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'O Holy Night' Surprise At Museum Of Fine Arts In Boston, From Berklee Students, Is Chillingly Good (VIDEO)

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Visitors to Boston's Museum of Fine Arts on Saturday, Dec. 14, got a beautiful Christmas surprise when they were unexpectedly treated to a gorgeous rendition of "O Holy Night."

Students from Berklee College of Music along with other musicians from Boston, held a pop-up concert featuring soloist Mark Joseph as well as a full choir and string section. The bustling museum came to a standstill as the music took over.

You can download this song here, and the proceeds from the sale will go to Stand^2Cancer.

Felicity Jones On 'The Invisible Woman' & The Strangest Christmas Gift She Ever Received

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Felicity Jones has starred alongside some of Hollywood's most buzzed about young actors, including Andrew Garfield in "The Amazing Spider-Man 2" and Eddie Redmayne in the Stephen Hawking biopic "Theory of Everything." She's pretty open about the latter movie, but, like much of the gossip surrounding the next "Spider-Man" installment, mum's the word for the 29-year-old Jones when it comes to her debut Peter Parker adventure.

All of that, however, is secondary to Jones' latest movie, "The Invisible Woman." A period piece directed by and co-starring Ralph Fiennes, "Woman" tells the oft-forgotten true story of Nelly Ternan, the mistress of Charles Dickens. The illicit love story is based on Claire Tomalin's book of the same name, and it marks Fiennes' second venture from behind the camera following 2011's "Coriolanus." HuffPost Entertainment sat down with Jones to discuss the new movie, and along the way we discovered she's not a fan of physics but she does enjoy kitsch.

“Like Crazy,” your breakout role, was a low-budget picture heavy on improv. This is not. Which do you prefer?
I like both. They test different things in you as an actor, so I’m happy to move between both styles. I mean, the main thing is just being truthful with the character and caring about them, and that’s sort of the focus. And then as an actor, you want to be in different films and different styles and work with different directors, so that’s always the focus.

Do you find an improv setting to be natural for you?
I love improvising. I love collaborating in that way. It’s like extreme sports -- you never know quite what’s going to happen, so there’s a lot of excitement in working that way.

You’ve done a ton of literary projects: “Northanger Abbey,” “Brideshead Revisited,” “The Tempest.” Are you a big reader yourself?
I love reading, yeah. I studied literature at university, and since a young age that’s always been a passion of mine.

Have you read anything lately that you’d recommend to us?
Yeah, I just read a book called “Life After God,” which I thought was really beautifully written, and I’m just starting “Crime and Punishment.”

That’s a big undertaking.
Dostoevsky is a bit heavy, yeah. I don’t just read nihilistic books, though.

What did you know about Nelly before being associated with "Invisible Woman"? Were you familiar with her story at all?
I didn’t know about her, and the film in many ways is bringing her to the fore. I’m so happy she’s not going to be buried in history. I do think she wanted to tell her story, of her relationship with Dickens. She was a big, big part of his life, and she shouldn’t be forgotten.

What were your assessments of who Nelly was as a woman?
A lot of it is your gut instinct. I think she was very proud, I think she was very willful, had a very strong sense of self. She didn’t want to be just some floozy mistress; she wanted to retain her dignity and her strength within their relationship. But from the outside, obviously Dickens had a lot of power, and it was a difficult relationship. But I think she had enormous inner strength. I just think about her now if I’m worried, and I think, “What would Nelly do?” She was a real survivor. She had no money. They were so poor, her family, that she sort of struggled for survival and did it.

Even though he’s known for such serious work, I picture working with Ralph Fiennes to be fun-loving. What was his presence like on the set?
He’s very committed and very devoted to his work. He doesn’t take it lightly -- he knows that he’s very privileged to be doing what he’s doing. It’s the seriousness of the endeavor that I respect in him. And it’s not taken on lightly, and I love the way he approaches both acting and directing. It’s absolute focus, and he wants to tell a story as honestly as possible.

What was it like working on someone’s film who’s also acting in the project?
Well, it’s obviously a different environment than I’m used to, but Ralph just created a set where we were really free to explore, and it was very focused and it was just totally about performance, which was a luxury. You don’t get that. Directors often have a million things to be thinking about, so you don’t get that laser focus on creating a performance of integrity. That was an intense but fascinating experience.

Is there a recent part you wish you could have played, or perhaps a famous one you’d love to take on?
I don’t know, I think there’s going to be a fashion of women playing men’s parts. Like, I’d love to play Hamlet.

A reverse Shakespearean kind of thing?
Yeah! Or something just to try. Obviously people like Tilda Swinton have done it. I think that’d be fascinating to try a different psychology.

You recently wrapped “The Amazing Spider-Man 2,” which I assume required much more physicality than something like “The Invisible Woman” or “Like Crazy.” Did you have to adopt any particular physical regimen to prepare?
I really can’t say that much about it. So, you’ll have to wait and see. It was really good, I had a great time. I really respect everyone involved in the project; they’re all wonderful, and I loved the comics growing up.

Oh, did you read them?
Yeah, my brother had the Spider-Man pajama set, and like all kids, we loved cartoons. So it was really cool to put a part of.

Can you tell us whether you’re returning for “Amazing Spider-Man 3”?
You’ll have to wait and see.

You also have “Theory of Everything" coming up. Did you have any physics knowledge before taking the role of Hawking’s wife?
I was so bad at physics in school. Physics and math and chemistry, I was like, “No, I’ll just stick to English and history, thank you very much.” It’s definitely not my world, and I think Stephen Hawking actually is someone who’s made physics a lot more accessible to people. That’s really his legacy, so I enjoyed reading his books.

So we should all go read “A Brief History of Time”?
Yeah, it’s fantastic. But the character I was playing was much more literary and artistic, and so much of the film is about their different attitudes toward the world, their different ideologies.

In keeping with the season, what’s the strangest Christmas present you’ve received?
I once got a vase from an aunt that had a monkey on it.

Do you still have it?
You know what, when I first got it, I hated it. But now I think it’s quite kitsch, so now it has a presence in my life. It’s like fashion -- it’s always changing.

Kill, marry or bang: Andrew Garfield, Eddie Redmayne, James Franco.
[laughs] I am definitely not even entertaining that question.

Okay, at least tell us which of the three you find the hunkiest.
I can’t, I’ll get into so much trouble. I’m friends with all of them, they’re all lovely.

So they’ll all want to know which of them wins your heart.
They’re all very talented actors.

Of course. Favorite movies of the year?
“Blue is the Warmest Color,” and I actually loved “The Look of Love,” the Michael Winterbottom movie, as well.

What sense would you be most afraid to lose?
I think touch. Can you lose one? Yeah, you can lose sensation. Am I going mad? Touch is a sense, right?

Yes.
What are the five senses? This is how gone from my own humanity I am.

Oh no, you’re not a science person, I get it. Sight, sound, smell, taste and touch.
Yeah. It’s a good name for a movie.

There: your first writing project.
Yeah, let’s do it.

Do you want to write or direct at any point?
At the moment, acting is my focus. But I wouldn’t want to rule anything out.

Well, if so, we just developed the title for your first movie, so you can figure out what that’ll entail. Not physics probably.
Yeah, no way.

I better get some kind of producer credit on that.
Oh, for sure.

Miley Cyrus' 2013: Twerking, VMAs, Feuds

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Call her this year's pop-culture prom queen.

A year ago, Miley Cyrus was no stranger to us, of course. But who could have guessed how her star would rise — or rather, explode — in 2013, making this former preteen idol one of the most watched people on the planet? And so it seems only right to make Miley our tour guide (Kim and Kanye, you came close!) as we take our annual, highly selective, chronological tour through the year's pop culture moments: JANUARY

A new year brings an inauguration in Washington, D.C., but even the president admits the weekend's most important development is a bouncy new hairdo — bangs! — for MICHELLE OBAMA. Mini-scandal: BEYONCE sings the national anthem, only to admit later she lip-synced. At the Golden Globes, JODIE FOSTER makes an awkward, rambling but deeply compelling speech, hailed by many in the gay community as her long-awaited coming-out. LANCE ARMSTRONG confesses — to OPRAH WINFREY. Meanwhile, KIM KARDASHIAN basks in the glow of her just-announced pregnancy (proud dad is KANYE WEST) and says she looks forward to privacy — good luck! MILEY CYRUS, beginning her big year, is happily ensconced in her engagement to LIAM HEMSWORTH ...

FEBRUARY

Or is she? It's Oscar time, and MILEY, in a sexy backless white dress, makes news for who she ISN'T with at a post-Oscar party — her fiance. The Oscars bring triumph to BEN AFFLECK and "Argo," his somewhat-true movie about a truly fake one. And they bring us a new sweetheart: JENNIFER LAWRENCE, who trips onto the Oscar podium and into our hearts. Elsewhere, BEYONCE admits her inauguration lip-syncing, then rocks the SUPER BOWL with a spectacular halftime show, sung live, of course ...

MARCH

Things are heating up for MILEY — she's the March Cosmo cover girl. Of her major image change from those HANNAH MONTANA days, she notes: "Some of the worst things that have happened in my career ... have actually been what's best for me." That would be music to JUSTIN BIEBER's ears. In a bad start to a bad year, the 19-year-old pop star is booed by fans when he shows up late to a concert, struggles with his breathing and faints backstage at a show, is caught on camera clashing with a paparazzo, has his pet monkey confiscated by German authorities when he fails to produce proper papers ... and it's only March!

APRIL

Remember KIM KARDASHIAN's five-minute marriage to NBA star KRIS HUMPHRIES? No? Well, the couple's divorce comes through. GWYNETH PALTROW makes waves at the "Iron Man 3" premiere in a dress with see-through panels on both sides, leaving little of her lower body to the imagination and embodying a trend of bare skin on red carpets. It's clearly working: This month, she's named People magazine's Most Beautiful Woman. MILEY's ever-changing style morphs again: She seems to be ditching her engagement ring and is wearing longer hair with side bangs ...

MAY

But not for long! It's all bleached, spiky hair for Miley at the punk-themed Costume Institute Gala at the Metropolitan Museum of Art, where she hobnobs with the fashion elite, cementing her status as someone we're watching this year. At the Cannes Film Festival, a real-life jewel robbery makes headlines, partly because it coincides with Sofia Coppola's new movie, "Bling Ring," about young bling thieves. BIEBER's monkey officially becomes German property.

JUNE

Time for a KIMYE update, and it's a biggie: a daughter is born! The couple name her North West, inviting inevitable comparisons to other oddly named celebrity progeny (Apple Martin, anyone?) MILEY watch: "We Can't Stop" is No. 4 on Spotify's most-viral list. Oh yes, and Miley's dad, BILLY RAY CYRUS, is getting divorced from his wife of 19 years, Tish Finley Cyrus. But wait ...

JULY

Never mind — the divorce is off. More important, we have a royal birth! As she emerges from the hospital holding Prince George, it's noted that KATE MIDDLETON, aka the Duchess of Cambridge, isn't concealing her "mommy tummy," a development cheered by fellow moms across the world. On the KIMYE front, President Obama doesn't help get himself on the Christmas card list when he notes that in his day, "Kids weren't monitoring every day what Kim Kardashian was wearing or where Kanye West was going on vacation, and thinking that was the mark of success." Ouch! MILEY gets a documentary on MTV, "We Can't Stop" is No. 2 on Billboard's Hot 100 chart, and she says in an interview: "People just evolve, and that's all that's happened to me."

AUGUST

Maybe this is what she meant by evolving? August is the month MILEY will be remembered for most, thanks to her infamous performance on the MTV Video Music Awards, where she twerks her way into pop culture history in a teddy bear leotard that segues to a skimpy nude bikini. Of course, there's the foam hand, too, the constantly stuck-out tongue and the vulgar gestures. By morning, we can't talk about anything else. We'd like to stop ... but we can't!

SEPTEMBER

An "it" girl of the Hollywood-fashion nexus becomes even hotter. TV's "Scandal" actress KERRY WASHINGTON makes glamorous appearances at New York Fashion Week, where she judges "Project Runway" in a pretty Stella McCartney floral number, and at the Emmys, in an eye-catching Marchesa gown. MILEY watch: Her reps confirm her engagement to Hemsworth is off ...

OCTOBER

But hey, KIMYE's getting hitched! WEST proposes to Kardashian at the AT&T Park, home of the San Francisco Giants, with a screen reading: "PLEEEASE MARRY MEEE!!" He also makes an uncomfortable appearance with Jimmy Kimmel, an effort to defuse a feud stemming from a parody skit. MILEY hosts "Saturday Night Live," playing a salacious version of Michelle Bachmann. Maybe it's not a great idea to give MILEY advice: After Irish singer SINEAD O'CONNOR counsels her publicly to avoid being sexually exploited by the industry, MILEY strikes back on Twitter, mentioning O'CONNOR's struggles with bipolar disorder.

NOVEMBER

Time for some year-end awards. "Twerk" is on the shortlist for the Oxford Dictionary word of the year, though it loses out to "selfie." People magazine's Sexiest Man Alive is singer ADAM LEVINE. On the GQ annual list of least influential celebrities, Miley is No. 6, but don't feel TOO bad, Miley, President Obama is No. 17. At the American Music Awards, meanwhile, MILEY doesn't disappoint, performing "Wrecking Ball" as a duet with a giant, lip-syncing CGI kitten.

DECEMBER

More nods to MILEY's pop-culture dominance: MTV names her artist of the year. As for KARDASHIAN, she ranks No. 3 on GOOGLE's list of most-searched people in the U.S., the only non-singer on the list. Fiance West is No. 10. And Google's No. 1 is ... come on, did you have any doubt? MILEY also tops Yahoo's most-searched list. (KARDASHIAN is second.) And, as the year ticks to a close, guess who's going to be rocking out in Times Square?

Happy MILEY Year.

Adorable Cats Singing Christmas Carols

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Whether you're a cat, cat lover, or just spend a lot of time on the Internet, you probably agree that an adorable, fuzzy creature pawing ornaments and discarded wrapping paper makes the holidays even better than they already are. So a collection of Christmas lyrics tweaked to befit a feline [Catmas Carols, Chronicle Books, $9.95] is definitely reason to rejoice.

One parody, O! Little Town of Cat Mayhem, based on O! Little Town of Bethlehem, sings, "O! Little Town of Cat Mayhem, what mischiefs among you lie?" Apparently, very few. The cats in this book have the right idea for the holidays: they get into the Christmas spirit by napping, cuddling, eating, and of course, singing parodies of classic tunes.

Turns Out 'Home Alone' And 'Die Hard' Tell Same Story

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"Home Alone" and "Die Hard" are both modern-day holiday classics that we love watching this time of year, but the two films share something even greater than a Christmastime setting: a storyline.

"Home Alone" is really just "Die Hard" for kids.

Let's start with a skeletal version of the two plots: an emotionally vulnerable male lead finds himself clashing with his closest family members. Alienated from the group, he becomes separated at a pivotal moment in the story, just as a pack of criminals descends on his location. With his personal security threatened and the police failing to respond appropriately, he is forced to take matters into his own hands to fend off the intruders. The protagonist has to invent clever traps, attack plans, and hideouts to outsmart the enemy and save what is most precious.

If you still aren't convinced, let's take a walk through some finer details:

The lead criminal has a convincing disguise and a scarily memorable smile.

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The scared/shocked face is incredibly prevalent.





Our stars are armed and prepared to fight.







Sometimes our hero feels like he may have failed.





So, the correct positioning is a necessity.

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There is an epic moment when the villian falls.

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The eventual family reunion is emotional.

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Looks like 'tis the season for a re-watch ...

'The Wolf Of Wall Street' Review: Scorsese Film Is Twisted And Manic

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LOS ANGELES (AP) — Digging into deep-pocket gluttony, Martin Scorsese's dark comedy "The Wolf of Wall Street" highlights a world rich in drugs, fast cars and private jets. The American dream is amplified, yet those indulging in it are never satisfied.

In the film's opening segment, trading tycoon Jordan Belfort, played by Leonardo DiCaprio, declares, "Money is the best drug. It makes you a better person." This was the motto fueling a host of hustling stockbrokers in the late 1980s and early 1990s, and it sets the tone for Scorsese's commentary on the extravagance of our twisted financial culture. As we've seen in his films "Goodfellas" and "Casino," Scorsese is keen on illuminating power struggles among a brutal backdrop. But in "Wolf," swindling is the central vice, while violence is pale.

Adapted by Terrence Winter ("The Sopranos"), "Wolf" is based on a memoir by the real Jordan Belfort, who became a multi-millionaire at 26 and served 22 months in prison for securities fraud and money-laundering before becoming a best-selling author and motivational speaker.

As Jordan, DiCaprio, snorts cocaine off hookers, receives oral sex while speeding in his Miami Vice-esq Ferrari and nearly crashes his helicopter. His excessive antics carry over into his office, where brokers indulge in trysts with prostitutes and pop pills daily.

In a flashback, we discover Jordan's road to being a kingpin started in 1987 when he was a broker-in-training under the ardent Mark Hanna (played by Matthew McConaughey, who has never been funnier). David takes Jordan under his wing and advises him to devour blow to survive in the fast-paced trading industry. But when the market crashes on Black Monday, Jordan is sent back to his humble beginnings in Long Island, where he finds a job at a local penny stocks firm and quickly makes a killing earning 50 percent commission.

Still living in a mediocre apartment, Jordan's flashy car catches the attention of his neighbor Donnie Azoff (Jonah Hill), who must learn the secret to his success. Soon Jordan, with Donnie as his No. 2, goes into business for himself, starting the firm Stratton Oakmont. Pulling together a hilarious crew of goons and underachievers, Jordan trains them to become successful brokers.

But our hero is hard to root for. He's a master manipulator who harbors only a slight glint of humility, as he never leaves his accomplices behind. But he is quick to put his own needs before others, which is made clear when he uses the British aunt (Joanna Lumley of "Absolutely Fabulous" fame) of his trophy wife, Naomi (scene-stealing Australian newcomer Margot Robbie), to set up an offshore account and jeopardizes the safety of his adolescent daughter in an especially cringing scene.

However, none of his doings are ever severely punished. After a crackdown led by FBI agent Patrick Denham (an excellently placid Kyle Chandler), Jordan strikes a deal with the feds requiring him to snitch on his associates in order to reduce his sentence. But DiCaprio, with his occasional first-person narration, is exceptionally charismatic in his fifth Scorsese collaboration. And though the actor's skillset is usually best suited for campy roles, he strikes an ideal balance in "Wolf," as he seamlessly shifts between wild and collected.

At nearly three hours, Scorsese's manic masterpiece is a surplus of extravagance. But the extra minutes give way for the film's funniest sequence: Jordan and Donnie crawl on the floor attempting to fight despite their impaired speech and motor skills due to a delayed reaction to a batch of old Quaaludes. The heavy humor finds the endlessly hilarious Hill securing his place in Hollywood and sees DiCaprio reaching new comedic heights.

"The Wolf of Wall Street," a Paramount Pictures release, is rated R by the Motion Picture Association of America for "sequences of strong sexual content, graphic nudity, drug use and language throughout, and for some violence." Running time: 179 minutes. Three and a half stars out of four.

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MPAA definition of R: Restricted. Under 17 requires accompanying parent or adult guardian.

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Follow Jessica Herndon on Twitter at: https://twitter.com/SomeKind

2013's Best Music Moments From *NSYNC To Beyonce

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It was a major year in music, from the reunions of beloved pop groups such as *NSYNC and Destiny's Child to major new albums from Miley Cyrus and Lorde. Music fans got lucky with Daft Punk and blurred lines with Robin Thicke in the brief moments that Cyrus wasn't twerking and singing about molly. Below, Daft Punk, Thicke, Cyrus, and nine other memorable moments from the year in music.

Justin Timberlake's "20/20 Experience" and His *NSYNC Reunion

justin timberlake joey fatone 2013

After an extended break from recording, Justin Timberlake returned to music this year with the release of two studio albums. Timberlake surprised fans with his Jay Z collaboration "Suit & Tie," before debuting his third album, "The 20/20 Experience," in March. The wait was worth it for the boy-band alum, whose record took No. 1 on the Billboard 200 and went multi-platinum. Timberlake was honored with the Michael Jackson Video Vanguard Award at MTV's Video Music Awards in August, making major headlines with his performance. The gig reunited the singer with his *NSYNC bandmates for the first time in years and provided them the chance to perform "Bye Bye Bye." Timberlake continued his headline-making year with the release of "The 20/20 Experience – 2 of 2" in September. The singer's 2013 efforts earned him seven nominations for January's Grammy awards.

Miley Cyrus' Year of Shenanigans

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Miley Cyrus had too many major moments to count this year. With the release of her album "Bangerz" and all of the fanfare that went along with it, the 21-year-old singer was in the headlines from January through December. Cyrus made waves with her hit single, "We Can't Stop," and its raunchy video. She followed up with her rock ballad "Wrecking Ball," stripping completely naked and riding a wrecking ball for the visuals. Cyrus dominated the news cycle with her tawdry performance at the VMAs, continuing her boundary-pushing antics with wild concert performances, racy photos for her album and singles, and publicly feuding with her critics. Cyrus shows no sign of stopping, as just this week she teased a scandalous new music video for her single "Adore You."

The Emergence of Lorde

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This year, the world was introduced to a 16-year-old singer-songwriter named Lorde with a unique performance style, talent for writing charmingly catchy songs, and a major head of hair. Now 17, the New Zealand singer made a name for herself with her hit single "Royals." The track was followed by her debut album, "Pure Heroine," which received critical acclaim and debuted at No. 3 on the Billboard 200. The success of "Royals" earned Lorde her first Grammy nominations. The teen is up for Record of the Year, Song of the Year, Best Pop Solo Performance, and Best Pop Vocal Album at January's 56th annual Grammys.

Britney Spears' Comeback

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Forever the comeback queen, Britney Spears returned this year with the release of her seventh studio album, "Britney Jean." Brit introduced the album with the hit single "Work Bitch," which topped charts and featured a music video of the pop star busting out her celebrated dance moves. After months of speculation, she also confirmed rumors that she would be kicking off a Las Vegas residency at Planet Hollywood Resort & Casino. Spears accompanied the release of "Britney Jean" with a documentary on E! about the making of the album and her upcoming stint in Vegas.

Beyonce's Big Surprises

beyonce michelle williams 2013

Beyonce's year was full of mystery and surprise. She first made headlines in February, when she reunited with her Destiny's Child bandmates, Michelle Williams and Kelly Rowland, for her Super Bowl performance. The trio played classics including "Bootylicious" and "Independent Woman" before the lights went out at the Superdome in New Orleans. Over the course of the following months, rumors about Beyonce's fifth studio album were constant. Word spread that the singer was struggling to finish the project and that she was unhappy with the material already produced. Beyonce hit the road for her Mrs. Carter Show World Tour, before surprising fans in December with the unannounced release of her self-titled fifth album. "Beyonce" made its debut on iTunes with full singles and music videos, shooting to the top of the charts and selling more than 1 million copies.

Music That Fought for LGBTQ Rights

macklemore ryan lewis mary lambert

In the year that saw the Supreme Court strike down the Defense of Marriage Act, Macklemore & Ryan Lewis added to the conversation with "Same Love," a track that surprised the sometimes intolerant rap community. The hip-hop duo, along with Mary Lambert, made their stance on equal rights known with lyrics such as, "Whatever god you believe in / we come from the same one / strip away the fear, underneath, it's all the same love / about time that we raised up." Macklemore and company weren't alone: In the heat of the controversy surrounding the 2014 Sochi Olympics and Russia's anti-gay laws, Hozier entered our lives. While the song "Take Me To Church," is, at large, about humanity and the powers that undermine it, the music video follows two gay men living in Russia and the violence their love brings when found out.

Kanye West's Introduction Of "New Slaves"

kanye west new slaves

Kanye West was responsible for many of the biggest moments in the music industry in 2013. From his Confederate flag-branded t-shirts, to the many quotables provided by his "stream of consciousness" sermons during the Yeezus tour and TV and radio interviews, Kanye knows how to keep the conversation focused on him. But the most definitively Kanye thing to happen this year was the evening where his "Yeezus" album began. On a Friday night in May, West projected his face onto 66 buildings/walls in cities such as New York, Chicago, Paris and Berlin, performing the song "New Slaves." This was the world's first taste of "Yeezus," and there really isn't any other way West could have done it.

Daft Punk's Return and Snubbing of Stephen Colbert

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Daft Punk's return filled a hole in our hearts that had been gaping for almost a decade. "Random Access Memories" brought the funk in every way possible, and reminded us why the electronic music scene has consistently turned to the French duo for direction. As "Get Lucky" topped charts around the world, Daft Punk suddenly hit a hiccup in their otherwise seamless reemergence. Scheduled to perform on the "The Colbert Report" as the headliners of StePhest Colbchella, they were forced to cancel because of their contractual obligation to MTV to perform at the VMAs. While Colbert still danced along to the hit single with the help of Bryan Cranston, Hugh Laurie, and more, he renamed Robin Thicke's "Blurred Lines" as his song of the summer. Did Colbert really get Daft Punk'd on his own show, or was this all an elaborate ruse to promote the VMAs?

"The Harlem Shake"

the harlem shake baauer

Baauer released his single, "Harlem Shake," back in May of 2012, but it wasn't until February of this year that the song came to the world's attention thanks to a rash of viral videos that took over the Internet. Everyone from a couple of friends in a college dorm to families in their living rooms to companies in their work places and firefighters and military units recorded their own take on the "Harlem Shake." The song caused Billboard to add YouTube video data into calculating its Hot 100 chart, served as a soundtrack to protesters in Egypt and resulted in humanity watching a total of 2,782 years of "Harlem Shake" footage in just one month. There's a lot to be said about the "Harlem Shake," and there have been many different executions, but one thing has been consistent throughout: it reminded us all how good it feels to dance around like a fool.

Finding Out what the Fox Says

fox

When Norwegian comedy duo Ylvis wrote and produced their song "The Fox (What Does The Fox Say?)," it was meant to be an anti-hit. Instead of flopping, however, and providing material for their talk show like they had hoped it would, the song became a massive success. While it could be endlessly discussed how this song proves that electronic dance music is just pulsing beats and half-baked melodies with pointless lyrics, what's more important here is how passionately these two men feel for these furry "angels in disguise," the hilarious noises they make in attempt to solve this mystery, and that awesome bearded grandpa in a cardigan. We may never know what the fox says, but with Ylvis at our side, the truth is best left unknown.

Kendrick Lamar's "Control" Verse

kendrick lamar

Whether it was his album "Good Kid, m.A.A.d. City," or any of his many, many features from 2013, Kendrick Lamar proved to us this year that he has the Midas touch. Nothing demonstrated this more clearly than his verse on Big Sean's "Control." In a matter of hours after the song's release, Lamar had the entire hip-hop community in a manic state. By naming a certain list of his peers he seemed to think were his closest competition, he received response after response from the (mostly) angry crowd not mentioned. In hip-hop's game of king of the hill, Lamar wanted his friends and fellow rappers to know that the he's standing on a mountain.

Robin Thicke Blurring All the Lines

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Between claims that he ripped off Marvin Gaye, and also promoted misogyny and rape culture, Robin Thicke angered a lot of people this year with his "Blurred Lines." Despite the controversy, the song became a party anthem, and was dubbed the song of the summer. While the nudity and depiction of women in the accompanying music video offended some, there are moments in the visuals that no one can really hate: T.I.'s absurd dancing, Pharrell playing the air bass and, of course, the goat. Emily Ratajkowski, whose career exploded with "Blurred Lines," told Complex that the video was meant to make fun of itself, and that if you really look at it, the women are in the power position. While we may never be able to forgive Thicke for that ghastly Beetlejuice costume at the VMAs, "Blurred Lines" is sure to make its way into party playlists for years to come. Whether you think the song is entertaining, repulsive, or the worst musical hit of this or any other year, the controversy certainly suits the title.

10 Reasons Why The 'Miracle On 34th Street' Remake Is Better Than The Original

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The original 1947 version of "Miracle on 34th Street" is an undisputed Christmas classic. So much so that when a remake was announced and released during the 1994 holiday season, fans of the original were displeased. Then, a funny thing happened: While many believe the 1947 version to be superior, we here at HuffPost Entertainment are making the argument that the remake is actually the champion in the Battle of the "Miracle on 34th Streets." Here's why.

The Thanksgiving Day Parade Is Over-The-Top
Macy's decided not to participate in the remake like they did in the original 1947 version, so the film's team called the fictitious department store Cole's. It's just Macy's under a different name, and with spectacle like this, who needs Macy's?

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Elizabeth Perkins Puts Christmas Displays To Shame With Her Glow And Beauty
Elizabeth Perkins plays uptight Dorey Walker, the director of the Cole's parade, and she has never looked more stunning.

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It Stars Your Favorite Child Actor Of The '90s
Speaking of Elizabeth Perkins, Mara Wilson, who stole America's hearts in "Mrs. Doubtfire" the previous year, played Susan, Dorey's daughter. Susan only wants a family for Christmas (cute!). We love you Natalie Wood, but Mara Wilson steals the show in this one:

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It Proves That Santa Claus Created Jurassic Park
One of the great English actors, Richard Attenborough, plays Kris Kringle in the 1994 version. This is one year after his role in "Jurassic Park" as John Hammond, the man who creates the dinosaur destination. So to sum it up: Santa Claus created "Jurassic Park." Not a bad off-season job for the "Man With the Bag."

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It Casts TV Stars As Lovable Villains
Daphne (Jane Leeves) from "Frasier" and Richard (James Remar) from "Sex and the City" play the baddies in the film. We love TV stars turned villains, especially when they have a change of heart by the end. Way to go, team!

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Stars The Greatest Stocking Stuffer: Dylan McDermott
Dylan McDreamboatDermott plays Bryan Bedford, who is pretty much a walking Christmas miracle. Every frame of McDermott in this movie is the reason for the season. Where's the mistletoe when you need it?!

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(Our love for you is no secret).

A "West Wing" Alum Plays A Disgruntled Holiday Shopper
Allison Janney also makes a cameo, as a brash Long Island sale-seeking mother. It's nice seeing Janney pre-C.J. Cregg, and getting Santa in trouble no less! Watch your back, Kringle!

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Santa's Baller Christmas Wreath Ring
Where do we get one?!
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Reindeer Are Brought Into The Courtroom As Evidence That Santa Exists
With McDermott there, it's like an absurd episode of "The Practice"!

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Nothing Says "Merry Christmas" Like A Good Ugly Cry
Try not to blubber like a baby when Santa signs with the hearing impaired girl who comes to see him at Cole's.

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Now go have some eggnog and visit your local Cole's!

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This Video Puts The History And Future Of Everything In Serious Perspective

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Time flies, as they say.

It can be easy to forget something that seems like it's taking forever is barely a blip in the history of the universe. As the narrator of the video above remarks, time makes sense in small, manageable increments, but it becomes more unwieldy as generations pass.

Information design team Kurzgesagt and the WaitButWhy blog break all of time down for us in their awesome new video, from the Big Bang to the heat death of the universe, with a stop for coffee in between.



Ryan Murphy Had 'Glee' Ending Planned Out Before Cory Monteith's Death

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"Glee" creator Ryan Murphy is finally opening up about how he wanted Rachel (Lea Michele) and Finn's (Cory Monteith) story to end.

“Rachel was going to have become a big Broadway star, the role she was born to play,” he said in Entertainment Weekly's Year-End Special according to TVLine, adding, “Finn was going to have become a teacher, settled down happily in Ohio, at peace with his choice and no longer feeling like a Lima loser.”

“Rachel comes back to Ohio, fulfilled and yet not, and walks into Finn’s glee club," Murphy continued. "‘What are you doing here?’ he would ask. ‘I’m home,’ she would reply. Fade out. The End.”

Monteith died in July due to a toxic mix of alcohol and heroine. A tribute episode to the late "Glee" star aired in October, and shortly afterward Murphy announced that the musical dramedy would end after Season 6.

"The whole [last] year of the show -- which will be next year -- was really designed around Rachel-Cory/Finn story," Murphy said, according to EW. "I always knew that. I always knew how it would end. I knew what the last shot was -- he was in it. I knew what the last line was; she said it to him. So when a tragedy like that happens you sort of have to pause and figure out what you want to do."

In case you missed it, check out Michele's touching rendition of "Make You Feel My Love" from Monteith's tribute episode, titled "The Quarterback."



21 Christmas Songs You Should Listen To Right Now

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Here's our Christmas gift to you: 21 of the best holiday songs ever recorded. Add your own favorites in the comments section below, and enjoy!

Vince Guaraldi Trio, "Christmas Time Is Here"


Mariah Carey, "All I Want For Christmas Is You"


The Drifters, "White Christmas"


Beach Boys, "Little Saint Nick"


Johnny Mathis, "Sleigh Ride"


Chuck Berry, "Run Rudolph Run"


Andy Williams, "Most Wonderful Time Of The Year"


Burl Ives, "Holly Jolly Christmas"


Brenda Lee, "Rockin' Around The Christmas Tree"


Lou Monte, "Dominick The Donkey"


Mavis Staples, "Christmas Vacation"


Judy Garland, "Have Yourself a Merry Little Christmas"


Trans-Siberian Orchestra, "Carol of the Bells"


Perry Como, "Home For The Holidays"


The Ronettes, "Frosty the Snowman"


Bing Crosby & David Bowie, "Little Drummer Boy"


John Lennon, "Happy Christmas"


Josh Groban, "O Holy Night"


Nat King Cole, "The Christmas Song"


Bruce Springsteen & The E Street Band, "Santa Claus Is Coming To Town"


Darlene Love, "Christmas (Baby Please Come Home")

Katy Perry, The Wedding Unicorn, Pees Lemonade And Sneezes Sparkles

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It doesn't surprise us whatsoever that Anna Schumacher and her husband Tim met through Burning Man -- an annual arts and fire festival and year-round culture with regional events.

Why, you might ask? Because the couple had a "life-sized" unicorn that sneezed glitter, peed lemonade and shot pink fire out of its horn at their July 2012 wedding.

Just recently, though, photos of their mythical matrimony creature (dubbed "Katy Perry") have begun to circulate around the web again, and they're too awesome not to share.

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Schumacher was fortunate enough to know some "seriously talented fire geeks" -- her friends Kat and Jesse Green -- who transformed a black carousel horse into the badass unicorn.

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Curious about the name Katy Perry? The bride clears it up in a blog post on Offbeat Bride.

She was named during a routine visit to Jesse's doctor. They were describing the unicorn to her and she laughingly asked, "what're you naming it — Katy Perry?" The only answer to that is, of course, "we are now."


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Katy Perry took four months to build and cost about $3,000 in materials. Expensive, yes, but totally worth it.

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Credit on all photos: Erik McGregor

Believe it or not, this is not the only beverage-dispensing wedding unicorn we've come across. Earlier this month, Offbeat Bride featured a couple named Erin and Shayne who had a "beericorn" at their August 2013 wedding.

For more details on how Katy Perry came to be, head over to Offbeat Bride.

Keep in touch! Check out HuffPost Weddings on Facebook, Twitter and Pinterest.

The 24 Pieces That Should Be Required Reading For Women From 2013

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Thought-provoking, hilarious, heart-wrenching writing by women was everywhere this year -- despite some suggestions to the contrary. So for the second year in a row we've curated a list of pieces we felt reflected some of the most insightful female voices of the year.

To make the list, a piece had to be published this calendar year and be available online. It had to have inspired debate, conversation and awe, both at our office and on social media. No list can possibly capture all the terrific writing by and about women, but we hope that this one inspires you to take a look (or look again) at some true gems.

I’m Daisy Coleman, The Teenager At The Center Of The Maryville Rape Media Storm, And This Is What Really Happened
Daisy Coleman, xoJane

When she was 14 years old, Daisy Coleman, a varsity cheerleader from Maryville, Mo., was sexually assaulted by a popular high school football player while she was passed out -- and then tossed in her snowy front yard in freezing temperatures. Despite strong evidence, charges against her assailant were dropped. After months of press coverage, and a Twitter campaign launched by Anonymous (#Justice4Daisy), Coleman spoke out for the first time. “I'm different now, and I can't ever go back to the person I once was,” she wrote. “That one night took it all away from me. I'm nothing more than just human, but I also refuse to be a victim of cruelty any longer. This is why I am saying my name. This is why I am not shutting up.”

In My Head, I'm Always Thin
Daphne Merkin, Elle

"In admitting to being overweight, I feel like I’m admitting to something truly heinous," writes Merkin, an author who is not exactly shy about opening up -- she's written unflinchingly about her battles with depression and in a famous New Yorker piece revealed her love of S& M. But fat, it turns out, is more taboo. Merkin's brilliant meditation on appetite, invisibility, and the ways we often delude ourselves when we look in the mirror will resonate with any woman who has struggled with body image issues. "I don’t see myself ... with quite the same piercing clarity, the same objectifying gaze as I imagine others do," she writes. "Because it would be too painful and, at its most extreme, lead to my never leaving the house for fear of public scrutiny."

Dig Deep: Beyond Lean In
bell hooks, The Feminist Wire

Though we generally see Sheryl Sandberg's Lean In as the catalyst for an important conversation about women in the workplace, hooks' critique of Sandberg's white, moneyed, privileged perspective is a must-read for anyone interested in having a larger dialogue about these issues. "Instead of creating a space of female solidarity, Sandberg exists as the lone queen amid millions of admires," she writes. Writers like hooks inspire us to start talking.

What's Wrong With Me?
Meghan O'Rourke, The New Yorker

This harrowing account of the author's mysterious autoimmune illness is also an exploration of the serious limitations of a health care system that often treats young female patients as the ‘worried well.’”

The Fairy Godmother of Rock
Jada Yuan, New York Magazine

This masterful profile of the Witchy Woman showed us that Stevie Nicks offstage -- in all of her complicated, neurotic, feminine glory -- is everything we always thought she was and more. Yuan hung out with Nicks for hours (jealous) and captured her singular outlook and charm. This is one of the most entertaining and insightful portraits we read this year. J-school students take note: This is how it's done.

I'm Not Ambitious, And That's OK
Elissa Strauss, Salon

Strauss reminds us that while it's all well and good to strive for career and financial success, perhaps it's important to strive for sanity as well.

The Opt-Out Generation Wants Back In
Judith Warner, The New York Times Magazine

In 2003, Lisa Belkin wrote a controversial New York Times Magazine cover story called “The Opt Out Revolution” about a small group of educated and affluent women who were leaving high powered careers to stay home with their children. A decade later, Judith Warner caught up with a different cohort of women who had “opted out” and found that while most didn’t regret having had time with their children, being out of the workforce resulted in financial insecurity, marital discord and great difficulty reestablishing a career.

Women Are Bitches
KMA Sullivan, The Rumpus

Sullivan writes about the “exhausting” and “relentless” misogyny that exists in the literary circles she travels in “from men who are otherwise kind and educated, who would never think of themselves as chauvinist assholes.” Sullivan suspects that these “reasonably aware and well-intentioned” men harbor sexist attitudes that create room for “unreasonable, ignorant assholes to say and do what most of us (men and women alike) would deem shockingly destructive.”

The Barbecue
Margaret Wheeler Johnson, HuffPost Weddings

Many a bride-to-be has written about the stress and insanity of wedding planning. But Wheeler Johnson's take on the lead-up to her Big Day is among the best we've ever read.

Your Friends And Rapists
Sarah Nicole Prickett, Medium

In this meandering (in the best sense of the word) piece at about the author's rape at age 19, she turns the lens on herself -- but also on the "dick culture" that encourages (and often finds funny) pictures of passed out young women who have been raped. (See: Daisy Coleman, Rehtaaeh Parsons, Steubenville). "I am not interested in what motivates a rapist," Prickett writes. "I am interested in what permits him."

Sunday Sauce, Saving Me
Jessica Valenti, The Toast

In this beautiful essay, Valenti mediates on food, memory, longing and creating family traditions.

Should You Send A Lady A Dick Pic? A Guide For Men
Erin Gloria Ryan, Jezebel

In a pitch-perfect send-off to the Anthony Weiners of the world, Ryan cleverly breaks down all of the possible reasons a man would think to send a dick pic -- and then explains why it's almost always a bad idea.

When Your Brown Body is a White Wonderland
Tressie McMillan Cottom, tressiemc.com

Cottom sets aside discussions about the overt sexiness of Miley Cyrus’ VMAs performance to focus on the less-discussed racial implications of the singer's twerking against a backdrop of curvy, black, female bodies. This essay is not only beautifully-written, but deeply important.

The Perfect Wife
Ariel Levy, The New Yorker

Edith Windsor, the plaintiff in the Supreme Court case which declared the Defense of Marriage Act (DOMA) unconstitutional, has become a gay rights icon -- and for good reason. This brilliantly-reported profile about her relationship with her wife Thea Spyer and her dogged fight for marriage equality will inspire even the most hard-hearted of readers.

Shine Theory: Why Powerful Women Make Great Friends
Ann Friedman, The Cut

In this terrific piece about "that feeling of resentment rather than joy at the personal and professional achievements of another woman," Friedman not only spoke the truth about this very real and toxic aspect of female relationships, she also proposed a simple and wise way to end it: Women should adapt a "I don't shine if you don't shine" attitude. Befriend accomplished women, Friedman says, and you will get much in return: "The associative property of awesomeness" as well as support and inspiration from a tribe of strong women.

My First Year as a Woman
Laura Jane Grace, Cosmpolitan

"Truth be told though, when it comes to what other people think about me, I say fuck 'em. That's the lesson that I want to impart to my daughter: It doesn't matter what people think of you -- you have to be true to yourself," wrote punk-rocker Grace (formerly known as Tom Gabel), reflecting on the first year of her transition to living as a woman. The rest of the piece is just as bold.

Difficult Women: How 'Sex and the City' lost its good name
Emily Nussbaum, The New Yorker

Nussbaum traces the glittery show so many love to hate these days (or at the very least, mock, and with some good reason) back to its oft-forgotten, revolutionary beginnings. "It originated the unacknowledged first female anti-hero on television: ladies and gentlemen, Carrie Bradshaw," Nussbaum writes. Closet "Sex and the City" fans, behold your vindication.

I Have a Character Issue
Anna Gunn, New York Times

After years of playing sociopathic meth-dealer Walter White's wife, Skyler, on TV, Gunn was all-too-familiar with the shocking amount of vitriol some fans directed at her character -- and by proxy, at the actress herself. "Could it be that they can’t stand a woman who won’t suffer silently or 'stand by her man'?," Gunn wondered, calling out all of the men who love to be angry at fictional (and real-life) women. "That they despise her because she won’t back down or give up? Or because she is, in fact, Walter’s equal?"

Michelle Obama, 'feminist nightmare?' How Lazy Journalism Hurts Feminism
Roxane Gay, Salon

"When can we stop talking about who's a bad feminist?," asks Gay. After reading her piece on the utter ridiculousness of picking apart FLOTUS' feminist and activist credentials, you'll be absolutely sure that time should be now.

You Can Only Hope to Contain Them
Amanda Hess, ESPN

Hess approaches a very real issue for female athletes -- their breasts -- with respect and substantial reporting. Now this is how you write about women's lives without resorting to stereotypes and lazy generalizations.

Why I F**king Love Teenage Girls
Meghan Harper, HuffPost Teen

We had never really thought about what, exactly, makes teenage girls so amazingly complicated. Until Harper broke it down for us. The piece starts out slow but keep going and soak in wisdom like this:"Teenage girls find a buoy for themselves in the sea of emotional ruin, and they hold on tighter than anyone else."

My Abortion
Meaghan Winter, New York Magazine

In their own words, 26 women spoke plainly and powerfully about their varied reasons for choosing to end a pregnancy. Their stories reminded us how often real women get lost in politically motivated debates about abortion.

The Riptide Of Titstare
Rachel Sklar, Linked In

Rachel Sklar connects the dots between a report about the state of the news business authored by three white men (and based on interviews with 61 people, 54 of whom were white men), the unveiling of an app called Titstare at Tech Crunch Disrupt, and the misogynist tweets of former CTO of Business Insider, Pax Dickinson.

Thanksgiving in Mongolia
Ariel Levy, The New Yorker

And finally, almost every person we reached out to for suggestions for this list mentioned Levy's stunning essay about the miscarriage she suffered while traveling abroad. Gripping, intimate, wrenching without one superfluous word or false note, this piece will be studied in memoir writing classes for years to come.

Ashley Diana Morris, Guess Model's Wedding In The Bahamas (PHOTOS)

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Ashley Diana Morris has had a fairy tale year.

The gorgeous Vancouverite who bears a strong resemblance to Anna Nicole Smith was named the face of Guess Lingerie and Bikini last January, rocketing her to instant fame in the fashion world.

But that wasn't quite the best part of the Pickering, Ont.-born model's 2013. No, the apex of her year was when she married West Vancouver dentist Geoffrey Gillespie in front of 80 people in the Bahamas on Nov. 9.

Check out some photos from Ashley Diana Morris's wedding by Ben Jamieson Photography. The story continues after the slideshow:


"I got the marry the man of my dreams," she told The Huffington Post B.C. "That is first and foremost the best thing that happened to me this year."

Morris and Gillespie met through the dentist's friend, Bryan Henry, who first encountered the future supermodel while she was working as a bartender at Toronto's Harbour 60 Steakhouse in 2010. She was studying sports journalism at Centennial College at the time.

Henry soon sent Gillespie a text: "I just met your future wife. You can thank me later."

The two exchanged e-mails and learned that they had a lot in common. Gillespie flew out to Toronto and Morris picked him up at the airport. They did long distance for about six months before she moved to Vancouver.

He proposed two years later, at the very place where they met in person.

Morris and Gillespie shared the task of planning the wedding. Wanting to avoid the Vancouver rain, they nearly chose Niagara-on-the-Lake before settling on the $14,000 per night One and Only Ocean Club on Paradise Island in the Bahamas.

It was the very same resort where "Casino Royale" was produced, and the soon-to-be-married couple stayed in the suite where Daniel Craig filmed a steamy scene with Caterina Murino.

"We were in shock, they must have liked us a lot," Morris laughed.

The bride wore a lace Maggie Sottero dress as the couple tied the knot at the resort's Versailles Gardens. Everything went to plan except the reception, which they had to move to a covered area after the rain started coming down.

The newly-married couple then spent an additional six days in the Bahamas before flying home.

January marks the start of a busy year for Morris as she travels to Germany, then Miami and New York.

It isn't always easy for the couple to see each other.

"He doesn't mind getting on a plane to come visit me for weekends and I'm so used to flying out," Morris said of her husband.

"We make it work."

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'The Invisible Woman' Review: Ralph Fiennes Leads 'Reflective' Film

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Two years after he made his directorial debut with "Coriolanus," the terrific actor Ralph Fiennes arrives with his second effort, an exploration of an illicit liaison that Charles Dickens had with a young actress.

And "The Invisible Woman" is so different in every way from that first film — in content, texture, look, and pace — that, well, it's tempting to call this "A Tale of Two Movies." Of course, both films are skillfully made, as one would expect from a talent like Fiennes (who also stars in both). But where "Coriolanus" was visceral, violent, and virtually crackling with energy, "The Invisible Woman" is quiet, reflective, richly detailed, and slow-moving.

Nothing wrong with any of that. But it also lacks something crucial: Passion.

This will be particularly disappointing to those who see the names Ralph Fiennes and Kristin Scott Thomas together here, and remember the heat these two generated together, oh, 17 years ago in "The English Patient." Alas, Thomas plays not the love interest here — that goes to the much younger Felicity Jones — but the love interest's mother. (So, stop thinking about that scene where he carries her lifeless body, still lovely, out of the cave. You know who you are.)

It is, though, a fascinating story — and a true one, first told in a 1990 biography by Claire Tomalin, on which the screenplay is based. When Dickens was 45, and at the height of his considerable celebrity, he met 18-year-old Nelly Ternan, a budding actress with a role in one of his theatrical productions.

The year was 1857, in the midst of the Victorian Era. The idea of an 18-year-old having an affair with an older, married father of 10, let alone a beloved public figure, was of course scandalous. But the unlikely liaison lasted for over a decade.

The film begins after Dickens' death. It's 1885 and a school headmaster's wife is directing schoolboys in a play by Dickens and fellow dramatist Wilkie Collins. It's clear from the way she acts that she is distracted, in a deep, disturbing sort of way.

Her thoughts travel back almost three decades, and the affair plays out in flashback. We watch as young Nelly meets Dickens, portrayed by Fiennes as a man in constant creative motion, self-involved but also seductive, by force of his intellect.

Nelly comes from a family of actors, including her mother, but alas, she's not the talented one, though she doesn't know it at first. Yet Dickens is clearly drawn to her; "She has something," he says. Jones, who has a lovely face and a sweet demeanor, succeeds in portraying this soft-spoken woman as someone who is always thinking more deeply than she's letting on.

Hastening the affair is Dickens' obvious dissatisfaction with his marriage. Joanna Scanlan is touching — and, quite suddenly, heartbreaking — as Catherine Dickens, who was in fact discarded, humiliatingly. In one important scene, we learn there's a lot more wisdom in her than jealousy.

There's plenty of fun here for anyone partial to expertly done period dramas. The costumes are wonderful, and it's particularly enjoyable to watch rehearsal scenes in a 19th-century theater.

But as the action progresses, you might find yourself feeling as though you've missed something: The spark that ignites this whole dangerous enterprise. We see evidence that rumors are flying of this illicit coupling way before we see any, er, actual coupling — and what we see isn't enough.

At one point, the older Nelly, reflecting back, comments that there were "days of such joy." Of course, there was pain, too. But it would have been nice, in this otherwise solid effort by Fiennes, to see more of that joy.

"The Invisible Woman," a Sony Pictures Classics release, is rated R by the Motion Picture Association of America for "some sexual content." Running time: 111 minutes. Three stars out of four.

MPAA definition of R: Restricted. Under 17 requires accompanying parent or adult guardian.

Yusef Lateef Dead: Grammy-Winning Musician Dies At 93

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SHUTESBURY, Mass. (AP) — Grammy-winning musician and composer Yusef Lateef, one of the first to incorporate world music into traditional jazz, has died. He was 93.

Lateef died Monday at his home in Shutesbury in western Massachusetts, according to the Douglass Funeral Home in Amherst. Lateef, a tenor saxophonist known for his impressive technique, also became a top flutist. He was a jazz soloist on the oboe and played bassoon. He introduced different types of flutes and other woodwind instruments from many countries into his music and is credited with playing world music before it was officially named.

"I believe that all humans have knowledge," he said in a 2009 interview for the National Endowment for the Arts. "Each culture has some knowledge. That's why I studied with Saj Dev, an Indian flute player. That's why I studied Stockhausen's music. The pygmies' music of the rain forest is very rich music. So the knowledge is out there. And I also believe one should seek knowledge from the cradle to the grave. With that kind of inquisitiveness, one discovers things that were unknown before."

As a composer, he created works for performers ranging from soloists to bands to choirs. His longer pieces have been played by symphony orchestras throughout the United States and in Germany. In 1987, he won a Grammy Award for his new age recording "Yusef Lateef's Little Symphony," on which he played all of the instruments.

In 2010, he was named an NEA Jazz Master, the nation's highest jazz honor.

Lateef had an international following and toured extensively in the U.S., Europe, Japan and Africa. His last tour was during the summer.

He held a bachelor's degree in music and a master's degree in music education from the Manhattan School of Music, and from 1987 to 2002, he was a professor at the University of Massachusetts in Amherst, from which he was awarded a doctorate in education.

He created his own music theory called "Autophysiopsychic Music," which he described in the NEA interview as "music from one's physical, mental and spiritual self, and also from the heart."

Born William Emanuel Huddleston in Chattanooga, Tenn., in 1920, Lateef moved with his family to Detroit five years later. He became acquainted with many top musicians who were part of Detroit's active music scene and by age 18 he was touring professionally with swing bands led by Lucky Millinder, Roy Eldridge, Hot Lips Page and Ernie Fields.

In 1949, he was invited to perform with the Dizzy Gillespie Orchestra, which was playing be-bop. He took the name Yusef Lateef after becoming a member of the Ahmadiyya Muslim Community, and twice made the pilgrimage to Mecca.

He became a fixture on the Detroit jazz scene in the 1950s leading his own quintet. In 1960, he moved to New York and joined Charles Mingus' band. Lateef would go on to perform with some of jazz's best talent, including Cannonball Adderley, Donald Byrd and Miles Davis.

Lateef first began recording under his own name in 1956 for Savoy Records, and made more than 100 recordings as a leader for such labels as Prestige, Impulse, Atlantic and his own YAL. His most enduring early recordings included such songs as "Love Theme from Spartacus" and "Morning."

In the 1980s, he taught at a university in Nigeria, where he did research into the Fulani flute.

Lateef formed his own label, YAL Records, in 1992, which released an extended suite, "The World at Peace," co-composed with percussionist Adam Rudolph. He also wrote a four-movement work for quintet and orchestra, "The African American Epic Suite," which was commissioned and performed by the WDR Orchestra in Germany in 1993.

He is survived by his wife, Ayesha Lateef; son, Yusef Lateef; granddaughter and great-grandchildren.

'Draft Day' Trailer Has Kevin Costner Talking Football

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Kevin Costner's career in football is on the line in the first trailer for "Draft Day." The veteran actor stars in the upcoming film as the Cleveland Browns general manager Sonny Weaver, Jr., a man tasked with saving his job on the NFL's draft day. Costner's character is feeling pressure from the team's leaders and must rethink his entire strategy in the hopes of delivering and keeping his job. Led by director Ivan Reitman ("Ghostbusters"), "Draft Day" also stars Jennifer Garner, Frank Langella, and Tom Welling, among others. Take a look at the trailer below and catch "Draft Day" in theaters on April 11, 2014.

This Giant Consumerist Christmas Tree Will Make You Rethink Your Holiday Spending

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Ah, Christmas. A time for families to get together, sing around the fireplace and stampede through the local malls in a frenzied panic for the perfect gift.

It's true that consumerism has come to dominate the spirit of Christmas, a fact we sometimes forget amidst the fragrant pine trees and twinkling lights that mark the holidays. Luckily art collective Luzinterruptus is here to bring the important issues to light and give us some beautiful artwork in the process. Behold, a "Consumerist Christmas Tree":

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Luzinterruptus is known as much for their cleverly scavenged materials as they are for their dazzling and thoughtful urban interventions. So we weren't all too surprised to learn that one of their latest works used plastic bags as an artistic medium. "We wanted to give a double edge to our complaint," Luzinterruptus explained in an email to The Huffington Post. "On the one hand, the massive use of plastic bags and the consequences this has on the environment, and on the other hand, the excessive and unnecessary consumption that occurs during the Christmas holidays."

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To comment on the consumerist sentiment that is as endemic to Christmas as a glass of eggnog, Luzinterruptus erected a public Christmas tree at the Lumiere Durham festival in England made entirely out of plastic bags, using around 3,000 in total. Luzinterruptus invited residents, associations and colleges to take part in building the "Consumerist Christmas Tree," asking for plastic bag donations which were then packed with plastic packaging.

The many artists and volunteers then hung the stuffed bags on a 9-meter-high, cone-shaped structure in the Prince Bishops Shopping Centre plaza. The final touch? Christmas lights, of course, transforming the heaps of trash into a neon, translucent Christmas tree, resembling the merger of a shopping spree and a family of jellyfish. The thematic work also coincided with a garbage service strike in the art collective's hometown of Madrid, adding another layer of meaning to the recycled work.

Check out the "Consumerist Christmas Tree" below and let us know if you're inspired to tone down the holiday gifts this year. Or, at the very least, BYOB (bring your own bag.)

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For more on Luzinterruptus, check out a past story on the collective here.

Lil Waynedeer Is The Holiday Mashup We Never Knew We Needed

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Want to know how street artist Hanksy is celebrating the holidays? Not surprisingly, he's ringing in Christmas with a few puns, because why deck the halls with boughs of holly when you can paint the streets with caricatures of Lil Wayne reindeers?

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"Hanksy has been in the holiday spirit lately, putting up and painting a few December-themed pieces in Manhattan," Krause Gallery writes. If that's not enough, here's "elfie." Get it?

selfie

5 Christmas Decorations That Are O.K. To Keep Up (Long) After The Holiday (PHOTOS)

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'Tis the season for lots of lights and over-the-top outdoor decor, but the secret to winning Christmas may lay in a far more traditional place -- holiday decorations that you can use year after year.

Here's a look at holiday decor so classic and versatile that it could stay up well past January 1. (Read: These are the items you're going to want to stock up on at those after-Christmas sales.)

Plaid Pieces



White Lights


Topiaries



Paperwhite Bulbs



A Well-Made Wreath




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