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Buckminster Fuller Talks 'The Geodesic Life' In Rare, Animated Interview

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This article originally appeared on ArchDaily.
by Karissa Rosenfield



“I must reorganize the environment of man by which then greater numbers of men can prosper,” says Buckminster Fuller in this rare interview on the Geodesic Life with Studs Terkel (recorded in 1965 and 1970). Animated by Jennifer Yoo and produced by Blank and Blank, this interview has been brought to life as the first of “The Experimenters” mini-series that features rare interviews with Bucky, Jane Goodall, and Richard Feynman focusing on science, technology and innovation.

Cite: Rosenfield, Karissa. "Rare Interview with Buckminster Fuller on the Geodesic Life" 17 Mar 2015. ArchDaily. Accessed 30 Mar 2015.


This Is One Of The Most Shocking Scientology Stories Not In 'Going Clear' [UPDATE]

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There is lot of unsettling information when it comes to the Church of Scientology, all of which is explored in Alex Gibney's latest documentary, "Going Clear: Scientology and the Prison of Belief." But there's one story that was left out of Gibney's film, which premiered this past Sunday on HBO: Where is Michele "Shelly" Miscavige?

Miscavige is the wife of the Church's current leader, David Miscavige, and member of the Church's Sea Organization (Sea Org). According to Lawrence Wright's book on which Gibney's film is based, she disappeared in June 2006 and has not been seen publicly seen August 2007.

Per Wright and journalist Tony Ortega, while David Miscavige was away in 2006, Shelly Miscavige appointed positions in the Chuch's Org Board. It was a task her husband had been struggling with and had reportedly threw "maddening and relentless" tirades over. In Going Clear, Wright revealed that when David Miscavige returned home, Shelly's mood had noticeably changed, according to her brother-in-law, John Brousseau. Soon after she disappeared from public view.

Actress and former Scientologist Leah Remini drew the most public attention to Shelly Miscavige's vanishing when she took action and questioned the Church. According to former Sea Org member Mike Rinder, Remini asked about Shelly Miscavige's whereabouts at Tom Cruise and Katie Holmes' 2006 wedding. Remini was reportedly scolded for asking about it and later “was put through interrogations and blacklisted within the church," according to the New York Post. (Reps for Remini said the actress was not available to comment.)

After defecting from the Church in June of 2013, Remini filed a missing person report on the leader's wife. Hours after filing the report, the Los Angeles Police Department ruled it "unfounded." The LAPD also did not comment to Wright about Shelly Miscavige's whereabouts. "This is just harassment," the Church said in a statement at the time. "It is a publicity stunt cooked up by a small band of unemployed fanatics who live on the fringe of the Internet."

While Wright reported on Shelly Miscavige's disappearance in his book, it is not mentioned in Gibney's documentary. At a press screening of the film last week, the director addressed the omission saying, "The Shelly Miscavige story, had we profiled different kinds of people, might have made it into the final film." Although Gibney had hours of extra footage that he ended up cutting -- which he said he would ideally like to release with HBO in the future -- the director told Business Insider that none of the filmed material involved the Church leader's wife.

Ortega echoed this to The Huffington Post over email on Monday, writing that he believes Shelly Miscavige was left out of the film so viewers could walk away with two important questions: "Why does Scientology still have tax exempt status, and how can Tom Cruise remain silent?"

The journalist, whose reporting has broken news and revealed details about Miscavige's possible whereabouts, added that even if she were found, he doesn't believe she'd willingly leave the Church. "Her story would take a considerable amount of time to tell, and ultimately, does she really want to be rescued? I'm doubtful about that."

While Miscavige's whereabouts are still a public mystery, Brousseau told Ortega that she's been at the secretive Church of Spiritual Technology headquarters in Hemet, California. Sources have told Ortega that she is working there, archiving Hubbard's printed words on steel plates.

In an email to The Huffington Post on Tuesday, a representative for the Church of Scientology said that claims about Shelly Miscavige's disappearance are false and that "the notion that Mrs. Miscavige is being held against her will is a conspiracy theory."

The Church's statement continued saying, "Mrs. Miscavige’s whereabouts and well-being were confirmed, despite the calculated harassment she suffered by those who knowingly made false reports to law enforcement to the contrary. The attempt to malign Mr. and Mrs. Miscavige is ill intended and the reason this false allegation isn’t in the film is because the story is entirely false, defamatory and without merit." The email directed readers to a Reuters story about the missing person report that was called "unfounded" by the LAPD.

"The only reason the claims about her are not in the film is because we communicated to Alex Gibney that these claims were provably false," the statement concluded.

"Going Clear: Scientology and the Prison on Belief" is available on HBO Go.

This piece has been updated to included comment from the Church of Scientology.

Blind Painter Has Raised More Than $1 Million For Charity Through His Stunning Masterpieces

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A blind man is using his artistic talent to help further different causes.

When he was younger, Jeff Hanson, from Overland Park, Kansas, was diagnosed with neurofibromatosis, a genetic disorder which caused a brain tumor that eventually left him legally blind, CBS News reported. But regardless of his vision loss, the 21-year-old has become an accomplished artist with about 1,400 paintings under his belt. What's more, the artist has donated more than $1 million worth of paintings to charity.






"I thought it would be good to give back to the world and not use it for myself," Hanson told USA Today back in 2013. "My art makes people happy."

The artist's mother, Julie, first introduced him to art as a distraction from the chemotherapy treatments he had when he was young, CBS reported. The hobby turned into a successful business, with originals selling for around $4,000 each, and famous fans including Warren Buffett and Elton John.

Soaring Manhattan36" x 18" x 2.5"

Posted by Jeffrey Owen Hanson on Sunday, March 8, 2015





The artwork's popularity soon led Hanson to begin using his paintings as a force for good. When he was 19 years old, he promised to give away $1 million by the time he turned 20, USA Today reported. The artist met his goal by donating his work to over 100 organizations, including the Make-a-Wish Foundation and the Children's Tumor Foundation.

High Tide in St Tropez22" x 28" x 2.5"Acrylic on Heavily Textured CanvasHigh Gloss Finish

Posted by Jeffrey Owen Hanson on Saturday, March 28, 2015





Creating the masterpieces is no easy feat, but Hanson has found a way to utilize his strengths in the painting process. The 21-year-old, who is only able to vaguely make out shapes and colors, relies off of texture to help him, according to CBS. Hanson first applies a thick, plastic substance to his canvas, and once it hardens he then slathers on a coat of flat black and uses the ridges to guide himself around his work.

Layla's Garden60" x 30"

Posted by Jeffrey Owen Hanson on Tuesday, March 24, 2015





While the process may sound strenuous, the artist is more than happy to put in the work.

"Each one of them is a labor of love," Julie told CNN in 2011. "Each one of them is very special."

To learn more about the artist, visit his website here.

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These Events Were Canceled Because Of Indiana's New Anti-Gay 'Religious Freedom' Law

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WASHINGTON -- Indiana has been facing a national backlash after Gov. Mike Pence (R) signed a "religious freedom" bill into law last week that could open the door to discrimination against lesbian, gay, bisexual and transgender individuals. The Religious Freedom Restoration Act would allow any individual or corporation to cite religious beliefs as a defense when sued by a private party.

The criticism is already hitting the state economically. The governors of Connecticut and Washington have imposed bans on state-funded travel to Indiana. Organizers of Gen Con, which has been called the largest gaming convention in the country, are also considering no longer having their event in Indiana.

Cities like Chicago are capitalizing on the controversy, with Mayor Rahm Emanuel (D) trying to lure Indiana-based businesses into his city.

Here are some of the events that have been canceled in the state since Pence signed RFRA:

Wilco Concert



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Indie rock band Wilco tweeted Monday that it will cancel its May 7 show in Indianapolis because RFRA "feels like thinly disguised legal discrimination." "Hope to get back to the Hoosier State someday soon, when this odious measure is repealed. Refunds available at point of purchase," the band added.

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Comedian Nick Offerman, perhaps best known for playing Ron Swanson on NBC's "Parks and Recreation," tweeted Tuesday that he is canceling a May 16 show in Indiana. He and his wife, fellow comedian Megan Mullally, are touring the country with their "Summer of 69: No Apostrophe" comedy-variety show. They will go ahead with their appearance at Indiana University Wednesday but will be donating the proceeds to the Human Rights Campaign.

AFSCME Conference



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On Monday, Lee Saunders, president of the American Federation of State, County and Municipal Employees, announced that he was pulling the union's 2015 Women's Conference out of Indianapolis in October. "The 1.6 million members of AFSCME cannot in good conscience make such a sizable financial investment in Indiana knowing that women and men in that state are deliberately being targeted for discrimination," said Saunders. A new location has not yet been chosen.

Angie's List Expansion



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Indianapolis-based business Angie's List has cancelled a planned $40 million headquarters expansion, a move that could cost the city 1,000 jobs over a five-year period. "Angie's List is open to all and discriminates against none, and we are hugely disappointed in what this bill represents," said CEO Bill Oesterle, who used to be an aide to former Gov. Mitch Daniels (R).

Tech Conference Sponsorship



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Marc Benioff, CEO of tech giant Salesforce, said he is canceling all company travel to Indiana in the wake of RFRA. This means Salesforce will no longer sponsor or attend the Indy Big Data Conference set to be held May 7 in Indianapolis. EMC, Cloudera, Pivotal and Platfora have pulled their sponsorships as well. Conference organizers issued a statement calling on state politicians to come up with "an immediate correction to this law in order to prohibit discrimination in Indiana on any grounds.”

Debate Competition



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The National Forensic Association announced Tuesday that it's pulling its 2016 national competition from Ball State University in Muncie, Indiana. “We feel compelled to protect students, so to ask colleagues to bring students into a state where this law would allow businesses to discriminate against them was something the National Council did not feel comfortable doing,” said Mary Moore, Ball State director of individual events and instructor of communication studies. She added that Muncie could lose out on more than $1 million from not hosting the five-day tournament.

HUFFPOST READERS: If you live in Indiana, we want to hear about how this law is affecting you. Email your story or any tips to openreporting@huffingtonpost.com. Please include your name, the city you live in, and a phone number if you're willing to be contacted by a reporter.

'Fun Home' Brings Lesbian Protagonist To Broadway For The First Time

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Although recent years have seen a wealth of gay content on the New York stage, “Fun Home” breaks fresh ground as the first Broadway musical to feature a lesbian protagonist.

The advance buzz on the musical, which is currently in previews at Circle in the Square Theatre, has been quick to emphasize that fact. In reality, though, such a sound bite oversimplifies the show’s subversive qualities. Based on out artist Alison Bechdel’s graphic memoir of the same name, “Fun Home” is actually a compelling look at two sides of the queer experience, with a complex, multi-faceted message about family relationships.

Keeping the non-linear structure of Bechdel’s novel, “Fun Home” pairs Alison’s adolescence and subsequent coming out story with the darker journey of her closeted gay father, Bruce, who commits suicide after a string of secret affairs with younger men. Three actresses -- Sydney Lucas, Emily Skeggs and Beth Malone -- portray Alison as a child, a college student and a middle-aged woman, respectively. Meanwhile, the show’s second act is a dramatic tour de force for Tony Award-winning actor Michael Cerveris (“Assassins”), who plays Bruce.

From left: Skeggs, Malone and Lucas in “Fun Home.”

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The musical, which is directed by Sam Gold, played to sold-out audiences and nabbed sterling reviews when it opened Off Broadway at New York’s Public Theater in 2013; it was also a finalist for the 2014 Pulitzer Prize for Drama.

Also in 2014, the show also took home the Obie Award for Best Musical, the Lucille Lortel Award for Outstanding Musical and the Outer Critics Circle Award for Outstanding New Off-Broadway Musical.

So while “Fun Home” couldn’t be further from the top hats and jazz hands of the traditional, feel-good Broadway musical, the cast and creative team are confident their work will find a captive audience, given the universality of the show’s coming-of-age themes.

“With any show you do, there’s a concern about whether or not an audience will embrace it,” Lisa Kron, who penned the book and lyrics, told The Huffington Post in an interview. “If we start to have nervousness around that question, it’s not going to do anything for us.”



Still, composer Jeanine Tesori admitted that she and Kron experienced some creative tension over how to initially portray a relationship between college-age Alison and her girlfriend (Roberta Colindrez) while the show was in development.

“There was a point when I said to Lisa, ‘These two young women, they have to kiss. They're in love, they have to be sexual,’” Tesori recalled. “And she was like, ‘I can’t bear it if people laugh at them.’ I realized then all she had been through, and it was so heartbreaking to me. It wasn't about her holding back; it was about her protecting the character.”

Aesthetically, “Fun Home” has been given a sizable upgrade since moving uptown, too. In a move that Cerveris says “strips away even more artifice,” the show is now being presented in the round in an effort to make the audience feel like they, too, are part of the action being presented onstage.

The Broadway cast of “Fun Home”

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“The audience that finds this show is going to be a thinking audience, because it lives in such an emotional place,” Malone said. “As a culture, we’ve arrived at a place that is just aching for this show to be.”

Regardless of how the show ends up faring with Broadway audiences, Kron says she will forever see “Fun Home” as the ultimate extension of the work she was doing as part of the women's collective WOW Cafe Theatre in the 1980s.

“People often say to me, ‘This is so much bigger than just a story about a lesbian.’ And I say, ‘What has changed is your sense that a lesbian is an actual human being who can be as much of a prismatic reflection of the human experience as any other type of character,’” she said. “There’s no explicit explanation, justification or apology in this show, and to me, that’s a very exciting thing to put on stage.”

“Fun Home” is currently in previews at New York’s Circle in the Square Theatre, with an opening night set for April 19. For more information, head here.

Kendall Jenner Got Her Hands On A Selfie Stick, And The Result Was Fabulous

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Kendall Jenner and Gigi Hadid are total naturals when it comes to the selfie stick.

In a behind-the-scenes video from Vogue's "The New Brat Pack" spread -- starring Jenner, Hadid, Ansel Elgort, Cody Simpson and Justin Bieber -- Jenner and Hadid were given the devices as they traipsed around Los Angeles.

And if you ask us, the result is hilarious -- and incredibly fabulous.

H/T MTV

These Are 20 Of The World's Best Photos Taken With Cell Phones

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Anyone with a cell phone can be an incredible photographer, no fancy camera necessary.

Sony on Tuesday announced the winners of the Sony World Photography Awards' Mobile Phone category, and we're impressed.

Mobile is just one of many categories in the competition. Others include Professional, Open and Youth.

There were more than 96,000 entries across the Youth, Open and Mobile categories. Mobile alone saw 10,200 photo submissions, and winners in the category were chosen by an online vote from a shortlist of 20 photos. The entry that won first place got 6,718 votes, Sony says.

Check out the best in mobile photography from 2015 below:

Inside The 'Holy Mountain': Exploring The Unseen World Of Mount Athos

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Mount Athos, in northern Greece, is a place steeped in a truly unique history. The tree-swathed slopes of the “Holy Mountain,” as it is commonly called, encompass 127 miles on the coast of the Aegean Sea. Mount Athos, which operates as an autonomous region within Greece itself, contains 20 separate active Greek Orthodox monasteries, and has functioned as a spiritual center of the Orthodox church since the 10th century.

About 1,400 monks currently reside on the mountain, which has been designated a UNESCO World Heritage Site since 1988. Entry to this sacred place -- whose art and learning has influenced Orthodox Christianity for a thousand years -- is difficult to achieve. Since seclusion from the world is a central tenet of the spiritual practice of Mount Athos’ communities, admission is restricted to a finite number of pilgrims per day, who are limited to a four-day, three-night stay. Women are not permitted to visit the mountain.


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Greek photographer Stratos Kalafatis dedicated five years to exploration of the monasteries, caves and men of Mount Athos, bringing us profound insight into this cloistered world. Kalafatis’ journey started in January 2008 and consisted of 25 visits, totaling 200 days. The resulting exhibit, entitled “Athos, Colors of Faith,” was first shown last year in Thessaloniki.

Kalafatis, who spoke exclusively to HuffPost Greece, attempts to capture the history and richness of Mount Athos’ monastic life from a fresh perspective. He knows the people he photographs -- he's spoken to them, he has been a guest in their dorms, he has accepted their blessing and their gifts. He's not a tourist at Athos. He works more like a painter than a photographer, a hagiographer painting rough drafts of the stories of saints.


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HuffPost Greece spoke to Kalafatis about his project:

I'd like to ask you about your relationship to Orthodox tradition. Was your decision to travel and photograph Mount Athos purely artistic?

I've been visiting the Holy Mountain since my teenage years, either as a pilgrim or as a professional photographer. However, in early 2008 I decided to “take it on” as a photographer-artist. I had to combine my two identities, that of a pilgrim and that of an image creator.



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How did the monks welcome you? Did you have difficulties with the monks, and if so, how did you get over them?

The way I photograph people takes time and active participation from the subject. That forces me to be direct and honest about my intentions. That directness is usually the best way to overcome any difficulties and hesitation.



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Do you remember any particular encounters with the monks?

We were walking for a long time in the desert of Athos, toward the “horrible Karoulia” [an isolated desert region on the southernmost shore of Mount Athos, occupied principally by ascetics]. A monk was sitting in his front yard. As we walked by, he lifted his head and said, “You're the greatest photographer of Athos, and you’ve come to take my picture.” It was the first time we had met. I wasn't holding anything to indicate that I was a photographer. I took photos of him until sundown.



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After a five-year process, how did Mount Athos change you and your view through the lens?

When I started this journey I was 40 years old. Today, almost 50, I have to say that it was the most important decade of my life. A lot has changed in these past 10 years, and a lot of it is due to the 200 nights I spent there.



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The long-term project “Athos, Colors of Faith” is accompanied by a book of the same title, by Agra Publishing.

This piece was originally published on HuffPost Greece and has been translated into English. It was edited, condensed and adapted for an American audience.

Trevor Noah's Tweets Were Offensive -- But Let's Not Write Him Off Just Yet

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It's been one day since Comedy Central announced Trevor Noah as Jon Stewart's replacement on "The Daily Show," and the South African comedian is already facing accusations of anti-Semitism, sexism and fat-shaming because of his Twitter feed.

Monday night, BuzzFeed Community Growth Manager Cates Holderness retweeted a number of overtly offensive jokes that Comedy Central's PR team failed to delete. (Reminder: A tweet, much like a diamond, is forever.)













Noah's tweets are incredibly disappointing. There is no excuse for lazy, offensive humor that targets marginalized groups. Expressing sentiments like "LOL fat chicks" and "LOL Jewish girls who won't put out" is not a great way to establish yourself as the critical and hilarious voice of authority on American politics. And, the misogynistic undertone of some Noah's jokes also make it clear, yet again, why we need more women hosting late-night TV shows.

But, the backlash serves as a reminder not to jump too quickly into a cycle of Internet rage.

Comedians should -- and will -- be called out for jokes that miss the mark. After all, comedy is at its best when it skewers deep-seated, ignorant stereotypes -- not when it plays into them.

However, Noah's head-meet-desk Twitter history doesn't necessitate advocating for his immediate character assassination and firing from a job he has yet to start. Noah seems smart, his three appearances on "The Daily Show" were funny, and as a young, biracial man of color who grew up in apartheid South Africa, he's in a unique position to deliver sharp commentary about race -- something the American public always needs to hear. (Plus... those dimples. Sigh.)

Noah is still just a comedian who hasn't yet reached the pseudo-newsman status of Jon Stewart. If Twitter had existed when Stewart was a snappy, smoking, leather jacket-wearing comic in the '90s, he might have had some regrettable moments, too.

Though the "The Daily Show" is a fake news program, its audience relies on the show for real news purposes. This puts greater pressure on the host, correspondents and writers to use comedy responsibly and to address issues Americans are facing in a meaningful way. Noah has been given the seal of approval from Stewart himself and has proven that he does have the ability to be culturally aware.

"For South Africa to achieve that kind of black-white wealth gap, we had to construct an entire apartheid state denying blacks the right to vote or own property," he quipped on the "The Daily Show" in December. "But you, you did it without even trying. We trained for decades and you just waltzed in and won the gold medal."

It's jokes like the one above that allow us to remain cautiously optimistic about Noah. Idiotic "comedy" on Twitter isn't a reason to start a witch hunt or definitively declare someone a sexist anti-Semite. It's a reason to demand better.

As The Frisky's Beejoli Shah tweeted:



Hopefully Noah and Comedy Central have gotten the message that lazy, shamey humor isn't what viewers of "The Daily Show" want. Here's to continued hope about the future of the late-night show -- and a suggestion that Noah's first segment with the correspondents be a healthy dose of mockery from Kristen Schaal and Jessica Williams.

Watch These Amazing 12-Year-Old Hip-Hop Dancers Turn Down For What

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"The Ellen DeGeneres Show" has seen its fair share of ridiculously talented kid dancers, and hip-hop duo Lucky Aces is no exception.

Andree Bonifacio (who goes by AC) and Lucky recently stopped by "Ellen," where the 12 year-olds from Vancouver showed off their very impressive moves dancing to DJ Snake and Lil Jon's "Turn Down For What."

Once they caught their breath, the dancers told Ellen their biggest dream is to one day backup dance for Ariana Grande. The talk show host then surprised them with VIP passes to meet the singer in Vancouver. Needless to say, they were pretty excited.




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Clark Kent Has Been Hiding In The Marvel Universe All Along

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Could Superman join "The Avengers" because of this secret, recurring Easter egg within the Marvel universe?


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As early as 1976, Clark Kent -- aka Superman -- has been hiding within the Marvel universe as a reporter with a penchant for covering superheroes at a "great Metropolitan newspaper." This despite being the property of comic rival DC Comics, where Clark Kent is known for his journalism at the Metropolis news organization, The Daily Planet.

Marvel and DC have teamed up a few times and even inserted a super soldier character named Clark Kent into a Captain America plotline. But this Clark Kent as reporter was never made official in Marvel comics.

The Huffington Post spoke with the Marvel comic book writer who introduced the homage, Chris Claremont, to find out how the idea came to be. Additionally, John Byrne, one of the original artists of Marvel's Clark Kent, explained that it seems this all just started as a "goof."



So how did "Superman" end up in Marvel comics?

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As fansite The Appendix to the Handbook of The Marvel Universe has extensively addressed, a Clark Kent character has appeared in some form or another over a dozen times within the Marvel universe, but it all starts with Claremont.

He explained that Kent's appearances were meant as a "sight gag" and that, along with artists Dave Cockrum and John Byrne, he simply thought it'd be funny. An official crossover between the two companies would have been "inappropriate," but just as they'd snuck-in other gags, the Clark Kent joke was simple enough to be acceptable and served a larger purpose of adding a sense of levity to tense dramatic action.

"We wanted to hold on to the fact we're not total stiffs, we like having fun with it," said Claremont.



Clark Kent's appearance is essentially a running joke or "spitball" shot at DC.

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Byrne would go on to draw for the Superman franchise after inserting these little jokes. The homage was all just playful fun, or as Claremont explained, a sort of "spitball":

There were a body of rules, we couldn't crossover, we couldn't team up easily, officially. But we were all young punks in those days. No one says anything about throwing spitballs and occasionally they would turn into really fun little moments of storytelling. So, it all starts basically with, "Hey, wouldn't this be cool."


They didn't receive negative comments from DC, but, according to Claremont, he and his co-workers did make sure to never cross the line with the rival company's lawyers.

"In the case of a character like this, if you put too much focus on it, it's not a joke anymore and then you run the risk of ... goodness knows what kind of response mechanism with lawyers and what have you," said Claremont. "In both instances, now you're dealing with, what, 10 to 12 figure corporate structures."



The details were just discreet enough to avoid copyright infringement.

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Both Clark Kent and Peter Parker appear in an image.


Neither of the original creators of Superman, Jerry Siegel and Joe Shuster, reached out about the homage to Claremont and only "over poker" with some guys from DC did it ever get mentioned.

Claremont explained the reasoning behind avoiding confrontation, noting that "civilians in the background" were "not quite as seriously trademarked or tracked as they might be today." DC was the "competition," but the corporations were smaller at the time and it was possible to get away with this kind of thing.

"We just did it as a -- for lack of a better term -- a giggle," said Claremont. "And the trick was to make the character visually recognizable to the intended viewer, but not actually label them properly so the legal department wouldn't get their noses bent out of shape."

Claremont said that if he had the reigns for a Superman comic, he "would not be amidst" to put a "young photographer from the Big Apple" into the scene. In those days there was just more freedom from these corporations' lawyers.



Is Clark Kent any good as a reporter in the Marvel universe?

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According to their in-depth analysis of Clark Kent's appearances, the aforementioned fansite about the Marvel universe concluded that Kent's powers and abilities include his work as "a capable newspaper reporter and television journalist."

A savvy reporter in the Marvel universe, Kent is often seen on television or liaising with high-level executives, such as the once editor-in-chief of The Daily Bugle, Joe Robertson.

Of course, going too deep into this Clark Kent's reporting abilities sort of kills the joke and the purpose of his inclusion. Claremont said, "He's a reporter for a great Metropolitan newspaper. If we ever described him, that was the way we described him. Which Metropolitan, we don't know. Which newspaper? Who knows."

The most recent known appearance of Clark Kent in the Marvel universe occurred in 2006, in an issue of "Fantastic Four" where Kent was seen at a crash site in Oklahoma.



As this has gone unknown so long by the general public, it seems the "Clark Kent disguise" must actually be better than anyone thought.

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So, how did this go unnoticed for so long? Surely the Man of Steel shouldn't have been so hard to miss. Part of it was that this was just a joke amongst friends at Marvel, not trying to make this so overt that they got into legal trouble. As Claremont said, there was no way this secret character could have had a true narrative evolution or too much involvement in the script at least "just to avoid giant corporate fists coming down on our heads."

But the inclusion was certainly made for the fans, at least those who were the closest readers. Claremont explained his philosophy for his comic creation as a whole and how Clark Kent fits into his goals as a writer:

The idea was that we established characters and stories along a baseline that was exciting for readers of all sensibilities and ages, but if you were a little more hip, a little more aware, a little more on the ball, you could spot the various visual tropes that we were presenting and realize that perhaps we were suggesting something deeper.


Along with Claremont, artists Cockrum and Byrne were creating for both the casual and the super-fan in the early days of Marvel. If you knew how and where to look for something that came and went faster than a speeding bullet, you might just have caught a young reporter steel a scene every once in a while.

All still images Marvel.



Christina Hendricks Hasn't Heard That One Big 'Mad Men' Theory

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With "Mad Men" soon coming to a close, fans anxiously wonder how Matthew Weiner's period drama will end. Will Don finally fall to his demise, as some believe the opening credits forewarn? Will he become mysterious plane hijacker D.B. Cooper? What about that Megan Draper-as-Sharon Tate story line?

Each speculation is fun to consider, but another stands apart as the most engaging: "Mad Men" making way for "Mad Women." While Weiner has said he isn't preparing a spinoff, Bustle predicts that the "Mad Men" series finale could end with Peggy (Elizabeth Moss) and Joan (Christina Hendricks) leaving Sterling Cooper & Partners to begin their own firm. Considering both woman have risen to positions of power in recent seasons, it seems plausible.

The Huffington Post caught up with Christina Hendricks while she was unveiling Jaguar's latest model, the aluminum 2016 XF sedan, in New York on Tuesday. Fans of "Mad Men" will remember the significant role the car company played in Season 5, when Joan became a partner.

Asked about "Mad Women," Hendricks said, "You're the first I'm hearing it from. It hasn't reached my ears yet."

Still, if a spinoff ever did happen, she's game to join. "That would be amazing," she said. "If they wanted me, I'd be there."



"Mad Men" returns Sunday, April 5, at 10:00 p.m. ET on AMC.

Enchanting Vintage Photographs Of Frida Kahlo Perfectly Capture The Surrealist Queen

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Her paintings blend tales of personal torment with surreal visions mined from the the wild subconscious. Somewhere between self-portraits and visual mythologies, Frida Kahlo's artworks depict a subject with an ever-shifting identity. Slipping from a jungle queen to a nursing infant, a wounded deer to a bed-ridden bride, Kahlo as subject was defined by fluidity, flexibility and imagination.

Kahlo as artist was just as adaptable, and just as bewitching. Known and worshipped for her exotic beauty and otherworldly style, Kahlo didn't just create artwork on her flattened canvases, but on her own person as well. An exhibition at Throckmorton Fine Art, entitled "Mirror Mirror... Frida Kahlo Photographs," depicts the multifaceted beauty of the rebellious artist, as captured by a variety of 20 influential 20th-century photographers.

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Nickolas Muray image of Frida With Fawn, 1939 gelatin silver print


"Frida Kahlo's father was a photographer, and as a girl, she saw her looks in his photographs of her before she discovered mirrors, which became the inseparable companions that provided her with a sense of self," Kahlo expert Salomon Grimberg explained in a statement. "As much, if not more than any movie star in Mexico, Kahlo was photographed and her photos nurtured the limelight around her."

It's fitting to imagine Kahlo deflecting her reflection in favor of a photographic replica, as if she herself were always already an artwork. The stunning photographs, captured by Andre Breton, Dora Maar, Lola Alvarez Bravo, Imogene Cunningham and Peter Juley, among others, capture a more peaceful, joyous angle of Kahlo than the ones often immortalized in paint. In one image she feeds ducks in the garden of La Casa Azul, the iconic, blue Mexico City house in which Kahlo was born and passed away. In a second image she laughs hysterically alongside friend Chavela Vargas, and in a third she puckers up her lips to kiss a baby fawn. The selection also features images captured by Gisele Freund, including some of the final photographs of Kahlo before her death at 47 years old.

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Gisele Freund photographs of Frida Kahlo in the garden of La Casa Azul


The dreamy snapshots depict a rose-tinted version of Kahlo's life, showcasing the real yet avoiding the wretched trauma and physical anguish often stirring within her. Kahlo contracted polio as a child, which left her legs severely weakened. Then, at 18 years old, she broke her pelvis and spine in a tram accident, leading to years battling painkiller addiction and enduring trying operations. Her physical frailty contributed as well to infertility, an abortion and a string of miscarriages.

Kahlo channeled her internal suffering into gruesome canvases, providing her inner psyche adequate space to spill out. And as such, on the outside, Kahlo appeared, as evident in the photographs below, resilient and astoundingly beautiful. "Frida Kahlo’s life and art has inspired the world for decades," Spencer Throckmorton of Throckmorton Fine Art said. "In many ways she was a champion at overcoming a life of personal tragedy and disappointment. Many of her paintings are self-portraits which enable us to see just how she used her talents to portray her experiences handling challenges that might have consumed those with less determination. Her ability to rise above so many obstacles has left an indelible mark, and is perhaps her greatest achievement."

The photography exhibition runs in conjunction with other Frida-centric art happenings taking place this spring, including “Diego Rivera and Frida Kahlo in Detroit" at the Detroit Institute of Arts and "Frida Kahlo: Art, Garden, Life," at the New York Botanical Garden, which will feature a recreation of the Casa Azul. "Mirror Mirror... Frida Kahlo Photographs" will be on view at Throckmorton Fine Art in New York from May 21 to September 12, 2015. In the meantime, fall in love with Frida all over again in the images below.

Everything Iggy Azalea Says In 'Furious 7'

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Following in the footsteps of Rita Ora, who appeared for roughly 30 seconds in "Fast Six," rapper Iggy Azalea makes an appearance in this weekend's "Furious 7." Azalea, who also contributed to the film's soundtrack, shows up after Michelle Rodriguez's Letty participates in Race Wars. (And as Vulture's Kyle Buchanan noted, the mere sound of Azalea's voice causes Letty to punch someone in the face.) It's a brief sequence, but probably more relevant to the story than, say, Ora's entire part in "Fifty Shades of Grey." Fancy. Ahead, everything Iggy Azalea says in "Furious 7."

1. "Hey, there's the girl I've heard so much about. Where you been at, ghost girl?"

"Furious 7" is out Friday.

A Maya Angelou Play Is Finally In The Works

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LOS ANGELES (AP) — In the nearly 30-year friendship that Tavis Smiley shared with Maya Angelou, he learned the renowned writer's views on life and how to live it to the fullest.

One year after Angelou's death, TV and radio host Smiley is joining with Tony Award-winning director Kenny Leon to develop a stage adaptation of "My Journey With Maya," Smiley's new memoir about the invaluable relationship. "I haven't been this excited by a project in a long, long time," Leon said. "I don't think there is another person like her in my lifetime or in the last 100 years of American artistry and literary achievement."

Angelou, a poet, professor and author of the acclaimed 1969 autobiography, "I Know Why the Caged Bird Sings," had much to share with a young man eager to grow, Smiley said. He was 21 and she was 58 when they first met in the mid-1980s.

"We find our path by walking it," Angelou told him repeatedly over the years, he recounted. She also said that "nothing human is alien to me."

"That was her way of saying, 'Live your life on your own terms. Don't be afraid to try anything. Experience everything,'" Smiley said.

He and Leon, who are starting their search for a writer for the play, said it's premature to discuss casting.

The pair will be working around other projects, which for Leon includes directing the newly announced TV and Broadway versions of the 1970s hit musical "The Wiz." Leon won a Tony for the 2014 revival of "A Raisin in the Sun" starring Denzel Washington.

Smiley is the host of PBS' "Tavis Smiley" and Public Radio International's "The Tavis Smiley Show," a writer whose other books include 2014's "Death of a King: The Real Story of Dr. Martin Luther King Jr.'s Final Year" and founder of a nonprofit foundation tackling poverty in America.

The release of "My Journey With Maya," co-written with David Ritz and out next Tuesday from publisher Little, Brown, coincides with the first-day-of-issuance ceremony in Washington for a Forever postage stamp honoring Angelou.

The book is filled with Angelou's words and Smiley's remembrances of what she meant to him at difficult moments in his life. But there were conflicts as well: He writes of a 2008 call from Angelou expressing "a bit of alarm" that Smiley's broadcasts were pressing Democratic nominee Barack Obama too hard on the issues as he sought to become the first African-American president.

Smiley said he defended his obligation to hold all candidates up to scrutiny, and his friendship with Angelou remained intact.

Echoing Leon, Smiley said he believes her range of achievements — in fields ranging from acting to writing to teaching and more — are unparalleled.

"I've been saying for the longest time she may be the greatest renaissance woman in black America. But I'm really wrestling with whether or not she may be the greatest renaissance woman, period," Smiley said.

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Lynn Elber is a national television columnist for The Associated Press. She can be reached at lelber@ap.org and on Twitter at http://twitter.com/lynnelber.

Man Says He Was 'Duped' Into Selling Banksy's Gaza Strip Street Art For $200

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GAZA CITY, Gaza Strip (AP) — A 33-year-old Gaza man says he has been duped into selling a valuable work by British graffiti artist Banksy for less than $200 to a local artist.

The popular street artist is believed to have sneaked into Gaza earlier this year, leaving behind four murals, including one drawn on a metal door that depicted the Greek goddess Niobe cowering against the rubble of a destroyed house. The painting, titled "Bomb Damage," was drawn on a door, the last remaining part of a two-story house belonging to the Dardouna family in northern Gaza. Unaware of the work's value, Rabie Dardouna said Tuesday he was tricked into selling the door to an eager local artist for just 700 shekels, or about $175. Banksy's works have been valued as high as hundreds of thousands of dollars.

"I did not know that it was this valuable. I heard it can be sold for millions," Dardouna said. "Now I want the door back."

Dardouna said he didn't even know who the British artist was and initially didn't pronounce Banksy's name correctly.

The Gaza artist who bought the door, Belal Khaled, said he did not mean to trick anyone. He said he just wanted to protect the painting and had no intention of profiting.

"I bought the painting to protect its artistic value and preserve it from damage," Khaled told The Associated Press. "Another reason is to display it in other places as well. I don't have any monetary interest in this."

He said he has been in touch with Banksy's representatives, hoping to get a clearance to showcase the mural in Gaza art exhibits.

The debate over the issue has heated up on Facebook, with Palestinian activists and journalists accusing the buyer of tricking the Dardounas while others have defended him for buying it legally. Khaled agreed to show reporters the mural on condition that its location not be revealed.

The Dardouna home was one of 18,000 destroyed in the 50-day war between Israel and Gaza's Hamas rulers last summer. Banksy is a critic of Israel and he has created works in Gaza and the West Bank meant to draw attention to the plight of the Palestinians.

Other Banksy works spotted in Gaza after the mystery visit were a mural of a playful kitten and of children swinging from a military watchtower.

Banksy publicist Jo Brooks said at the time that the artist entered Gaza through a tunnel from Egypt, though such a route is extremely difficult and dangerous.

On a previous visit to the region he drew a painting of a girl pulled upward by balloons on Israel's West Bank separation barrier.

These Are The Best Military Photos From March 2015

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It's not every day you're parachuting into work or taking a deep plunge into icy waters. But this is the job for military photographers and soldiers featured in our picks for the best military photos for March of 2015, which were compiled from the Flickr feeds of the U.S. Army, Air Force, Navy, Marines, and Coast Guard.


'Straight Outta Compton' Trailer Tells The Origin Story Of N.W.A.

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A new trailer for "Straight Outta Compton," the N.W.A. biopic set in mid-'80s southern Los Angeles, touches on the beginnings of the rap group. Produced by N.W.A. members Ice Cube and Dr. Dre, the film stars O’Shea Jackson Jr., Corey Hawkins and Jason Mitchell as Ice Cube, Dr. Dre and Eazy-E, respectively.

"You are witnessing history," a radio DJ says as a montage documents a meteoric rise to fame; "Our art is a reflection of our reality," Ice Cube says at a press conference.

"Straight Outta Compton" arrives Aug. 14.

'This Body Of Work' Is Helping Women Rewrite Their Own Body Narratives

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Writer, photographer and speaker Jen Hecht wants you to know: Your body is worth loving.

Hecht is behind the body love project "This Body Of Work," which consists of a workbook to help women learn to love their bodies and a series of photographs accompanied by women's narratives about themselves.

(Story continues below. Some images may be considered NSFW.)

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Katie, photographed by Kate McElwee

"I hated myself -- how I looked, who I was, where I came from. I felt rage inside me that I carried with me in all my actions, relationships, and decisions. It was taxing, and felt endless. In recent years I have been trying to be kinder to myself, and healing from my past self-loathing. I just want to feel healthy and whole, comfortable in my own skin, unafraid to be myself. I've been working towards this place, a little each day, and I can feel a difference. I mainly feel like I have more energy, which I do, because I have been holding myself back."



Hecht was inspired to create the project by her own experiences with low self-esteem.

"As a chubby kid, I was painfully aware that there was 'something wrong' with me," she told HuffPost. "The inner narrative that took up residence in my mind was full of self-loathing and shame. I felt worthless because I wasn’t pretty and thin."

As an adult, Hecht continued to feel insecure about her appearance. In her early 30s, after obsessive exercising and dieting caused a back injury and debilitating chronic nerve pain, Hecht gave up striving to be thin. She vowed to be gentle with herself, and learned to love her body.

"From this new place I was able to approach self-care from a place of worthiness, love, and self-compassion," she said. "When I felt my life changing, I began to ask myself –- what if I could teach this to other women who are stuck like I was?"

In spring 2014, Hecht began photographing women and collecting their stories about their bodies. She also created the This Body Of Work workbook, a printable, guided self-exploration book that helps women write about -- and learn to love -- their bodies.

Hecht is now fundraising to self-publish an expanded, revised version of the workbook, and will continue to share women's stories alongside their portraits.

"I want every woman to know she is already worthy, beautiful, and enough, exactly the way she is, right now," Hecht said. No matter what her size, shape, condition, situation, or stage of life."

Learn more about the workbook here, and see more portraits and narrative excerpts from "This Body Of Work" below.

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Heather, photographed by Jen Hecht

"I want to stop seeing my health as some kind of competition. I want to move, and eat, and love, and sleep out of appreciation and respect for my body. I want to stop punishing myself for not GETTING THERE FASTER, stop responding to pain with anger and start reacting with understanding. So much more peaceful, when it's living with love, not running with hate."





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Stephanie, photographed by Emmerlee Sherman

"My old body story was one of loss, of being insecure, of rejecting myself. I felt lost, desperate, angry, devastated, ashamed. I didn't let myself enjoy loving my body for how it is. I felt a lot of shame. Sometimes I felt paralyzed by self-loathing. I felt hopeless, and that was what I deserved; shame and hopelessness.

I want my body story to be one of acceptance, celebration, joy... being unapologetic for things I can't control and looking forward to doing something about the things I can control. I want it to be a story of self-forgiveness and of moving onward. It feels amazing, a weight off my shoulders and my heart. It feels like I can finally really breathe. I can free myself."





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Katie, photographed by Jacklyn Greenberg

"I am a vessel with the privilege and power to create life. Previously despising the contour of my stomach, I now caress the curve of my growing belly. The newly acquired stretch marks that my prior self would reject and hide now serve as proof of my baby’s existence. My hips have expanded greater than I could have ever imagined but they cradle my growing child and soon will sway my baby to sleep. My thighs may be big, but they are strong and faithfully carry us through our 9 month journey without reservation. While I continue to grow in size, I also grow in spirit and emotional strength. I am not even close to what I once was physically and because of that, I now understand that it is not about what my body looks like, it is what my body does for me and my baby. I acknowledge and appreciate my body for what it has and will continue to provide me."





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Ali, photographed by Lisa Gendron

"Looking at the pictures now is a powerful experience. When I see pictures of myself, I usually focus on problem areas of my body, on my imperfections. In these photos I can look past all of that. I feel like I can see what others say they see in me. Lisa has captured my essence -- an essence I didn’t believe was visible, or perhaps never allowed myself to show. I can see my strength and my spirit and my courage and my heart and my peace. I am a strong survivor and I am alive and I can see life within me and I am so very grateful for this life and this body."


Photographer Ray Collins Sees Waves The Way You've NEVER Seen Them

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Leave it to a colorblind former coal miner to turn waves into works of art.

Having bought his first camera just eight years ago, Australian photographer Ray Collins has become known for capturing the swells in otherworldly perspective. They can be mountainous, menacing and flat-out gorgeous. He calls his shots "moody seascapes."

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"I've set out to show and share my interpretation of light, water and movement, in an intimate way," Collins told The Huffington Post. "As an artist I think you're constantly redefining your work, because it forces you to grow."

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Collins discusses his work in the video above, which coincides with the second edition of his photography book, "Found At Sea."

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Collins previously earned his paycheck as a coal miner until he injured his knee.

"I've been working in an underground coal mine longer than I have been making images, but my earliest memories are of being in the ocean, so I guess it's a full circle of influence," he said. "I'll tell you what, though, nothing feels better than being in the sea after breaking rocks and avoiding being crushed by collapsing tunnels for 12 hours straight. Complete freedom."

Check out more of Collins' work below and here and here.

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H/T Laughing Squid
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