Actress in a Drama Series

Matt:
Viola Davis, “How to Get Away with Murder”
Taraji P. Henson, “Empire”
Vera Farmiga, “Bates Motel”
Elisabeth Moss, "Mad Men"
Tatiana Maslany, “Orphan Black”
Keri Russell, "The Americans"

Henson and Davis will go head-to-head to become the first black actress ever to win this award. Next up, Annalise Keating defends Cookie on the stand. These are our dreams, after all! (P.S. Sorry, Julianna Margulies, please don't be mad at me. Alicia Florrick is still our Sunday-night queen.)

Erin:
Viola Davis, “How to Get Away with Murder”
Taraji P. Henson, “Empire”
Elisabeth Moss, "Mad Men"
Tatiana Maslany, “Orphan Black”
Ruth Wilson, "The Affair"
Robin Wright, “House of Cards”

Can we please give Maslany an Emmy nomination already? The woman could fill up this category alone with all of the characters she plays. But of course, there is an overflow of great actresses I'd also love to see get acknowledged. Moss gave some of her best performances as Peggy Olsen in the final "Mad Men" episodes, while Wilson and Henson added fresh talent to the small screen. There are so many other names left off my list, too, though: Julianna Margulies, Claire Danes, Lizzy Caplan, Michelle Dockery, Gillian Anderson, Keri Russell, and on and on.

bob odenkirk

Outstanding Lead Actor in a Drama Series

Matt:
Jon Hamm, “Mad Men”
Josh Hartnett, “Penny Dreadful”
Bob Odenkirk, “Better Call Saul”
Timothy Olyphant, “Justified”
Clive Owen, “The Knick”
Matthew Rhys, “The Americans”

We'd like to buy Jon Hamm an Emmy. I was always okay with Bryan Cranston's repeated triumphs, but now is the time to send Don Draper off with some hardware to show for himself.

Erin:
Jon Hamm, “Mad Men”
Bob Odenkirk, “Better Call Saul”
Clive Owen, “The Knick”
Kevin Spacey, “House of Cards”
Justin Theroux, “The Leftovers”
Dominic West, "The Affair"

Now that Bryan Cranston has won all the Emmys he can, the slots have finally opened up for Jon Hamm -- give the man an award already! Also this year, Spacey colored his Frank Underwood with even more complicated layers, Odenkirk gave depth and more humor to his spinoff character Jimmy McGill, and Owen proved he’s just as great on the small screen as the big. While Theroux’s, uh, jogging sweats stole the spotlight on “The Leftovers,” let’s give the actor some praise as well.

kate mckinnon

Outstanding Supporting Actress in a Comedy Series

Matt:
Gaby Hoffmann, "Transparent"
Allison Janney, "Mom"
Carol Kane, "Unbreakable Kimmy Schmidt"
Niecy Nash, "Getting On"
Chelsea Peretti, "Brooklyn Nine-Nine"
Lauren Weedman, "Looking"

I'm disappointed not to have spotlighted "Looking" more across my ballot, but Weedman is the show's true treasure. She won't be nominated, which is sad because she deserves to win the whole damn thing.

Erin:
Gaby Hoffmann, "Transparent"
Carol Kane, "Unbreakable Kimmy Schmidt"
Jane Krakowski, "Unbreakable Kimmy Schmidt"
Amy Landecker, "Transparent"
Melanie Lynskey, "Togetherness"
Kate McKinnon, "Saturday Night Live"

Both "Transparent" and "Kimmy Schmidt" had fantastic female supporting characters, and while Hoffmann is the obvious pick for the former, Landecker is just as worthy. Then again, I'm also leaving out Allison Janney for "Mom," Judith Leight for "Transparent" and Carrie Brownstein for "Portlandia," just to name a few.

tituss

Outstanding Supporting Actor in a Comedy Series

Matt:
Andre Braugher, “Brooklyn Nine-Nine”
Tituss Burgess, “Unbreakable Kimmy Schmidt”
Robert Michael Morris, “The Comeback”
Timothy Simons, "Veep"
Matt Walsh, “Veep”
Zach Woods, “Silicon Valley”

I cannot believe I've convinced myself to omit Tony Hale, but he's won already and "Veep" didn't give him a whole lot to do this season. Let's throw our attention toward some of the Meyer administration's other gofers. Regardless, there's no one whose grinning line delivery is more well-timed than that of Woods, who taught us all about SWOT boards, sleep-talking in foreign languages and how to not talk about feminism.

Erin:
Fred Armisen, "Portlandia"
Tituss Burgess, “Unbreakable Kimmy Schmidt”
Jaime Camil, "Jane the Virgin"
Jay Duplass, "Transparent"
Alex Karpovsky, "Girls"
Nick Offerman, "Parks and Recreation"

Give all the Pinot Noir and nominations to Burgess, please and thank you. Some other deserving newcomers include Jay Duplass, who is just one-half of the Duplass empire taking over TV and Camil's telenovela star in "Jane the Virgin." While this season of "Girls" was disappointing overall, Karpovsky stood at as the one likable character and the only one worth caring for.

christina hendricks

Outstanding Supporting Actress in a Drama Series

Matt:
Christine Baranski, “The Good Wife”
Danielle Brooks, “Orange is the New Black”
Carrie Coon, “The Leftovers”
Lena Headey, “Game of Thrones”
Christina Hendricks, “Mad Men”
Samira Wiley, “Orange Is the New Black”

I could fill all six of these slots with "OITNB" actresses. As it stands, I've omitted Uzo Aduba (that one was especially tough), Lorraine Toussaint, Kate Mulgrew, Adrienne C. Moore, Yael Stone, Selenis Leyva and Natasha Lyonne. You're all deserving, ladies. (You, too, January Jones!)

Erin:
Uzo Aduba, “Orange Is the New Black”
Carrie Coon, “The Leftovers”
Lena Headey, “Game of Thrones”
Christina Hendricks, “Mad Men”
January Jones, “Mad Men”
Lorraine Toussaint, “Orange Is the New Black”

This category is like "Sophie's Choice" to the 10th degree. There are so many names I couldn't fit on it, and like Matt, I wish I could fill them all with the "OITNB" cast (shout-outs to all the women Matt listed, as well.) But I simply had to include January Jones on my list -- I promise it's not a pity vote -- as she gave her absolute best Betty performances yet during the final episodes. It was also hard to choose between Coon and Anne Dowd on "The Leftovers," and to leave out Elizabeth Marvel and Kim Dickens from "House of Cards." Yet after Cersei's Walk of Shame, Headey stole their spots.

andre holland

Outstanding Supporting Actor in a Drama Series

Matt:
Alan Cumming, “The Good Wife”
Peter Dinklage, “Game of Thrones”
André Holland, “The Knick”
Rob James-Collier, “Downton Abbey”
Michael McKean, “Better Call Saul”
Ben Mendelsohn, “Bloodline”

I'm surprised to say this is one of the year's duller categories, if only because it'll likely be peppered with repeat players: John Slattery seems poised to earn one more "Mad Men" nod, while Jon Voight ("Ray Donovan"), Jim Carter ("Downton Abbey") and Mandy Patinkin ("Homeland") are waiting in the wings for theirs, as well. Instead, let's put the focus on the "Better Call Saul" dudes (Jonathan Banks is great, too) and two men who adeptly handled the changing tides of early-1900s racism (Holland) and homophobia (James-Collier).

Erin:
Jonathan Banks, “Better Call Saul”
Peter Dinklage, “Game of Thrones”
Christopher Eccleston, "The Leftovers"
André Holland, “The Knick”
Michael McKean, “Better Call Saul”
Jussie Smollett, "Empire"

Just like the last category, there simply aren't enough spots for all of the amazing talent we saw this year. Part of me wanted to add Kit Harington to the list, but I think I'm just still in deep mourning. Vincent Kartheiser ("Mad Men"), John Slattery ("Mad Men"), Nikolaj Coster-Waldau ("GoT"), Ben Mendelsohn ("Bloodline"), Michael Harney ("OITNB") and Michael Kelley ("House of Cards") were also all fantastic this year.

letterman

And a few more nominations we'd love to see

Matt:
  • "Late Show with David Letterman" and "Last Week Tonight with John Oliver" -- Outstanding Variety Talk Series

  • Kiernan Shipka, "Mad Men" and Artemis Pebdani, "Scandal" -- Outstanding Guest Actress in a Drama Series

  • Bradley Whitford, "Transparent" -- Outstanding Guest Actor in a Comedy Series

  • Michael Patrick King and Lisa Kudrow, "Valerie Gets What She Really Wants" ("The Comeback") -- Outstanding Writing in a Comedy Series

  • Lynn Shelton, "I Slipped" ("The Mindy Project") -- Outstanding Directing in a Comedy Series

  • Miguel Sapochnik, "Hardhome" ("Game of Thrones") -- Outstanding Directing in a Drama Series

  • Mo'Nique, "Bessie" -- Outstanding Supporting Actress in a Limited Series or a Movie


Erin:
  • "Inside Amy Schumer" -- Outstanding Variety Sketch Series

  • Diana Rigg, "Game of Thrones" -- Outstanding Guest Actress in a Drama Series

  • Pablo Schreiber, "Orange Is the New Black" and Raymond Cruz, "Better Call Saul" -- Outstanding Guest Actor in a Drama Series

  • Alexandra Billings, "Transparent" -- Outstanding Guest Actress in a Comedy Series

  • Jon Hamm, "Unbreakable Kimmy Schmidt" and Bradley Whitford, "Transparent" -- Outstanding Guest Actor in a Comedy Series

  • Miguel Sapochnik, "Hardhome" ("Game of Thrones") -- Outstanding Directing in a Drama Series

  • David Benioff & D.B. Weiss, "The Gift" ("Game of Thrones") -- Outstanding Writing in a Drama Series

  • Charlie Brooker, "White Christmas" ("Black Mirror") -- Outstanding Writing for a Miniseries, Movie or a Dramatic Special

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These Are The Best And Worst Cities For Families, According To WalletHub

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A new report from personal finance social network WalletHub ranks the best and worst cities for families in 2015.

The top five family-friendly cities are Overland Park, KS; Plano, TX; Virginia Beach, VA; Lincoln, NE; and Sioux Falls, SD -- while the bottom five were Jackson, MS; Birmingham, AL; Detroit, MI; Miami, FL; and Baton Rouge, LA. To see each more city rankings, hover over the map below.


Source: WalletHub


Looking at metrics like health, safety, education, child care, affordability and availability of family activities, researchers compared and ranked the 150 most populated U.S. cities.

WalletHub's report also highlights some more specific statistics about median family salaries, divorce rates, playgrounds per capita, and more. For example, Madison, WI was shown to have the highest number of playgrounds per capita while Hialeah, FL had the fewest.

family friendly cities

Visit WalletHub for more information about the rankings and methodology behind this report.



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Duane Hanson's Hyperrealistic Sculptures Challenge The Meaning Of 'Average American'

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“What really lingers with us [...] is their mood of stoicism; or perhaps not their stoicism, but their indifference, or even their resignation -- rather than their energy, their resilience or even their sense of fight,” writes JJ Charlesworth on the new Duane Hanson show at London's Serpentine Sackler Gallery.

Duane Hanson’s sculptures of working-class Americans are bound to make visitors uncomfortable. Lifelike effigies elicit a different sort of response than most artworks. We find Greek statues majestic but wax figures rather sinister -- never mind that both take humanoid forms.


hanson1


Hanson’s work, though, creates a subtler type of discomfort, one that stems from the subjects he’s selected -- and how their portrayal contrasts with the lives of gallery visitors. JJ Charlesworth's piece for artnet begins to unpack that discomfort, asking important questions about how artists represent people and the ethical weight attached to capturing different human realities.

Though he never embraced the label, Hanson is most commonly associated with hyperrealism, a movement that stresses, even exaggerates, the exactitude of art objects to life. It's a style that seems exempt from moral judgment. If the artist is merely conveying reality, how can he be ethically culpable? If a critic takes issue with the artwork, isn't he just shooting the messenger?

Charlesworth questions that presumption when he describes Hanson’s work as “naive social realism” and “endlessly well meaning.” This language merits close attention. It points out a subtle difference between artistic intention and result, between a sculpture in the studio and a sculpture in the world. Naiveté always means well, but when innocence comes into contact with less benign forces, it can quite quickly run afoul.


hanson2


Those forces, in this case, are the Serpentine Gallery and the viewers who fill it: wealthy jet-setters, or, at least, cultured aesthetes, quite distant from Hanson’s working-class Americans. Is this disparity a problem? A generous interpretation sees the sculptures as elevating the experience of lower- and middle-class Americans to the status of high art. A less generous one spies objectification: real people packaged into something palatable for the elite. Most Hanson commentary opts for the former.

"Through his work," a 2014 exhibit description noted, "Duane Hanson explores current issues of American life, the frailties of humanity, holding a mirror to society." The works "transform the banalities and trivialities of everyday life into iconographic material," commented one blogger on Juxtapoz.

It's worth looking, though, at who examines that iconography, at how radically different the mirror's reflection is from the face of the viewer.


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Courtesy of Getty Images/Ben A. Pruchnie



The most striking disparity between the subjects and objects -- to risk being obvious -- is movement. Viewers, of course, always circulate while sculptures remain still, but the languid apathy of Hanson’s figures has been exaggerated. Art can be dynamic, postures can imply motion, but his works display, in Charlesworth’s words, “indifference” and “resignation.” They seem oddly content with their lots in life, neither despairing nor fighting proudly, but simply moving, glacially, through.

On the other hand, there’s the buzzing energy of those attending and working at galleries. Analysis clutters the air, comparisons flying to shows seen across the city or the world. What conclusions will those vivacious gallerists reach? “It's a melancholic ode to the gentle, existential weariness of ordinary life,” says Charlesworth, reiterating the passivity, the slowness portrayed in that working-class life. If ordinary weariness is gentle, what do we make of those blessed with non-ordinary lives? Elites, it would seem, have fiery, more intense existential concerns. So the gallerists leave reassured in their vitality, perhaps meditating on the simplicity of others, but never granting them full subjecthood.


duane hanson
Courtesy of Getty Images/Ben A. Pruchnie



That denial of subjecthood has a great deal to do with the term “average,” often used to describe Hanson’s work. It’s intended to complement the way he's tapped into an unseen, but prevalent, American subject. But “average” is also a notorious blanket term, covering multitudes of specific and individual experiences with a single (empty) word. Examined one by one, each experience would brim with history, with energy and flair. Only when reduced to “averageness” does the working-class American fade into indifference.

A recent Guardian piece by Douglas Coupland took a more sympathetic approach to the show, differentiating between the terms “archetype” and “stereotype.” Hanson’s work, he argued, reveals archetypes or accurate representations of groups -- whereas stereotypes are exaggerated forms of that accuracy. Archetypes, though, fail to grant subjecthood any more than stereotypes; they hold onto the idea that diverse lives can be subsumed under a single label.


duane hanson
Courtesy of Getty/Rob Stothard



That’s a natural human tendency, but gallery visitors would never let themselves fall prey to it. People like that have a habit of denying all labels, of asserting their fundamental individuality. But the sculptures they look at, in the words of an International Business Times piece, are "representative of an entire labour force, class or even a nation." Only averageness, with its gentle despair, accepts an archetype and surrenders its individuality.

What’s tricky, here, is that the issue of representation hinges less on Hanson’s intention than on the conditions into which his work arrives. Charlesworth notes the artist made an active effort not to engage with the high-art world, but that ignorance may ultimately be the show’s downfall -- not its virtue. By ignoring the role of audience, it fails to reconcile how its objects interact with the social space that surrounds them. Of course, art cannot predict its viewership, but in an age where the viewer, rather than creator, determines a work’s cultural significance -- the reception context cannot be ignored.


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This is far from the fate of all hyperrealist art. Denis Peterson, too, brought unacknowledged subjects to the gallery, but his works are arresting, forcing viewers to confront genocide, homelessness, and totalitarianism. Gottfried Helnwein's images of children reckon with innocence and victimization. His Holocaust work is a horrifying wake-up call beneath a hyperrealist guise. There's even more dynamism in Hanson's earlier pieces, which captured race riots and the Vietnam war in enormous tableaux. His 1965 "Abortion" scandalized the art world, catching a reality that shook visitors instead of letting them glide casually away.

Realism, in those works, was far from naive. There were serious stakes to portraying those truths, and the artists used the complexity of individual identities to highlight those stakes. But at the Serpentine, it's average indifference that shines through. Hanson’s pieces are held casually opposite from guests, ensuring a hierarchy of class and energy between the subject and object. Rather than challenge that hierarchy, they apathetically affirm it. In a sense, this not a condemnation of his work. Far from it. His sculptures, rather, show how even the best-meaning realism can go astray -- when it ignores the reality of its viewers.


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All otherwise uncredited images are courtesy of Serpentine Galleries.



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And Here We Attempt To Illustrate Yoko Ono's Most Beguiling Tweets

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Yoko Ono is a conceptual artist, a musician, an activist, fashion designer, author and icon. Although it's not listed on her official roster, we'd like to add Twitter sorcerer to the list.

With under 140 characters, Ono crafts miniature poems at once profound and bizarre, the kind of inimitable wisdom you'd get from a toddler who's either genius, nonsensical or both. The cryptic snippets are artworks on the go, compact revelations that just might unlock the secrets of the universe, or could just as easily mean nothing at all.

Is Ono the Twitter sage we've been waiting for? Does anyone really understand what they're RTing when they pass on her quips? We attempt to answer these questions and more, unraveling the perplexing word-webs of Yoko Ono one at a time.

Behold, our best attempts to illustrate her majesty Yoko Ono's Tweeted lore.




tun







elp







mouth''







chair







cloud







couu







tear







xlock







island

island

island

il







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Designer Paolo Cappello Is Making Wallpaper Cool Again

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Not so long ago wallpaper was considered a classic suburban feature, rarely associated with high art or ingenuity. But as the medium has staged a return in the past few years, stars like Lena Dunham are making certain wallpaper designers hip. Meanwhile, the designs themselves are actually worth the fuss, whimsical and sometimes historical, often blurring the line between interior design and art.

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Paolo Cappello, a multiplatform Italian designer, recently positioned himself in this limbo space. Intending to pay homage to the spirit of 18th century Japanese craft, Cappello honed in on two elements key to the era: time and detail. His line, "Tangles," debuted this year, with a series of deceptively simple images. From certain angles, they look almost fossilized, etched into the wall as if by rock. Others recall the theatrical staging of a Javanese puppet show, with figures tilted as if in battle.

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To highlight the twin aspects of "small details and long creation time" peculiar to Japanese art, Cappello writes on his blog, he created his intricate figures out of tightly coiled lines, each requiring more than a week to design. Seven sets of figures make up the collection: a horseman, archer, two fighters, koi carps, butterflies, birds, and peach flowers.

Not your mama's chili pepper kitchen wallpaper, eh? For more reasons to strip your walls, take a look at Cappello's site.

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paolo cappello

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Feminist Artist Leaks Her Own Nudes, Internet Responds Like Meatheads (NSFW)

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Warning: This post contains nudity and may not be suitable for work.

Artist Molly Soda describes her most recent series "Should I send this?" as "a collection of text and images I would be too scared to show you."

Anyone who's tried to woo a lover via the Internet knows what she's referring to. The net artist uncovered an assortment of selfies and sexts she'd accumulated over the years that, for one reason or another, she was too afraid to actually send. Until now.

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Yes, Soda leaked her NSFW texts and images onto the web, compiling them into an electronic zine hosted on New Hive. (A companion print zine is also available.) The project explores what it means to be vulnerable in the digital age, and the ways we censor and edit our own intimate output.

"This piece isn’t about me," Soda explained to Dazed and Confused, "it’s about everyone who has ever tried to achieve validation/intimacy via sending a text message, a nude ... anything vulnerable using digital communication." Anyone who's ever drafted 10 texts before sending one, or snapped a storm of selfies to find that one flattering shot, can surely relate.

Clicking through Soda's electronic zine feels like hacking into a frenemy's MySpace profile and finding more than you bargained for. There's a feminist bent to the revealing imagery, which displays pubic hair, happy trails and other, you know, natural occurrences of hair on women without apology. "I’m not really concerned with what men think of my body hair or my body anymore," the artist explained. "I’m more concerned with how I feel about my own body. Other women’s responses have really encouraged me. I have a lot of girls messaging me about how my stomach hair makes them feel better/less self-conscious about theirs­­. That’s what I care about –- not about whether or not men find it attractive."

Soda's work gained traction on Dazed and Confused, and, along with it, received a barrage of hateful comments from both men and women declaring Soda's work "not art" and "not feminist." One commenter on Facebook distastefully commented: "Another female artist posts pictures of her tits, ass and bush. Again."

Most of the negative opinions lodged against Soda either condemned the piece as narcissistic, pretentious and juvenile, or straight-up slut-shamed her.

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Soda eventually responded to the comments on her Tumblr: "If none of my photos had been nudes and there had only been the text I included in my zine (which is 50% of [the zine]) no one would be calling me vapid or trash. Doesn’t that have something to say about us as a society and the way we view women’s bodies [and our thoughts on] them having control over their bodies and the way they choose to share it?"

Soda raises a good point. Whether or not you're a fan of the artwork itself, there does seem to be some archaic expectations of privacy and propriety in the air that cause a project like this to provoke such seething reactions. And while women can be critical of each other and their work, spewing hate on each other's work and dubbing it "not feminist" is probably, well, not very feminist. As Kayla Unnerstall wrote in Bullett: "Scrutinizing Soda’s delivery method only detracts from a movement that’s primarily about women having a sense of agency in their own lives."

At the end of the day, you don't have to like Soda's series. But you don't have to be a troll about it either. A woman can do what she wants with her body and no Internet commenter should fight that. Let's do away with words like "vapid" and "desperate" when describing female artists who work with their own naked bodies. After all, men have been centering their work around lady nudes for centuries.

Take a look at the zine in its entirety here and leave your (mindful) comments below.





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These Are The Best Photos Taken On iPhones This Year

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This year's winners of the iPhone Photography Awards were just announced, and the photos are incredible.

A jury chose the winners from iPhone photos submitted by photographers from more than 80 countries around the world.

The annual competition started in 2007, when the first iPhone was released. Today there are multiple categories, ranging from Abstract to Food to Flowers, as well as overall winners.

The rules are simple: All photos must be taken by an iPhone, iPad or iPod; the photographer can use add-on lenses and photo editing iOS apps, but no desktop software like Photoshop.

Looking at these gorgeous photos, it's hard to believe they were taken with the same phone many of us use on a daily basis, but the jury can (and sometimes does) verify that the photos were taken with the proper device.

Here are the 2015 winners:

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9 Things You Shouldn't Do On Instagram... Unless You're A Pug

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Pugs can get away with anything. Thanks to their sweet, mushy faces and their snuggly personalities, they're stealing hearts whether they're on the street or on the Internet. Humans have a bit more difficulty hitting their stride.

Thankfully, we got some advice from our friend Doug The Pug about how to totally rock Instagram. Since he's got 1.2 million Facebook fans and 323,000 Instagram followers, he's the expert. So listen up!

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Parents Parody Britney Spears To Announce That Oooh! They're Pregnant Again

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Parents announce that they're having a baby one more time in this musical pregnancy announcement.

Excited announcers: Parenting parody video team Jerrad and Machel Green

Due date: November 15, 2015

Announcement method of choice: The Greens put together a Britney Spears-themed music video, with parodies like "Oooh, We're Pregnant Again," "Nauseous" and "I'm A-Voiding You."

Standout lyrics: The creative parents put a pregnancy spin on some Britney's hottest songs, with lyrics like "Oooh we're pregnant again, with kid number two / We're back in the game, oooh baby baby" and "When the taste hits my lips I'm on a ride / I'm nauseous, can't keep it under."

Inspiration: Mama Machel told The Huffington Post that she's a big Britney Spears fan. "And we don't know how to be 'normal,' so we invoked our silly side again," she added. "We hope to show our kiddos that even when you're all grown up, you can still play!"



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The Most Ridiculous Sexual Phrases From Romance Novels

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Why can't we just say ... *whisper* penis and vagina?

Romance novels have a language and style all their own. Though they contain sex scenes, they've always aimed to be more tasteful than your standard pornography fare. Hence, the flowery descriptors for male and female genitalia and sexuality. Romance novels are the proper, eloquent statesman to pornography's grunting caveman.

What makes romance novels so much fun on a comedic level is just how creative the authors often get with the language. What do you say when you don't want to mutter penis or vagina?

Blogger John Ferri found the humor in romance novels, as well. His wife is a fan of the genre and after reading a few himself, Ferri started compiling lists of some of the more hilarious sexual descriptions.

WARNING: Blushing and junior high-level giggling ahead.





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What Inclusive Feminism Looks Like, In 7 Images

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One artist wants to show the world: This is what feminism looks like.

Photographer Erin Lefevre's new series is inspired by her own feelings on feminism, and her desire for greater representation of diverse feminists.

"I became more conscious of calling myself a feminist after reflecting on the many instances in my life in which I needed feminism," Lefevre told The Huffington Post. "The more I learned about what feminism truly is, the more I became frustrated with what society thinks feminism is (this movement that hates men, doesn't shave, and burns their bras)."

Lefevre decided to photograph a diverse group of feminist artists living in the San Francisco area, asking them to share their views on feminism -- and the results are stunning.

"There has been a recent shift in pop culture that has sparked a revived interest in the feminist movement and has encouraged the chants of girl power, body positivity, and self-love," Lefevre's artist statement says. "Celebrities, however, are speaking from a privileged perspective and often do not face the same obstacles that other feminists endure on a daily basis."

Lefevre's portraits and narratives offer a voice to feminists who don't have the same privilege as celebrities, reminding us just how important inclusive feminism is.

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Being an Asian-American woman often feels like being at a crossroads. I am expected to be both demure and domestic. However, after adolescence spent wishing I were anything but a Southeast Asian American girl, I’m not finished raising my voice. The solidarity of other art makes who refuse silence compels me to continue. I came to San Francisco for education; I discovered that the most empowering education is not given within the institution.” -- Nina Vichayapai, painter and interdisciplinary artist



Check out more images from the series below.



what does feminism

"For me, feminism is the idea that a woman has the right to decide the direction of her life. It isn't about a 'look' or about a feeling of superiority to men. It's the right to exist as an individual with an equal say and the ability to make choices that affect her life and the way she presents herself to the world." -- Dawline-Jane Oni-Eseleh, painter and printmaker




what does feminism

"As feminists we must not try to disregard societies in the global south as oppressive or misogynistic but instead cite the intersecting oppressive systems that have produced such societies. It is a difficult and lengthy process but it is only once we go through that course we can truly see a change in the world." -- Zulfi Ali Bhutto, photographer and interdisciplinary artist




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"People assume because I am a transgender man that I want to be a man therefore I am not a feminist because I want to change my designated gender, and that is not true. I am a very big feminist." --Oliver Redmond Coleman, photographer



what does feminism

"An unchaperoned woman often embodies people's sense of authority over her. Walking around solitary and topless has opened my eyes to the patronizing misogyny that permeates every facet of women's lives. Nearly everyone has felt the need to make their opinion and advice on my actions known to me. I did not request anyone's opinion or advice. We need to let the world know that we do not require their permission to do whatever the f*ck we want." -- Chelsea Ducote, painter




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“Feminism to me means constant checking of my own privilege and colonized mindset, and seeing all peoples’ liberation as interconnected. As Mama Audre Lorde says, ‘there are no single issue struggles, because we do not live single issue lives’.” -- Michal "MJ" Jones, writer, educator, and activist



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People believe that tattooing is a masculinist art form. Although views are changing slowly, it is still something I am confronted with constantly. Women’s bodies have always been scrutinized by men because for some reason, they believe everything we do is to please them.” -- Anna Bongiovanni, painter



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27 Silly, Sweet And Strange Quotes From Kids

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It never gets old hearing all the amazingly random things kids say.

That's why parents document their little ones' day-to-day quotes on LittleHoots -- an app for on-the-go moms and dads to keep track of these sweet and fleeting memories.

LittleHoots creator Lacey Ellis shared some recent highlights from the app's archive of perfect kid quotes. Here are 27 hilarious, wise and delightful things kids have said.





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Artist Writes 'Welcome To Cleveland' On His Roof For Planes Flying Overhead. He Lives In Milwaukee.

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The guy's got a sense of humor.

If there's one thing 62-year-old artist Mark Gubin admits he's "pretty good" at, it's madness. That was his intention 27 years ago, when he noticed planes traveling to and from Mitchell International Airport fairly low over his art studio. So he grabbed a roller and some white paint and wrote "Welcome To Cleveland" in large letters on his roof.

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The thing is, Gubin lives in Milwaukee.

The prank seems to reflect Gubin's general outlook on life. "It was all tongue-in-cheek, just for fun. Living in the world is not a dress rehearsal. You better have fun with it," he told the Milwaukee Journal Sentinel.

We love this guy.

Head on over the Milwaukee Journal Sentinel for the full story.

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The Netherlands In A Hundred Birthdays

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When award-winning artist Ilvy Njiokiktjien was appointed as the Netherlands' "Photographer of the Nation" in 2013, she turned to the one event that excites each and every one of us: birthday celebrations.

Njiokiktjien photographed 100 people in the Netherlands, ranging from age 1 to 100, as they celebrated their birthdays with friends, family members and strangers. Her photos are set in bars, at home, children's parties, outside or at the office. They show young and old indulge in cake, open presents and blow out candles.

Njiokiktjien's images were collected for Schilt Publishing in the book Cream Cakes and Paper Chains: The Netherlands in 100 Birthdays.

"It's in our blood, it's such a recognizable part of our culture: from high to low, rich to poor, in the end, we all celebrate our birthday more or less in the same way," Schilt Publishing aptly summarizes.

Take a look at some of Njiokiktjien's 100 images below:

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