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Celebrate Oscar Season With These Classic Hollywood Cocktails

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The following is an excerpt from Of All the Gin Joints by Mark Bailey, a collection of anecdotes and recipes centered on the escapades of classic Hollywood stars:

It wasn’t a joke, but it damn well should have been. Certainly it began like one: So Humphrey Bogart walks into a bar with two stuffed pandas. Bogart was, by then -- September 1949 -- the biggest movie star in the world, and he was out in New York with an old drinking buddy named Bill Seeman. They’d been carousing since early, the two of them and Bogey’s wife, Lauren Bacall, but she’d gone back to the hotel hours ago. After Mrs. Bogart left, the men found themselves in need of a stand-in that might scare off would-be home wreckers and drunks. Somehow it emerged that a nearby delicatessen sold a historically random nonfood item, as delicatessens have a way of doing: stuffed pandas. Not just any stuffed pandas, mind you. Each of these weighed in at more than twenty pounds, and set you back twenty-five bucks a pop. Perfect.

Bogart and Seeman bought a couple and hopped a cab to El Morocco, where they requested a table for four: two seats for them, two for their dates. They were seated, and that was supposed to be the end of it: getting seated with two pandas. Unfortunately for Bogart, the real end would take four days to arrive, and it wouldn’t be over drinks with his friends -- it’d be in court.

Here’s the thing: Bogart was a gregarious man with a keen sense of humor, but he was only comfortable among friends -- and his social circle was tight-knit. The Rat Pack, later so closely associated with Frank Sinatra, was in fact Bogart’s creation, with Bogart at the center. The mission of the group, Bogart said, was the “relief of boredom and the perpetuation of independence.” Bacall was a member, of course. So was Sinatra. Judy Garland, Spencer Tracy, talent agent Irving Lazar, writer Nathaniel Benchley (son of Bogart’s old friend Robert Benchley) -- they were all part of the
original Holmby Hills Rat Pack. You might see them out at Romanoff’s or on rare occasions in Las Vegas, drinking and carrying on, but if you weren’t part of the Pack, you were an outsider and you weren’t welcome.

Which brings us back to the pandas. If you were to spy Bogart at a nightclub in the wee hours of the morning, propping up an oversized stuffed animal, you might think that it was a not-so-subtle message about the company he preferred to keep. And if you knew anything about Bogart -- which you might, since he was more or less the biggest star in the world -- you wouldn’t consider yourself in on the joke. But a young model named Robin Roberts thought she was special -- as young models often do. She approached Bogart’s table on her way out, laughed, and picked up one of the pandas. And Bogart, given the number of drinks he had put away by this point, happened to be feeling very protective of this panda. So he naturally pulled the panda close to him and told Ms. Roberts to leave him alone, for he was a married man. And then the woman fell over. She said he shoved her. He said she lost her balance. Four days later, he was in a Manhattan courtroom facing legal action.

The panda fiasco immediately hit the tabloids, with Bogart protesting his innocence every step of the way. One reporter asked him if he’d struck Ms. Roberts. He said he would never hit a woman, “they’re too dangerous.” Another reporter asked if he was drunk at the time of the incident. He replied, “Isn’t everybody at four a.m.?”

Fortunately for Bogart, the judge presiding over the case found it as ridiculous as he did, throwing it out after the first hearing. It turns out, being left alone, when you’re the biggest star in the world, requires a lot of people.

See Humphrey Bogart and other classic Hollywood stars' favorite drinks:


5 Never-Before-Heard Stories About Nirvana, As Told By The Band's First Drummer

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Kurt Cobain had a tendency to try and hide what Nirvana was really like. In 1991, he blew off his New York Times interview to promote "Nevermind." Cobain told Spin in 1992, "We lead such boring lives that we start to make up stuff." With Cobain gone and much of the truthfulness of his interviews in question, we must rely on people like Aaron Burckhard in trying to piece together the almost forgotten backstories.

Burckhard was Nirvana's very first drummer (he now drums for the band Under Sin). But as a former member of the band -- from even back in the days when it was called Skid Row, Ted Ed Fred, Pen Cap Chew and Bliss -- he had a few previously unknown tales from when Nirvana was just getting started. To celebrate Cobain's birthday, Feb. 20, The Huffington Post spoke to Burckhard to get the behind-the-scenes stories of what Cobain was like in the early days.


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1. Nirvana's first-ever show was an extremely wild house party.

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According to Burckhard, Kurt Cobain's first performance ever took place at 17 Nussbaum Road in Raymond, Washington, and as Burckhard told Nirvana News, the whole band was drunk and wild enough to scare the concert-goers to other parts of the house. Burckhard elaborated to HuffPost:

What happened was everybody was scared of us. So they would all hide out in the kitchen. We'd play and Krist [Novoselic] found some vampire blood, he had it all over him. Krist liked to drink his wine, he just liked to get drunk. And he was jumping through the window in the living room and coming back through the window in the kitchen. So he was just doing that all night ... Krist's girlfriend and Kurt's girlfriend were there and they started making out, just really freaking everybody out. It was kind of fun.


Image: Nirvana News Facebook



2. Kurt Cobain wanted homophobes, racists and sexists to stay away from Nirvana shows.

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For the Nirvana compilation album "Incesticide," Cobain wrote a note that ended with a plea:

At this point I have a request for our fans. If any of you in any way hate homosexuals, people of different color, or women, please do this one favor for us -- leave us the fuck alone! Don't come to our shows and don't buy our records.


The note finished by expressing Cobain's disgust that two people had allegedly committed rape while singing the lyrics to his song "Polly." Cobain wrote, "I have a hard time carrying on knowing there are plankton like that in our audience."

Burckhard told HuffPost that he felt Cobain was really uncomfortable with what he and his music had become to the world. "He had so much disdain for the mainstream that my theory is he became everything he hated," Burckhard said. "Because he lived and breathed punk rock and when he became everything he hated, I think that really bugged him."

Cobain was notably good friends with feminist icon Kathleen Hanna, who actually inadvertently gave him the title for the song, "Smells Like Teen Spirit."



3. Before a show, Kurt Cobain colored his neck with lipstick so he could be a "red neck."

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In a 1994 article, Spin mentioned a quote from Kurt Cobain in the Seattle Rocket: "I feel like we've been tagged as illiterate redneck cousin-fucking kids. That's not true at all."

Before they had fully taken off, Nirvana played a show at Hoquiam Eagles Hall in Washington along with Aaron Burckhard's new band, Attica. Burckhard told HuffPost of a joke Cobain pulled before the show:

Right before they were doing their European tour they came down and played a show with us, because we were still friends at that point. And we were playing the Hoquiam Eagles Hall. And I remember watching him pull in and I went down to help him load shit into the elevators so we could take it up to set up. And within the elevator I stand next to him and look over and his neck was all red. He pulled out this lipstick and was like, [affects voice] "I'm a redneck!" But yeah he played the whole show that night [with the lipstick]. He was a redneck.


Image: Aaron Burckhard Facebook



4. Kurt Cobain was a serial prankster and memorably once messed with a drive-thru window.

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A 1992 Spin article chronicled the band's tendency to pull pranks:

Real and imagined stories run rampant of tour bus curtains being lit on fire, drunken backstage debaucheries, Grohl giving out Chris Cornell's (actually Sub Pop's) phone number during an on-air interview, their road manager's being questioned in Pittsburgh because of a torched couch in the club, the band inviting hundreds of audience members onstage during a St. Louis show to escape the violent bouncers, and on and on.


Eventually, the pranks would get bigger and bigger as the band achieved more fame and money -- with Krist Novoselic famously trashing multiple hotel rooms with MTV News' Kurt Loder -- but Burckhard told HuffPost of a simpler time, when Nirvana couldn't afford to make too much damage

"Kurt liked Chicken Little's fried chicken. We went through the drive through to get the order and Kurt took electrical tape and he put an upside down cross on the window, so where they'd have to come out of the building to take the tape off," Burckhard recalled. "He'd do weird shit I remember he had a Sister Mary statue out in the yard and he'd whack its head off and put red paint down it. Just odd."



5. The early Nirvana practices were fueled by cheap beer and took place in Kurt Cobain's living room.

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Burckhard told The Andy Derer Show in 2011 that the band would basically get stoned and drink "animal beer" (cheap beer) together at a bridge near Cobain's house. Burckhard told HuffPost that these early practices were fairly standard and that their specialness is something that could only fully be seen in hindsight.

Further elaborating, Burckhard said, "They were pretty normal, but we used to call it, drinking fish beer. Basically because we drank a lot of that animal beer back then."

Image: Aaron Burckhard Facebook



BONUS: Aaron Burckhard thinks Kurt Cobain was a much happier person than he ended up being remembered.

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Concluding his 2014 interview with Nirvana News, Burckhard said, "[Cobain] wasn't always depressed. He was never depressed, he was always pulling pranks and funny stuff. Everybody portrays him as this depressed, hating life type of person."

Similarly, Burckhard told HuffPost that Cobain was fun-loving at heart, but heroin changed that: "Everyone paints him as sad, but he wasn't, he was happy," he said. "He just got a hold of a whole lot of heroin and that fucked him up. I'm a recovering addict myself, I've been clean almost five years. When you're on that shit, you don't even want to live."

All images Getty unless otherwise noted.

Kanye Finally Heard Beck's Album: 'Man, This Is Kind Of Good'

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Kanye West wasn't even familiar with Beck's "Morning Phase" before he took umbrage with the record besting Beyoncé's "Beyoncé" for Album of the Year at the Grammys earlier this month.

"Nah, I hadn't even heard it, man!" West said in an interview with Power 105's "The Breakfast Club" on Friday.

But as fate would have it, West did finally listen to "Morning Phase" thanks, in part, to Taylor Swift.

"The other day I went to dinner and sat down with Taylor Swift," West said of his meal with Swift at New York's Spotted Pig. "Ironically, they were playing the Beck album. I was like, 'Man, this is kind of good. I ain't gonna lie.'"

Continued West: "I bet you that album is really good. I'm going to listen to that album and maybe it was potentially Album of the Year."

Watch the whole interview below.

Miranda July And 15 Other Literary Instagrams You Should Follow

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This week, author and artist Miranda July joined Instagram, greeting fans with an unusually provocative twist on a fairly standard book announcement pic: her new novel posed between bare, spreadeagled legs. “The birth of my Instagram account,” she dryly captioned her first photo on the site. After just this one post, July already has over 6,000 followers.

While tweeting has become almost de rigueur among the literati, despite the some resistance from old-school authors such as Jonathan Franzen, Instagram’s more visual platform hasn’t caught on to the same degree. Perhaps that makes sense; Twitter may fracture our attention spans and distract us from reading Proust, but it also encourages writers to prune their overly wordy statements and use words more conscientiously. They can engage in bantering conversations with other authors, plug each other’s books and articles, and hop on to bookish hashtags.

Instagram, meanwhile, asks us to think aesthetically -- a tall order for masters of the written word. (Plus, repeatedly instagramming photos of your new book on a table probably doesn’t seem like very effective PR anyway.) But we book nerds love a good visual as much as anyone, especially if that image includes our favorite things: books. So we’ve assembled a few of our favorite bookish Instagrams around, from big-time authors to publishers to general reading fun.




McSweeney’s


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This indie publisher is willing to try some wacky stunts on their Instagram -- for example, they've spelled out "Happy New Year!" over six posts that appear as a full message when you view their landing page on Instagram.








Hot Dudes Reading


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Eye and brain candy for those of us who enjoy looking at cute boys.









Riverhead Books


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Publishers have been stepping up their Instagram games, and Riverhead is a shining example, featuring literary quotes paired with images, quirky photos of their new books, and more readerly fun.


We didn't like the gloomy view so we drew a new one! Hope everyone is staying warm today ❄️

A photo posted by Riverhead Books (@riverheadbooks) on








Elizabeth Gilbert


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If you love Gilbert's writing and/or cutely illustrated inspirational quotes, her feed might be perfect for you.










826 Valencia


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Dave Eggers' writing project finds cool ways to feature its young students on Instagram, including these gorgeous visualizations of their short poems.


A great #8ku6 by one of our volunteers. Tell us what the season means to you in 8,2,6 syllables! ❄️

A photo posted by 826 Valencia (@826_valencia) on








Ernest Hemingway Foundation


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Hemingway in 15 seconds? What else is Instagram video for? The Ernest Hemingway Foundation doesn't update too frequently, but these videos are worth subscribing for.









Cats Only Book Club


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Cats+books=yes. Yes forever.


A photo posted by CATS ONLY (@catbookclub) on








No Cats Allowed Book Club


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Okay, some readers prefer dogs. Here you guys go!


JUST ONE MORE CHAPTER BEFORE BED I PROMISE

A photo posted by No Cats Allowed. (@dogbookclub) on








Crown Publishing


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Crown goes far beyond plugging their own titles to sheer book porn like this nighttime library shot.


A beautiful #library spotted from the street in #nyc last night #latergram

A photo posted by Crown Publishing (@crownpublishing) on









The Paris Review


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The Paris Review's vast trove of in-depth interviews with authors is unparalleled, and using their Instagram account to resurface interesting quotes from them -- as well as poems -- is a brilliant use of the medium.









Cheryl Strayed


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There are a lot of Strayed-in-Hollywood pics on this feed right now, but if you're a Wild superfan or have loved her since "Dear Sugar," her account is worth the follow.


My husband found this in a box in our basement today. It's a sign I made back in my first book shilling days. #torch

A photo posted by Cheryl Strayed (@cherylstrayed) on








Subway Book Review


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Lovely photos, lovely thoughts on literature from all sorts of subway travelers.









Spoonbill & Sugartown


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Bookstore cats and a knack for ferreting out unusual and lovely cover art distinguish this Williamsburg bookstore's Instagram.


In Watermelon Sugar by Richard Brautigan. #richardbrautigan #Brautigan

A photo posted by Spoonbill Books (@spoonbillbooks) on







Kate Gavino


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These quirky illustrations of author quotes are a must-follow.


Katherine Heiny at @mcnallyjackson, 2/11/15

A photo posted by Kate Gavino (@lastnightsreading) on








Strand Books


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Bookshelf porn and a bookstore puppy. Yes.







6 Feminist African Artists Changing The Body Of Contemporary Art

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In 1929, a group of Igbo women gathered in the Nigerian city of Aba to protest the tax policies of the British colonial administration. As their weapons, they used their own naked bodies. This event, for many, marked the beginning of a modern Nigerian women's movement, and the symbol of the unclothed female body as a tool of protest.

A Brussels-based exhibition entitled "Body Talk: Feminism, Sexuality and the Body in the Work of Six African Women Artists" will follow the narrative of using bodies as a vehicle of feminist expression to its contemporary manifestations. Featuring the work of six contemporary female artists from throughout the continent of Africa, the exhibition will explore the various modes of black feminist expression, as well as the way the body can serve as subject, object, model, tool and field of reference.

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Billie Zangewa


"What is an African female black body?" curator Koyo Kouoh asks in a statement. "Is it the supreme object of patriarchal sacrifice? Is it the sacred, stained body, transgressing the boundaries of race and gender in the way it stages and embodies history? Is it all of the above?"

In her statement, Kuoh also references Womanism, a term coined in the early 1980s to denote a more inclusive form of feminism. The movement emerged from a widespread disappointment in the predominant feminist movement, as well as white radical feminism, both of which overlooked the realities of life for women of color and often marginalized them in their demands for "equality." This vision of a feminist world that is truly all-inclusive runs as a continuous thread throughout the show.

The exhibition, held at WIELS Contemporary Art Centre, features the work of Zoulikha Bouabdellah, Marcia Kure, Miriam, Syowia Kyambi, Valérie Oka, Tracey Rose and Billie Zangewa, all of whom have been active in the African art world since the 1990s. The artists currently live in places ranging from Abidjan, in Côte d'Ivoire, to Princeton, New Jersey, working in media ranging from video to performance to painting to sculpture.

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Zoulikha Bouabdellah


Billie Zangewa's "The Rebirth of the Black Venus" adapts Botticelli's 1486 painting to the city of Johannesburg, replacing the traditional Venus Pudica with a black body that negates the male gaze. Her medium, a silk tapestry, references a traditionally female craft, imbuing it with the power of a contemporary goddess. The sash around her body reads "surrender whole-heartedly to your complexity," communicating the immeasurable power of knowing oneself.

Zoulikha Bouabdellah’s "L’araignée" is a looming sculpture composed of eight arches, each representing a different architectural style. Together, the sweeping forms create the silhouette of a massive spider, reminiscent of Louise Bourgeois' haunting tribute to her mother, "Maman." The piece conjures questions regarding the mythology associated with the spider, and its relationship to protection, freedom, sexuality and the soul. Bouabdellah offers up the spider as a sort of social
body, not quite fixed and open to the world in flux.

"Body Talk" runs until March 5, 2015, at WIELS Contemporary Art Centre in Brussels. Preview the exhibition:

Why President Nixon Was Just A Poet Trapped In The Body Of A Crook

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In the summer of 1974, the Nixon administration was forced to turn over secret tape recordings implicating Nixon himself in the Watergate scandal. Americans were then faced with two major revelations: their president had acted with criminal intent in one of the most famous scandals in U.S. history, and was maybe a poetic genius.

Nixon's lyrical prowess was recognized by at least one American, at least. Jack S. Margolis, a counterculture writer, used the tapes to unmask the president's hidden talents in a small volume published by Cliff House Books later that year. The Poetry of Richard Milhaus Nixon includes such spirited lines as, "The position is / To withhold / Information / And to cover up," from a work titled "The Position."

Another poem, "Together," is republished below.

We are all
In it
Together.
We take
A few shots
And
It will be over.
Don't worry.
I wouldn't
Want to be
On the other side
Right now.
-"Together," by Richard M. Nixon

This was perhaps the first time -- but wouldn't be the last -- that Nixon's life inspired art. Songs have been sung by the likes of Stevie Wonder and James Taylor. Films have been made in genres spanning from documentary to Oscar-nominated drama to whatever this is. Plastic likenesses have been worn to a million Halloween parties. Fittingly, this virtuoso-slash-muse helped round up support for the National Endowment for the Arts during his time in office. (Although he may have only done it to appease others who weren't happy with his foreign policy decisions.)

Unfortunately, despite its great historical significance, the poetry compilation has gone out of print. (You may, however, purchase a copy for $125.77!) Margolis went on to co-author a detailed handbook for marijuana use titled A Child's Garden of Grass, transitioning seamlessly to herbal pedagogue from his role as a secondhand poet.

For more elegant verse by the only U.S. president to resign in office, head to The Paris Review.

82-Year-Old Keyboardist And Her Crew Bring The Funk To D.C. Bar

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A very unexpected star is responsible for bringing the house down each week at a Washington, D.C., bar.

Every Sunday for the past two years, funk fusion band Granny's Ball of Odds, or Granny and the Boys, as they're affectionately known, has taken the stage at the Showtime bar to entertain patrons. While the house band is made up of several talented musicians, the group's special draw is the keyboardist -- 82-year-old Alice Donohue or Granny.

"We like to call ourselves an 'old-school' band. Emphasis on the old," Roberto Santos, the band’s bassist, told American University's WAMU 88.5 radio station.

After her husband died in 1996, Donohue enrolled in a music program for seniors at the University of Maryland. Richard Lynch, the band's current drummer, had been working at a restaurant at the school and convinced Donohue to start managing the group. Later on, when a substitute keyboardist was needed for a gig, Donohue rose to the occasion.

The rest is history.






Today, the band, which has been together for 17 years, plays a mix of different genres, covering popular old songs, and also showcasing some originals, the Washingtonian reported. But Donohue says their specialty is in "funky" music.

"Funky -- that we can do, no problem, and I know the audience likes it because it’s more of what I call 'pumping music' -- they can get up and really get going on that," the 82-year-old told the Washingtonian.




And though Donohue and the band have been entertaining bar patrons for a while now, she says a few customers are still surprised by what they see and hear.

"Some of them will come up at the bar and watch my hands and look at my shorthand music to make sure I'm actually playing that," Donohue told WAMU. "That I’m not just a prop, sitting there pretending, you know."

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Who'd marry an artist? The women painted out of the picture

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British painter Sheila Girling, who died on 14 February, was married for 63 years to sculptor Anthony Caro. They supported one another’s work – two artists happily living and working side by side for more than six decades. How rare is this? Are there other notable art couples, or is the usual pattern more one-sided and exploitative, or otherwise troubled?

Artists, after all, are often driven, egotistical characters. Living easily with others is not always a great artist’s best skill. Van Gogh alienated the women he pursued, and his attempt to share space with Gaugin, the Yellow House, in Arles, ended in violent self-harm.

Yup, New York's Major Art Galleries Are Still Sadly Sexist

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Depressing news in the art world today. Curator Maura Reilly posted a "report card" on Facebook, a tally of art world statistics compiled by the anonymous feminist art collective Pussy Galore, counting up the women artists represented at New York's top art galleries. She juxtaposed the image alongside Guerrilla Girls' 1986 report card, and, though there have been improvements over the past 29 years, the numbers are still pretty grim.

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Facebook


Reilly's caption reads: "The WORST grades go to Marlborough (7%), Tony Shafrazi (5%) and Sperone Westwater (9%) who all have LESS THAN 10% women in their gallery rosters. The BEST grades go to Galerie Lelong (64%), Tracey Williams (59%), Zach Feuer (59%), Salon 94 (52%), and Sikkema Jenkins (52%). Right on!!!!"

As Hyperallergic points out, only five of the listed galleries out of the 34 listed have rosters that rise above 50 percent women, although many have shown improvement since 1986 -- namely Mary Boone Gallery, Marian Goodman Gallery and Jack Shainman Gallery, whose percentage of women artists more than doubled from 20 percent to 47 percent.

Pussy Galore, the anonymous international artist collective made up of artists, curators, critics, collectors, educators, and writers, explained their foremost goal to Hyperallergic. "We have a one-point mission! Though there is great racial/geographic/sexual diversity within the group, we consider tackling gender inequality our primary issue." If this report card is any indication, we still have a long way to go.

h/t Hyperallergic

Emmy Awards Announce Major Rules Change To Comedy And Drama Series Categories

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The Television Academy announced some major changes to its voting rules on Friday, further defining the differences between comedy and drama series. As per the Academy's new rules, series with episodes of 30 minutes or less will now be defined as a Comedy and series with episodes of more than 30 minutes are considered Drama.

Most notably, this means that "Orange Is The New Black, which was nominated in the Comedy category, will now be considered as a drama. The Academy's statement noted that "producers may formally petition a new Academy industry panel to consider their series' eligibility in the alternative category."

"Our over 17,000 voting members represent a dramatically changing television industry and we need to continue to make sure we honor their creativity in the most relevant and fair ways possible, Bruce Rosenblum, Television Academy Chairman said in a statement. "As our growing membership creates and produces more content for ever-changing platforms, today's changes in the rules and procedures are vital. We're sure that in coming years we will continue to evolve our rules as our dynamic industry grows."

Other changes include the following:

  • The Emmys expanded the number of nominees in the Comedy and Drama series categories and will now honor seven shows instead of six.


  • "Mini-Series" will be changed to "Limited Series" and will be defined as programs with two or more episodes, "with a total running time of at least 150 program minutes that tell a complete, non-recurring story, and do not have an ongoing storyline and/or main characters in subsequent seasons."


  • Actors who appear in less than 50 percent of the show can be considered for the "Guest Actor" category.


  • "Variety Series" category has been split into two categories: "Outstanding Variety Talk," to be awarded during the Primetime Emmy Broadcast, and "Outstanding Variety Sketch," to be awarded at the Creative Arts Emmys.


We Let A Bunch Of Dogs Decide Who Will Win Best Picture At The 2015 Oscars

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Experts have already made their predictions for who will win Best Picture at the 2015 Oscars this year. But who wants to listen to them when we could let some adorable (and some adoptable!) four-legged friends do the honors instead? Trust dogs, not people, people.

With help from The Dogist, aka photographer Elias Weiss Friedman, and our friends at Badass Brooklyn Animal Rescue, these 12 lovely canines placed their votes for Best Picture from the following nominees: "Whiplash," "American Sniper," "Birdman," "The Grand Budapest Hotel," "The Imitation Game," "Selma," "The Theory of Everything," and "Boyhood."

Dog treats, while present in the voting room, did not affect the decision of the voters.*

*Okay maybe a little bit.

Let's meet the voters and see who they picked!




Okay, we'll admit it -- the dogs probably never saw these movies -- but hey, neither did you.

Why It Should Bother Everyone That The Oscars Are So White

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#OscarsSoWhite that if Common and John Legend win an Academy Award for Best Original Song this Sunday, it will be only the 32nd time in 87 years that a black person has held a competitive Oscar on Hollywood's biggest stage. That's 32 times out of more than 2,900 winners.

"It's a white industry. Just as the NBA is a black industry. I'm not even saying it's a bad thing. It just is," Chris Rock wrote last year in a thoughtful op-ed for The Hollywood Reporter. Rock's piece went viral because of how clearly he laid out the problems in Hollywood: It's a place where at every level, from the top on down, diversity is lagging behind society.

Except here's where Rock was wrong: It is a "bad thing." Last year, 43 million people watched the Academy Awards. This year's ceremony will reach more than 200 countries around the globe. For 87 years, the Oscars have been a celebration of filmmaking. And the message it puts across, however unintentionally, is hard to miss: Certain voices matter more than others.

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This year's Oscar nominees in the four acting categories, the least diverse group of contenders since 1998.



As with other high-profile awards shows in recent years, the Oscars have faced their share of scrutiny over why some demographics are so poorly represented. To understand the Oscars, it's best to dive into how the organization works. "Academy membership is limited to film artists working in the production of theatrically-released motion pictures," reads the Academy of Motion Picture Arts and Sciences website. "The Academy has 17 branches, for the crafts ranging from Actors to Writers, and two categories, Members-at-Large and Associates to accommodate individuals who work in motion picture production but do not fit into one of the branches."

Anyone who wants to become a member of the academy needs to meet one of two criteria before they can be considered. Either they must be sponsored by two current academy members from within their own branch (for example, a director would need two other directors to vouch for her), or they must get nominated for an Oscar, which automatically puts you up for membership consideration.

But even that doesn't guarantee entry. "Nominees and sponsored candidates are reviewed by branch committees and recommendations for membership are considered by the Academy’s Board of Governors," the site reads. "The Board decides which individuals will receive invitations."

As for the Oscars themselves, academy members vote along professional lines: People in the actors' branch vote for actors, members of the directors' branch vote for directors and so on. Every member of the academy is allowed to vote for Best Picture.

And who's in the academy? White people. As the Los Angeles Times reported in 2012, the Academy of Motion Picture Arts and Sciences is predominantly white (94 percent of membership as of 2012) and predominantly male (77 percent of membership as of 2012). At the time, black members accounted for just 3 percent of the group.

Since that story appeared, the president of the academy -- Cheryl Boone Isaacs, who is black -- has spoken about diversifying the institution's ranks.

"In the last two years, we've made greater strides than we ever have in the past toward becoming a more diverse and inclusive organization through admitting new members and more inclusive classes of members," Boone Isaacs said in an Associated Press interview last month, after this year's nominations were announced. "And, personally, I would love to see and look forward to see a greater cultural diversity among all our nominees in all of our categories." (The Huffington Post contacted academy representatives to see if Boone Isaacs could provide any more information about what the organization is doing to diversify. HuffPost did not immediately receive a response.)

Boone Isaacs' comments are promising, but the way the nomination process works is still a problem for people like Ava DuVernay, who did not receive a Best Director nomination this year for "Selma." Many consider DuVernay's exclusion one of the year's most egregious snubs. It may have happened for any number of reasons -- maybe academy voters just didn't like "Selma" as much as critics and moviegoers have. DuVernay, though, has said that her own low name recognition within the directors' branch of the academy almost certainly played a role. According to The Wrap, there are 377 members of the directors' branch. "I know not one person in my branch," DuVernay told Entertainment Weekly prior to the nominations' announcement. She had anticipated her snub because of what she called "math."

"You know what? Fuck 'em. You made a very good film, so feel good about that and start working on the next one."



And while that could get chalked up to the fact that DuVernay is a relative newcomer in the filmmaking world -- her first feature, "I Will Follow," came out just five years ago -- it also points to a larger diversity issue.

"Here's the deal: Most of us in the film community, across the board, work with people who we know, who we consider friends and family. If you use that as a barometer to look at the film world, it just shows you how segregated, xenophobic, sexist, racist and backwards we are as Americans in terms of how we deal with one another," cinematographer Bradford Young, another snubbed member of Team "Selma," told The Huffington Post in an interview earlier this year. "I'm not throwing anybody under the bus for hiring who they hire, but if we're honest with ourselves -- for whatever it's worth for the person who could actually admit it to themselves -- we have a lot of work to do. If film sets are representations of the American public as a whole, which they're supposed to be, then film crews haven't moved out of the era that we see Martin Luther King fighting in during 'Selma.'"

If white people are the overwhelming majority of an entire industry, and the awards created to honor that industry are decided on mainly by white people, how could anyone say this is a level playing field? "This is not me being humble," DuVernay told Entertainment Weekly when she predicted she'd be shut out of the nominations. Rather, she said, she was just looking at the surroundings.

"The question is: Why was 'Selma' the only film that was even in the running with people of color for the award? You know what I mean? I mean, why are there not -- not just black, brown people? You know what I mean? Asian people, indigenous people, representations that are more than just one voice, just one face, just one gaze?" DuVernay said during an interview on "Democracy Now!" after the Oscar nominations were announced. "So, for me, it’s much less about the awards and the accolades, because, literally, next year no one cares. Right? I can’t even tell you who won the award for whatever three years ago. I don’t know."



“You know what? Fuck 'em. You made a very good film, so feel good about that and start working on the next one,” director Spike Lee said last month during a candid interview with The Daily Beast in response to DuVernay's omission from the Best Director category.

Lee’s own unfavorable experience with the organization’s voting body appears to have bolstered his cynicism about the Oscars, at least where black films and their casts are concerned.

“Anyone who thinks this year was gonna be like last year is retarded,” Lee told The Daily Beast. “There were a lot of black folks up there with ‘12 Years a Slave,’ Steve [McQueen], Lupita [Nyong’o], Pharrell. It’s in cycles of every 10 years. Once every 10 years or so I get calls from journalists about how people are finally accepting black films.”

As though to illustrate Lee's point, 2015 marks 10 years since the Oscars held a record-setting five out of 20 nominations for black actors. That was the year Jamie Foxx took home the Best Actor award for his performance in “Ray,” and Morgan Freeman won Best Supporting Actor for his role in “Million Dollar Baby.”

This year, by contrast, all 20 people nominated in the four acting categories are white. Critics had singled out David Oyelowo for his role in "Selma" and Gugu Mbatha-Raw for her performance in "Beyond the Lights," but neither star received an Oscar nod -- although if statistics are any guide, neither one would have had much chance of winning anyway.

Since the first Academy Awards were held in 1929, just 7 percent of winners in the Best Actor category have been black men. Halle Berry’s 2002 win for her performance in “Monster’s Ball” made her the first black woman to win the Best Actress award. There has not yet been a second.

The same night that Berry won for Best Actress, Denzel Washington received the Best Actor award for his role in “Training Day.” Up until then, the only other black actor to have won the top award was Sidney Poitier, for the 1963 film "Lilies of the Field." As it happens, Poitier received a special Honorary Award at the 2002 Oscars in recognition of his remarkable career.

Denzel Washington and Halle Berry share a laugh while holding their Oscar statues after winning the awards for Best Actor ("Training Day") and Best Actress ("Monster's Ball"), respectively, at the 74th Academy Awards at the Kodak Theater in Hollywood, California.


"Forty years I've been chasing Sidney, they finally give it to me, what'd they do? They give it to him the same night,” Washington said during his acceptance speech that evening. "I'll always be chasing you, Sidney. I'll always be following in your footsteps. There's nothing I would rather do, sir."

Washington, of course, is far from the only person who's seen somebody up on a screen and taken lifelong inspiration from it. People want to see themselves reflected in films and on television. It's something two-time Oscar nominee Viola Davis said just last month, when she accepted an award for Outstanding Performance by a Female Actor in a Drama Series at the Screen Actors Guild Awards, for her work on "How to Get Away With Murder."

"When I tell my daughter stories at night, inevitably, a few things happen," Davis said. "Number one, I use my imagination. I always start with life, and then I build from there. And then the other thing that happens is she always says, 'Mommy, can you put me in the story?' And you know, it starts from the top up."

Video produced by Irina Dvalidze and Lilly Workneh.





Lena Dunham Is Going To Be On 'Scandal'

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Hannah Horvath can barely handle a few honest MFA students, but Lena Dunham will take care of business as a guest star on "Scandal" later this season.

Entertainment Weekly's Natalie Abrams first learned that the "Girls" creator will appear in a March episode. "While her role is, of course, being kept under wraps, I hear she may have a connection to OPA [Olivia Pope & Associates]," Abrams wrote. ABC confirmed the news to HuffPost Entertainment as well.

Dunham has been a longtime fan of "Scandal" and has no problem declaring her love for Shonda Rhimes. "Basically, my life's great passion is the idea of being a guest star on 'Scandal,'" she told Bill Simmons on the B.S. Report. Let's just hope it doesn't end up like this ...

Chris Robinson Opens Up About Black Crowes Break-Up

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The Black Crowes are officially no more.

In a conversation with HuffPost Live on Friday, frontman Chris Robinson confirmed that the band has "broken up."

This comes on the heels of a January statement made by his brother, Rich Robinson, where he claimed the group was dissolving due to unfair financial requests made by Chris.

While Chris said that he "would've preferred to have just left" the band as it was, he admitted that he and his brother had always been strained.

"We never had much of a relationship," he said.

When host Ricky Camilleri asked if the band had given him as much joy as he'd hoped, Robinson replied, "No, not really."

But still, Robinson is grateful for the experiences he had with the Black Crowes, and looks back at that time fondly.

"I was in the Black Crowes for 20-something years," he recounted. "That was fantastic. What a rare, unique opportunity ... It was great. It was cool. All the bad stuff, all the good stuff. It is what it is."

Catch Chris Robinson with his new band, the Chris Robinson Brotherhood, on tour now.

Watch more from Chris Robinson's conversation with HuffPost Live.


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Jason Biggs Won't Be On 'Orange Is The New Black' This Season

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See ya later, Larry. Jason Biggs confirmed in an interview with the New York Daily News that he won't appear in the next season of "Orange Is The New Black."

"They’re not focusing on Larry at the moment," Biggs told the paper. "Larry will not be in Season 3. But there’s always a possibility he can come back.”

Biggs has played Larry Bloom, Piper's (Taylor Schilling) now-former fiancée since Season 1. The couple broke up after Piper got back together with her former lover, Alex Vause (Laura Prepon), in prison. Larry also had a love affair with Piper's best friend, Polly (Maria Dizzia).

A Netflix rep did not return HuffPost Entertainment's immediate request for comment.

How America's First Black Film Defied Racism 100 Years Ago

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The 87th annual Academy Awards on Sunday will honor Hollywood's biggest achievements of the year, but many have already taken note of who's been left off of the nomination list: namely, non-white actors, directors and writers.

The problem of overlooking black cinema is something that's been going on since the beginning of the film industry. But while the prestigious Hollywood ceremony continues to wrestle with diversity issues, New York's Museum of Modern Art is highlighting rare footage from the earliest known feature film with a black cast, in a show titled "100 Years in Post-Production: Resurrecting a Lost Landmark of Black Film History."

The introspective exhibition, which opened at the museum in October and runs through May 3, examines 101-year-old unedited film footage starring legendary entertainer and theater performer Bert Williams. What makes it all more interesting, the project’s lead curator, Ron Magliozzi, told The Huffington Post, is that the work is on display at the same time as the 100th anniversary of Hollywood’s first blockbuster film, “The Birth of a Nation."

D. W. Griffith’s “The Birth of a Nation,” released in February 1915 and adapted from Thomas Dixon Jr.’s novel The Clansman: An Historical Romance of the Ku Klux Klan, is an overtly racist movie that went on to make history as the first major box office hit. Despite this historical feat, many have decried the motion picture for its scenes celebrating the founding of the Ku Klux Klan in the south.

As Magliozzi notes, the silent film's MoMA debut is a testament to its authenticity in comparison to D. W. Griffith’s controversial motion picture. Both movies were filmed at about the same time. The MoMA footage is the work of two white filmmakers, Edwin Middleton and T. Hayes Hunter, and one black filmmaker, Sam Corker Jr. The negative for the unreleased and untitled film, which was meant to be a romantic comedy, has been in the museum’s archival collection since 1938, and it began going through a restoration process in 2004.

“To me, it’s remarkable that this film was made in 1914, and it turns up now when it’s the 100th anniversary of ‘Birth of a Nation.’ And our film is a testament to what a slander the Griffith film was,” Magliozzi said. “The performances are very sophisticated and very normal, very authentic, and very real feeling when you watch them. Whereas the Griffith film was very minstrelsy and racist stuff that it’s appalling. So that within itself is amazing to us.”

“Our film wasn’t released, we think, because of ‘Birth of a Nation,’” he added. “For this film to make a profit, they have to play it before large white audiences, and it’s apparent that the producers of our film in 1914 said, ‘There’s no way that we’re going to get an audience for this film with everyone going to see ‘Birth of a Nation.’ So we’re not going to release it.’ So I think the issue of how the films in theater have to attract audiences to make money is something that the producers in Hollywood today think about, the same way they did 100 years ago.”

“Things haven’t changed that much, and that’s the reason why we wanted to put this exhibition on at MoMA at this time, to show you in a sense how little has changed in one way," Magliozzi said. "It’s the same issues: ‘Is something going to be profitable?’ and ‘Is the subject of the film going to make money to large multi-cultural audiences?’”

In addition to worrying about potential viewership and revenue, the directors of the footage on display at MoMA were likely also thinking about another issue related to black actors portraying love and affection on the silver screen.

“The romance in Bert Williams’ film is very adult. It’s a romantic comedy, with two mature adults having a sexual relationship with a long kissing scene in the film,” Magliozzi said. “And that’s one of the reasons they weren’t going to release it back in 1915, because in that period romantic relationships between black characters had to be comic. If they weren’t funny, they weren’t going to be acceptable. It was a fact.”

(See the kissing scene below.)

It's a problem that still hasn't gone away. According to a series of 2011 studies conducted by Indiana University telecommunications professor Andrew J. Weaver, white audiences are still biased when it comes to black leads in romantic films. Weaver concluded in his studies that “the higher the percentage of black actors in the movie, the less interested white participants were in seeing the movie” and “white participants exhibited a clear preference for films with white romantic couples over both interracial and black romantic couples."

Magliozzi noted that the filmmakers were likely aware of this issue back in the early 1900s. “I just read a quote where Sam Corker Jr., one of the directors for our film, said in 1909 that his play wasn’t going to get staged because it’s too much serious romance between the black characters -- they needed to make their relationship ridiculous, otherwise his play isn’t going to get produced,” he said. “So to me, our film shows the level of accomplishment that black performers had achieved. A level of talent and their abilities as actors was as good 101 years ago as it is today.”

Following the film’s run at the renowned New York City museum this spring, it is scheduled to be featured at the Smithsonian Museum and the San Francisco Silent Film Festival in June. It will then premiere in Europe in October and be released on DVD by the end of 2015.

WATCH:

There's A Tattoo Removal Cream In The Works, But WIll It Actually Work?

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Regretting that tattoo you got a few years ago? Alec Falkenham, a researcher at Dalhousie University in Halifax, is working on a fix.

Falkenham has developed a topical cream that, as BuzzFeed explains it, clings to macrophages, or the white blood cells that absorb foreign particles, in this case, tattoo ink. Then, new macrophages move in to replace the ink-filled ones.

Unlike regular tattoo removal, which can cost upward of $75 per session and may cause inflammation, Falkenham says his cream would cost $4.50 per application on a 10-by-10-centimeter tattoo. He also says it won't cause the skin to become inflamed.

“When comparing it to laser-based tattoo removal, in which you see the burns, the scarring, the blisters, in this case, we’ve designed a drug that doesn’t really have much off-target effect,” Falkenham told CBC News Canada.

So far, the cream has only been tested on pigs, and Falkenham can't say exactly when it will be available.

Dermatologist Rebecca Baxt told The Huffington Post she's not entirely sold.

"I doubt that there is a cream that has active ingredients powerful enough to penetrate the human skin, which is a very effective barrier, to remove tattoo pigment trapped inside cells," she said. "It would be great but it is unlikely to truly work. Tattoos are called permanent for a reason-- they are very hard to remove.”

Only time will tell if this cream actually works on people. But for the sake of anyone with a tattoo of their ex's name, we'll keep our fingers crossed.

A Long-Lost Dr. Seuss Book Is Coming Out This Summer

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Oh, the places Dr. Seuss will go again!

He may have died in 1991, but beloved children's author Dr. Seuss -- real name was Ted Geisel -- has a new book on the way.

Titled What Pet Should I Get?, Seuss' book will be released in July and stars the same brother and sister duo from his 1960 classic One Fish Two Fish Red Fish Blue Fish. This time, the children are deciding on a pet based on its looks -- and how easily its name rhymes.

Seuss' widow, Audrey Geisel, originally found the materials for the book in 1991. She re-discovered them in 2013, at which point she handed them over to Random House, his longtime publisher.

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Inside the
What Pet Should I Get? manuscript.

“While undeniably special, it is not surprising to me that we found this because Ted always worked on multiple projects and started new things all the time -- he was constantly writing and drawing and coming up with ideas for new stories,” Geisel said in a press release. “It is especially heartwarming for me as this year also marks twenty-five years since the publication of the last book of Ted’s career, Oh, the Places You’ll Go!"

As for when Seuss actually wrote What Pet Should I Get?, his former art director Cathy Goldsmith believes it was some point between 1958 and 1962, roughly the same time as One Fish Two Fish Red Fish Blue Fish. She'll oversee the editorial and creative process of prepping the new book for publication.

“My connection to Ted remains as vital as it was when we worked closely together years ago," she said in the press release. "I know he is looking down, watching over the process, and I feel a tremendous responsibility to do everything just as he would have done himself.”

When reached for comment, Random House spokeswoman Lydia Finn said, "We are so excited about it!"

Hey, who isn't?

H/T Flavorwire

Last-Minute Oscar Predictions To Hold You Over Until Sunday

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After months of campaigning, prognosticating and hand-wringing over the lack of diversity, the big show is almost here. We'll have a brand new batch of Oscar winners on Sunday, but there's still time to make your final guesses for who will take home the gold.

We've already taught you how to sound like you know a lot about this year's nominees, but if you need a little extra help in predicting the winners, HuffPost Live has you covered. Host Ricky Camilleri spoke Friday with HuffPost Entertainment managing editor Christopher Rosen, Hollywood Reporter awards analyst Scott Feinberg and film critic Zeba Blay to get their tips for taking home the prize in your Oscar pool.

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8 Love Letters That Remind Sexual Assault Survivors They Are Not Alone

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"You are not what they took from you."

So begins one of the love letters a survivor of sexual assault wrote to herself on the Tumblr #SurvivorLoveLetter. Launched on Valentine's Day by one of the co-founders of sex-education company imMEDIAte Justice Tani Ikeda, the #SurvivorLoveLetter Tumblr offers a platform for people to write letters to survivors of sexual assault to remind them they are beautiful, strong and -- most of all -- loved.

"#Survivorloveletter is a call to survivors of sexual violence and our loved ones to publicly celebrate our lives," Ikeda writes on the Tumblr's homepage. "By telling our stories we seek to build knowledge and reflect on the ways we heal ourselves and our communities."

(Story continues below.)
pink


Ikeda told The Huffington Post in an email that Valentine's Day is always hard for her because Feb. 14 was the date she was sexually assaulted. "I imagined what it would mean for my younger self to wake up on Valentine's Day and read message after message of public support for surviving," Ikeda said. "That's when I knew I wanted to create #Survivorloveletter."

"After surviving my rape I spent 10 more years surviving chronic depression and a perpetual feeling that I had to continue to fight for my life," Ikeda told HuffPost. "This is my survivor love letter. Don't give up on your own happiness."

The letters contain powerful messages of encouragement from relatives and friends of survivors, and some of the most impactful letters are written by survivors to themselves. People submit their letters or images of handwritten letters to Tumblr or Ikeda's personal email address. Ikeda said she's received an overwhelming amount of positive feedback from the project, with many people thanking her for creating such an important and safe space for survivors.

"That type of support and acknowledgement from loved ones of survivors felt really important to me as well because often times the milestones of healing go under the radar," Ikeda said. "Part of breaking the stigma of shame surrounding being a rape survivor is for others to acknowledge that it happened and honor what that journey looks like.

Read a few of the beautiful #SurvivorLoveLetters below:

dad


sarah


wow


green


boy


not your fault


tani


"After internalizing so much self hate perhaps the most radical thing I can do is love myself," Ikeda said.

Head over to Tumblr to read more #SurvivorLoveLetters.


H/T Buzzfeed
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