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This Dress Might Break The Record For The World's Longest Wedding Gown

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Here's a wedding gown that literally goes the extra mile.

Dressmakers in China recently created a garment with a nearly three-mile-long train, which they plan to submit to the Guinness Book of World Records. Below is a picture of the dress from a photo shoot in Chengdu in China's Sichuan province.

longest wedding dress

According to photo agency Imaginechina, the gown weighs 120 pounds and took a month and more than $6,500 to make.

The previous Guinness-record-winning wedding gown was 1.85 miles in length. It was worn by Romanian model Emma Dumitrescu in 2012 to promote a wedding fair in Bucharest.

Keep in touch! Check out HuffPost Weddings on Facebook, Twitter and Pinterest. Sign up for our newsletter here.

Dad Draws The Beatles With Pancake Batter, Makes His Own Good Day Sunshine

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We could eat these eight days a week.

Artist Nathan Shields sketched the Beatles with pancake batter for his kids and captured the process in one rockin' time lapse (above).

While Shields posted the video a few months ago, it's getting renewed viral attention. The Beatles never go out of style, do they? And it appears that Shields' griddle Beatles are no flash in the pan either.

"The kids were surprised to find that they already knew a bunch of Beatles songs," Shields wrote in the description.

Shields also has made pancake beetles, as in the insects.

It's a shame to put syrup and a fork to any of 'em, but they're probably delicious any time at all -- or after a hard day's night.

h/t Viral Viral Videos

Here's The Most Strangely Beautiful 'Simpsons' Couch Gag Ever

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This could be the most strangely beautiful "Simpsons" couch gag of all time. For the Season 26 premiere, Oscar-nominated animator Don Hertzfeldt had Homer travel through time, far into the show's future, and things got weird in the best way. "The Simpsons" has had some crazy intros in the past from major directors, like Guillermo del Toro, but Hertzfeldt's stick-figure style animation and unsettling futuristic vibes make this one-of-a-kind.

It might not be for everyone, but just check it out and "don't have cow man."

"The Simpsons" airs Sunday at 8:00 p.m. ET on Fox.

H/T Slate

'Magic Mike XXL' Plot And Full Cast Revealed

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Warner Bros. has announced the full cast and plot of "Magic Mike XXL." The sequel will include Elizabeth Banks, Donald Glover, Amber Heard, Jada Pinkett Smith, Andie MacDowell and Michael Strahan. "Magic Mike" stars Channing Tatum, Matt Bomer, Joe Manganiello, Kevin Nash, Adam Rodriguez and Gabriel Iglesias will return for "XXL." Strahan also announced the news on "Live! with Kelly and Michael."

The film picks up three years after the end of "Magic Mike," when Mike (Tatum) left the stripping game. Per Warner Bros.:

"Magic Mike XXL" finds the remaining Kings of Tampa ready to throw in the towel. But they want to do it their way: burning down the house in one last blow-out performance in Myrtle Beach, and with legendary headliner Magic Mike sharing the spotlight with them. On the road to their final show, with whistle stops in Jacksonville and Savannah to renew old acquaintances and make new friends, Mike and the guys learn some new moves and shake off the past in surprising ways.


As previously reported, Steven Soderbergh stepped out of the director's chair for the sequel, but will executive produce. Gregory Jacobs will direct and produce. Matthew McConaughey will not return.

"Magic Mike XXL" is due out July 1, 2015.

This Single Mom And Her Son Are The Cutest Thing To Ever Hit Vine

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Harmony Smith and her 8-year-old son Elliott are kind of a big deal on Vine.

The mom-and-son duo are the creative forces behind a Vine channel with more than 396,000 followers. Sure, having Katy Perry tweet out Elliott's "Dark Horse" rendition (“She’s a beast … I call her Mama”) gave them a good bump, but if you saw any one of the videos chronicling their everyday adventures, you'd understand why their follower count continues to grow.

Take this Vine, for instance, where the Los Angeles-based duo take a trip to the laundromat and actually makes it fun:









Or this video, which perfectly captures how judge-y people can be when you're a single parent:









Or that one time they got down with their bad selves (actually, busting a move is a recurring theme in their videos):









Clearly, they're cute. But beyond that, Smith, who divorced Elliott's father at 21, does a pretty compelling job of capturing modern single parenthood in all its silly and wonderful glory. Yes, having full custody of your kid can be exhausting, but it can also be a lot of fun.

It's a message Smith -- an aspiring comedienne who works as a barista at Starbucks -- hoped to get across when she first started uploading the bite-sized videos to Vine.

"I had in mind that I wanted to represent the single parent that is trying to get back into the dating world, but really just get her life together with her unexpected wingman, her son," Smith, 27, told the Huffington Post via email

"Being a parent, even if you aren't single, puts you under pressure -- our kids are watching our example of right and wrong! But sometimes that just doesn't work out," she said. "Life happens and I think it's more important to be an example of how to deal with things, and have a good sense of humor while you are still figuring it out."

Elliott's own sharp sense of humor shines through in all of the Vines -- and Smith said the third grader is constantly pitching skits, especially ones that involve a little fancy footwork.

"He loves to dance and has always been very musically inclined," the proud mama said. "And if there is a wig around, he's sure to put it on and instantly find a character for it then ask me to film him."

All this Vine experience has definitely paid off; Elliott just wrapped up filming his first commercial and both he and his mom were recently signed with a talented agency.

"Elliott says the Vines have given him practice," Smith told us."But looking toward the future, we don't have any huge plans as of right now. We're just constantly going with the flow, and thankful for each new day."

We're expecting big things from Smith and Elliot, but until then, we'll keep our eyes glued on their Vine channel and wait for new videos on topic such as...



The all-too-real struggles of single parenting:






New ways to scare the crap out of your kiddo:







The joys of a little mom-and-son sing-a-long:






And the inherent awkwardness of Ginuwine's "Pony" playing when you're out with your kid (shudder):



Keep in touch! Check out HuffPost Divorce on Facebook and Twitter. Sign up for our newsletter here.

Rapper Tells Us 'Why I Think This World Should End,' And It's Beautiful

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Despite the recent deluge of tragic news in places ranging from Gaza to Ferguson, this man's powerful message will remind you that there is hope.

In a video uploaded to YouTube, rapper Richard Williams, aka Prince Ea, gives us a rundown of various issues our generation is facing in his spoken word piece. He begins with the bold statement, "The world is coming to an end," and proceeds to highlight key issues our generation is facing.

"Presidents lie, politicians trick us," he says. "Race is still an issue, and so is religion."

Though the picture he paints is bleak, he offers a very simple, yet truthful solution to the universe's problems -- love. He urges viewers to open their hearts, saying, "Once we truly love, we will meet anger with sympathy, hatred with compassion and cruelty with kindness."

Prince Ea's words are more than just beautiful -- they speak volumes:

"Love is the most powerful weapon on the face of the earth. Robert Kennedy once said that few will have the greatness to be in history, but each of us can work to change a small portion of events ... So yes, the world is coming to an end, and the path towards a new beginning starts, within you."



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Brightly Colored Umbrellas Become A Beautiful Sign Of Protest

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As protests against China's new rules for Hong Kong's election continued this week, activists have been using umbrellas in an effort to shield themselves from police pepper spray and tear gas.

The umbrellas also have become a potent symbol for those demanding democratic elections. Foreign media started calling the protests the "umbrella revolution." Participants quickly amended the tag to "umbrella movement."

According to the Facebook page of Hong Kong Democracy Now:

Foreign media has titled this movement the 'Umbrella Revolution.' This is hardly a revolution. 'Umbrella Movement' is a more suitable title in this context. The only 'weapons' we have, at most, are the umbrellas we always carry in our bags for the unpredictable weather. Hongkongers wish for nothing but stability. However, as much as we cannot see through the cloudy skies, we do not wish to be stormed upon. 'Umbrella Movement' represents a mellow but determined campaign: In the face of gale and storm, we will never back down!


As the protests have continued, the umbrellas have become more diverse and more ubiquitous. A a slew of striking images have popped up across social media. A few favorites:













































50 Years Of New York Film Festival Photos

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On Sunday night, Martin Scorsese's new documentary, "The 50-Year Argument," premiered at the New York Film Festival.

A retrospective on The New York Review of Books, the film seems to come with an obvious challenge: How do you make highfalutin literary and political criticism cinematically interesting? Led by the indelible editor Robert Silvers, the documentary does not tether itself to a linear origin story; through vintage video of Gore Vidal and Norman Mailer duking it out on "The Dick Cavett Show," excerpted passages from Robert Lowell, James Baldwin and Joan Didion, the impact of The Review takes on a new and palpable form on the big screen.

In a Q&A after the film, Scorsese and Silvers spoke of New York and the intellectual restlessness of 1963, the founding year of both The Review and The New York Film Festival.

Fifty some-odd years later, the kismet is shared by more than these two auteurs. To celebrate both institutions, HuffPost Entertainment compiled some of our favorite photos from the last half century of the New York Film Festival.



"The 50-Year Argument" airs Sept. 29 at 9:00 p.m. ET on HBO.

Mr. Bean Infiltrates Art History In Hilarious Photo Series

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Last week we were graced with John Malkovich's homage to some of history's most iconic images. Now, thanks to a humorous caricature artist, British actor Rowan Atkinson, aka Mr. Bean, is making his own mark on (art) history.

Rodney Pike replaced the faces of nearly 30 works with Atkinson's in an ongoing series that includes images of Leonardo da Vinci's "Mona Lisa," Gilbert Stuart's "George Washington" and Rembrandt van Rijn's "Self Portrait."

The results of the digitally edited portraits are nothing short of remarkable.

Who knew Atkinson's mischievous round eyes, rosy cheeks and thick brows would fit so seamlessly into some of history's most revered portraits?

Check out some of Pike's cheeky remastered works, below, and see more of his celebrity caricatures over at his online portfolio.

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H/T Bored Panda

Mexican's 'Harry Potter' Hoard Is World's Biggest

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MEXICO CITY (AP) — A Mexico City man is in Hogwarts heaven after his collection of "Harry Potter" memorabilia was named the world's largest.

Menahem Asher Silva Vargas has spent nearly 15 years hoarding all things related to British author J.K. Rowling's young-adult wizard-fantasy series, which spawned eight blockbuster films. His collection fills two rooms and counts everything from magic wands and toy figurines to Gryffindor scarves and replica Quidditch brooms.

Guinness World Records officially recognized it Monday as the world No. 1, at 3,097 pieces. The old mark was 807.

Silva Vargas said he began with no intent to amass a huge collection. But soon it was like being under a spell.

He laughingly called his obsession both a blessing and a curse: "My salary, my bonuses ... it all ended up here."

'Inherent Vice' Trailer Feels Like Paul Thomas Anderson's Funniest Film Yet

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After months of not knowing much about "Inherent Vice" beyond its cast list and what's in Thomas Pynchon's 2009 novel, the movie's first trailer is here. Arriving five days before the Paul Thomas Anderson adaptation is set to make its world premiere at the New York Film Festival, the clip seems to carry the kinetic comedy of the early stages of "Boogie Nights" rather than the severe character drama of "There Will Be Blood" and "The Master," just as last week's New York Times profile of Anderson promised the movie would. (In that piece, Anderson compared the film to "Airplane!" and "Top Secret.") Starring Joaquin Phoenix and Reese Witherspoon in their first collaboration since "Walk the Line" as well as Josh Brolin, Owen Wilson, Benicio del Toro, Martin Short, Joanna Newsom and (apparently) Pynchon himself in a rare cameo, the '70s-set "Inherent Vice" opens Dec. 12. It could be a major awards contender.

Gay Men Try To Explain Tampons, Have 'Literally No Idea' What's Happening

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There's nothing like watching a few good-natured gay men discuss some unfamiliar territory -- in this case, feminine hygiene products.

BuzzFeed asked a few of its gay male employees to explain tampons, sanitary napkins and diva cups, items that are "a little out of their wheelhouse." To help the men demonstrate, BuzzFeed also provided a plastic model of a woman's vagina.

"Literally, no idea," says one man, holding up a tampon.

Another holds up the plastic model and a sanitary napkin, saying, "I'm assuming the Georgie O'Keeffe painting right there is where you target it."

These guys are good sports, but just because you don't have a vagina and maybe don't interact with vaginas doesn't mean you shouldn't know how they work. Someone get these guys a copy of Our Bodies, Ourselves!


'Love, Lashes And Lipstick' Is The Beauty Book You've Been Waiting For Forever

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As far as celebrity makeup artists go, Mally Roncal is the top of the top. She's the woman behind glamorous red carpet looks worn by Beyoncé, Jennifer Lopez, Heidi Klum and Angelina Jolie, so she knows a thing of two.

From her stress-free travel hacks (she can work wonders with just a tube of tinted lip balm) to the "bullet-proof" products she uses to achieve her signature glow, Roncal is like your dream big sis with a kickass Caboodles makeup case and the best beauty tricks.

However, Roncal's rise to fame as a beauty maven and cosmetics creator hasn't always been pretty. In her new book, "Love, Lashes and Lipstick: My Secrets for a Gorgeous, Happy Life," she mixes in humbling life lessons -- overcoming childhood bullying in Middletown, New York and criticizing an anonymous makeup artist's work while assisting him on a music video shoot (ouch!) -- with step-by-step tutorials that make for an honest guide on remaining positive in the face of adversity.

We cuddled up with "Love, Lashes and Lipstick" and have compiled some of the best words of wisdom from Roncal -- no makeup required!

mally roncal love lashes lipstick

"Take those extra few minutes in the morning; when we breathe and enjoy the process of getting ourselves together, we honor ourselves. Creating that space can change your frequency for the rest of the day."

"If I had to choose the most important lesson my parents taught me, it was that everyone wants to be heard, deserves to be heard, and should be treated with love and respect. My parents always knew and acknowledge the inner and outer beauty in everyone, and they passed that to me."

"Listen to people. Really listen. Call people by their name. And see beauty in everyone. It's always, always there."

"Those things about yourself that you don't love -- you know, your freckles, your laugh lines, your nose -- those are the delicious, unique characteristics that make you YOU. And you, my love, are beautiful."

"Sometimes we have to learn the hard way to let something go... Knowing who you are means knowing what looks good on you and being willing to change when it doesn't work for you anymore."

"Take your time time figure out who you were before, who you are now, and who you want to be. Inside every mother is a sexy mama. She deserves to be celebrated."

"I believe that if you live with an open heart and trust that you are meant for the best in the world, you will get it. Don't ever settle."

"When the little devil on your shoulder says, 'Don't,' or 'You can't,' ignore her... We only have one life. In the end we only regret the chance we didn't take."

"No matter what, be true to who you are. Own who you are. Forget the haters. Don't let them dull your shine. What may not be right for them could be right for you. Be you, and you win every time."

"Saying thank you for the good things in your life isn't enough; we all need to pay it forward... If you've been given a gift -- time, money, talent -- share it. It's simply the right thing to do, and I've always found I get back far more than I give."

Get your copy of "Love, Lashes and Lipstick: My Secrets for a Gorgeous, Happy Life" at MallyBeauty.com, Amazon.com or BarnesandNoble.com.

The King Of Plastic Flowers: A Late Lunch With Tommy Wiseau

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"He will be in charge ... It's up to him how respectful he will be."

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It's a bit after midnight at the Sunshine Cinema in Manhattan, and just like every month around this time, people are tossing plastic spoons at a screen. Large handfuls are thrown to the front of the theater again and again. Roses are typically saved for the end of a beloved performance, but fans of Tommy Wiseau's "The Room" will toss their plastic utensils for almost the entire duration of the film.

This is one of the many games that devoted fans will play while watching the cult classic, this use of plastic cutlery calling attention to the gratuitous amount of spoon art in the movie. Other games include yelling during long pans of the Golden Gate bridge and getting up and tossing footballs back and forth, underhand, just like the characters on the screen. Occasionally, you can hear a line of dialogue over the fans Wiseau has brought together.

"I don't know if you're familiar with the term, plastic is cheaper than wood?" Wiseau asks the next day during a late lunch at the Sheraton. The meaning of this phrase isn't entirely clear, consider it a new Wiseauian knot to meditate upon, but he sort of continues: "A long time ago, my family actually had a wood spoon, not plastic." This is partially significant as one of the only instances the famously guarded Wiseau has ever talked about his family. Although it ends there, with a vague ownership of a wooden spoon, the briefness makes sense as Wiseau seems to devote his time and mental energy these days to his new family, the fans of "The Room."

And this new family of fans, at Sunshine and across the globe, they shower Wiseau in rainbows of plastic. Norwegian wood.

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Right before this weekend's screening of "The Room," Wiseau premiered his new show, "The Neighbors," which he hopes will land a development deal. The show is as Wiseauian as you could hope for. The crowd immediately took to the project and laughed and cheered their way through the 20ish minutes of the pilot. They even organically created a new game on the spot which involved dancing during a repetitive club music-soundtracked establishing shot that were used as a transition. According to one of Wiseau's assistants and one of many stars of "The Neighbors," this happened in both screenings of the night.

As the laughing and cheering and dancing were loud during this premiere, it was a bit tricky to determine what was happening plot-wise, but that's all the more reason for the show to find a home somewhere. "The Neighbors" had a trailer back in 2009, but everything has been re-worked since then.

The main premise of the pilot seemed to follow a pizza delivery boy who decides he wants to move into an apartment building after realizing it's mostly full of scantily dressed women. His application is approved by the landlord's assistant immediately. (The assistant says, "I trust this kid" and then writes "APPROVED!" in all-caps red letters on his form, just moments after he applies.) There are multiple B-plots involving a missing chicken and a boy and girl who trick a stoner into giving away his gun for free. Wiseau plays two characters, the landlord and the boyfriend who gets the gun and the girl. It's great.

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As Wiseau is pushing forward on this new project, "The Room" is getting closer attention with an upcoming movie from James Franco and his brother, Dave Franco. The Franco brothers are adapting the book, "The Disaster Artist," which is a behind-the-scenes account from one of the film's stars, Greg Sestero. Wiseau used to consider Sestero his "best friend." Now he feels betrayed. "I'm not so keen about it and I'm not so happy about it because some of the stuff in the book," he said, "it's not true."

In both the Q&A at the Sunshine screening and in our interview, Wiseau claims that only 50 percent of the book holds up and the rest is exaggeration and misunderstanding. Reached for comment, Sestero explained where he felt this repeated "50 percent" came from:

Tommy always has the best one liners. He refers to "The Disaster Artist" as the red bible. He attended a book event in Richmond, Virginia earlier this year. As people were waiting in line, he said to me, "Look, my god. They hold the book so tight! It is like bible. Wow is red bible. The red bible." So that's how he refers to it now. He did object to the subtitle of the book, "The Greatest Bad Movie Ever Made." His advice was, "You shouldn't put yourself down," arguing it should be changed to "The Greatest Movie Ever Made." On that point, he deducted 50% off his approval of the book.


Wiseau is nervous about the new adaptation but hopeful. "I think James Franco promised me when I talked to him that he will be respectful," he said.

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What Wiseau wants Franco, Sestero and all critics to respect is his insistence that everything he does in his work is intentional. "Let me stress something, nothing happens by accident." Wiseau believes in needing a strong focus when writing as he explains during lunch, "If you don't have vision, you have nothing to talk about. However, you can learn to visualize something. For me it comes very naturally. You can test me right now if you want, give me one word and I can give you the scene."

This is the scene that came to Wiseau after "gossip" was proposed...

OK. So this show yesterday was a gossip thing. They talk about gossiping and gossiping. And one girl did not pronounce gossip. That was on the TV yesterday. People were laughing, but she was so chubby, the girl, and she say gossip, gossip, gossip. Everybody was laughing. Scene ... That's your scene.


The table laughs together.

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Talking about what it's like interacting with fans, Wiseau said, "They already know they can say whatever they want and I still love them and I think vice versa." Years of being game for almost any fan request and attending countless Q&As and screenings across the globe, the man legitimately adores the people who will share this unlikely ride. His face lights up just remembering the different games people have created over the years (even behind his trademark sunglasses he wears indoors through the duration of the interview). "I didn't anticipate that someone would bring the spoon to the theaters and throw it ... I love that."

"The Room" has created an American cultural phenomenon like no other and he just wants some recognition for this. In discussing what it means to have a good relationship with somebody else, Wiseau advises, "You have to be very respectful, whoever you love, what you love and how you want to be. I think respect is very important."

With the release of "The Disaster Artist" almost exactly one year ago, the last 12 months must have been a bit harder for Wiseau. His work has been portrayed in ways Wiseau is frustrated with, especially because the critiques have come from someone he used to consider a very close friend. He and Sestero knew each other all the way back into the '90s, as they were in the same acting class together, reenacting scenes from "Rebel Without a Cause" (pictured below). Despite what's happened over the last year, Sestero says, "I've known Tommy for over 16 years now. I think having endured this surreal experience together, there will always be a bond and appreciation there. We still toss the football around every now and then."

Wiseau is certainly an artist with no contemporaries. After over a decade of touring with "The Room," you have to wonder if there is a greater cause behind all this. Behind those Oakley sunglasses.

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As I'm walking away from the table, Wiseau jumps out of his seat and comes over to ask what I thought about "The Neighbors." On a scale of one to 10 he insisted. I said nine. He gave me a hug.

When asked about the kind of advice he gives to his younger fans, he gave a thoughtful answer about the need to help others saying, "I learned that a lot of people need help. It's funny in America, we're the biggest strongest country, and some of the stuff's not right, that's my point. I'm trying to give young people advice as much as I can. Don't be too greedy." One of his most memorable quotes, that he repeated in this interview, is that while watching "The Room" fans can laugh and cry and express themselves, as long as they don’t hurt each other.

Wiseau is truly a king and his kingdom is one room, which you can choose to live in or not. If you choose to live in The Room, Wiseau is going to try to make sure you have as good a time as possible, even if it tears him apart.

"Just be a cool guy," Wiseau offered as advice.

As long as you're laughing, Tommy's laughing.

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All images from the The Room Facebook. First GIF from Exploitastic.

10 Beautiful Photos Remind Us Why We Need Nature

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National Geographic's 2014 Photo Contest has begun, showcasing beautiful pictures of people and the world around them. The contest has already drawn more than 1,500 entries, from amazing wildlife shots to mesmerizing landscapes.

National Geographic judges will award prizes in three categories: people, places and nature. But only one winner will take home the grand prize of $10,000 and a trip to the National Geographic headquarters for their annual photography seminar. Last year the contest received over 7,000 photo entries from more than 150 countries.

You don't need to be a professional photographer to enter, but you will have some steep competition. Check out some of our favorites from the photos already submitted and enter your own photos through October 31 on NatGeo's website.

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Photo and caption by Cherly Jong, National Geographic 2014 Photo Contest
"Mom’s Love." The Mother Bird feeding time. Photo Location: Jakarta


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Photo and caption by Misty Gage, National Geographic 2014 Photo Contest
"Hello." Capturing this gentle giant's inquisitive nature was rather easy as he swam right up to us and just stared for several long seconds. I love all the bubbles and his cute little face. Photo Location: Point Defiance Zoo, Tacoma, WA, United States


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Photo and caption by colin mackenzie, National Geographic 2014 Photo Contest
"Arctic Hi five." Two Polar bear cubs full of adrenaline on iceflow in Svalbard. The mother was just trying to have a quiet stroll but the cubs were not having any of that. This was the male cub and he just was so entertaining to watch. Photo Location: Svalbard


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Photo and caption by Sarah Minder, National Geographic 2014 Photo Contest
"Lioness with Cub." Lioness with Cub in Africa. Photo Location: Serengeti National Park, Tansania


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Photo and caption by christian spencer, National Geographic 2014 Photo Contest
"A tree dreaming." In the Strezlecki desert of Australia a flock of galahs replenish on the only small water available at the base of this lonely tree. It’s a rare photo opportunity to get such a clear and symmetrical shot of these beautiful birds in flight in the middle of the desert. Photo Location: Strezlecki Desert, Australia


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Photo and caption by Peter Allinson, National Geographic 2014 Photo Contest
"Success." A puffin returns from a fishing expedition with a good catch. Photo Location: Iceland


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Photo and caption by Henry Adam, National Geographic 2014 Photo Contest
"Pegadung Rock." Pegadung Rock known as rock screen (Batu Layar) and Shark Teeth (Gigi Hiu) because the shape of the cluster of rocks resembling shark teeth. Photo Location: Lampung, Indonesia


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Photo and caption by montse grillo, National Geographic 2014 Photo Contest
"From the Sky." On the coast of Tenerife in the Canary Islands, we have quite the selection of affectionate green turtles (Chelonia mydas). I find myself devoting much time to these curious creatures. This turtle was coming from the surface with the sun behind it, and the sunrays surrounding it gave it a special majestry. Photo location: Tenerfe (Canary islands)


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Photo and caption by Heidi Beetz, National Geographic 2014 Photo Contest
"Stingers." Beautiful jellyfish floating horizontally. Photo Location: Aquarium of the Bay, San Francisco, California


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Photo and caption by Spencer Black, National Geographic 2014 Photo Contest
"Searching for Love." Blue Ghost Fireflies in Brevard, North Carolina. Blue Ghost fireflies are unique because they stay lit and only hover about a foot off the ground. Photo Location: Brevard, North Carolina

'Judging America' Photo Series Captures Nation's Stereotypes

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Terrorist. Gangster. Stripper. Landscaper.

When people are viewed as stereotypes, they're labeled on the basis of race, ethnicity, religion or sexual orientation. Photographer Joel Parés, a U.S. Marine from Puerto Rico, sought to highlight these prejudices in his new series, "Judging America."

"My inspiration for this series is the fact that America is a country that is very diverse with many ethnicities that together create the United States of America," he told photography blog Fstoppers.

Parés has observed stereotyping throughout his lifetime, like when his twin brother was bullied for being a "nerd" as a child, or when his friends from India were called "terrorists" and taunted with phony Middle Eastern accents while he was stationed in the South during his stint in the Marine Corps.

"It hurt me to see all of these things happening, so I decided that I would use my photography as my voice crying out for change," he told The Huffington Post on Tuesday. "My goal is to open the eyes of those who judge and let them see that it is wrong, and they need to get to know someone before they begin to label them under a certain category."

For the series, Parés photographed each subject twice. One photo shows the subject dressed to mimic a stereotype, and the other shows the subject as he or she really is.

"[M]any of us judge incorrectly by someone’s ethnicity, by their profession and by their sexual interest," he also told HuffPost. "The purpose of this series is to open our eyes and make us think twice before judging someone, because we all judge, even if we try not to. The first image is not necessarily what you actually see, but it is what you categorize them in your head without knowing who they truly are. The second image explains the truth about the person and how incorrect they were judged initially [all sic]."

Parés has experience in front of the camera, having worked as a model, according to Fstoppers. However, he is passionate about working behind the camera because he loves the possibility of "telling a story in a unique way, a way that can inspire the world," he told the photography blog.

Check out Parés' "Judging America" series, below. See more of his work on Facebook, Instagram and 500px.


Joel Parés Photography


Joel Parés Photography


Joel Parés Photography


Joel Parés Photography


Joel Parés Photography


Joel Parés Photography


Joel Parés Photography

h/t Bored Panda

You+Me (Alecia Moore & Dallas Green) Release 'Capsized' Lyric Video

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Alecia Moore and Dallas Green continue their You+Me project with the release of "Capsized," the opening track to their upcoming debut album, "rose ave." Following up to "Break The Cycle," "Capsized" is an extremely spacious number: simple, repetitive percussion paired with slow acoustic streams and some faint slide guitar. Both Moore and Green take quick turns singing on each verse, hard-hitting harmonies that just won't quit dashed in between. "We were two ships in the night, passin' by in the pale moonlight and capsized. We were two ships in the night, hell bent on tryin' to survive and capsized," the duo sings in unison on the chorus. Watch the lyric video below and purchase "rose ave." on Oct. 14.

13 Awesome Photos From Paloma Faith's Highline Ballroom Show

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It's hard not to love Paloma Faith. From her quirky style to jaw-dropping vocals, this international singer-songwriter and actress never ceases to wow us. On Sept. 26 she appeared at the Highline Ballroom in NYC and The Huffington Post was there to capture her incredible show.

Check out the photos below. Not familiar with Paloma Faith? Watch her video for "Only Love Can Hurt Like This" above.

'Selfie,' 'Manhattan Love Story' And The New Fall Comedies To Embrace And Avoid

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Recently, I posted a roundup of reviews of the new dramas on the broadcast networks, and that list of capsule reviews was preceded by some thoughts on the State of the Network Drama.

This roundup doesn't require much of an introduction, because all you really need to know is that most of the new fall comedies are not that great. (And far too many of them have burly, bearded, often red-haired friends wandering around for no particular reason. Why this crime against gingers, television? Why?)

There are a few bright-ish spots (including "Black-ish," which I've already reviewed), but generally, the comedies I'll watch on the broadcast networks this fall will be the returning gems. The new stuff is constrained by something critic Alan Sepinwall has repeatedly (and rightly) complained about: Networks want high-concept premises for their comedies, but those premises often hobble attempts to make the shows good in the long term.

Of course, many of the good network comedies airing currently were once were struggling newbies, so there's a chance these shows could turn things around. Except for "Manhattan Love Story," that is, which needs to fall into a subway grate and not come out again.

"Selfie," 8:00 p.m. ET Tuesday, ABC: Karen Gillan is a treasure, and it's only by dint of her presence that this comedy works some of the time. Yet in a larger sense, "Selfie" does not really work, because there are a lot of unpleasant and judgmental elements lurking in its premise. Gillan plays Eliza, a social-media loving career gal who is continually shamed regarding every aspect of her existence, and John Cho plays Henry, an executive who takes on the allegedly arduous task of making her over. It's fine that Eliza's self-absorption is called out, but the big problem with "Selfie" is that it doesn't make it clear that Henry is just as much in need of a personality intervention, and thus all the "comedy" leans on jibes at the expense of Gillan's character. Ultimately, the whole enterprise comes off as shrill and mean-spirited, though given the talent of the cast and given that Emily Kapnek ("Suburgatory") is at the helm, I'm hoping this show is able to course correct. #TryAgain

"Manhattan Love Story," 8:30 p.m. Tuesday, ABC: This annoying show is not quite as drenched in dumb and/or sexist assumptions as "Mixology," but that is the lowest possible bar to clear. Much of my podcast rant about this show centered on its highly questionable casting: Jake McDorman is a bland dudebro with little presence; Analeigh Tipton is equally charisma-free. Together they both fail to enliven this generally lunkheaded material, which tries for rom-com lightness but falls conspicuously flat at every turn. Did you know that women like purses and men like breasts? Would you like to watch a comedy in which these observations are treated as amusing revelations? Didn't think so. This show is part of a rom-com trendlet on the broadcast networks, a mini-trend that is wobbly at best and has made me recommend a much better option in this arena: FX's "You're the Worst," which has all the specificity and intelligence many of these shows lack.

"Bad Judge," 9:00 p.m. ET Thursday, NBC: Nope. The likable and skilled Kate Walsh tries hard to make this strained comedy work, but it keeps resorting to broad gags and dopey jokes, and, just to mix things up, every so often it lunges at sincerity. None of it lands, unfortunately. The show can't really make up its mind about whether Walsh's irresponsible-judge character is someone to emulate or dislike, and in any event, there just aren't many laughs here. Motion denied.

"A to Z," 9:30 p.m. ET Thursday, NBC: Ben Feldman and Cristin Milioti are good actors and undeniably adorable together in this competent pilot, so I'm hoping this high-concept comedy will turn out to be one of the new season's few comedy keepers. The voiceover narration, supplied by Katey Sagal, states that the show will chronicle the entire duration of the couple's relationship (though I'm sure the producers will find ways to extend the show if it does well). There's a bit of "How I Met Your Mother" DNA here (let's hope it's the good strands of that DNA), but this is basically a much tamer, constricted version of "You're the Worst." Still, the charm of its cast and, ideally, sharp writing from the NBC show could keep it afloat.

"Mulaney," 9:30 p.m. ET Sunday, Fox: Who thought this particular format -- a multi-camera comedy loaded with unamusing stock characters -- would work for John Mulaney? I have been scratching my head over that question for a couple weeks, and I'm no closer to an answer. Mulaney's standup work and his "Saturday Night Live" resume reveal that he's a very funny guy, but this contrived, airless comedy is not a good vehicle for him, nor is there much enjoyment to be found in the show's musty supporting characters (a bitchy female friend, a gay neighbor whose characterization is so full of stereotypes as to be offensive, a Black Friend, a burly, bearded friend, etc.). John Mulaney should be part of comedy ventures that many people see -- as long as they're not this show.

"Cristela," 8:30 p.m. ET Oct. 10, ABC: I am glad this solid and confident show exists and I hope it succeeds. That said, it's made for people who like multi-camera sitcoms and family-oriented sitcoms, and I have never gravitated toward either of those things. The good news is, comic Cristela Alonzo created the show based on her own experiences, and it rings with the kind of authenticity you don't often find on family sitcoms. Alonzo is smart, knows what works for her, and she and co-creator Kevin Hench have crafted a vehicle that serves her very well. I won't often be checking in, because this kind of thing just isn't my cup of tea, but this is well done and I hope "Cristela" runs for a long time.

"Marry Me," 9:00 p.m. ET Oct. 14, NBC: I am going to stick with this show and I have reasonably high hopes for it, even though the pilot is on the manic side (especially the first few minutes, which are frankly grating). Executive producer David Caspe and one of the show's stars, Casey Wilson, are veterans of the late "Happy Endings," which I still miss a lot, and flashes of that show's skewed/sweet vibe come through here and there in the first episode of "Marry Me." More good news: Ken Marino co-stars as Jake, the would-be fiancé of Annie (Wilson), and he's been in too many wonderful comedy project to count, and he (like Wilson) is very good here. The pilot is high-strung but basically acceptable, and I'll keep watching in the well-founded hopes that it will find consistently entertaining groove and use its fine cast (which includes Tim Meadows and Dan Bucatinsky as Annie's dads) as well as "Happy Endings" used its fab ensemble.

"The McCarthys," 9:30 p.m. ET Oct. 30, CBS: As previously noted, CBS is in the habit of snatching up fantastic actors of a certain age and putting them in unthreatening, formulaic shows. The latest in that nest-egg crowd is Laurie Metcalf, who, in this tame comedy, plays the matriarch of a Boston family that is obsessed with sports. One son comes out as gay, a development that occupies much of the pilot, but it'll likely be a typical CBS sitcom going forward: full of broad characters and predictable moments but reasonably amusing and decently made. The main thing I appreciated about this pilot was Joey McIntyre's epic Bah-ston accent.

Ryan McGee and I discussed "Selfie," "Mulaney" and "Manhattan Love Story" in a recent Talking TV podcast, which is here, on iTunes and below.

'Let Her Go' The Movie Cliché Supercut

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Women. You leave them unsupervised for one minute and they go do something silly, like getting kidnapped by a super villain, hell-bent on world domination.

No one understands that sexist cliché better than cinema’s action heroes, who tirelessly toil to retrieve Hollywood's damsels in distress. Fortunately, these protagonists are armed with a foolproof strategy to secure safe release: the phrase “Let her go!” (which is often said with steely-eyed determination).

Praise, then, to these great feminists of cinema -- the Chuck Norrises, the Arnold Schwarzeneggers and the Jean Claude Van Dammes. Without them, those women would probably still be held in the patriarchal clutches of their male oppressors.

Watch the movie compilation above, and learn how heroism is done, at least for cinema’s greatest action stars.

Tip of the hat to Vince Mancini of FilmDrunk for providing the inspiration.

Full List Of Movies In Order Od Appearance:
"Code of Silence" (1985)
"Raiders of the Lost Ark" (1981)
"Star Wars: Episode III - Revenge of the Sith" (2005)
"Get Smart" (2008)
"Rush Hour 3" (2007)
"Tango & Cash" (1989)
"I, Robot" (2004)
"I Still Know What You Did Last Summer" (1998)
"Hercules (1997)
"Black Knight" (2001)
"The Dead Pool (1988)
"The Matrix Revolutions" (2003)
"The Lone Ranger" (2013)
"Seeking Justice" (2011)
"End of Days" (1999)
"Waterworld (1995)
"Year One" (2009)
"Me, Myself & Irene" (2000)
"The Conjuring" (2013)
"The Twilight Saga: Breaking Dawn - Part 2" (2012)
"Swordfish" (2001)
"Ghost Rider: Spirit of Vengeance" (2011)
"Drive Angry" (2011)
"The Tourist" (2010)
"Heist" (2001)
"Breakdown" (1997)
"Green Lantern" (2011)
"The Warriors" (1979)
"Sky Captain and the World of Tomorrow" (2004)
"Slither" (2006)
"Ticker" (2001)
"Batman Forever" (1995)
"Rise of the Guardians" (2012)
"The Abyss" (1989)
"The Godfather: Part III" (1990)
"Timecop" (1994)
"48 Hrs." (1982)
"Bride of Chucky" (1998)
"The Rocketeer" (1991)
"Jackie Chan's First Strike" (1996)
"Ghost Rider" (2007)
"Panic Room" (2002)
"Blue Ice" (1992)
"15 Minutes" (2001)
"Witness" (1985)
"The Jackal" (1997)
"Mission: Impossible III" (2006)
"30 Minutes or Less" (2011)
"The Samaritan" (2012)
"Children of Men" (2006)
"Cop Out" (2010)
"Speed" (1994)
"Point Break" (1991)
"Duel at Diablo" (1966)
"Ticker" (2001) clip 2
"Metro" (1997)
"For Your Eyes Only" (1981)
"The Last Boy Scout" (1991)
"Orgazmo" (1997)
"Léon: The Professional" (1994)
"Commando" (1985)
"Universal Soldier" (1992)
"Pirates of the Caribbean: On Stranger Tides" (2011)
"Licence to Kill" (1989)
"The Crow" (1994)
"Taken 2" (2012)
"Dr. No" (1962)
"Timecop" (1994) clip 2
"Loaded Weapon 1" (1993)
"Shaft" (2000)
"The Amazing Spider-Man 2" (2014)
"K-911 (1999)
"12 Rounds" (2009)
"Mission: Impossible II" (2000)
"Ride Along" (2014)
"Flashdance" (1983)
"Dogma" (1999)
"S.W.A.T." (2003)
"The Last Boy Scout" (1991) clip 2
"Get Shorty" (1995)
"Into the Blue" (2005)
"American History X" (1998)
"Collateral" (2004)
"Indiana Jones and the Temple of Doom" (1984)
"Men in Black" (1997)
"All About the Benjamins" (2002)
"Toy Story 2" (1999)
"Loaded Weapon 1" (1993) clip 2
"Stop! Or My Mom Will Shoot" (1992)
"The Siege" (1998)
"Shoot to Kill" (1988)
"Lethal Weapon" (1987)
"Thelma & Louise" (1991)
"Spawn (1997)
"Sin City" (2005)
"Tomorrow Never Dies" (1997)
"The Dark Knight" (2008)
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