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Everything You Need To Know About 'The Giver' Before Seeing The Movie This Weekend

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The adaptation of "The Giver," that book you remember adoring so much in middle school, at last hits the big screen this week. Jeff Bridges, who plays the title character, optioned the film in 1995, one year after Lois Lowry's novel won the Newbery Medal. Nearly two decades and several scripts later, adolescents of the 1990s and 2000s can reclaim the story that introduced them to dystopian literature and made them feel all sorts of adult feels for perhaps the first time. Before the long-awaiting adaptation opens on Friday, refresh your memory (that's a tricky concept in "The Giver," as we know) with our handy A-to-Z primer, minus W, X, Y and Z.

Note: The information in this refresher comes from the novel. It does not reflect plot details that have been altered for the movie, such as the age at which children receive their Assignments.

Anthem: A Pledge of Allegiance-esque recitation the community chants simultaneously each morning.

Asher: Jonas' best friend. (Played in the film by Cameron Monaghan.)

Assignment : Every burgeoning teenager receives a role in the community during the Ceremony of Twelve. Assignments include Birthmother, Instructor, Law and Justice, Fish Hatchery Attendant, Maintenance Crew, Director of Recreation, Doctor, Engineer, Security Guard and Caretaker of the Old.

Birthmothers: Responsible for carrying one child each year for three years. After that requirement is fulfilled, Birthmothers serve as Laborers until they enter the House of the Old.

Book of Rules: A documentation of the community's standards and regulations.

Bragging: Off-limits for members of the community.

Capacity to See Beyond: A quality that any Receiver of the Memories must possess and develop, in which he or she can detect color, shape, size and other traits the community no longer knows. Jonas first notices this ability when he sees an apple change shape.

Ceremony of Loss: The ritual performed when a family unit loses a child. The ceremony is a rare instance, as the community takes intense safety precautions to protect children.

Ceremony of Twelve: The event at which 12-year-olds receive their Assignments. After 12, age is relevant in the community and many forget how old they actually are.

Chief Elder: The leader of the community. The Chief Elder is elected every 10 years. (Played in the film by Meryl Streep.)

Childless Adults: When children are grown, parents no longer need family units and therefore go on to live among those for whom childrearing is over.

Climate Control: The removal of seasons in an effort to neutralize agriculture and transportation without the interference of weather fluctuations.

Committee of Elders: The body that governs the community, including Assignments, Matching, Release and other life events.

Discipline wand: A slender item used to correct misbehavior in newchildren.

Dream-telling: A morning ritual during which family units inform one another of their dreams from the previous night.

Dwelling: A family unit's home.

Eight: The age at which children begin their volunteer hours. Also the age when children receive jackets with pockets, indicating they are old enough to keep up with their own small belongings.

Elsewhere: The unspecified place where the released are sent. If a citizen doesn't fit in with his or her community, he or she can apply for release and be sent Elsewhere, which implies a neighboring community.

Feelings: An evening ritual in which parents and children share their emotional reactions to the day's events.

Fiona: Another close friend of Jonas. (Played in the film by Odeya Rush.)

Gabriel: The child Jonas' father is nurturing. Gabe may have to be released because he isn't growing properly, so Jonas' father brings him home to give him extra care.

Hall of Closed Records: Where private information is stored. After becoming Receiver-in-training, Jonas uses a video monitor to access the Hall of Closed Record's footage of his father releasing a newchild.

Hall of Open Records: Where the community's public information is stored.

House of the Old: Where community members are cared for once they become elderly.

Hunger: Cited as the reason the Committee of Elders years earlier did not honor a petition to increase the rate of births. The Giver tells Jonas that centuries ago the population swelled and hunger led to starvation and warfare -- a memory only he possessed and which he used to counsel the Elders in their decision.

Inadequate: The label one receives before being released. Gabe receives this status because he hasn't met the appropriate weight, but Jonas' father convinced the committee to give him an additional year of nurturing.

Jonas: The central protagonist and newly selected Receiver of Memories. (Played in the film by Brenton Thwaites.)

Learning community: The group with which children attend school.

Lily: Jonas' little sister. (Played in the film by Emma Tremblay.)

Maintenance Crew: The group that manages facilities and property within the community.

Matching of Spouses: The process by which an adult is granted a husband or wife. Matching is so meticulous that it sometimes takes month or years to find proper pairings.

Memories: What Jonah will absorb as Receiver. Memories hail from generations ago and span the entire world -- foreign concepts for the insular community. Among the Memories Jonah gleans are snow, sunshine, sunburn, rainbow, animals, pain, fire, hunger, the ocean, war, birthdays, museums, grandparents, holidays, love and music and books.

Murmur-of-Replacement Ceremony: A special practice in which a family unit that lost a child officializes a replacement. Performed at the Naming, the community chants the name slowly at first, with accelerating speed and volume.

Naming: Each family can have one boy and one girl, assigned to them by committee. They submit applications and, once accepted, receive their new child in a ceremony called the Naming, during which parents learn what their little ones will be called.

Newchild: Newborns.

Not-to-Be-Spoken: The status given to something that earns the highest degree of disgrace.

Nurturers: Those responsible for physical and emotional well-being of newchildren. Jonas' father is a Nurturer.

Placement: The process by which a child is assigned to a family.

Precision of language: A tenant applied to vocabulary to specify that all words be used according to their proper contemporary meanings. The community treats words with utmost importance because their definitions have altered so much that some, like "love," are rendered obsolete.

Receiver of the Memories: Considered the most important Assignment in the community. He or she gains memories from his or her predecessor, referred to as The Giver, and becomes the only community member to know what life before Sameness was like. He is sometimes called upon to utilize the memories to advise the Committee of Elders. The Receiver has four essential attributes: intelligence, integrity, courage and wisdom. Jonas is selected as the newest Receiver-in-training.

Rehabilitation Center: Where community members go when they are injured.

Release: The act of removing someone from the community. There are two types of non-punishment release: an elderly person, in celebration of his or her life, and a newchild, in recognition that he or she is not developing according to the Community's standards. Members of the community don't know exactly what happens during a release. The person being released exits through a door in the Releasing Room, never to be seen again.

Rosemary: The Receiver before Jonas. She failed in her training 10 years prior, and in doing so, the memories she'd retained were released, giving everyone access to them and creating chaos. (Played in the film by Taylor Swift.)

Sameness: The condition under which the community was formed and operates. Instead of distinctions among individuals, classes, quality, weather and other fluctuating aspects, the community seeks uniformity.

Speaker: The person who makes announcements over the community-wide intercom system. Announcements are often targeted at specific members of the community, though their names are never uttered.

Stirrings: Sex dreams. Members of the community take pills each morning to prevent dreams about sex.

Twins: Twins are forbidden within communities, so the smaller one is always sent Elsewhere after birth.

Uncertain: The label Gabe receives upon being granted another year of nurturing.

Volunteer hours: From age 8 to 12, children must complete a required number of volunteer hours with various aspects of the community in hopes of helping the Elders to make informed decisions about their Assignments.

The Moments We All Fell In Love With Robin Williams

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If you're anything like us, you spent Monday night watching your favorite Robin Williams movies, clips and specials, struggling to make sense of this loss and failing miserably at holding back tears.

Williams was a rarity: a bona fide stand-up comedian and a classically-trained actor. He made the transition to television and movies first as a comic, but then soared in dramatic roles. He gave us characters that helped define our childhoods and characters that helped us become grownups.

We asked our fellow HuffPosters to share their favorite Robin Williams memories and the outpouring was overwhelming. Take a look at some of their favorite moments below and please tell us what you'll treasure most about Robin Williams' legacy as a performer.

Stand-Up, 1977



I associate Robin Williams with my parents -- my mother especially. You see my mom has one of those laughs. Not just any laugh -- THE laugh. The kind of laugh that makes everything 10 times funnier just by hearing its faint echo. To try to describe it would do it a disservice, but in the interest of science let's just say that it's somewhat reminiscent of the howl emitted by Wile E. Coyote while falling off a cliff. It's magical and being the catalyst for it is a big prize in my household.

Why am I going on about this laugh, you ask? I mainly have my mother to thank for my sense of humor, and a huge part of that was thanks to the hours spent together watching stand-up. Looking back on it, I get why my mom was so excited to share things like "The Carol Burnett Show," "I Love Lucy" and "Taxi" -- still scratching my head as to why I was allowed to watch Richard Pryor and Bill Maher at age 10 though. Before we all start judging, one of the best choices she ever made was letting me stay up late one night to watch a 1970s Robin Williams stand-up special with her. It's the one where he wears suspenders and solidified the manic stage persona that would be the basis for every Robin Williams impression from here to eternity. It was also the first time I can remember my mother laughing THE laugh for what seemed like hours. Seriously, she couldn't stop.

Ever since, we've seen every single one of his specials, including each Comedy Relief ever produced. Hearing the sad news of his death took me back to all those wonderful moments we've shared. As I get older I'm constantly reminded of how time stubbornly insists on going by. I used to take for granted that I'd be able to always sit down on the couch have a good laugh with my mom. Now, I think I'll remind myself to treasure those moments while I still can. Thanks for everything, Mr. Williams. You sure did know how to bring people together. -- Adriana Usero

"Mork & Mindy," 1978-1982



I hadn't thought about "Mork and Mindy" for a long time, but when I heard Robin Williams had died, it was the first thing I thought of. Mork blew my mind because he represented the outsider who could see the foolishness of much of the what passes as respectable society. He was wild and weird and funny -- kind of the patron saint of the dork. A subtle iconoclast, Mork asked the obvious questions of "why?" and "why not?" and at the end of the show he reflected on what he had learned in his conversations with the unseen Orson. These mystical conversation with someone in the stars reminded me of the thought and reflection that come with prayer. I'm praying a prayer of thanksgiving for Mork, and for Robin Williams today. -- Paul Rashenbush

My sister and I used to watch "Mork & Mindy" while standing on our heads like Mork would do and shouting "Nanu Nanu" and "Shazbot" between giggles. We were such fans we named our pet guinea pigs Mork and Mindy (and one of their babies Mirth). --Teri D'Angelo

"The World According To Garp", 1982



I always loved that book and the warmth Williams is able to portray so well with that teary smile -- it felt like the best articulation of all the experiences that had gone into making that character who he was by the end of the film. I still like the book more than the movie, but I thought Williams was a perfect Garp (not to mention John Lithgow as a former pro football player-turned-trans woman). -- Ricky Camilleri

"Moscow On The Hudson," 1984



So many to choose from ... but one of my all-time favorites is his performance in Paul Mazursky's "Moscow on the Hudson" as the sweet-natured Russian musician who defects at Bloomingdale's. Williams speaks Russian, plays saxophone, does a nude scene (with Maria Conchita Alonso), and manages to be both funny and touching. A lovely, outside-his-comfort-zone performance. --Roy Sekoff

"Dead Poets Society," 1989



“We don't read and write poetry because it's cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. Medicine, law, business, engineering, these are noble pursuits, and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for … What will your verse be?”

When I watched this Robin Williams scene in ninth grade, I thought I want to be an English teacher; that will be my verse. And I later went on to do just that (my previous career). -- Jessica Prois

"The Fisher King," 1991



I think "The Fisher King" taught me more about love, regret and humanity than basically any other movie. Robin Williams put so much pain and grace into that performance, you could watch it a hundred times and still get something new out of it. -- Carol Hartsell

"Hook," 1991



No Robin Williams movie scene makes me smile more than him flying through the air like he was swimming backstroke as Peter Pan. Whenever that movie is on TV, it's just impossible to change the channel. Bangarang! -- Michael Klopman

My earliest memory of Robin Williams is in "Hook," which remains one of my favorite movies to this day. This scene, where he "becomes" Peter Pan again is my favorite. He always seemed to have such a youthful, playful energy and seemed to be a kid at heart. -- Lisa Miller

From "Hook" to "Mrs. Doubtfire" to "Jumanji," Robin Williams made dads cool for every '90s kid. Williams' characters were heroic and effusive, saving the day in one cushy suburban environment after another. He brought warmth and adventure to fatherhood that I think sticks with many young adults today. Our dads are better for it, and so are we. -- Amanda Duberman

"Aladdin," 1992



I remember the first movie I ever saw in a theater; it was "Aladdin" and I was 3 years old. My grandfather -- who passed away a year ago this summer -- took me. While I was too young to remember that day, I do remember having to get up and pee approximately every 20 minutes and upon returning home, my grandpa telling my mom, "I'm NEVER taking her to the movies again." Lucky for me, that wasn't the last time I went to a movie with my grandfather, though it was the first time I experienced the magic of comedy and cinema -- and Robin Williams was part of that. I'd like to imagine my grandpa and Robin sitting somewhere Up There, maybe smoking a cigar, and of course, laughing at it all. --Taylor Trudon

"Toys," 1992



I loved Robin Williams as the funny and doting brother in "Toys." The fun-loving nature of his character Leslie Zevo reminds me a lot of the relationship I have with my older brother, Daryl. -- Dana Oliver

"Mrs. Doubtfire," 1993



Who can forget this classic scene from "Mrs. Doubtfire": When Robin Williams, who plays the newly divorced Daniel Hillard, gets an unexpected surprise visit from court liaison while role playing as, well, Mrs. Doubtfire? When his mask falls out the window and gets run over by a truck, Hillard has no other choice than to shove his face in a cake and claim he's wearing a moisturizing mask made of "egg whites, creme fraiche, powdered sugar, vanilla and a touch of alum." When the "concoction" leaks into Mrs. Sellner's tea, Hillard exclaims, "You've got your cream and sugar. It's a little cappu-tea-no." Childhood memory right there. Simply special. --Leigh Blickley

"Mrs. Doubtfire" is one of my favorite Robin Williams films -- his character was so heartwarming. -- Jacqueline Howard

My childhood love for Robin Williams spans from "Hook" to "Jumanji" to "What Dreams May Come," one of the first films about the death to deeply affect me. Yet when thinking of a favorite Williams moment, one that continued to make me laugh after the view count reached the double digits (and still does), was a scene from "Mrs. Doubtfire." When Williams' Daniel is caught off-guard by Mrs. Sellner's arrival, he has no way to disguise his face but to slam it in a frosted cake. Williams improvised the scene when his "nightly meringue mask" began melting from the heat of the set lights. I grew up remembering that sometimes you just have to run with what you've got, and when in doubt, always keep a cake on hand for emergencies. -- Erin Whitney

As a child of divorce who grew up in San Francisco in the '80s, watching this was a very-close-to-home reminder that all that matters is that our parents love us. And now that I have a child of my own, I know that love to be overwhelming, powerful ... everything. -- Farah Miller



"Nine Months," 1995



Submitted by Vicky Kuperman

"The Birdcage," 1996



His performances in "Mrs. Doubtfire" and "Aladdin" are part of the fabric of my adolescence, but the moment I really fell in love with Robin Williams was his dance-directing scene in "The Birdcage." He really spoke my language with: "Fosse, Fosse, Fosse ... Madonna, Madonna, Madonna ..." I think I still quote it at least once a month. There will never be anyone else quite like him. -- Curtis M. Wong

Simultaneously known for his manic energy and intense humanity, the spirit Robin Williams imbued in his performances was never more multi-layered than in Mike Nichols' wonderful 1996 comedy "The Birdcage." Williams plays a gay man who must, along with his partner (Nathan Lane), pose as a straight couple in order to woo his son's fiancee's politically-minded parents. The signature scene, of which there are many, comes while Williams directs a dancer employed at the drag club he owns. Invoking the showmanship of Bob Fosse, Martha Graham, Twyla Tharp, Michael Kidd and Madonna, Williams reminds us he's the ultimate showman in the span of just seconds, bravely eschewing any hesitations about playing gay in the sexually muddy '90s and proving there's rich benevolence to be had in even the zaniest of characters. -- Matthew Jacobs

"Jack", 1996



I grew up watching Robin Williams, he seemed to be with me every step of the way -- from "Jumanji" to "Bicentennial Man," and, boy, did I love how he voiced genie in "Aladdin." The first time I experience his comedic genius, however, wasn't in his stellar performance as "Mrs. Doubtfire" but as the kind-hearted and fun boy with an aging disorder, Jack. I still remember owning the VHS and seeing him on the front with hands and legs spread out like a starfish. The entire movie is heart-warming and silly -- I was 6 when I first saw it and loved every minute of it. And let's not forget he was accompanied by another great in that movie, Bill Cosby. --Carolina Moreno

Caroline Tehrani loves this quote from the graduation scene in "Jack":

"I don't have very much time these days so I'll make it quick. Like my life. You know, as we come to the end of this phase of our life, we find ourselves trying to remember the good times and trying to forget the bad times, and we find ourselves thinking about the future. We start to worry , thinking, 'What am I gonna do? Where am I gonna be in ten years?' But I say to you, 'Hey, look at me!' Please, don't worry so much. Because in the end, none of us have very long on this Earth. Life is fleeting. And if you're ever distressed, cast your eyes to the summer sky when the stars are strung across the velvety night. And when a shooting star streaks through the blackness, turning night into day ... make a wish and think of me. Make your life spectacular. I know I did."



"Flubber," 1997



When he made science and playing with goo cool. -- Elena Kaufman

"Good Will Hunting," 1997



As perfectly funny as Robin Williams was, it was often his more serious roles that got me -- I think I watched "Dead Poets Society" and "Good Will Hunting" 100 times. I could recite passages from the latter, and the "It's not your fault" exchange brought me to tears when I first saw it. I distinctly remember, as a lonely college freshman, acting out that scene with my one good friend, our finger puppets over dramatizing Robin Williams and Matt Damon's Sean and Will, though with a much worse sense of timing. The serious scene became absurd when puppets came into the mix, and soon we were cracking up. I think Williams asked his audiences to trust him, to compassionately find humor in the darkest moments -- and I'll always remember him making me laugh indirectly, a much needed moment of lightness at a challenging time. -- Kate Abbey-Lambertz

"The Simpsons: Grift of the Magi," 1999



A non-traditional one from the "Simpsons" ... When an ozone hole was in Springfield the residents were advised to stay inside unless they wear sunscreen or are a class nine or have Robin Williams level of hair coverage. --Nick Wing

"Blame Canada," 2000



"Dead Poets Society," "The Fisher King," "Good Will Hunting"... they're all movies that were formative for me as a young person. Comic Relief was a must-watch annual event in my house and Williams' comedy specials were legendary. But right now, for some reason, the thing I can't get out of my mind is his performance of Trey Parker and Matt Stone's "Blame Canada" at the 72nd Academy Awards in March of 2000. There was so much controversy about the song's performance (since it -- gasp -- had the words "fart" and "fuck" in it) and so much build-up, that when Williams walked out on stage with black tape over his mouth, it was an event. There's a genuine glee in that performance that says everything to me about comedy and satire. It also bears even more significance now, since the song was sung in "South Park: Bigger, Longer & Uncut" by Mary Kay Bergman, the original voice of Liane Cartman, Sheila Broflovski, and Sharon Marsh among others. Bergman committed suicide in 1999 after battling mental illness for years. --Carol Hartsell

"Inside The Actor's Studio", 2001



This was one of the most memorable comedy bits I've ever seen. The dexterity and intelligence with which Williams could perform always blew me away -- after grabbing a scarf from a random lady in the crowd (this was at the beginning of his "Inside the Actor's Studio" episode), he performs multiple characters in a stream-of-consciousness display of skill that was equal parts ridiculous, silly, smart and biting (but obviously, rolling-on-the-floor funny): -- Ishita Singh

The "Inside The Actors Studio" improv skit with the scarf! -- Sujata Mitra

"Robin Williams: Live On Broadway," 2002



As a writer and a lover of literature, I will forever keep "Dead Poet's Society" at the top of my favorite movies list, and Robin Williams will forever be my captain. I also remember my first time seeing any of his stand-up work -- my father showed me his golf skit when I was a teenager. And needless to say, that joke has yet to get old in our household. -- Alena Hall

"World's Greatest Dad," 2009



While not his most well-known, I feel there are correlations on his more recent film, "World's Greatest Dad," in terms of suicide and depression. -- William Goodman

Reddit AMA, 2013

"My children give me a great sense of wonder. Just to see them develop into these extraordinary human beings. And a favorite book as a child? Growing up, it was 'The Lion, The Witch and The Wardrobe' -- I would read the whole C.S. Lewis series out loud to my kids. I was once reading to Zelda, and she said 'don't do any voices. Just read it as yourself.' So I did, I just read it straight, and she said 'that's better.'"
-- Robin Williams, via Reddit, Submitted by Katie Nelson


Trick-Or-Treating At Robin's House

I grew up in San Francisco and -- like every other kid in town -- went trick-or-treating at Robin Williams' house in Sea Cliff every year. His family handed out toothbrushes, which we all got a big kick out of. The pride San Franciscans of all ages took in sharing their home with him is evidence of his universal magnetism -- the Bay Area just got a little less funny. --Lydia O'Connor


Need help? In the U.S., call 1-800-273-8255 for the National Suicide Prevention Lifeline.

Robin Williams Never Fails To Make Us Laugh

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With the recent death of the great actor Robin Williams, we wanted to take a look back at some of his funnier movie moments. From a wacky scientist in "Flubber" to a cross-dressing man in "Mrs. Doubtfire," Williams' roles are always diverse and inspiring.

Watch the tribute above to laugh alongside one of the funniest actors of our time.

'Mortdecai' Trailer Is All About Johnny Depp's Facial Hair

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Meet Charlie Mortdecai, a globetrotting art dealer who tries to find a stolen painting linked to Nazi gold. Starring Johnny Depp, Gwyneth Paltrow, Ewan McGregor and Olivia Munn, "Mortdecai" is based on "The Mortdecai Trilogy" by Kyril Bonfiglioli, a goofy spy series. The trailer features Depp's funny faces, a man-servant and Jeff Goldblum. Think James Bond meets dumb "Archer." Directed by David Koepp, "Mortdecai" is due out next February.

UPDATE: The trailer was yanked down off YouTube, but interested parties can check it out over at Apple.

The Lyrics To Lil Wayne's 'P**** Monster,' Rearranged By Frequency (NSFW)

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Note: Quite obviously, this article contains explicit language that some readers may find objectionable.

"I hope she make me eat my words / 'Cause my words is pussy, pussy, pussy."

Spoken word poet Franny Choi has a history of writing poetry for and to Lil Wayne, an artist himself known for his punch line-laden couplets. And each poem Choi writes is anchored to a specific song.

For a song like "Pussy Monster" -- a song as straightforward in its language as Lil Wayne's desires -- Choi went super simple. She took the song lyrics apart, word by word, and rearranged them in order of frequency of appearance. A recent performance of the poem was uploaded by Button Poetry.

The poem starts out as a celebration of phonetics, syllables clicking against one another, but quickly becomes something a little bit more... repetitive. Which, if nothing else, demonstrates what deconstruction is really good at.

For a poem so intent on convincing someone -- a woman -- to participate in certain activities, it becomes very, very focused on one thing.

Oh, and for those playing along at home -- the word "pussy" is used 40 times in the poem. Which, you know, is a lot.


What Men Need To Understand About Everyday Sexual Harassment, In One Perfect Comic

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If you've ever had a hard time explaining why a man telling you to "Smile!" on the street is harassment, this comic says it all.

Artist Robot Hugs created a longform webcomic inspired by a friend's well-meaning question about sexist treatment of women. "A friend asked why he didn't see many instances of harassment, and it led me to think about why the culture of everyday sexism and harassment is so visible and real to women and femmefolk yet so invisible to many men," the artist told The Huffington Post in an email.

The resulting comic covers everything from street harassment to legislative control over women's bodies, and offers bystanders a way to push back against harmful narratives.

"I believe it's always good when topics such as rape culture, sexism, and harassment are explored and discussed," Robot Hugs told HuffPost. "And if I can produce something that resonates with the people invested in those discussions, then I'm happy."

We're happy, too. Check out the full, amazing comic below.

sexual harassment
sexual harassment
sexual harassment

George R.R. Martin Admits Some 'Game Of Thrones' Fan Theories Are Correct

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There are so many theories bouncing around the Internet about how George R.R. Martin’s popular Song of Ice and Fire series will conclude, it would seem almost impossible for none of them to be right. Indeed, Martin confirmed in an interview with The Telegraph that some of the fan theories floating around correctly predict how the series will wrap up. “So many readers were reading the books with so much attention that they were throwing up some theories and while some of those theories were amusing bulls -- and creative, some of the theories are right,” he explained.

The sometimes unnerving accuracy of fan conjectures may have impressed Martin, but he claims it also drove him away from fan sites. "I want to surprise and delight my readers and take them in directions they didn't see coming," he said. "But I can't change the plans. That's one of the reasons I used to read the early fan boards back in the 90s but stopped." Martin also refrained from revealing which theories are on the money, expressing his hope to provide a reading experience filled with surprises and excitement to those readers who don't peruse fan boards.

The next installment of the series, The Winds of Winter, is still without a firm release date, though Martin plans to cut back on his involvement with HBO's "Game of Thrones" in order to work on finishing the book. Though solid plot progression won’t be happening any time soon, readers and viewers of HBO’s "Games of Thrones" can take solace in knowing their wild hypothesizing might just lead them to the truth. Time to start digging through message boards and poring through evidence to definitively prove which theories are viable!

Here are 7 wild fan theories to get you started -- could any of them turn out to be true?

Pentatonix Covers 'Problem' And Announces New EP

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Vocal superstars Pentatonix announced its third EP with the release of a new cover: "Problem" by Ariana Grande. "PTX Vol. 3" is due out Sept. 23 on RCA Records, and will feature "Drag Me Away," "La La Latch," "Rather Be," See Through," "Standing By" and "Papaoutai."

The group also has a holiday album, "That's Christmas To Me," out Oct. 21. In addition to that, Pentatonix is set to appear as a rival a cappella group in "Pitch Perfect 2." Aca-awesomeness all around.


75 Years Ago, 'The Wizard Of Oz' Helped Cure 'War Nerves'

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This week in 1939, "The Wizard of Oz" premiered at Grauman's Chinese Theatre in Los Angeles before its nationwide bow on Aug. 25. The Victor Fleming film was one of Hollywood's first escapist blockbusters, and treated as such by the media. Courtesy of Ancestry.com comes this Mason City Globe-Gazette article from Sept. 2, 1939, about "The Wizard of Oz," which calls it a cure for "war nerves."

"If it's relaxation you're seeking from the headlines shrieking of war in Europe and in Asia, we recommend to appease your desire (in spit of avowed failure of other appeasement programs) "The Wizard of Oz," which opened at the Cecil Saturday and plays there through Thursday," the piece reads. Check out the full article below, then head down the yellow-brick road or something.

wizard of oz

This Flow-Motion Video Provides An Eye-Opening Window Into North Korea

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With the abundance of technology available today, it's possible to explore the world's most exotic locations right from our computer screens. However, one place we read about often -- but hardly ever see -- is North Korea.

That's about to change.

rob whitworth nk cityscape

In "Enter Pyongyang," British photographer Rob Whitworth and city branding expert JT Singh present a look at Pyongyang, North Korea through blending time-lapse photography, acceleration, slow motion, HD and digital animation. From four days' worth of filming, they've produced a video that blends beautiful scenery with intimate shots of ordinary urban life.

In an email to The Huffington Post, Whitworth said that their level of access to the city -- organized by Beijing-based Koryo Tours, who also paid for their travel expenses -- had never been provided to a foreign film crew before.

rob whitworth nk soccer

However, with this opportunity came a set of restrictions. Images of North Korean leaders could not be cropped, and the city prohibited filming of construction or military sites, he said. The filmmakers also note on the video's Vimeo page that filming was "closely assisted" by the North Korean government's tourism guides.

There is much debate over the ethics of tourism to North Korea, with critics saying visitors -- however unwittingly -- can provide funds and propaganda material to a state accused of committing atrocities against its people. The video also focuses on urban life in the capital city, while in rural areas the UN found has evidence of starvation, mass incarceration and torture.

rob whitworth nk metro 2

Despite the filming restrictions, Whitworth said their visit to Pyongyang was "beguiling."

"It was so different from the ground up," he said. "For example, the lack of advertising really makes you aware of how completely saturated we are with it in the West. The country's culture struck me as very reserved and polite. Despite an evident lack of resources, the people were very dignified."

rob whitworth nk metro train

Whitworth said one of his favorite moments on the trip -- a visit to a skate park on the group's last day -- shows that some sights in North Korea are more familiar than you might think.

"There was something so disarming about skating around on a sunny afternoon, racing kids around corners, getting laughed at when you fell over," Whitworth said. "It could have been anywhere on earth."

rob whitworth nk tower

Jeff Bridges Recalls Robin Williams' 'Wild' Spirit

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Jeff Bridges is the latest star to eulogize Robin Williams in the wake of the beloved comedian's death. Bridges took a moment at the start of Tuesday morning's press conference for "The Giver" to express his adoration for the late actor.

Bridges and Williams starred in 1991's "The Fisher King," for which Williams received an Oscar nomination and both earned Golden Globe nods. Twenty-three years later, Bridges called the combination of finally bringing the long-gestating "Giver" to the big screen and mourning his friend's death "remarkable."

"It reminded me of what The Giver and The Receiver might have felt," Bridges told a room of New York reporters, referring to the characters in Lois Lowry's 1993 novel.




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Williams and Bridges shoot a scene from "The Fisher King."


Bridges recalled the previous evening, when he again memorialized Williams at the premiere party for "The Giver." He and his wife pulled up to the Central Park Boathouse, where the event took place, and while gathering themselves, the 64-year-old actor spotted a figure resembling Williams.

"I look out of the window, and I say, 'What? Is that Robin? Is that his ghost?' No, it's Radio Man," Bridges recalled, referring to the nickname of Craig Castaldo, a New York City homeless man who became a celebrity himself by making cameos in dozens of movies and TV shows. Radio Man, who's been said to bear a resemblance to Williams, famously became chummy with the comedian after they met on the set of "The Fisher King." He once attended the Oscars as a guest of Williams, and in other years accompanied Williams' friends Billy Crystal and Whoopi Goldberg to the ceremony.

Bridges stepped out of his vehicle to embrace Radio Man, which he said conjured up a flood of memories.




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Radio Man and Williams attend the Tribeca Film Festival in 2004.


"It brought back all these wonderful feelings of what an amazing time we had together here in New York shooting 'The Fisher King.' [...] Radio Man, he knows where all the movies are shot somehow -- I don't know how he magically does that. I remember seeing Radio Man, and he could not believe that Robin's character was there in the flesh, in reality. There he was. And so we embraced Radio Man. I felt Robin's spirit as I'm feeling him now in this room with us.

"Just before I came down, I'm looking out my window to Central Park -- my favorite part about New York -- and remembering the last scene of [laughs] me and Robin out there at 4 o'clock in the morning, nude -- naked! -- and Robin is just wild and free. He's just, 'Let the wild pony dance!' He's rubbing his butt on the grass and saying, 'You know why dogs do this? Because they can!' So wild. I just had to share that because that's what's going on so strongly and how much I miss him, and I'm sure you guys do, too. What a gift he was to all of us."

The 10 Coolest Cities In America, According To Forbes

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Instead of trying to be the cool kids on the block, why not just live on the coolest blocks?

Well, thanks to Forbes, which recently partnered with Sperling's BestPlaces now you can. If you're willing to move west or head to the nation's capital, that is. According to Forbes' and Sperling's list of the "coolest cities" in the country, that's where you can find communities with everything from strong arts and culture to quality local eats and a significant percentage of young, "hip" residents. Though seeing as several of the cities on the list, such as Seattle and Austin, also nabbed spots among the best cities for millennial homebuyers, the high percentage of 20- to 34-year-olds on this list aren't really shocking.

The results also reveal that these hotbeds of coolness, which were selected from the 60 largest metropolitan areas in the United States, rank high in diversity, a characteristic that also explains these cities' high arts and culture quotient and their variety of local eats. They have also been recognized as some of the fastest-growing cities over the past several years, thanks in large part to improving employment rates and more affordable home prices that's occurring in places like Denver, and the boom in local industries that's happening in cities such as Houston.

Check out the list below don't be afraid to do as the in-crowd does, at least this one time.






And to view the complete rankings, visit our friends at Forbes.



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Here's Who (Probably) Put Those Mysterious White Flags On The Brooklyn Bridge

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Two German artists have come forward, claiming to being the pranksters who scaled the Brooklyn Bridge and replaced a pair of American flags with two plain white flags. That stunt, which apparently took place in the wee hours of July 22, sent the New York City Police Department into a tizzy to uncover those responsible.

The New York Times' head architecture critic, Michael Kimmelman, received a phone call from the artists, identified as Mischa Leinkauf and Matthias Wermke, who told him the act was neither terrorism-related nor carried any hint of anti-American sentiment.

They said they intend to return the flags and explained how they got up on top of the bridge in the first place. From the Times: "They said they carried the white flags in backpacks up the climbing cables that workers and the police use to reach the towers, and did not see security cameras. They would not say whether other people were involved."

The artists even provided the paper with video footage presumably shot atop the bridge on the night of the prank.



Visit the Times for the full story behind the stunt.

The admission follows weeks of hand-wringing by NYPD officials, who have been scrambling for leads, with some even theorizing that the incident was an "inside job."

As recently as Aug. 8, the Manhattan District Attorney's office issued a subpoena to the creators of the parody Twitter account @BicycleLobby after the person behind the handle jokingly claimed responsibility for swapping the flags. NYPD commissioner William Bratton indicated at the time that authorities had "a very good idea" of who had pulled off the stunt, but did not provide any further details.

Others have come forward to claim responsibility. On July 31, a marijuana activist took credit for the stunt, per the New York Daily News. However, an unnamed law enforcement cast doubt on the presumed confession. "I doubt this guy's story has a lot of credibility," the source said, per the Daily News.

96 Bodies You Won't See On Billboards -- But Should

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Only 5 percent of women have the type of body we see on billboards and in TV commercials.

The "Expose" project wants you to see the remaining 95 percent.

(Some images below may be considered NSFW.)

expose

Blogger and activist Jes Baker teamed up with photographer Liora K to showcase women's bodies just as they are -- unfiltered, un-Photoshopped, and totally amazing.

"When was the last time you opened up your browser and saw a beautiful image of a body shape that looked just like yours?" Baker asked in a blog post introducing the series.

expose

Ninety-six women, recruited on Facebook, gathered in Tucson, Arizona to disrobe in front of total strangers in the name of body love. This is the second time Baker and K have shot images for this project.

In a blog post about the shoot, photographer Liora K explained how she stressed the beauty and uniqueness of every participant during the process:
What I really wanted the women to get out of our time (how ever brief) together was that they were IMPORTANT. That their bodies deserved to be seen, that what they perceive as faults are simply THEM, and are neither right nor wrong. That showing their bodies won’t innately cause them harm. That their breasts won’t cause damage to those around them, or their bellies or thighs either. That their nudity, while making them vulnerable, does not make them at fault. And that lastly, their bodies are their vehicles through life, and to treat them with kindness. I hope that came across.


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Journalist Gillian Drummond, who wrote about participating in the shoot for 3 Story Magazine, wrote: "The few hours I spent there were electric and empowering and funny and sincere and loving and sore and very, very emotional."

Drummond also described her joy at the variety of body types represented at the shoot:
I tell my daughter all the time: "People come in all shapes and sizes." And I wish she had been there to witness how true this statement was that summer afternoon in Tucson. There were big boobs, little boobs, hardly any boobs, pregnant boobs. Pregnant bellies, Caesarean scars, other scars. Briefs, thongs, boy shorts, high-waisted Spanx affairs, and some undies removed altogether.


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See more beautiful images from the "Expose" project below, and check out the full series here.

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Wee Goat Wears A Hawaiian Shirt To Lei On The Cuteness For His Adoption Pics

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This adorable little kid is Cowboy Bebop, a 3-week-old goat who not long ago was in foster care while looking for a family of his own.

Australian pet photographer Ruth O'Leary jumped at the chance to help Bebop by taking adoption pictures of him wearing a wee Hawaiian shirt, which his foster family put on him for cuteness, and a diaper, which was affixed to his behind because Bebop isn't house broken.

"It was equal parts 'Here's a fun project for the afternoon' and 'This goat needs great photos to find a home,'" O'Leary says.

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It probably goes -- goats? -- without saying that the effort worked.

"He was officially adopted within a week of his profile going live," says O'Leary. "He went to live on a hobby farm with a rescue pig and a couple of rescue dogs."

Speaking of dogs, which are O'Leary's usual subject matter -- she's a self-described "crazy dog lady," with a minor in being obsessed with cats -- she says there were a few key differences between this shoot and her usual assignments.

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Bebop also wears sweaters, naturally. Photo credit: Ruth O'Leary



"I had hoped that his session would be like photographing a dog, but he wasn't interested in any of my silly noises and he was still being bottle fed so there were no special goat treats I could lure him with," she says. "I mean I'd love to say he's an average goat and I just made him look awesome, but honestly he's the only goat I've ever met so I don't know how he compares to others in the cute stakes.​"

He does pretty well in the cute stakes, we'd say -- check out little Bebop in more of his adoption photos. You can see his one of his foster brothers, a pug named Sushi, in there, too:






And here's Bebop having a great, diaperless time with his new family:







More of O'Leary's wonderful animal photos are up on her website. And get in touch at arin.greenwood@huffingtonpost.com if you've got a story to share!


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Ramin Karimloo Covers Iconic 'Les Miserables' Song On A Banjo

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Ever wonder what the music of a fictionalized revolutionary France would sound like if it was played on a banjo? Well, your "Les Miserables"-meets-bluegrass dreams are coming true. Thanks to Ramin Karimloo, Sergio Ortego and a video captured by The New York Times.

Iranian-born Karimloo -- the one crooning on the banjo above -- is currently playing Jean Valjean in the Broadway revival of "Les Miserables" at Imperial Theater in New York. If you happen to love musical theater and traditional folk music genres, this little gem is for you.

h/t The New York Times

Damien Hirst Gets Pharmaceutical In New Show

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Damien Hirst’s love affair with pills of all shapes and colours and his admiration of pharmaceutical industrial design has inspired new sculptures and prints, which are due to go on show in an exhibition at Paul Stolper Gallery in London. The show “Schizophrenogenesis” (9 October-15 November) sounds like “Alice in Wonderland” meets “Valley of the Dolls" as Hirst has super sized many of the pick-me-ups, ditto the packaging.

19 Rare Alfred Hitchcock Movies You Should Know About On His Birthday

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Legendary film filmmaker Alfred Hitchcock was born 115 years ago, on Aug. 13, 1899. The Master of Suspense died in 1980, but he left behind an outstanding oeuvre of some of the greatest films in cinematic history, including "Vertigo," the greatest film of all time as voted by Sight and Sound in 2012, "Psycho," "Rear Window" and "North by Northwest." We all know and love those classics, but Hitchcock also made over two dozen films in Britain before he came to America, and some less celebrated ones after his arrival in Hollywood. Here are the rare Hitchcock films that every cinephile and movie lover should know about:

1. “The Ring” (1927)
It's a major misconception that Hitchcock wrote the scripts for most of his films. In reality, he relied on other writers (including his wife, Alma Reville) for the screenplays. Yet he still worked very closely with them on precise visual details for his movies. "The Ring," a silent sports film about boxing and romance, is the only original screenplay written by Hitchcock.




2. “The Man Who Knew Too Much” (1934)
Hitchcock's 1956 film "The Man Who Knew Too Much," starring Jimmy Stewart and Doris Day, was actually a remake of Hitchcock's film of the same name from 22 years earlier. The original British version, which is tonally different from the remake, is about a couple who discover an assassination plot. In an interview, Hitchcock once said of both movies: "Let's say the first version is the work of a talented amateur and the second was made by a professional."




3. “Sabotage” (1936)
Based on Joseph Conrad's novel The Secret Agent (not to be confused with the Hitchcock film of the same named released the same year), "Sabotage follows a movie theater owner and terrorist planning to blow up a bus in London's Piccadilly Circus. The film features a rather controversial scene for the time where Hitchcock decided to suddenly kill off a character. It was a decision he later called a "mistake."




4. "The Lady Vanishes” (1938)
One of the director's best known British films, "The Lady Vanishes" stars Margaret Lockwood as a younger English woman traveling through Europe who suddenly notices an older woman has disappeared from her train. She searches the train for clues of the woman with a young musicologist, played by Michael Redgrave. "The Lady Vanishes" was a hit in London and did well in the U.S., being named the best film of the year by The New York Times.




5. “Foreign Correspondent” (1940)
Based on war journalist Vincent Sheean's political memoir, Personal History, the film was adapted by a handful of writers and starred Joel McCrea as the war correspondent. At the 1941 Academy Awards, "Foreign Correspondent" was nominated for six Oscars, including Best Picture. Hitchcock's acclaimed "Rebecca," however, wound up winning Best Picture. (Hitchcock lost Best Director that year to John Ford for "Grapes of Wrath.")





6. “Mr. and Mrs. Smith” (1941)
This screwball comedy, and the only pure comedy Hitchcock ever made, stars Robert Montgomery and Carole Lombard as the titular couple who fall into a misunderstanding. The film, however, has no relation to the Brad Pitt and Angelina Jolie action-comedy of the same name.




7. “The Skin Game” (1931)
Based on the play by John Galsworthy, "The Skin Game" is a story of a class feud between two families upset over the purchase of land in the countryside.




8. “Juno and the Paycock” (1929)
Based on the famous Irish play by Sean O'Casey, "Juno and the Paycock," also known under the title "The Shame of Mary Boyle," followed a family who came into a large inheritance only to soon forget the things they cared about most.




9. “Blackmail” (1929)
Hitchcock initially began making "Blackmail" as a silent film, but soon converted it to sound. The film follows a London woman who is blackmailed after she kills the man who attempted to rape her. Although the sound version of the film was released, the silent one still exists at the British Film Institute.




10. “Stage Fright” (1950)
Set in the London theater world, this crime film stars Marlene Dietrich as a singer, Richard Todd as a man suspected of murder and Jane Wyman as an aspiring actress. The film is also the acting debut of Hitchcock's daughter, Patricia Hitchcock.




11. “Jamaica Inn” (1939)
"Jamaica Inn" is based on the 1936 novel of the same name by Daphne du Maurier, the same author whose works were adapted for Hitchcock's "Rebecca" and "The Birds." The film stars Charles Laughton and Maureen O'Hara and followed a group of ship smugglers in 1800s London. It is also the last film Hitchcock made in U.K. before he came to the U.S.




12. “The Trouble With Harry” (1955)
This black comedy stars John Forsythe, Edmund Gwenn, Jerry Mathers and Shirley MacLaine (in her film debut), who each stumble across the dead body of Harry Worp. MacLaine's Jennifer, Harry's ex-wife, and Gwenn's Captain Wiles are both under the assumption that they somehow killed Harry, until everyone in the town becomes convinced they were involved in his death.




13. “Suspicion” (1941)
One of Hitchcock's better known American films stars Joan Fontaine as a young woman who marries Cary Grant's charming playboy. She soon grows suspicious that he's out to kill her for her money when his business associate suddenly dies. Fontaine went on to win the Best Actress Oscar for her role.



14. “Saboteur” (1942)
In this spy thriller, Robert Cummings' Barry Kane goes on the run once he's accused of killing his best friend in a factory fire. While fleeing from the police, he attempts to pursue the real saboteur while Priscilla Lane's blonde heroine tries to turn him into the authorities.




15. “The Paradine Case” (1947)
In this courtroom drama, produced by David O. Selznick, Gregory Peck stars as a British barrister defending Alida Valli's Anna, who is on trial for killing her wealthy husband. Throughout the case, Peck's character, who is married, falls deeply in love with Anna. Ethel Barrymore earned a Best Supporting Actress nomination for her role in the film.




16. “Under Capricorn” (1949)
The director's second film in Technicolor, following "Rope," "Under Capricorn" is set in 19th century Australia and starred Ingrid Bergman as an alcoholic with a dark secret. Joseph Cotton plays her husband, Sam Flusky, a businessman and possible murderer.




17. “I Confess” (1953)
Montgomery Clift stars as a Catholic priest who hears another man's murder confession. The priest soon becomes the suspect of the murder when he refuses to answer investigators' questions about it. Anne Baxter stars as the female lead, but Anita Björk was originally cast in the role before the studio insisted Hitchcock replace her because she had a baby out of wedlock.




18. “Topaz” (1969)
Based on Leon Uris' 1967 Cold War novel of the same name, Hitchcock's espionage thriller follows a French secret agent spying on Cuba before the Cuban Missile Crisis. The film is inspired by the real-life Sapphire Affair of 1962 and a handful of secret agents and army captains.




19. “Family Plot” (1976)
This dark comedy suspense film the very last film Hitchcock directed, and it follows a con artist and her personal investigator boyfriend who go searching for a missing heir and run into serial kidnappers. Although not a violent thriller, the film was still praised for its quintessential Hitchcockian attention to detail and tight narrative.



Bonus: Hitchcock Cameos

One of the most exciting parts of watching a Hitchcock film is trying to spot the director's famous, well-hidden cameos. If you're the lazy type who doesn't want to find them yourself, here's a compilation. Now you can point them out to your friends in your next Hitchcock marathon (which should happen ASAP).


The Book We're Talking About: 'Sweetness #9' By Stephan Eirik Clark

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Sweetness #9
by Stephan Eirik Clark
Little, Brown and Company, $26.00
Publishes August 19, 2014

The Book We're Talking About is a weekly review combining plot description and analysis with fun tidbits about the book.





What we think:

The innocent white packet spilling forth bright-pink sweetener on the cover of Stephan Eirik Clark’s debut novel, Sweetness #9, seems too insubstantial to bear the weight of an entire narrative; but as the book's epigraph from Ronald Reagan unnervingly notes, "All great change in America begins at the dinner table." The story of one artificial sweetener proves to be far less innocent than appearances might suggest.



Narrated by middle-aged flavor chemist David Leveraux, the novel begins with a long flashback to the protagonist’s heady first days in the animal testing labs of a flavor company in the 1970s. Artificial flavorings and additives were on the verge of a major boom, and clean-cut, conservative Leveraux is anxious to be a part of the scientific revolution of the American diet. Scarcely has he commenced his first job in the industry, however, than young Leveraux notices that the rats he’s testing appear to be having bizarre reactions to the artificial sweetener, Sweetness #9, being administered to them. Faced with unwillingness on the part of his superiors to report any result other than cancerous lesions in the rats, Leveraux must quickly decide how to act on what he’s seen -- and once he’s acted, how to manage the fallout to his budding career.



Years later, Leveraux, who has managed to follow a fairly conventional path as a flavorist despite the early blotch on his resume, must once again confront the disturbing and well-hidden truths he witnessed during his first months in a lab, and which he’s effectively forgotten about since. Though Sweetness #9 has, in the intervening decades, become pervasive in packaged food products in America, there are sudden grumblings of unpleasant health risks and a corporate cover-up, and Leveraux’s own outwardly perfect family may be at risk.



The pitch-perfect first half of the novel demonstrates that Clark is not only an adept stylist -- the pompous, slightly stilted tones of his narrator vividly evoke Leveraux’s stuffy, square conservative British expat -- but possesses a flair for pacing. The plot gently escalates from a simmer to a raging boil, gripping the reader with an ominous, creeping sense of danger; comparisons to Don Delillo’s White Noise aptly signal Clark’s ability to, like Delillo, cast fearful question onto the most basic and unavoidable structures of our daily modern lives (and hint at the deft homage to Delillo’s masterpiece built into the plot’s final turns).


Clark ultimately struggles to handle this build-up without sliding into an anticlimactic denouement, as plot turns begin to feel slightly unhinged and narration looser and rambling. With tensions at a fever pitch, it’s hard to feel satisfied with the ambling pace at which he moves toward the conclusion of the previously taut novel.


Sweetness #9 may falter at points, but it remains a solid entry in the tradition of literary fiction critiques of American consumerist culture -- a tradition of which Clark seems acutely aware. His prose is salted with references to his forebears (like a particularly on-the-nose allusion to the famous parenthetical “(picnic, lightning)” from Nabokov’s Lolita), which sometimes suggest a touch of creative insecurity. But if his first novel shows anything, it’s that Clark has little to be insecure about.


What other reviewers think:
Kirkus: "Clever writing balances out the conspiracy theories, but the fictional treatment of this issue leaves readers wondering about the facts."

Publishers Weekly: "The energetic mixture of laughter and revulsion, routine and invention, outrage and dismay, fact and fiction, skewer a food industry that provides neither food nor sustenance and damages us in ways we are just beginning to fathom."

Who wrote it?
Stephan Eirik Clark has written a short story collection entitled Vladimir’s Mustache. Sweetness #9 is his debut novel. Born in West Germany, he grew up in England and the United States. Clark teaches at Augsburg College in Minneapolis.

Who will read it?
Fans of dark comedy and dystopian satire. Also, readers who suspect there is a vast corporate conspiracy to poison consumers with artificial food additives.

Opening lines:
“When I say it all began with monkeys, I don’t mean to issue another rallying cry in the ongoing Culture Wars. I only mean to say it began in the Animal Testing labs at Goldstein, Olivetti, and Dark, to which I was shown after filing my thesis on the biophysics of brie and being graduated from the food science program at Rutgers University.”

Notable passage:
“As my breathing returned to normal, I found the courage to look, to really look at the monkey directly in front of me. It was akin to staring at a total lunar eclipse; it filled me with such dread and awe. You see, after almost four months of The Nine and all the bananas he could take, this monkey was pot-bellied and thick-limbed, sitting there with an oddly swollen face. His breathing slowed, became shallow. He looked through me, lost in an unblinking daze.”

Rating, out of ten:
7. Clark’s debut loses steam as it nears the conclusion, but his smart, clever prose and the thoughtful, terrifying questions he raises about how Americans eat now make the full read worth savoring.

Music Industry Considering Global Album Release Day To Cut Down On Piracy

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As reported by Billboard, the music industry is heavily considering instituting a global album release day, marking Friday as the official standard day across all countries. While it is speculated that this change will go into effect in July 2015, there is no proof yet of a definitive agreement within the industry.

The effort for a global street date was spurred by the industry's desire to cut down on piracy. As it currently stands, each country is permitted to pick their own release day. Since Australia switched their release day to Friday, releases in other countries -- Monday for the U.K., Tuesday for the U.S. -- have been greatly impacted by the widespread piracy.

While this streamlined release certainly seems for the best, Billboard notes that major artists will no longer be able to schedule "high-profile appearances" as their album's release in each country. Independent labels, meanwhile, prefer and a release day earlier in the week because "they feel it helps sell more CDs."

For much more on the potential change, please head to Billboard.
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