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This Wearable, Computer-Controlled Sphere Is Dancing In A New York Museum

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There's a computer-controlled sphere dancing in New York City this month, and you have about a week left to see it.

The oddity is Maria Blaisse's "Breathing Sphere," and it's currently housed at the Noguchi Museum in Long Island City. The Dutch designer created the motorized globe of woven bamboo in order to spark "a spatial and formal dialogue" between the piece and the famously serene Noguchi haven, founded by Japanese-American artist and namesake Isamu Noguchi.

Formally named "Arduino" after the microchip that governs its every move, the breathing sculpture appears like a living creature as it pulses in the museum. It appeared even more alive on December 7 when dancers Carrie Ellmore-Tallitsch, Sara Jimenez, and Cynthia Stanley performed with three of Blaisse's sculptures, plucked from the Pratt Manhattan Gallery where they're on display courtesy of slowLab.

It’s kind of like swimming for the first time,” Jimenez explained to Queens Chronicle after the performance. “It’s this constant texture around you that your body feels intuitively connected with in some way.”

Check out the "Breathing Sphere" above and head over to the Noguchi before January 4 to see Blaisse's work and a video presentation of dancers interacting with the piece, shot by filmmaker Jellie Dekker.

H/T Designboom

How To Watch The Quadrantid Meteor Shower, The First Shooting Star Show Of 2015

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Skywatchers in the Northern Hemisphere can celebrate the start of 2015 with the year’s very first meteor shower, set to peak this weekend.

The Quadrantid meteor shower, always the first of the year, is expected to peak on the night of Saturday, Jan. 3, at 9 p.m. EST (0200 GMT). The best viewing hours in the Northern Hemisphere will be between midnight and dawn local time on Sunday, Jan. 4.




The celestial event, named after the extinct constellation Quadrans Muralis, may prove somewhat challenging for skywatchers as the window of peak activity will last for only a few hours. This year, the Quadrantids may also be particularly difficult to catch due to an almost-full moon.

Still, NASA estimates the meteor shower will boast about 80 meteors an hour at its peak.

Those in parts of Europe and Asia should have the best chance of catching a glimpse of the Quadrantids this year. Stargazers are encouraged to find a viewing area away from city lights and streetlights, and to look east.

For those who can't make it outside to catch the meteor shower in person, the Slooh Space Camera will provide a live broadcast of the meteor shower online starting at 11 p.m. EST on Jan.4.

Happy stargazing!

Museum Capturing Ferguson History As It Happens

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ST. LOUIS (AP) — From street-artist paintings on boards protecting store windows to signs bearing the now iconic statement, "Hands Up. Don't Shoot," cultural images from the Ferguson protests have become firmly established in recent Missouri history. So much so that the Missouri History Museum is gathering images and items cataloguing the unrest that followed the August shooting death of Michael Brown by a Ferguson police officer.

The museum in St. Louis' Forest Park is in the process of gathering not only physical artifacts from Ferguson, but Twitter feeds, oral histories from protesters, residents and police, and even cellphone videos. It's all meant to give future generations a real-time perspective from those affected by the shooting and the aftermath that included protests, riots, and the strained relations between police and minority communities. The items aren't being collected for a specific exhibition and will mostly be used for research. The goal is to seize on history as it happens.

"This is a rare example of being at a point where history is made all around you," said Chris Gordon, Library and Collections director for the museum. "We're standing in the midst of it, and we haven't had that chance very often. Documenting everything we can — getting all sides, all perspectives — is very important."

Aside from its regular exhibits, the expansive museum offers a public library housing an array of documents, relics and written words from events dating back more than two hundred years, including the Lewis and Clark expedition and the Louisiana Purchase.

The historical significance of what happened in Ferguson quickly became evident. Brown, 18 and black, was fatally shot on Aug. 9 after a confrontation with a white police officer, Darren Wilson. Brown was unarmed, and some witnesses said he was trying to surrender. Wilson said Brown was threatening his life.

A day after the shooting, protesters flooded the streets near the site. Several businesses were damaged and looted.

Anger percolated in the community for months, and escalated on Nov. 24 after St. Louis County Prosecuting Attorney Bob McCulloch announced that a grand jury would not indict Wilson. Furious protesters swarmed streets across the St. Louis area, spurring a nationwide movement protesting police brutality. Some protests became violent. A dozen Ferguson-area businesses were destroyed in fires and other businesses were damaged.

The shootings and unrest made the St. Louis region a focal point of media attention, with images of police in riot gear facing off with angry protesters dominating headlines and news broadcasts around the world.

Gordon said the museum has already collected T-shirts, protest signs, buttons. Photos have been taken of a makeshift memorial for Brown in the street where he was killed. And efforts are in place to secure graffiti art, still highly visible in Ferguson. Plywood boards over store windows still contain messages such as, "Injustice anywhere is a threat to Justice everywhere," and "Stop the Violence."

On a recent chilly morning, Carol Snyder of Lehighton, Pennsylvania, walked along South Florissant Road snapping photos of the plywood art with her phone as her husband, James, followed along in the car.

Standing in front of a plywood sheet painted with the words, "Hands Up Let's Pray," the 60-year-old retired physical therapist felt a mixture of sadness and hope.

"I do hope for a brighter future," she said. "I do hope for peace for the people here in Ferguson and throughout the United States."

Some items have been hard for Gordon to procure. He has failed to find a spent tear gas canister or rubber bullet — items used by police when the protests turned violent. He is also pursuing buttons, T-shirts and signs showing support for Wilson, but they are hard to come by because there were not so many demonstrations in the officer's favor.

The museum is not just collecting physical items. Museum officials are working with Washington University, where researchers are collecting cellphone video along with Tweets, emails, Facebook posting and other social media related to unrest in Ferguson and St. Louis for a project called "Documenting Ferguson."

It is unclear if any of the items will ever be put on display.

"The biggest portion of this will be for research purposes," Gordon said. "Our hope is to preserve this for future generations so they can get a clearer picture of what actually happened."

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AP National Writer Allen Breed contributed to this report.

'District 9' Director Neill Blomkamp Reveals Concept Art From Secret 'Alien' Project

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"District 9" and "Elysium" director Neill Blomkamp took to Instagram on Thursday to release concept art from a secret "Alien" project which would have reunited Sigourney Weaver’s Ripley and Michael Biehn’s Hicks. Unfortunately, the caption on his first post in the series seems to indicate Blomkamp is no longer pursuing the film. "Was working on this. Don't think I am anymore. Love it though," he wrote.

According to an unverified Twitter account under Blomkamp's name, the film was never connected to a studio (what would most likely be Fox). "They didn't really even know I was working on it," he wrote. Based on the fantastic art, we hope Blomkamp's addition to the "Alien" franchise will get reevaluated.

Was working on this. Don't think I am anymore. Love it though. #alien #xenomorph

A photo posted by Brownsnout (@neillblomkamp) on





Wtf?

Una foto publicada por Brownsnout (@neillblomkamp) el





Woulda rocked. Was a mental stroll into the world Ridley Scott created.

A photo posted by Brownsnout (@neillblomkamp) on





#ripley #hicks

A photo posted by Brownsnout (@neillblomkamp) on





#weyland corp

Zdjęcie zamieszczone przez użytkownika Brownsnout (@neillblomkamp)





Oh shit

A photo posted by Brownsnout (@neillblomkamp) on





Awesome Art by Geoffroy Thoorens #hicks

Una foto publicada por Brownsnout (@neillblomkamp) el





And Doug Williams - maybe I'll go back to it ....love the world

A photo posted by Brownsnout (@neillblomkamp) on





A representative for Blomkamp was not immediately available for comment. You can check out more art over at Blomkamp's Instagram page.

Vintage Photos Of The 1980s Pasadena Police Are As Relevant As Ever

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Growing up with a father on the police force, William Valentine experienced a childhood slightly different from his peers. He observed life-threatening scenarios and witnessed his first dead body before the age of 8 years old. Years later, in 1984, as a photography student at Arizona State University, he decided to turn his camera lens on the world he knew -- the Pasadena Police Force.

"My father was a reserve Police Officer at Pasadena PD at the time, he had been there a long time, and I grew up tagging along with him at the station when he went in to do admin paperwork or other tasks," Valentine explained to the Huffington Post. "Every supervisor in the department already knew me so getting my foot in the door was easy then as I began photographing I earned people’s trust by how I photographed. I got more than I expected, first night out there was a suicide in the middle of the street and other stuff that went on. I realized quickly what potential the project had."

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6-27-85 Officer Walton


Valentine's photographs capture the diverse moments that comprise daily life in the police force -- from checking for evidence and flashing an '80s mustachioed smile to handcuffing a suspect or tackling a potential criminal. The black-and-white images juggle the banal and the perilous at a swift pace -- mimicking the speed of life in the force.

"I liked the action, I loved the images I was getting, and once the weather heated up things went crazy. Rock Cocaine and PCP were big back then, lots of street sales of drugs which meant foot pursuits and lots of violent crimes. It didn’t take long for me to realize I liked the 'hunt' or the challenge of tracking down criminals and especially those who hurt others."

After spending over 1,000 hours in the field photographing the Pasadena PD, Valentine ended up joining the force himself, becoming a police officer for the City of Chino, California.

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6-7-86 Agent Baroni with PCP suspect who attacked


It's nearly impossible to view Valentine's images as removed from contemporary questions of police brutality and accountability, and thus they provide a rich backstory to the critique facing the force today. Yet Valentine's images, more than promoting or critiquing police policy, provide a truthful glimpse into a world many of us speak of, but few really see.

"With all my work I am interested in documenting my world as it was at that time the image was taken. With the Pasadena PD series I wanted viewers to see the world from the Officers’ perspective and to understand some of the things they have to deal with. These images were taken long before the TV show 'Cops' so this world was really unknown to people who had not been there in person to see it. I also wanted to show the human side of the officers as well. I am always hopeful the viewer will bring an open mind and that my images will inspire thought and insight. With the Law Enforcement images I am hopeful people will also gain some appreciation for what officers go through and how ugly certain elements of society really have been or are still today."

Take a look at the images below and let us know your thoughts in the comments.

This 3D Printed 'Spider Dress' Is The Robotic Fashion Of The Future

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If one of your New Year's resolutions is to increase the space between you and strangers in public settings, a piece of futuristic clothing dubbed "Spider Dress" is about to make all your 2015 dreams come true.

From the mind of engineer and designer Anouk Wipprecht, "Spider Dress" is a piece of wearable technology that combines 3D printing with animatronic mechanics to create a truly sci-fi fashion experience. A series of skeletal-like limbs "respond to external stimuli" thanks to a configuration proximity and respiration sensors, meant to "defend the personal space of the wearer."

By defend, we mean the dress transforms into what appears to be a giant, aggressive arachnid, prepared to attack with all limbs at the ready. Conversely, if the wearer is calm, the appendages can beckon an outsider with more welcoming gestures.

spider
The "Spider Dress" bodice was 3D-printed in a selective laser sintering technique


“It knows when you are focused or distracted,” Wipprecht explained to Vice. “It knows when your heartbeat or stress level rises and it records with a camera when your brain activity is highest to provide a sort of mood or attention map of your day.”

The design, connected to an Intel Edison platform with input from Philip H. Wilck of Studio Palermo, is still in the testing phase, and will make its debut next week Consumer Electronics Show in Las Vegas. In the meantime, you can check out a teaser of the fashion of tomorrow above.

The Ego-Centric Art World Is Killing Art

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This article originally appeared on artnet News.
by JJ Charlesworth

The year 2014 offers many contenders for its most significant art world issue/theme/phenomenon. Record-busting auction results? Check. Artists getting caught up in pretty messed up free-speech controversies? That's a good one. Political activism taking over the visual memesphere? I'm not complaining. The increasingly desperate attempts of blue-chip galleries to maintain the credibility of their over-hyped young art star painters? I like a good laugh.

cyrus

But sometimes, it's the more marginal developments that start to bug you. And one of the least appealing, and, yet, for me, most significant trends of 2014 was the rise of the noisy, empty celebration of the artist-as-ego. Or maybe that should be ego-as-artist. I'm not sure. Of course, the art world has always been full of pretty massive egos, so what's new, right? Yet 2014 seemed to be the year in which the obsession with the most narcissistic expression of the individual started to take center stage. It points to the apparently unstoppable merging of art with a new form of celebrity culture, one in which individual self-expression has become an obsession above all other considerations.

I'm not talking here about the slew of big swinging, er, ego shows of mostly late-career male artists that peppered the year. Though, those kept coming on strong: the Whitney's enthronement of Jeff Koons as “the most important, influential, popular, and controversial artist of the postwar era" (according to the Whitney's crazed, hyperventilating publicity), the interminably pompous gravitas-lite of Anselm Kiefer's retrospective at London's RA, and minimalist god Richard Serra's massive steel erections in the desert of Qatar, among them. When it came to career anointment, the big museums were happy to oblige, desperate as they are these days to pull a big crowd.

marina

Yet if we're talking about the truly contemporary aspect of art world ego-mania, what really came to the fore this year was the figure of the artist as the channel for a supposedly profound, personal, even therapeutic experience. This was perhaps best epitomised by the unstoppable rise of Marina Abramović, now dubbed the “queen of performance art." With her “512 Hours" show at London's Serpentine, followed later in the year by “Generator" at New York's Sean Kelly, Abramović scaled new heights of participatory absurdity. It's not every day people queue round the block for an art show without complaining. But such is the reverence accorded to Abramović's arted-up version of a New Age self-help plan that not only did they queue, they queued for the privilege of standing around for hours, doing nothing much, at the orders of guru Abramović, with the Serpentine turned into a kind of minimalist hipster ashram.

Maybe I'm offending those for meditation, mindfulness, and finding one's inner stillness is a big deal. Oh well, too bad. I never invite you to my parties anyway. The point is that, couched in the language of meditational self-realization, of “forgetting the past" and “living in the now," Abramović's recent work really only crystallizes and reflects the wider trend of contemporary culture: its narcissistic ideal of personal self-realization, of experiencing the now, of finding oneself, and (once you've found yourself) of being yourself. In short, it's the cultural expression of Generation Y, or Generation Me, as US academic Jean Twenge styled it in her eponymous book of 2006.

Generation Y's culture is one that privileges self-expression over anything else. In 2014, that seems to have led to a lot of celebrities (admittedly mostly American celebrities) expressing themselves through the medium of art—or at least the medium of the art world. James Franco “reworked" the early works of Cindy Sherman with himself in the starring role. Shia LaBoeuf went on with his performance-art-styled antics in his gallery show “#IAMSORRY" (complete with his bizarre claim that he was raped by a female visitor).

shia

And who could forget the art world reinvention of pop munchkin Miley Cyrus, whose turn to making sculptures was prompted by the gifts fans throw to her at concerts. As Cyrus put it with characteristic precision and sincerity, “I had a bunch of fucking junk and shit, and so instead of letting it be junk and shit, I turned it into something that made me happy." Cyrus declared, “I feel like my art became kind of a metaphor—an example of my life." To which one might respond, “Sure, but who gives a shit?" The trouble is that, while it's easy to dismiss the variously inane displays of creative self-realization of the celeb-artist, they're only really riding the bigger cultural movement of “me," as it rolls through everyday life on an unstoppable tidal wave of selfies and tweets.

Too much of a stretch to tie the austere pseudo-spiritualist transcendentalism of Abramović to the moronic carnival of celebrity art? Not really. They may look poles apart, but they're based on the same veneration of individual self-realization through self-expression in which it's the process, not the product, that matters. Everyone, just “being themselves" and claiming to be art. It's also why art shows are becoming experiences. The only show anyone really wanted to see, as I did my annual stop in Art Basel this summer, was Klaus Biesenbach's and Hans Ulrich Obrist's performance art museum-cum-fun-palace-cum-freaky-corridor-of-nightmares, “14 Rooms." (It includes, of course, one piece by Marina Abramović.) Feeling an experience, being in the now, is the new aesthetic of Gen Y.

That's why, even though those Alpha male artists might make a big show of themselves (Jeff Koons naked with just the leather gloves on in the gym! Help!), they're way behind, stuck in the past. That's because they're from a generation that still thinks art should be about something other than me, here, right now. That art should be, say, about consumerism, or about the history of Germany, or even just about how massive huge chunks of Cor-Ten steel look when you stick them in a desert. In other words, about stuff you have to think about, maybe discuss, argue over with others, disagree about—something, which isn't entirely about yourself. But, for now, between Miley and Marina, 2014 began to reveal the future of art: the artist and the audience, holding hands between infinity mirrors, one hand free to squeeze off a selfie.


JJ Charlesworth is a freelance critic and associate editor at ArtReviewmagazine. Follow @jjcharlesworth on Twitter.



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Barbie Like You've Never Seen Her Before

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This article originally appeared on Slate.
By David Rosenberg

barbie

According to Mattel, every three seconds, a Barbie doll is sold somewhere in the world. Developed in 1959, the iconic doll has as had roughly 150 careers, represented about 40 nationalities, and, this year, even gave an interview to People about her Sports Illustrated swimsuit photo shoot.

She’s also been used as a benchmark of beauty in the real word, something Paris-based photographer Hamid Blad set out to examine in his series “Barbie Blad.”

To make the images, Blad incorporated the 19th-century collodion process, which takes a bit longer for both exposing and developing the images—clearly the dolls have more patience than human models—and results in a more unforgiving photograph. Blad also uses a cold, UV light that strips away some of their artificiality. He then crops them tightly in order to “enable the viewer to enter into the image.”

“Barbie dolls as iconic representations of beauty are nothing but beautiful faces on plastic mannequins, artificially smooth and sparkling,” Blad said via email. “When I photograph these dolls, I want them to come to life. I try to give them a real face with imperfections.”

Dolls in the series were found everywhere from flea markets and eBay to contributions from friends. Selecting those to photograph wasn’t too different than a typical casting with real models—he even gave the selected dolls names of supermodels from the 1970s.

“I realized that some dolls are very different from others, just like humans, certain ones were more photogenic,” Blad wrote. “I did a bit of styling of the dolls, hairdressing, and applied products on the skin. On casting I was only guided by the dolls I liked—the photogenic quality superseded the casting.”

Blad feels that the idea of identity is always shifting and he enjoys playing around with it.

“Replacing a person in the flesh by plastic objects aims in a sense to denounce the fake aspect of identity. I like to build on ‘beauty' to question social stereotypes. I am never looking for conventional beauty with my photography.”

See more photos on Slate.

5 Things You Didn't Know About 'The Lord Of The Rings'

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If you're a dedicated fan and essentially consider Middle Earth a second home, you probably have your own extensive knowledge of trivia surrounding J.R.R. Tolkien's work. Since The Hobbit was released in 1937 and The Lord of the Rings 17 years later in 1954, Tolkien has garnered an extensive following, and has sold hundreds of millions of books. It'd be a decent bet to guess you own at least one of those copies.

Maybe you're a close reader and know that in the book, Gandalf the Grey actually says, "You cannot pass" rather than the iconic, "You shall not pass!" from the movie. The trivia below, however, actually comes from outside sources, such as widely forgotten interviews and profiles. Hopefully these will be facts you truly haven't come across before.

In honor of J.R.R. Tolkien's birthday, here are five things you didn't know about The Lord of the Rings.



1. J.R.R. Tolkien actually considered Samwise Gamgee the "chief hero."

sean astin lord of the rings

Samwise Gamgee's heroic qualities were mentioned by J.R.R. Tolkien on multiple occasions. For example, when responding to a letter from a fan who happened to also have the name "Sam Gamgee," Tolkien wrote, "I can only say, for your comfort I hope, that the 'Sam Gamgee' of my story is a most heroic character, now widely beloved by many readers, even though his origins are rustic."

A letter Tolkien wrote to his publisher, Milton Waldman, further expressed his feelings about the character. In the letter, Tolkien is trying to explain why The Lord of the Rings and The Silmarillion should be published at the same time, despite their extensive length. The letter is a doozy itself -- it's around 10,000 words -- and describes the general plot and themes of the stories. At one point in all of this, Tolkien reveals his belief about Sam's role:

But the highest love-story, that of Aragorn and Arwen Elrond's daughter is only alluded to as a known thing. It is told elsewhere in a short tale. Of Aragorn and Arwen Undómiel. I think the simple "rustic" love of Sam and his Rosie (nowhere elaborated) is absolutely essential to the study of his (the chief hero's) character, and to the theme of the relation of ordinary life (breathing, eating, working, begetting) and quests, sacrifice, causes, and the "longing for Elves," and sheer beauty.


It has been disputed whether the "his" before "(the chief's hero)" refers to Sam or Aragorn due to the sentence almost seeming like an aside, but the belief he is referring to Sam has become the common understanding because of the double use of "his" and the sentence's context among the larger paragraph. Furthermore, publishers commenting on the fan forum, The Lord of the Rings Fanatics Plaza, mentioned how they reached out to Christopher Tolkien, the son and frequent collaborator, for clarification on the line. They explained his response: "To this Christopher replied, very succinctly, that he was certain that 'the chief hero' referred to Sam."

Image: Flickr user andy z



2. Christopher Tolkien, the son of J.R.R. and editor of his posthumous works, hated the Peter Jackson movies.

130181782

The translation for this is a bit shaky, but going by Google and other publications who wrote about the story, in 2012 Christopher Tolkien gave a rare interview to the French publication, Le Monde, saying, "They gutted the book by making an action film for 15-25 years. And it seems that 'The Hobbit' will be of the same ilk." Also within the interview, Tolkien voiced his irritation that the movies had brought another level of commercialism to his father's work.

It was often rumored that J.R.R. Tolkien actually wrote The Hobbit for his children, but in a profile by The New York Times from 1967, Tolkien explained:

The Hobbit wasn't written for children, and it certainly wasn't done just for the amusement of Tolkien's three sons and one daughter, as is generally reported. "That's all sob stuff. No, of course, I didn't. If you're a youngish man and you don't want to be made fun of, you say you're writing for children. At any rate, children are your immediate audience and you write or tell them stories, for which they are mildly grateful: long rambling stories at bedtime.


Tolkien had a deep respect for his children and kids in general, even allowing Christopher to help shape the series extensively while growing up. Further in The New York Times profile, Tolkien said:

Children aren't a class. They are merely human beings at different stages of maturity. All of them have a human intelligence which even at its lowest is a pretty wonderful thing, and the entire world in front of them. It remains to be seen if they rise above that.


Image Left: Tolkien Gateway Wiki. Image Right: Getty.



3. Christopher Lee, who played Saruman, actually met J.R.R. Tolkien and was the only cast member to do so before Tolkien's death.

TK TK gifs

As a younger man, Christopher Lee somewhat randomly met J.R.R. Tolkien. Lee, however, was a huge fan of his work and was barely able to muster any greeting whatsoever.

In a 2003 interview with Cinefantastique, Lee explained how he was in Oxford at a pub called The Eagle and Child and "quite by chance" one of his friend's recognized professor Tolkien. Lee's group approached the author and had a short conversation. Explaining the situation in another interview, Lee said that he "knelt of course" before the author.

Lee was arguably the biggest fan of Tolkien out of the main cast on the movie and the others on set would try to trip him up in his deep knowledge of the books. In the Cinefantastique interview, Lee also said:

Members of the cast and crew where always trying to catch me out. They’d ask me questions like, "what was the name of Frodo’s father," or "what was the name of this or that sword." Things like that. Well, they never caught me out -- not once! They tried, but they never did.




4. J.R.R. Tolkien wanted to write all of the books in Elvish.

elves lord of the rings

According to the 1967 profile in The New York Times, the Elvish language was Tolkien's main passion in the series. As the Time writer Philip Norman explained:

If it had been left to him, he would have written all his books in Elvish. "The invention of language is the foundation. The stories were made rather to provide a world for the language rather than the reverse. To me a name comes first and the story follows. But, of course, such a work as 'The Lord of the Rings' has been edited and only as much language has been left in as I thought would be stomached by the readers.


Image: Flickr user Dioboss



5. The idea for everything first started when J.R.R. Tolkien was grading a bad exam paper and he wrote "hobbit" on one of the areas the student left empty.

90733782

J.R.R. Tolkien actually came up with the whole first sentence of The Hobbit on this student's exam, writing, "In a hole in the ground there lived a hobbit." According to The Tolkien Society, the urge to write this down came when the student had left a whole exam page blank. Tolkien wasn't really sure why he wrote this, but this "hobbit" intrigued him, so he decided to dive deeper into the hobbit hole and created one of the most beloved works of all time.

As The Tolkien Library mentions, there initially wasn't supposed to be a connection with the mythological work Tolkien was working on that would become The Silmarillion, but the hobbit soon entered the world of Middle Earth and the rest is fantastical history.

Image: Getty



BONUS: Tolkien's popularity was once so great that people would graffiti The Lord of the Rings character names and it was said:

"To go to college without Tolkien is like going without sneakers."


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The New York Times writer Philip Norman explained in the previously mentioned J.R.R. Tolkien profile just how fanatical American audiences were for The Hobbit and The Lord of the Rings in the 1960s. In New York, Norman noticed "louder enthusiasts chalk" the names of popular characters on walls, "sometimes in three-foot-high letters." Fairly polite to use chalk, but "graffiti" as it's recognized now didn't really start until the late 60s anyway.

The quote above comes from a student's mother quoted in the profile. Of course, many hobbits barely wear shoes, so maybe best to just travel with Tolkien regardless.

Image: Getty

'Beautiful By Night,' James Hosking Photo Series, Documents Aging Drag Queens

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What does it mean to grow older when you're a drag queen?

James Hosking explores this idea in his striking photo series "Beautiful By Night." As San Francisco continues to change and become increasingly gentrified, patently queer spaces have become few and far between. "Beautiful By Night" documents the lives of Donna Personna, Collette LeGrande and Olivia Hart, three senior drag queens who perform at Charlie’s Lounge -- reportedly the only gay bar left in San Francisco’s Tenderloin district.

In order to better understand this photo series and the lives of these three queens, The Huffington Post chatted with Hosking about "Beautiful By Night."

draqqueen1

The Huffington Post: Why did you decide to embark on this project?
James Hosking: Drag can seem passé, and the way it's visually documented can be formulaic at worst -- campy at best. But, for me, there were still under-explored issues of identity, labor and performance that drew me to drag as a subject. Aunt Charlie’s is also unique in that it’s very specific to the neighborhood and to San Francisco, while also being representative of smaller drag bars across America. I was interested in mining the lives of Olivia, Donna and Collettte for experiences that would illuminate the larger issues I mentioned while still capturing their realities faithfully.

What do you hope viewers take away from this project?
In our article for Out magazine, the writer Jeremy Lybarger quoted Warhol: drag queens “perform a documentary service, usually consecrating their lives to keeping the glittering alternative alive and available for (not-too-close) inspection.” I hope viewers appreciate the time, money and stamina it takes to transform yourself into a drag performer. It's real labor and not always particularly glamorous. For older performers, especially, it requires commitment and energy to keep the process interesting. Plus, there's an ongoing desire to break through the audience's defenses and elicit unexpected emotion -- a kind of transcendence over the crude materials of make-up, wigs and pop songs. As Donna says in the Out article, "It’s the opposite of being bored. I would like people to feel something." In the film, she says simply, "I'm living the experience."

drag queen2

What do you think we can understand about aging within the queer community through these performers? Why is this important?
Aging creates a lack of visibility. Representations of aging in pop culture often lack credibility or subtlety. My intention was to show the authentic experiences of these older performers. They're not caricatures but complex, three-dimensional people who are still working through insecurities from their youth, as most of us are. But Olivia, Donna and Collette all share the gift of ignoring the judgements of others to just be who they want to be. That's empowering.

Why do you think raising the visibility level of these performers is so important?
Their stories explore themes of aging and self-acceptance that implicate all of us -- we're all going to be where they're at physically and mentally. I only hope that I, personally, exhibit the same grace and gusto they have. And, ultimately, I just found them fascinating both as individuals and as performers. I'm delighted to see the positive feedback from readers online. I feel privileged that the performers trusted me to document their lives.

What's on the horizon for you?
I'm currently working on a project about the San Francisco Night Ministry that, like the Aunt Charlie's series, will be presented as a photo series and a short film. The film will be shot by Vanessa Carr, who also shot "Beautiful By Night." In this project, I'm following Rev. Lyle Beckman, the Night Minister, as he walks the streets after dark to offer conversation and solace to those in need. He interacts with a broad range of individuals -- the homeless, the suicidal, alcoholics, sex workers, the lonely -- and their dialogues broach themes of mental illness, class and faith.




Want to see more from James Hosking? Head here.

Snowflakes Come In 35 Different Shapes, Scientists Say

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Each snowflake may not be so unique after all.

While no one snowflake is exactly the same as another on a molecular level, it turns out that all snowflakes fall into one of 35 different shapes, researchers say. Just take a look at this infographic of the different snowflake shapes from chemistry teacher Andy Brunnin, who authors the blog Compound Interest:

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snowflakes 35 different shapes

The graphic uses data from the global classification of snow crystals, ice crystals, and solid precipitation published in the journal Atmospheric Research in 2013.

How exactly do snowflakes form their amazing shapes?

A snowflake starts as a tiny grain of dust or pollen floating in a cloud. Water vapor from the air sticks to the grain and freezes, forming into a tiny hexagonal crystal. From there, more vapor condenses on the crystal as it travels to the ground, and the snowflake's "arms" take shape.

"We still don’t know the precise variables behind the formation of particular shapes," Brunnin wrote on his blog, "although researchers are continually working on theoretical equations to predict snowflake shapes."

Smithsonian reported that, though snowflakes are stunning to observe, scientists classify snowflakes and analyze how they form to better understand how crystals may be used in a host of applications, from silicon to semiconductors in computers and electronics.

So, there's even more reason for the sky to, "Let it snow! Let it snow! Let it snow!"

Idina Menzel And Taye Diggs Quietly Finalize Their Divorce

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Sorry, "Rent" fans. It's officially over.

Idina Menzel and Taye Diggs have been separated for a year, but the two actors have now finalized their divorce, according to TMZ. The couple, which met on the original Broadway production of "Rent" in 1996, announced their split in December of 2013 after 10 years of marriage. According to court documents obtained by TMZ, the couple quietly finalized their divorce on Dec. 3 2014, one month after Diggs filed a divorce petition. The two said in their initial announcement that their primary concern was their 5-year-old son, Walker Nathaniel Diggs.

Last June, Diggs opened up about the separation in an interview with Redbook, saying he wasn't surprised by the public's reaction to their split. "There weren't a lot of couples like us in the theater community," he said. "It was easy for people to root for us." Diggs made a public appearance with new girlfriend, model Amanza Smith Brown, last June at the BET Awards.

Menzel also opened up about the split and about being single. The actress told Redbook in November that she's open to dating, but she doesn't have much time for it. "They'd have to meet me at, like, midnight after the show, and that's kind of slutty, isn't it?"

For more, head to TMZ.

How The Duplass Brothers Became Hollywood's Most Low-Key Power Players

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The following article is provided by Rolling Stone.

By GAVIN EDWARDS

Lena Dunham, George R.R. Martin, John Oliver: They've all achieved the dream of a successful show on HBO. But none of them can claim – as brothers Jay and Mark Duplass can – that as kids in the 1980s, they taught themselves to play the network's theme song on acoustic guitar.

Circa 1985, eight-year-old Mark and 12-year-old Jay would station themselves in front of the family TV (in a New Orleans suburb), taking in HBO's menu of age-inappropriate classics of American cinema. "At 3 p.m., with full boobs and relationship rigor," says Jay.

"Popcorn, nachos, 'Five Easy Pieces,'" Mark remembers.

"Pizza pockets and 'Kramer vs. Kramer,'" Jay responds.

"We were destined to be here," Mark says, gesturing at the stylish conference room in HBO's Santa Monica headquarters, where we are meeting.

"This is our Graceland," Jay declares.

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Their ticket through the monogrammed gates of premium cable was "Togetherness," an excellent new show they wrote and directed about four overwhelmed adults, all of whom expected to have more of life's answers in their thirties than in their twenties. Mark plays an L.A. sound engineer; Melanie Lynskey plays his wife. They're joined by two unexpected house guests: the wife's ambitious sister (Amanda Peet) and the husband's best friend, an actor just evicted from his apartment (Steve Zissis). Plots range from the sister's efforts to build a bouncy-castle empire to the least-successful attempt at sexual spanking ever.

The January 11th debut of "Togetherness" means that the nation's small screens will be filled with more of the brothers, not that we had been suffering from a Duplass shortage: For the past five years, Mark has starred in "The League" (the FX show about fantasy football), while Jay had a leading role as one of the children of a transgender parent on "Transparent." The brothers also appear on "The Mindy Project" as midwives, showcasing their near-psychic chemistry.

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The Duplass brothers made their name with five feature films that started out as low-budget mumblecore movies (including "The Puffy Chair" and "Baghead") and eventually attracted Hollywood stars (for "Cyrus" and "Jeff, Who Lives at Home"). They have collaboratively written and directed all their movies – and all but one episode of "Togetherness." The square-jawed Mark has customarily been their on-camera star – a role dating back to childhood, when Jay was the one with enough upper-body strength to lift the camera.

Jay summarizes their career: "We tried to be the Coen brothers, we failed, we gave up on it, and we ended up making movies out of the cave of our own experience. We're always trying to find the subtlest version of something that can convey a story."

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The brothers warn their casts in advance that they don't fit into the director mold of overconfident USC graduates barking orders. Mark says, "We don't chew a lot of gum, we don't wear low-riding baseball caps. There's going to be some hugs and some exploration going on, and if you're into that, it's going to be your best experience."

An object in the corner of the conference room has an irresistible gravitational pull: an "Entourage"-branded miniature ping-pong table. The brothers spent hours playing on their family's ping-pong table, memorizing every spot that was warped by the New Orleans humidity. As he serves, Mark remembers, "When I was 16 and Jay was at college, my dad and I didn't know how to communicate anymore. I was like, 'You're a conservative lawyer, and I'm a liberal artist.' We would play ping-pong so we could be together and not have to talk about anything."

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Mark and Jay fall silent as a rally heats up, which concludes with Jay smashing the ball past Mark. Although they made a movie about two brothers engaging in a made-up gauntlet of 25 sporting events (The Do-Deca-Pentathlon), they're not keeping score today – not because they're too mellow, but because they're too competitive and don't want to exhaust themselves jockeying for dominance.

"I have almost zero professional goals," Mark says. "We've gotten so much further than I ever thought we would. We've been financially and critically successful for—"

"Ten years," Jay interjects.

"I do enjoy it," Mark continues, "but I am personally trying to figure out how to be at the Four Seasons buffet of my career and not eat 150 pieces of bacon because I've been trying to get to this bacon my whole life. I still look at the bacon and think, 'I don't deserve this bacon.' "

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"The bacon is not even necessarily good for me," Jay adds.

"By the way, this bacon might not be here later," Mark concludes. "So we better eat the fucking bacon while we can."

Woman Sues Company For Putting Her Face On Flask With 'Rehab' Joke

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SANTA FE, N.M. (AP) — A New Mexico woman is suing a novelty products maker over a flask that includes her likeness and the phrase, "I'm going to be the most popular girl in rehab."

The Santa Fe New Mexican reports (http://goo.gl/j8MdZk) Veronica Vigil alleges in her in federal court that Anne Taintor Inc. obtained and used her high school graduation picture from 1970 without her permission.

flask

The lawsuit says the Brooklyn, New York-based company then defamed Vigil by linking her image to a product that makes light of substance abuse.

Court documents say the Chimayo, New Mexico, resident is an active church member and doesn't consume alcohol or drugs.

The lawsuit seeks an unspecified amount of compensatory and punitive damages.

A spokeswoman for Anne Taintor Inc. said the company does not comment on pending litigation.

40 Side-By-Side Photos Of Parents And Kids That Will Have You Seeing Double

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It shouldn't be surprising when babies look like their biological parents. But sometimes, seeing the resemblance in real life is downright uncanny. Members of the HuffPost Parents community shared photos of their kids, paired with images of themselves when they were the same age -- and they have us doing double takes.

That apple, it doesn't fall far from the tree.




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Follow HuffPost Parents's board Because They're AWdorable on Pinterest.





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Gorgeous 'Pillars Of Creation' Shine In New Hi-Def Hubble Photos

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Twenty years after it snapped one of the most iconic space photos ever, NASA's Hubble Space Telescope has revisited the "pillars of creation" in new high-def splendor. What better way to celebrate Hubble's 25th anniversary this April?

The new images (see below) provide a glorious wide view of M16, a small region in the Eagle Nebula located some 6,500 light-years from Earth.

“We laid the pictures out on the table, and we were just gushing because of all the incredible detail that we were seeing for the very first time," Dr. Paul Scowen, a research professor at Arizona State University in Tempe and one of the scientists who led the original Hubble observations of the nebula, said in a written statement from NASA.

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pillars of creation
This new image, which shows the pillars in visible light, reveals a sharper and wider view of the structures.

eagle nebula infrared
This image, taken in near-infrared light, transforms the pillars into eerie, wispy silhouettes against a background of stars.

nebula comparison
The new image of the pillars (right), shown alongside the original 1995 Hubble image (left).

The pillars in M16 are composed of cold hydrogen gas and dust. They're a violent hotbed for star formation--not unlike the environment in which our sun was born. Clusters of massive stars inside the pillars emit radiation and produce strong winds, which "sandblast" away the top of the pillars.

“There is the only one thing that can light up a neighborhood like this: massive stars kicking out enough horsepower in ultraviolet light to ionize the gas clouds and make them glow,” Scowen said in the statement. "Nebulous star-forming regions like M16 are the interstellar neon signs that say, ‘We just made a bunch of massive stars here.'"

Incredible Teen Poets Sum Up Everything Wrong With America

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"There are things missing from our history books."

Indeed, American textbooks have plenty of blind spots, but Belissa Escobedo, Rhiannon McGavin and Zariya Allen offer a wide-ranging view of our country in their powerful slam poem, "Somewhere Else in America." And it's not a pretty picture.

The teen spoken-word poets are members of the Get Lit organization, a nonprofit that uses spoken word to improve literacy rates in Los Angeles, where 40 percent of teens won't graduate high school. Their performance above aired late last year on the since-canceled "The Queen Latifah Show," and was recently spotted by Bustle.

In the poem, the teens take on topics like banned books, gun violence and sexual assault.

They chorus:

We are taught that just because something happened doesn't mean you are to talk about. They build us brand new shopping malls so we forget where we're really standing, on the bones of the Hispanics, on the bones of the slaves, on the bones of Native Americans, on the bones of those who who fought just to speak.


The poets also talk about cruelty and harassment in the Internet age, asking, "How many pixels is your sanity worth?"

Their message rings loud and clear: Some of the greatest injustices in America are also the least-talked about, in school textbooks and in life.

H/T Bustle

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Harvey Fierstein On His Career, Drag Culture And His Beef With Johnny Weir

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Actor and playwright Harvey Fierstein is, once again, in no-nonsense mode, looking back on his career with signature candor in a new interview with PrideSource.

With his Tony-winning musical "Kinky Boots" about to embark on a national tour, Fierstein offered his assessment as to the ongoing popularity of drag culture.

"Obviously, thanks to 'RuPaul's Drag Race' and other things, it's reached every corner of the population," Fierstein, who co-wrote the "Kinky Boots" musical with Cyndi Lauper, told PrideSource's Chris Azzopardi. "Drag can be used sexually, politically; it can be used to challenge. And it can be used to hide behind."

Fierstein, who also wrote the book for the 1983 musical, "La Cage aux Folles," shrugs off the criticism that he employs drag and other gay-relevant themes in his work too much: "I say, 'Why does [playwright] David Mamet write about heterosexuals all the time? And why does nobody ever ask David Mamet, 'Is this another heterosexual show? Wasn't your last play about heterosexuals?'"

He then added, "The Stonewall riots would not have happened without drag queens."

The "Torch Song Trilogy" scribe has been an outspoken critic of Olympic figure skater Johnny Weir in the past. Once again, he doesn't mince words when it comes to Weir, who he describes as an "a**hole," and points to the skater's reported use of a "postnuptial agreement" with previously estranged husband, Victor Voronov.

"...On the 10th anniversary of gay marriage becoming legal [n Massachusetts] he was putting out press releases saying that he has a new marriage contract -- a post-nup saying you can't touch another person's cock, you can't put it in your mouth, you can't put it in your ass," he said. "And I'm doing radio interviews, and instead of talking about the power of gay marriage and how all these states have gay marriage and the world hasn't fallen in and all that, I'm being asked instead about that asswipe's post-nup!"

Read the full PrideSource interview with Harvey Fierstein here.

'Saturday Night Live' Announces Hosts Kevin Hart And Blake Shelton

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Kevin Hart, Sia and Blake Shelton are coming to "Saturday Night Live."

On Jan. 17, Hart will take the stage for his second time to promote two projects: the upcoming film "The Wedding Ringer" (which debuts Jan. 16) and the Chris Rock comedy "Top Five" (out now). Sia will join Hart as a first-time musical guest. Sia's "Chandelier"was famously used during a sketch this season where cast member Kate McKinnon and host Jim Carrey had a dance-off:



The next week, country music star and "The Voice" coach Blake Shelton will host and perform as musical guest. Shelton's eighth studio album, "Bring Back The Sunshine" debuted in September at number 1 on the Billboard Top 200.

'Parks & Recreation' Final Season Trailer Includes Ultimate Tammy Joke

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NBC released a preview for the final season of "Parks and Recreation" on Tuesday, and embedded within is a glimpse of what might be the ultimate Tammy joke and / or an excellent parody of "Vertigo." Backstory: Ron and Diane pushed Tammy and resident "Parks" d-bag Jeremy Jamm together at the end of last season, and it appears the evil duo are a couple at the onset of Season 7 (which makes a three-year time jump from the events of the Season 6 finale). Tammy has even given Jamm a Ron Swanson makeover, right down to his signature mustache. "Parks and Recreation" returns for its final season on Jan. 13 at 8 p.m.

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