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'3 Eras Of Gay Sex In 3 Minutes' Released By Leo Herrera (VIDEO)

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What does the history of gay sex look like when condensed into a three-minute timeframe?

Well, that's a hard questions to answer and certainly depends on what kinds of bodies and experiences one is referencing when they talk about "gay sex." However, this new short film, "3 Eras of Gay Sex in 3 Minutes," from Leo Herrera compartmentalizes the trajectory of sex between men who have sex with men into three distinct eras -- Pre-Stonewall cruising, 1970’s/80’s Leather BDSM and modern day app usage.

“This film is about sharing a facet of our history that is rarely represented in mainstream gay media,” Herrera said in a statement sent to The Huffington Post. “While I applaud the strides we’ve made in our mainstream visibility, it sometimes comes at the expense of our sexuality. Gay fetish is treated as a punchline, or punished with disease. The drag queens and gay characters I see on television do not represent what I see at Folsom Street Fair, or at a Brooklyn gay warehouse party on a Saturday night or any of the Eagles in the country. There is an inherent romance to cruising, a jolt of electricity to our secrets and codes -- that’s what this clip is about.”

"3 Eras of Gay Sex in 3 Minutes" is a follow-up to Herrera's 2013 film "The Fortune Teller" that presented 50 years of gay history in five minutes. Head here to check it out.

Hundreds Of Unseen NASA Photographs Reveal The Vintage Beauty Of Outer Space

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On October 24, 1946, the world was introduced to the first photograph from space, a shot of our tiny planet taken 65 miles above Earth. The artist behind this iconic image was a V-2 rocket, programmed to capture a frame every 1.5 seconds before delivering a steel cassette of film back to the ground just minutes after it launched.

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Clyde Holliday, The first photograph from space, October 24, 1946


This photograph is at the center of an auction this month, set to honor the storied tradition of celestial photography. Titled "From the Earth to the Moon: Vintage NASA Photographs of the First Voyages Beyond Our Home Planet," the auction From the Earth to the Moon (and corresponding exhibition at Mallett Antiques) will showcase 600 visual bits of space program history, everything from the first "selfie" in outer space, belonging to Buzz Aldrin, to an abstract portrait of an eclipse to panoramic views of lunar canyons.

One of the more memorable lots is a relic from 1969, the year Neil Armstrong first stepped foot on the moon. It wasn't until two decades after Armstrong became a lunar hero that NASA discovered a surprisingly clear image of him standing near a module, taken by his Apollo 11 colleague Aldrin and subsequently stashed in a Houston archive. Before that, NASA believed the only photos from the lunar surface were blurry shots grabbed by a TV camera and a 16 mm motion picture camera.

Beyond Aldrin's impressively composed image, the auction offers a number of works by astronauts-turned-artists. There's John Glenn, the first man to carry a camera into space. Eugene Cernan, the last man to trek to the moon. Ed White, the 1965 spacewalker who documented his time on Gemini 4 in 1965. As Sarah Wheeler, Head of Photographs at Bloomsbury Auctions describes the collection, these photographs reflect not only on the golden age of space travel, but the golden age of photography as well.

After all, the photographs on view are vintage Kodaks, printed shortly after they were taken, estimated to fetch anywhere between £300 to £10,000 ($462 to $15,390).

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Harrison Schmitt, Portrait of astronaut Eugene Cernan, explorer of another world, Apollo 17, December 1972


“It’s incredible to realize that many photographs in this auction were unknown to the general public for decades until the complete NASA photographic archive began to appear digitally on the internet," Wheeler explained in a press statement. "This is particularly true of the collection of mosaics, real boots-on-the-ground panoramas taken by the Apollo astronauts as they explored the lunar landscape. These spectacular images were pieced together from individual Hasselblad frames for internal use by NASA scientists. We know of no such collection ever having been offered at auction.”

Check out a preview of "From the Earth to the Moon," on view at Mallett Antiques before the works head to auction on February 26 at Bloomsbury Auctions in London.

'Anatomy Of A Recipe' Is The Stunning Game For Foodies And Art Lovers Alike

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Food is a multifaceted, sensual experience that extends far beyond the taste buds. A beautifully prepared meal is easy on the eyes, a treat for the nostrils, oftentimes soothing to the chef's touch, and a ripe subject for bonding and togetherness. Netherlands-based designer Leonie Anholts explored the many ways food brings us together, literally and symbolically, with a delicious game titled "Anatomy of a Recipe."

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Think of the game as a revamped version of classic dominoes, with each tile containing within it a food ingredient locked in resin. However, the gorgeous game pieces feel more like exotic specimens to be shown in a museum display than your average spotted domino tiles. Every tile corresponds with a particular recipe, all of which are included in a cookbook with the game. The first player to use all of her tiles is the winner, and her final played piece is the chosen recipe. Anholts' creative vision combines the communal nature of food with its many aesthetically pleasing qualities, transforming the stress of dinner time into an opportunity for beauty.

Is it dinner time yet?

12 Top Titles For Teens This Month

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Originally published on Kirkus

February may be the shortest month, but that doesn't mean there's any shortage of great books for teens. From survival adventure to magical realism, from real-world heroics to Shakespearean tragedy, from poignant coming-of-age to thought-provoking science fiction and more, it's got something for just about any reader.



For more from Kirkus, click here!

10 Absolutely Gorgeous Photos Of Rio's Carnival

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Thousands of dancers hit the streets of Brazil's Rio de Janeiro this weekend to celebrate the first days of the country's Carnival festivities. The 5-day long party kicked off on Friday and heated up on Sunday when six samba schools paraded in the city's Sambadrome. Six others will take the stage on Monday night.

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Revelers of the Vila Isabel samba school perform during the first day of carnival parade at the Sambadrome in Rio de Janeiro, Brazil on February 16, 2015. (VANDERLEI ALMEIDA/AFP/Getty Images)




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Performers from the Vila Isabel samba school parade during carnival celebrations at the Sambadrome in Rio de Janeiro, Brazil, Monday, Feb. 16, 2015. (AP Photo/Felipe Dana)




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Revelers of the Mocidade Idempedente samba school perform during the first day of carnival parade at the Sambadrome in Rio de Janeiro, Brazil on February 16, 2015. (CHRISTOPHE SIMON/AFP/Getty Images)




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Revelers of the Vila Isabel samba school performs during their carnival parade at Sambadrome in Rio de Janeiro on February 16, 2015 in Rio De Janeiro, Brazil. (YASUYOSHI CHIBA/AFP/Getty Images)




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Revelers of Vila Isabel samba school perform during their carnival parade at Sambadrome in Rio de Janeiro on February 16, 2015 in Rio De Janeiro, Brazil. (YASUYOSHI CHIBA/AFP/Getty Images)




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Revelers of the Salgueiro samba school perform during the first day of carnival parade at the Sambadrome in Rio de Janeiro, Brazil on February 16, 2015. (VANDERLEI ALMEIDA/AFP/Getty Images)




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Performers from the Salgueiro samba school parade during carnival celebrations at the Sambadrome in Rio de Janeiro, Brazil, Monday, Feb. 16, 2015. (AP Photo/Felipe Dana)




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Revelers of the Salgueiro samba school perform during the first day of carnival parade at the Sambadrome in Rio de Janeiro, Brazil on February 16, 2015. (VANDERLEI ALMEIDA/AFP/Getty Images)




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Revelers of the Salgueiro samba school perform during the first day of carnival parade at the Sambadrome in Rio de Janeiro, Brazil on February 16, 2015. (VANDERLEI ALMEIDA/AFP/Getty Images)




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A performer from the Mangueira samba school, parades on a float during Carnival celebrations at the Sambadrome in Rio de Janeiro, Brazil, Monday, Feb. 16, 2015. (AP Photo/Felipe Dana)

'Glory' Is The Inspiring, Oscar-Nominated Anthem We Need Now

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Twenty-five million viewers tuned in to watch Common and John Legend perform "Glory" during the Grammy Awards on Feb. 8. At least 40 million people will likely watch the duo sing at Sunday's Academy Awards ceremony. In other words, a lot of people who never even saw "Selma" in theaters will still get to sample the film's message thanks to Common and Legend.

"There were many times when I wish I had the opportunity to perform at the Grammys, and I dreamed of being at the Oscars also, but I couldn't pick a better song and movie and co-artist to be able to do this with," Common told HuffPost Entertainment in an interview earlier this month. "This is what I want to do. This is what I dream of doing. I feel like we get the opportunity to have this platform, to deliver a message that's bigger than us and has a higher purpose. That's important."

The Oscar-nominated "Glory" acts as an emphatic statement at the end of Ava DuVernay's "Selma," a drama about Martin Luther King Jr.'s march from Selma, Alabama to Montgomery, Alabama in the name of equal voting rights for all black men and women. But rather than just rehash the history laid out in the film, the song connects "Selma" with today's current events.

"One son died, his spirit is revisiting us," Common raps in the track. "True and living, living in us. Resistance is us. That's why Rosa sat on the bus. That's why we walk through Ferguson with our hands up."

"Knowing what we're singing about is inspiring people as they march today in this present time, and knowing millions of people will watch the Oscars is such a huge honor," Legend said to HuffPost Entertainment. "It could not be a better combination of circumstances for us."



Legend and Common worked on the song together -- Legend singing the hook, with Common providing the verses -- but it was DuVernay who pushed them throughout the process. As Common said in his acceptance speech at the Critics Choice Awards in January after "Glory" won Best Original Song, the director wanted a track that recalled "We Are the World." "No pressure, right Ava?" he joked.

"Usually when we make songs, if it's a great song, I'm going to keep it on my album," Common said. "But now we have to please the director. So it was fun for me, but then also to have another person be like, 'We need We Are The World.' That drives you to a new level. I enjoyed that. I liked those challenges."

Fortunately, the pressure paid off: "Glory" is so popular that it closed out the Grammy awards, putting Common and Legend ahead of stand-out acts such as Kanye West, Madonna and even Beyoncé. If it wins Best Original Song at the Academy Awards, no one will be the least bit surprised.

"I know, for me, when I heard what John was singing, it moved me as an artist," Common said of the track. "Just listening to what he was singing, it made me want to do something better in life. It inspired me."

On Sunday, it'll inspire millions more.

Here's An Exclusive First Listen Of Van Morrison's New Single 'Real Real Gone,' Featuring Michael Bublé

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Van Morrison is back with a new studio album. RCA records will release "Duets: Re-working the Catalogue," featuring songs from the artist's fruitful repertoire redone with duet partners, including Michael Bublé, the late Bobby Womack and Natalie Cole. The album, which will focus on Morrison's lesser known tracks, is set for worldwide release on March 24.

Until then, you can check out the record's first single, "Real Real Gone," premiering exclusively on HuffPost Entertainment. The track, which is a feel-good tune that should appeal to "Brown Eyed Girl" fans everywhere, was originally included on the 1990 album "Enlightenment." The new version features the vocal stylings of Grammy award-winner Michael Bublé.

Happy listening!



Beyoncé's Stevie Wonder Tribute Is 9 Minutes Of Perfection


Watch All The Hilarious Fake Commercials From Last Night's 'Parks And Rec'

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The first of Tuesday's back-to-back "Parks and Recreation" episodes was half an hour of Andy's "The Johnny Karate Super Awesome Musical Explosion Show," which means there were commercials -- Pawnee commercials. Ron advertised (but not really) his building company, an ad debuted for Paunch Burger's Dinner-For-Breakfast Burger Combo and another for the Wamapoke Casino. There was a Verizon/Chipotle/Exxon commercial, "one of America's 8 companies" in 2017. The future looks oh so bright.







View also: "The Story of Mouse Rat" and a deleted scene of Perd Hapley reviewing movies.

The one-hour series finale of "Parks and Recreation" airs Tuesday, Feb. 24, at 10:00 p.m. ET on NBC.

How Art Basel Artists Transformed A Low-Income School That Looked Like A 'Prison'

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Khiara Limunoz, 14, is a top student. She’s the kind of kid whom teachers brag about and believe in. But no amount of positive reinforcement could relieve the dread Khiara felt every day when she walked into her Miami middle school.

"I did not want to come. Honesty, I did not," the eighth-grader told The Huffington Post. "I felt like I was in prison."

Khiara is one of 633 students at the Jose de Diego Middle School (JDD) in Wynwood where 96 percent of the kids live below the poverty line. And while they endure many of the same struggles impoverished children across the country face, they’re more acutely aware than most of the academic "luxuries" they’re missing out on.

Just blocks away, a cultural revival has taken hold in a neighborhood that was once home mostly to empty warehouses, drugs and gang violence. Now, this Art Basel mecca belongs to household names who claimed the looming walls to paint and the vacant buildings to open tony galleries.

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Barcelona-based graffiti artist Chanoir paints a wall in Wynwood, Miami.


And though the children at JDD are exposed to renowned artists every day in their neighborhood, they had no arts program. The school's teeming 30-foot walls remained stark white, begging for someone to notice its canvas potential.

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A photo of the Jose de Diego Middle School before it was painted.

"When they came to the school, they often said: 'Why can’t my building look like this?'" Principal April Thompson-Williams told HuffPost.

When Thompson-Williams came on board in February 2013, the unflappable principal was armed with a clear agenda –- to stop neglecting the arts, even if that’s become the norm.

In the U.S., 6 million students have no access to the arts in school, first lady Michelle Obama said at a fundraising event last year. Over the past decade, 60 percent of public schools have endured cuts to arts education, according to The Washington Post.

Despite the poor odds, Thompson-Williams wanted her drab school painted and to get a competitive arts program -- and was willing to look beyond the district for help.

Considering the litany of grim hardships the students at JDD face, a less-inspired educator might have had a much different set of priorities.

Students don’t flinch much at the sound of gunshots. A number of girls are moms already. Some students are homeless and most can’t afford the basics. A few unaccompanied minors from Colombia, who don’t speak English, recently showed up and Thompson-Williams said she "embraced" them with open arms.

For the principal, and the other faculty members who learned of her idea, interjecting some color into the school to bridge the communities, was their way of showing the kids that there are infinite exits out of their underserved lives.

"It was important for me to show the kids who have an artistic skill ... that you can be an artist. You can be creative. You don’t have to make it out with sports," said Rodney Royal, an artist and youth coordinator at the Overtown Youth Center.

At the beginning of the school year, Thompson-Williams petitioned the superintendent to hire an art teacher. The instructor is the first the school has had in four years and he’s at capacity. He teaches six to seven classes a day, jammed with about 40 students.

But it was a start.

The principal then partnered with two local arts groups, Wynwood Arts District Association (WADA), and WynwoodMap.com, that were determined to expand Thompson-Williams' vision.

"Immediately, I was overwhelmed by the amount of wall space," said Robert de los Rius, owner of WynwoodMap.com, "just amazing canvas for art."

The Miami native offered to commission artists to paint the school for free and launch a fundraiser to develop a robust arts program. They dubbed the initiative the “RAW Project” –- Reimagining the Arts in Wynwood.

While it might seem unconventional to seek out private funding for in-school programs, the constant federal cuts have engendered that trend.

Eager to get more young people involved in the arts, nonprofits are offering their support to schools.

For example, Prince George’s Philharmonic, a Maryland-based organization, devotes nearly a quarter of its modest $100,000 operating budget to arts education, according to The Post.

Initially, de los Rius, contacted 40 artists, some who were based in Miami and others were as remote as Australia and Hong Kong. They included such famed street artists as DFACE, MTO and David “Lebo” Le Batard.

The self-described “graffiti groupie” knew every major artist would be in town in December for Art Basel, the world’s biggest arts festival, and asked if they would paint a mural at JDD at some point during the event.

Each one unhesitatingly agreed and also offered to donate a piece to be auctioned off to raise additional money.

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England artist Word to Mother paints a wall at Jose de Diego Middle School.

“This is a critical time where kids choose who they want to be, what they want to be and what they want to get into,” Diana Contreras, a Miami artist who participated in the project, told HuffPost. “And they need a way to express themselves.”

De los Rios approached local vendors to help pull the project off.

He collected about 50 gallons of paint, nearly 1,000 spray cans and a few lifts.

As word spread, renowned artists started contacting de los Rios to get involved. His only issue at that point was running out of wall space to assign.

Altogether, he brought 73 artists on board.

They worked throughout Thanksgiving weekend and at points during the four-day art event. They put in about 12 hours a day in order to have their murals ready for the Dec. 2 unveiling.

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Spencer Keeton Cunningham paints a wall at the Jose de Diego Middle School.

Since the school underwent its transformation, students are more eager than ever to see their arts program grow.

But in the meantime, while they patiently wait for more funding, the project has already offered up some unexpected benefits.

These kids, who are considered “rough” around Miami, are calmer these days, because they feel that they're in a safe place now, Thompson-Williams said. They're more excited about coming to school and even come to the grounds on weekends to play basketball and hang out. Instead of trying to get access to charter schools, more kids are interested in sticking around, and more local children have inquired about enrolling.

“I was happy and inspired,” Khiara said after the murals went up. “It’s like our own little world.”

Support the Jose de Diego Middle School's Crowdrise campaign through the fundraising widget.



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'Witness Uganda' Composers Support Students Impacted By Homophobia With 'Invisible Thread' Video

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The creators of the Broadway-bound new musical "Witness Uganda" are the stars of a poignant music video that aims to support Ugandan students who may be affected by their country's notorious anti-gay laws.

"Invisible Thread" recalls "Witness Uganda" composers Matt Gould and Griffin Matthews' experiences as aid workers in Africa and is featured in the musical. The video clip for the song, which is directed by Broadway actor Andrew Keenan-Bolger, takes a different approach, showing the real-life couple going about their daily lives in New York.

The aim of the video, Gould and Matthews said in a statement, is to celebrate "people all over the world who are fighting for their right to love whom they choose" while raising funds for the educational advocacy group Uganda Project.

"We believe that education is the greatest deterrent to intolerance and hatred," they added. "With your help, we can send four of our students through their final semester of college and help them to become the next generation of enlightened leaders in Uganda."

At the time this story was first published, the composers had raised over $5,000 for UgandaProject, with an ultimate goal of $10,000. Head here to check out the fundraising efforts.

Keenan-Bolger, who is also the co-creator of the theater-centric web series, "Submissions Only," told The Huffington Post in an email that he felt the message of the clip resonated with him personally "as a millennial and especially an artist."

"As a gay man I’m drawn to, and feel a responsibility to tell, stories that depict our community in an honest way," Keenan-Bolger, currently starring in "Tuck Everlasting" at Atlanta's Alliance Theatre at the Woodruff, said. "We came up with the idea of showing a long distance relationship told through the simple and banal tasks that remind and connect you with the person you love."

He then added, "I chose images that alone might not mean much but when viewed next to each other in split screen could be powerful and poetic."

For more on Gould and Matthews' fundraising efforts, head here. Check out The Huffington Post's take on "Witness Uganda" here.

How Women Are Changing The World, Shown In Gorgeous Illustrations

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Peruvian artist María María Acha-Kutscher wants to make women's participation in social movements more visible -- and her gorgeous illustrations do just that.

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Acha-Kutscher started her "Indignadas" project in 2012, paying homage to woman activists worldwide. She illustrates specific activists and protestors, such as Emma Sulkowicz, whose project "Carry That Weight" brought international attention to the issues of campus rape and how universities handle reports of sexual assault. She has also illustrated women at rallies like Occupy Wall Street, Slutwalks, and Black Lives Matter protests.

According to her website, the artist hopes that her work will "make women's efforts more visible and place women at the center of these social struggles."

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"I hope this series connects especially with young people, with the 'new feminism,'" Acha-Kutscher told The Huffington Post. "I hope also that it serves as a contribution to remind global society that social changes were made by women and men together. History is herstory too."

Check out more inspiring images below.

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Jack White's Interactive Video Allows Viewers To Choose Their Own Adventure

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Letter-writer Jack White has premiered an interactive music video for his latest single, "That Black Bat Licorice" on his website, JackWhiteIII.com. It's a pseudo-choose-your-own-adventure experience, where three different videos can be played based on which keys you strike. Each video was directed by a different person -- animated by James Blagden, live action by White and Headbang by Brad Holland. There are no references to guacamole.

7 Things We Learned About The Oscar Race From A Panel Of Experts

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If you live in Los Angeles or are interested in Hollywood at all, then you know that Oscar predictions have become a sport of their own. Offices have prediction pools, statisticians crunch the numbers and experts weigh in with their well-researched (and gut-driven) opinions -- don’t worry, we are no different. But the truth is, predicting Oscar winners is only that. A guess.

In the spirit of honoring the sport, Vanity Fair collected a group of people who are bound to have some good insights. On Tuesday afternoon in Hollywood, just blocks from where the Academy Awards will take place on Sunday, the following group of experts assembled to discuss this year’s race.

The panel, moderated by Vanity Fair’s digital director Mike Hogan, included The Daily Beast’s Allison Samuels, IndieWire’s Anne Thompson, Deadline’s Pete Hammond, Fandango’s Dave Karger, producer Jennifer Todd and Vanity Fair’s Krista Smith.

Here is a collection of their musings:

1. Three actors have already won.
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Right off the bat, the panel agreed that the following folks can clear some shelf space for their awards: Julianne Moore for “Still Alice,” Patricia Arquette for “Boyhood” and J.K. Simmons for “Whiplash.”

2. The Best Picture winner is between two films.
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Five out of the seven panelists think “Boyhood” will take Best Picture, while Hammond and Todd think it will go to “Birdman.” There was momentary discussion about “The Grand Budapest Hotel” and how it’s a perfect mixture of the young and the old. It’s hip because it’s Wes Anderson, but it appeals to older voters because it’s beautifully crafted, set in a European hotel and is a nostalgic love song to the 1930s.

3. The reason “American Sniper” won’t win Best Picture is because of that fake plastic baby.
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The prop baby in the film caused a big stir on the Internet and Hammond believes it will singlehandedly be the reason the film won’t win. According to Hammond, the story goes that on the day of shooting, the real baby had a fever and could not shoot. The backup baby was a no show and so the notoriously impatient director Clint Eastwood said to go get the doll. And scene.

4. The lack of nominations for women is a result of Hollywood's larger problems with gender
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No women directors or writers are up for awards this year. “It’s a reflection of Hollywood itself,” Thompson said. “When you look at the numbers, it’s about who is working in Hollywood.”

She also pointed out that none of the Best Picture nominations are films about women. “Wild” and “Gone Girl” didn’t get nominated for Best Picture, and the women on the Vanity Fair panel all agreed that some of the best female directors seem to have migrated over to television.

5. Keaton could win Best Actor because he’s old. Redmayne could win because he’s young.
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Michael Keaton, 63, plays an aging, washed-up actor trying to reinvent himself in the theater in “Birdman,” and the panel believes that the older voters love this kind of a role. Redmayne, on the other hand, is the new kid in town, and stunned many with his performance of physicist Stephen Hawking in “The Theory of Everything.”

Some on the panel think Bradley Cooper is also a possibility because this is his third nomination in a row (“American Hustle,” “Silver Linings Playbook”) and historically, when an actor has been nominated and not won twice before, the third time ends up being the charm.

6. How much of this is about campaigning? A lot.
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One panelist joked that Keaton has been going door to door talking to voters. Redmayne, too, hit the campaign trail hard -- attending at Academy screenings and schmoozing with the voters. And according to Todd, this kind of behavior goes a long way. Referring to the young actor’s incredible charm, Hammond joked that if Redmayne weren’t British, he could easily be elected President of the United States right now.

Older Academy voters who aren’t as active in their careers tend to go to more of these award season events and screenings. They see the films and meet the actors or filmmakers. This kind of personal connection can make a big difference in how people end up voting, whether it’s subconscious or not.

7. It’s also about who you know.
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While the entire Academy votes for Best Picture (that’s more 6,000 people), for other categories, like Best Director, only the people who are in the directors branch of the Academy vote on nominations. In other words, only directors vote for directors. So instead of 6,000 people deciding on who should be nominated for Best Director, it’s only around 300.

In reference to “Selma” and Ava DuVernay not being nominated for Best Director, Samuels said: “I do think there’s this sort of exclusion, being an African-American woman. But it’s also about being new. She’s very new and sort of came out of nowhere.” DuVernay did not know many of the people voting in her category.

Those personal relationships can be everything. Hammond admitted that he knows an Academy member who is voting for Robert Duvall “because they’re friends.” If you think that the most deserving nominee always wins, then you’re wrong.

By the time the Vanity Panel finished on Tuesday, Academy voting had officially closed. So fill out your ballots, take your best swing, and we will see you on Oscar Sunday.

Photos Of Women Around The World Show Beauty Is In Our Differences

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Beauty is everywhere.

Photographer Mihaela Noroc sought to capture that when she quit her job in Romania and set out for a journey around the world, armed with only a backpack and camera. The 29-year-old photographed hundreds of women. She traveled to 37 countries, snapping portraits of women in locations from the Amazon rainforest to an Iranian mosque to downtown New York.

The photos came together in a collection titled "The Atlas of Beauty," meant to be a "mirror of our diverse societies and an inspiration for people to remain authentic."

"Now I can say that beauty is everywhere, and it's not a matter of cosmetics, money, race or social status, but more about being yourself," she wrote in a description of the series sent to The Huffington Post. "Global directions make us look and behave the same, but we are all beautiful because we are different. In the end, beauty is in the eye of the beholder, and the beholder is always somebody else."

Noroc has also created an "Atlas of Beauty" Facebook album where she will add photos of women she meets on the street.



H/T Bored Panda

The Chicago Prize Highlights Two Speculative Proposals For Obama's Presidential Library

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This post originally appeared on ArchDaily
by Holly Giermann

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Winner / Zhu Wenyi, Fu Junsheng, and Liang Yiang. Image Courtesy of Chicago Architectural Club


The Chicago Architectural Club (CAC) has revealed the winners of its fourteenth annual Chicago Prize Competition - The Barack Obama Presidential Library - following Chicago’s recent selection as one of three cities being considered to host the presidential library.

Inspiring designs across the United States, the winning entries aimed to envision a library that could both recognize the President by displaying a collection of mementos from his life and provide the basis for community programs. Contestants were asked to consider the building’s context within the city of Chicago to generate a speculative proposal that not only fosters learning and exploration, but also inspires public discussion. To further encourage creativity, the library’s program was unspecified, allowing participants to decide how to incorporate these civic and educational elements in their designs.

Ultimately, a distinguished panel selected two winners and three honorable mentions emerged from the competition. The winning proposals and honorable mentions are as follows:

Winner - Design Team: Zhu Wenyi, Fu Junsheng, and Liang Yiang
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Winner / Zhu Wenyi, Fu Junsheng, and Liang Yiang. Image Courtesy of Chicago Architectural Club


Winner- Design Team: Aras Burak Sen
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Winner / Aras Burak Sen. Image Courtesy of Chicago Architectural Club


Honorable Mention - Design Team: Dániel Palotai
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Honorable Mention / Dániel Palotai. Image Courtesy of Chicago Architectural Club


Honorable Mention - Design Team: Drew Cowdrey and Trey Kirk
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Honorable Mention / Drew Cowdrey and Trey Kirk. Image Courtesy of Chicago Architectural Club


Honorable Mention- Design Team: Ann Lui and Craig Reschke
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Honorable Mention / Ann Lui and Craig Reschke. Image Courtesy of Chicago Architectural Club


Do Artist Branding And Hollywood Talent Agency Deals Kill An Artist's Soul?

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This article originally appeared on artnet News
by Paddy Johnson

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We've all seen the Andy Warhol Converse sneakers (read Converse x Andy Warhol Coming in February). And the Uniqlo t-shirts adorned with famous artworks. And the painted BMW cars, and the artist's branding of Vodka bottles. But here's a question: If artists want to put their signature squiggles on a shoe or a bottle of booze, are they compromising their work in exchange for a bit of cash?

That's the fear of many now being discussed on Facebook thanks to the news that at least one Hollywood talent agency wants to get into the art game. Last week, the Beverly Hills–based United Talent Agency announced the formation of a new visual art wing in its company (see Hollywood Agency Announces Plans to Represent Visual Artists — Guess Who?). The company is primarily known for representing actors like Johnny Depp and Angelina Jolie. They would help broker sponsorship deals and assist artists who want to become more involved in the movie-making business.

A collection of threatened gallery owners, when interviewed, said they did not expect the company to do well. No surprise there. Who wants more competition? Dealer and collector Stefan Simchowitz has complained over Facebook, where he seems to spend most of his working day, that “contracts kill art" (read he believes the United Talent Agency experiment is doomed). Internet artist and professor Marc Horowitz has also chronicled his four-year dysfunctional relationship with William Morris that began back in 2006. “Whatever energy and originality I had, they figured out a way to scar it, kill it, stretch it out and make it something that was no longer mine," he remarked ruefully. His story sounds no different than that of any Hollywood script writer I know.

I don't agree with Simchowitz on the subject of contracts—legal documents exist to make the responsibilities of both parties clear, and without them business relationships easily get messy. There's no reason that a contract with, say, a shoe company, has to result in art's murdered soul. Why would it? You are just signing a piece of paper. Trying getting a home loan and see what that's like. Does that kill an artist's soul?

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Photo via: F&B News


Same goes for some corporate branding deals. I, for one, quite like the Jenny Holzer shoes “Protect Me From What I Want" produced for her retrospective at the Whitney, even if they were a bit tacky. I'm sure a contract was signed. But to Horowitz's point, it's also true that corporate sponsorship deals easily go awry. Just last year, Marina Abramović's remake of a performance from her 1970s series “Work Relation" for the sportswear giant Adidas made waves for its stupidity. In the original performance, she divided workers in trench coats into groups performing various methods of carrying stones to learn which method was the most effective. The answer: a human chain works best because it involves teamwork! That said, this is probably one art performance that could stand to be lost within the annals of art history because, well, it's kind of pointless and in this instance overly literal and commercial-minded. In the remake, she chooses 11 performers to match the number of players in a soccer team and everyone of course wore Adidas shoes…. The piece was so dumb and so pandering that internet commenters responded in the only way they knew how: by attempting to identify the earliest date Abramović jumped the shark.

Suffice it to say, nobody wants to see more sell outs along the lines of Abramović. Generally, though, I don't see a problem with merchandising deals. When Jeff Koons paints a car for BMW, I don't assume it's a core part of his practice, in the same way that when Drew Barrymore poses for the cover of Vanity Fair, I don't re-evaluate her skills as an actor. They are simply means for creatives to make more money. And assuming United Talent Agency hires a few art-savvy folk to manage their accounts—they're off to a good start by hiring Joshua Roth, an art lawyer, to head the division—this may represent more opportunities for artists. There's nothing wrong with that.


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10 Times Ballet Dancers Made Pop Music Videos So Much Better

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Earlier this month, Irish singer-songwriter Hozier debuted his newest music video for the Grammy nominated ballad, "Take Me to Church." The four-minute visual tease, directed by artist David LaChapelle, introduced ballet novices to Moscow-based dancer Sergei Polunin, a man who rebels against the dance establishment as much as he does standard laws of physics.



In the video, Polunin glides through a sun-lit building wearing little more than the tattoos permanently inked across his body, spending more time than the average human inches and feet above the floor. From one tortured step to another (all choreographed by by Jade Hale-Christofi), it's nearly impossibly to peel your eyes away from his effortlessly lithe body. Even for those unfamiliar with the world of dance, there's no denying the jaw-dropping beauty infused into every moment of Polunin's performance. Cue heavy breathing and mock fanning.

We posted the video last week and our readers responded accordingly -- nearly one million people have liked the work on Facebook alone. The comments range from "brilliant" and "extraordinary" to "I'm not sure why but this performance brought me to tears." It's as close as we've ever come to experiencing a critical consensus. In summary, people seem to agree that Polunin's sexually disquieting showmanship elevates Hozier's hit to new heights.

So, after rewatching the video several dozens of times more, we wondered: Why don't more musicians collaborate with ballet's greatest? It seems such a natural fit, emphasizing the strengths of pop music with the romantic aesthetic and athleticism of Polunin's kin? Sure, some performers like Beyonce and Bruno Mars bring their own dance talents to the mix, but nothing seems quite as captivating as an artist who's devoted the better years of his life to honing and refining every muscle movement and rhythmic twitch.

There is, of course, a brief history of pop music making nice with the fine art of ballet. And we were happy to readdress those moments here. Because, if not for the sheer enjoyment, we'd like this roundup of dance-centric videos to serve as a PSA of sorts: Dear pop musicians, please look to the world of ballet. Think tanks are pondering the future of ballet, and how the branches of classical arts can reach the masses, but you can provide an answer. We endured years of droll mashups like "Step Up" and "Center Stage," but finally, Hozier is giving us what we want.

Behold, a brief history of ballet invading pop music:

Florence and the Machine's "Spectrum"



Extra: David LaChapelle also directed this video.

Kanye West's "Runaway"



If anyone can make the lyrics "let's have a toast for the douchebags" beautiful, it'd be ballerinas.

Money's "Hold Me Forever"



Directed by Cillian Murphy, this video zooms in on the intimate moments between two dance partners.

Coldplay's "True Love"



This 2014 video has only several glimpses of professional ballet, but the underlying narrative ends with two individuals finding solace in a "Big Ballet."

Polica's "Wandering Star"



Choreographer Yemi AD combines modern dance with ballet in a truly stunning, paint-splattered display.

Kate Bush's "Red Shoes"



Before Jody's red slippers, there was throwback Kate Bush.

Sia's "Chandelier"



Maddie Ziegler is classically trained as a ballet dancer. So.

Jamiroquai's "Canned Heat"



This is technically not a music video. But it might as well be.

Anything Misty Copeland and Prince do together... Or just Misty Copeland



BONUS: Ballet even makes the Harlem Shake tolerable.

Cuban Artist To Spend Three Weeks Living In A Crawl Space Behind Gallery Walls

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"When you enter this space, I am here, but you will not see me. I am behind the walls." So reads the artist statement of Alejandro Figueredo Diaz-Perera, a Cuban-born, Chicago-based conceptual artist.

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We know conceptual art can often veer into territory of the the arcane and esoteric, but in this case, Diaz-Perera's message reads quite clearly. For the entire three-week duration of his solo exhibition, entitled "In the Absence of a Body," the artist will remain silent and hidden, enclosed in a 2.5-foot wide and 10-foot long crawlspace between the West Loop gallery's walls. Endowed with only a mat, a pillow, a blanket, a lamp and a hammer (in case of emergencies), the artist will partake only in the essential actions of sleeping, eating and breathing. All will be audible (but not visible) to gallery-goers.

The piece explores the fragile boundary between presence and absence, powerlessness and empowerment. Diaz-Perera was born in Havana in 1991, amidst an era known as "The Special Period," a time of poverty, famine and overpopulation that lasted through the 1990s. According to a press release from the Chicago Artists Coalition, Diaz-Perera's youth was defined by absence, from when his father left Cuba during his childhood, to when the artist emigrated to Chicago last year at 22, leaving his mother behind. Díaz-Perera's performance makes palpable this unmistakable feeling of being alone.

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To prepare for his time of intense isolation, Díaz-Perera had guidance with the best, learning from none other than the grandmother of performance art herself, Marina Abramovic. Abramovic visited Cuba in 2012, conducting a meditation training in which Díaz-Perera took part. Artists Gabriel Orozco and Tania Bruguera were also influential in his training process. Throughout the exhibition, Díaz-Perera will receive help from his romantic partner Cara Megan Lewis, who will bring him food, water and the news through a vent in the wall.

The piece, which continues until February 26, places Díaz-Perera in a state of in between, an uncertain limbo reminiscent of his political standing. Although in December of 2014, President Obama and Raul Castro proclaimed the normalization of the relationship between the U.S. and Cuba, the practical ramifications of the announcement have yet to fully reveal themselves. Until they do, Cuban citizens are left waiting, quietly, in a dark realm of uncertainty.

The Chicago Artists Coalition presents Díaz-Perera's "In the Absence of a Body," which runs until February 26, 2015 at West Loop gallery.

Sebastian Cummings, Performance Artist, Engaged In Kickstarter For 'Showbiz: Active Terrorism'

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Sebastian Cummings is a Philadelphia-based queer actor, musician and performance artist who develops high-concept, musically-intensive live productions.

Currently engaged in a Kickstarter campaign, Cummings' latest artistic endeavor is a multimedia musical titled "Showbiz: Active Terrorism." The show follows the character of Sebastian on his journey from a new performer in Philadelphia to an international entertainer with mainstream recognition and everything that comes with this framework of identity as a queer person of color.

The Huffington Post chatted with Cummings this week about "Showbiz: Active Terrorism" and his overarching goals with the production.

The Huffington Post: What is your concept and vision for "Showbiz"?
Sebastian Cummings: "Showbiz" is part live musical, part film à clef, if you will. The show follows the character "Sebastian" from his start as a Philadelphia unknown to an internationally recognized entertainer of the pop culture variety. The world of the show imagines pop culture as a brainwashing mechanism used to distract the public from the political happenings that negatively affect their lives, while benefiting the rich and creating separation among the public based on stereotypes of race, sexual orientation, gender and religious beliefs. It imagines the media's purpose as a way to keep your attention where it's wanted (away from what really matters).

Sebastian is, of course, a queer, black character, which is something we haven't seen go mainstream before and this show imagines the expectations thrust upon him by the media given that this role is unpaved for public consumption. Once Sebastian reaches global status, a series of events unfold to lead him to want to create thought-provoking work as opposed to the sex-alcohol-vanity infused work of his peers. Living in the Matrix that we live in, the media makes him out to be a terrorist, to discredit him completely and keep the public from beginning a revolution of sorts.

How do you aim to use this show to inform a conversation that elevates the voices and talents of queer people of color and other marginalized groups?
The show directly confronts the issue of how different races, genders and sexual orientations are represented in the media and the lack of diversity in the roles offered to those who don't fall within the white, heteronormative world that is continuously thrust upon us. But, it does so with humor. This imagined world is much like the one in which we live, but uses exaggerated characters and circumstances to lighten these subjects -- the discussion of which is often met with resistance -- to create an important discussion while still entertaining. Sebastian is an animated jokester with friends that seem to be pulled directly from a sitcom à la Broad City. They are funny and ridiculous, in the way the average person reimagines and exaggerates their group of friends and their escapades when storytelling.

My overall aim is to make these labels of "queer" and "person of color" not matter by simply existing. The show discusses these issues, but without making this a "problem play." My goal is to be the change I want to see. The word of entertainment needs diversity in the stories being told, so I'm telling mine and I hope it inspires others to tell theirs.

Want to see more from Sebastian Cummings? Head here to visit the artist's Kickstarter for "Showbiz."
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